Event Comment: Benefit for Hull. Mainpiece [a tragedy by Thomas Hull, based upon the version by William Hawkins, 1749, suggested by William Shenstone, and instigated by the presence of Mrs Hartley among the actresses at cg]: Never acted before. Characters to be dressed in the Habits of the Times (playbill). Charges #64 5s. Profit to Hull #50 13s. 6d., plus #75 6s. from Tickets (Box 165; Pit 171; Gallery 84) (Account Book). Receipts: #114 18s. 6d

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Event Comment: Mainpiece: Never performed. Founded [by Thomas Hull] on a Play wrote by the late Sir Samuel Tuke [Adventures of Five Hours]. The Afterpiece: A Masque (perform'd but once) [by Thomas Hull], With New Music, Dresses and Scenery. The Music by Mr Bach. Books of the Masque to be had at the Theatre. Paid for The Perplexities #2 2s. (Account Book). Receipts: #226 16s. (Account Book)

Event Comment: Benefit for Mrs Barry. Mainpiece [1st time; T 5, as altered by Thomas Hull]. Translated from [Iphigenie en aulide, by] Racine by Boyer. Part of the Pit will be laid into the Boxes. Ladies are desired to send their Servants by Four o'Clock. Public Advertiser, 18 Mar.: Tickets to be had of Mrs Barry, No. 26, Henrietta-street, Covent Garden. Receipts: #273 19s. 6d. (157.18.6; tickets: 116.1.0) (charge: #70 17s. 6d.)

Event Comment: Benefit for Hull. Mainpiece: Hull's "Alteration with Additions" to Shakespeare's Comedy of Errors. Not acted these 30 years. [See 9 Oct. 1734, according to Genest, IV, 653.] No Building on Stage. [This alteration acted but once, not printed. Done again 1779, and printed in 8vo 1793 under title Comedy of Errors. [See Hogan, II, 151.)

Event Comment: Sixth Day. For the Author. Charges #85 5s. Balance due to author #41 14s. (Account Book). [This balance was paid to Thomas Hull on 9 Feb.] Receipts: #126 19s. (Account Book)

Event Comment: The Eight Day. For the Author of the Masque. Being the last time of performing it [the afterpiece]. Charges #85 15s. Balance to Hull #51 9s. (Account Book). [This balance was paid him the next night.] Receipts: #137 4s. (Account Book)

Event Comment: Benefit for Hull. Mainpiece: Not acted this season. Charges #65 17s. Deficit to Hull #17, covered by #121 3s. from tickets (Box 233; Pit 280; Gallery 209). Paid Hull for The Garland, The Spanish Lady and Altering the Comedy of Errors #50. Paid Miss Mary Twist and Miss Charlotte Twist for walking 12 nights in Man and Wife #1 10s. apiece (Account Book). Receipts: #48 17s

Event Comment: Benefit for Hull. Mainpiece: Reviv'd not acted for 30 years [see 21 Jan. 1742]. [Bell's Shakespeare, 1773 (probably revised by Hull) has same cast plus some additions. See Hogan.

Event Comment: Benefit for Hull. Mainpiece: By Particular Desire, and for the only time this season, acted but once these 30 years. [See 24 April 1771.] Charges #65 15s. 6d. Deficit to Hull 9s. 6d., covered by #64 from tickets (Box 118; Pit 154; Gallery 114). Paid Mrs Carne half year's salary to Lady Day last #15 (Account Book). Receipts: #65 6s. (Account Book)

Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Event Comment: Benefit for Hull and Macready. 1st piece: In Act IV a Martial Procession with the Body of Marcus. 2nd piece [1st time: M. INT 1, author unknown. Larpent MS 1173; not published]: With appropriate Scenery and Dresses. The Music selected from Boyce, Purcell, Reeve and Shield. Morning Herald, 31 May: Tickets to be had of Hull, No. 7, Duke's-court, near Dean's-yard, Westminster; of Macready, No. 22, Charles-street, Tottenham-court-road. Receipts: #314 3s. (112.9.0; 4.14.6; tickets: 196.19.6, of which Hull sold 70.12.6, and Macready 126.7.0)

Event Comment: Benefit for Hull and Costollo. No Building on Stage. Receipts: #39 19s. Charges #64 5s. Deficit to each #11 10s. 6d., covered by income from tickets: Costollo #93 6s. (Boxes 102; Pit 288; Gallery 246); Hull #47 (Boxes 73; Pit 162; Gallery 47). Total income #180 5s

Event Comment: Benefit of Mattocks and Hull. Tickets deliver'd for The Busy Body will be taken. No Building on Stage. [Playbill suggests Beard and Mattocks took the parts of Sailor and Squire for the 1st time this night. According to Genest they had performed them since 28 Nov. 1760, i.e., for 23 times this season. Possibly their parts were originally reversed.] Receipts: #79 17s. 6d. plus income from tickets: Mattocks #40 6s. (Box 37; Pit 159; Gallery 72); Hull #42 1s. (Box 80; Pit 111; Gallery 54) (Account Book). Charges: #64 6s. (Account Book)

Event Comment: Benefit for Hull. Afterpiece: Translated (with alterations) from Detouches. Never perform'd before. Translation by Thomas Hull (Biographia Dramatica)

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Event Comment: Benefit for Mrs Jackson. Mainpiece [1st time in London; T 5, by John Jackson, 1st acted at Crow Street Theatre, Dublin, 13 Jan. 1777, as Gerilda. Larpent MS 448, which also lists the following unassigned parts: Halard, Bragances, Setoