SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Young Leigh"/1) | (@(roleclean,performerclean) "Young Leigh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3681 matches on Performance Comments, 770 matches on Author, 694 matches on Performance Title, 627 matches on Event Comments, and 59 matches on Roles/Actors.
Event Comment: Mainpiece: By Desire. This Morning at Ten will be publish'd at 6d. An Epistle from Mr The. Cibber to David Garrick, Esq; to which are prefix'd some occasional verses, Petitions, &c.: @Lowliness is young Ambition's ladder,@Whereto the Climber upwards turns his face;@But when he once attains the upmost Round,@He then unto the ladder turns his back,@Looks in the clouds, scorning the base degrees@By which he did ascend.@Shakespeare@"Let them not say in their hearts, Ah, so we would have it; let them not say, we have swallow'd him up," Ps. XXXV. v.25. Printed for R. Griffiths. [A thirty-five-page apologia, and bitter attack upon Garrick for supposed complicity in prohibiting the license of the Haymarket to him.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Devil to Pay

Event Comment: Tomorrow Zara, Zara by a young Gentlewoman, who never yet appeared on any stage

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Double Disappointment

Dance: Granier, Miss Hilliard

Event Comment: Benefit for Miss Pond. Tickets to be had of Mr Pond, in Bridges St., Covent Garden, and of Mr Crudge at the stage door. [Possibly she was the Young Gentlewoman who played Zara 15 Dec.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Miss in Her Teens

Dance: As17551101

Event Comment: MMiss Young so hoarse she cou'd not sing one Song--Yet all went Calm (Cross). Books of the Masque will be sold at the Theatre. Receipts: #180 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: Britannia

Event Comment: Benefit Taswell, Rainton & Miss Young (Tickets) (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Genii

Dance: II: The Garlands, as17560213

Event Comment: Benefit for Holtom, Miss Young, Miss Ferguson, Mrs Stephens, Miss Helm, and Mr Jona. Tickets deliver'd by Redman, R. Smith, and Jarvis will be taken

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Wolsey-Mossop; Brandon-Jefferson; Old Lady-Mrs Bradshaw; Cranmer-Havard; Sandys-Philips; Lovell-Ackman; Guildford-Marr; Capucius-Scrase; Gardiner-Taswell; Surveyor-Simson; King Henry-Berry; Buckingham-Ross; Norfolk-Palmer; Surrey-Davies; Lord Chamberlain-Bransby; Suffolk-Blakes; Cromwell-Mozeen; Doctor Butts-Vaughan; Campeius-Burton; Ann Bullen-Mrs Jefferson; Queen-Mrs Pritchard; Patience (with song)-Miss [I] Young; With a Representation of the Coronation-; Ceremony of the Champion in Westminster Hall-.

Afterpiece Title: The Oracle

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Event Comment: Tormorrow Othello, Desdemona by a Young Gentlewoman, being her 3rd time of performing on any stage. N.B. The Comedy of Love for Love, which was to have been acted tomorrow for the Benefit of the Widow Ladbrooke, is, by her Deisre, deferr'd till further Notice

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

Event Comment: [K+King Richard III.] Containing the Distresses and Death of King Henry VIv, the artful acqusition of the crown by Richardv; the cruel murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv, and the Death of Richard in the Memorable Battle of Bosworth Fieldv; being the last that was fought between the Houses of Yorkv and Lancasterv; with many other historical passages

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: A Duke and no Duke

Dance: As17561217

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VIv ; the Artful Acquisition of the Crown by Richardv ; the Cruel Murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv ; and the Death of Richard in the memorable Battle of Bosworth Fieldv ; being the last that was fought between the Houses of York and Lancasterv ; with many other historical passages [a regular notice appearing with performances of this play]. Receipts: #118 18s. 6d. [Paid to] Lee one third of the surplus of this night's receipts over the charge of #100, #3 19s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Dance: Lucas, Miss Hilliard

Event Comment: With New Additions and Alterations. [On 1 March (Baker, Diary, p. 106) went to Handel's and heard the rehearsal by "Frasi, Miss Young als [alias], Miss Scott, Cassandra Frederick, Beard, Champness, Baildon."

Performances

Mainpiece Title: Judas Maccabaeus

Event Comment: The young gentleman who played the part of Valdore , being indisposed, makes it necessary to defer the new play of the Insolvent (designed for this day) till Thursday the 16th, when it will be performed with a variety of new entertainments as will be particularly specified in the bills. The part being a principal one, and of a considerable length (as the notice of the Gentleman's Indisposition is but just receiv'd) makes it impracticable to have it acted sooner. The tickets that could not come in on the first night for want or room will be admitted on Thursday

Performances

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Event Comment: OObrien did Brazen, for his first appearance, & met with great Applause (Cross). [See a two-column comment on The Recruiting Officer and O'Brien's acting in Theatre No II published in The London Chronicle, No. 277, 5-7 Oct., p. 343: "The character of Brazen never existed in human nature, but is merely the child of Farquhar's own licentious invention...and for this reason I imagined it impossible for any actor to appear to advantage in it, without having recourse to that buffoonery and grimace which has always been made use of by the most eminent to support it; but I was agreeably surprised to find myself mistaken: for the young gentleman who has now got it into his possession goes through the whole with a genuine comic spirit; and, by his peculiar method of acting it, in a great measure corrects the unnatural absurdity of the writer." Specific details of his acting as well as comments on other roles are given.] Receipts: #150 (Cross); #174 3s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Event Comment: LLucio by Mr O'Brien, (The young gentleman who perform'd Capt Brazen). Receipts: #160 (Cross); #167 2s. (Winston MS 8)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performance Comment: the young part of the company.

Dance: II: A New Dutch Dance, as17590515; III: A Hornpipe-Morris; concluding with: Country Dance-the characters

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: BBritish Chronicle, 8 Oct.: A young Lady from Jamaica, Miss Osborne, is to make her appearance at Drury Lane and Sheridan is also engag'd there

Performances

Mainpiece Title: None

Event Comment: Mainpiece: By Particular Desire. 3 of ye Young Princesses there-not in ye Bills. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Performance Comment: Bombasto, Signora Tambourina, Miss Karver, Miss Gaudry, a young Gentleman (1st appearance on the stage); Orations-Mrs Midnight; Instrumentals-the best performers With a band of originals, viz. Mynheer Broomsticado; Solo-Sg Twangdillo; and a Rhapsody on the Death of a late Noble Commander-Mrs Midnight.

Afterpiece Title: The Contest of Love and Glory

Event Comment: MMr Hartry is oblig'd to postpone his Comic Lecture...being engaged in making many alterations therein. The serious part will be consideredly shortened, some other pieces expunged, and many scenes of humour added, which he hopes will be entertaining. He is extremely troubled that anything in his Lecture on Tuesday should have given offence to any one person present, and is no less concerned that those Ladies and Gentlemen who were desirous to hear him perform (that part which appeared exceptionable to others) were disappointed. He is sorry there was any disaffection either way. He is not conscious of having attempted anything with an intention to offend, or that has not already been allowed of inclusion though more unpardonable. The foibles and peculations of private characters have been brought on the stage by others, those only of public men by him. He hopes it will not appear vain or arrogant to say that after such unequaled peals of applause which he met with for some time while uninterrupted, it would be paying an ill compliment to so crowded and brilliant an audience not to flatter himself will possessing some degree of merit: And if he afterwards failed in any or every particular it was altogether owing (notwithstanding the seeming spirit he assumed) to the confusion he was in at the Party Affair which followed. It was his first appearance in public, and in such a situation it is no wonder he was robb'd of his comic powers; but he hopes when his Lecture is alter'd there will be found in it nothing which can give offense, or deprive him of that generous indulgence to a young performer which characterizes a British audience. [No further performance of the Lecture seems to have been given.

Performances

Event Comment: [The following puff appeared in the Public Advertiser: "Yesterday about twelve the Races began on the Bowling Green, Southwark. There were several started for the Plate called Public Approbation, amongst the Rest was a celebrated Theatrical Horse, and two or Three Racers belonging to the same Stable, and some young Colts and Fillies, lately bred in the Stud of an eminent Sportsman in the Haymarket. The dispute laid principally between the noted Don Quixote and the Little Female Minor. The contest was warm, and several Heats were ran [a number of performances during the day?] before it could be decided; which at length was given by a small Majority of the Subscribers and the Clerk of the Course, in favor of the latter. However, her Antagonists being Bloed, they have challenged her to run again, play or pay, for three Days sucessively; and she will start This Day, tomorrow and Monday next, exactly at Twelve. Bets are laid, the Little Minor against the Field; and Eight to Six that in the end she distances the famous Old Horse, and beats him absolutely hollow."

Performances

Mainpiece Title: The Female Minor

Event Comment: A List of the Company Performers etc.@Actors Messrs Ross #1 6s. 6d.@Sparks #250 #1 8s.@Dyer #180 #1@Smith #1 8s.@Shuter #1 6s. 8d.@Ridout #180 #1@Clarke 16s. 8d.@Collins 13s. 4d.@Dunstall 13s. 4d.@Bencraft #100 12s.@Barrington #100 12s.@Gibson 10s.@Marten 6s. 8d.@Costollo 6s. 8d.@Anderson 6s. 8d.@Hull 6s. 8d.@Wignell 5s.@Bennet 5s.@Redman 4s. 2d.@Holtom 5s.@Buck 4s. 2d.@Perry 4s. 2d.@Stoppelaer 3s. 4d.@R. Smith 3s. 4d.@Giffard 3s. 4d.@Creswick 3s. 4d.@Gibbs 3s. 4d.@Weller 3s. 4d.@C. Smith 2s. 6d.@Blakey 2s. 6d.@Davis 5s.@Actresses Misses Ms Macklin #300 #1 13s. 4d.@Ms Ward #1 6s. 8d.@Ms Hamilton #1 10s.@Ms Elmy 13s. 4d.@Ms Vincent 13s. 4d.@Ms Green 11s.@Ms Pitt 10s.@Ms Dyer #70 7s. 8d.@Ms Barrington 6s. 8d.@Ms Baker 6s. 8d.@Ms Morrison 5s.@Ms Ferguson 5s@Ms Stephens 5s.@Ms Helm 4s. 2d.@Ms Mullart 3s. 4d.@Ms Sledge 3s. 4d.@Ms Copen 3s. 4d.@Ms Burden 3s. 4d.@Ms Davis 3s. 4d.@Ms Cokayne 3s. 4d.@Ms Allen 2s. 6d.@#9 19s. 4d. Actors #15 10s. 10d.@#25 10s. 2d.@Singers Men Messrs Beard #210 #1 3s. 4d.@Mattocks 10s.@Baker 6s. 8d.@Legg 5s.@#2 5s.@Singers Women Mrs Ms Lampe 13s. 4d.@Ms Brent 13s. 4d.@Ms Young 10s.@Ms Abegg 5s.@#2 1s. 8d.@Men Singers #2 5s.@#4 6s. 8d.@. Dancers Men Messrs Poitier Sr #80 8s. 10d.@Maranesi #150 16s. Sd.@Poitier Jr #150 16s. 8d.@LaLauze #100 12s.@Miles 10s.@Granier 10s.@Desse 6s. 8d.@Rochford #50 5s.@Dumay 5s.@Gosly 5s.@Baltazer 5s.@Dufour 5s.@Lassy #35 3s. 8d.@#5 9s. 6d.@Dancers Women Mrs Capdeville #150 16s. 8d.@Ms Maranesi #120 13s. 4d.@Ms Vernon 10s.@Ms Granier 6s. 8d.@Ms Jansolien 6s. 8d.@Ms Mariane #50 5s.@Ms Welch #35 3s. 8d.@Ms Craford #35 3s. 8d.@Ms White 3s. 4d.@Ms Dause 3s. 4d.@Ms Vallois 2s. 6d.@#4 4s. 10d. Men Dancers #5 9s. 6d.@#9 14s. 4d.@Mrs P. R. 10s.@Ms S. B. 6s. 8d.@Ms Bambridge 1s. 8d.@10s. 4d.@Prompters etc. Mr Stede 10s.@Young 5s.@Robertson 1s. 6d.@16s. 6d.@Painters Messrs Lambert #100 12s.@Dall #100 12s.@Austin 2s.@#1 6s.@ Servants numberers Stables 5s.@Housekeeper Sarjant #40 4s. 6d.@Wardrobe Whitefield #30 3s. 4d.@Officekeeper Ballard 3s. 4d.@Pearson 2s. 6d.@Box office Carne 2s. 6d.@Davis 2s. 6d.@Assistants Baker 2s. 6d.@Etherington 2s.@Lobby Door Goode 2s.@Ruby 2s.@Evans 2s.@Condell 2s.@Box Keepers Ansell 2s.@Letsam 2s.@Vaughan 2s.@Green 2s.@Potter 2s.@Pit Office Henning 2s.@Wilford 1s. 8d.@Toten 1s. 8d.@Pit Door Keepers Ross 1s. 8d.@Clingo 1s. 8d.@Ass. Office Clarke 1s. 8d.@1 Gal. Office Slater 2s.@Doorkeeper Rawlinson 1s. 8d.@2 Gal. Office Derby 2s.@Doorkeeper Seymour 2s.@Constable Barnes 2s.@Featherman Scott 1s. 8d.@Porter Besford 2s.@#3 9s. 10d.@Women Dressers #1 2s. 8d.@Charwomen 12s. 10d.@#5 5s. 4d.@Women Dressers Mrs Goold Wardrobe Keeper 3s. 4d.@Asst. Do Ms Wignell 2s. 6d.@Do Ms Paddick 1s. 8d.@Ms C. White 1s. 6d.@Ms Hales 1s. 6d.@Ms Martin 1s. 6d.@Ms Potts 1s. 6d.@Ms Wallis 1". 6d.@Ms Broad 1s. 6d.@Ms Gwynn 1s. 6d.@Ms Whitfield 1s. 6d.@Ms Buck 1s. 6d.@#1 2s. 8d.@Charwomen Mrs Brooks 1s. 2d.@Ms Hanmore 1s.@Ms Warwick 1s.@Ms Byrn 1s.@Ms Niblett 1s.@Ms Hollingsworth 1s.@Ms Barron 1s.@Ms Rumsey 1s.@8s. 2d.@Lampman Smith, Jo. 1s. 8d.@Sweeper Cawder, Jo. 1s. 6d.@Candleman Carter 1s. 6d.@12s. 10d.@Performers Sallerys #25 10s. 2d.@Singers Do #4 6s. 8d.@Dancers Do #9 14s. 4d. 18s. 4d.@Prompters Do 16s. 6d.@Painters Do #1 6s.@Servants Do #5 5s. 4d.@#47 17s. 4d.@Nightly Charges as per estimate #36 1s.@#83 18s. 4d.@--British Museum Egerton MS 2271.

Performances

Mainpiece Title: Comment Continued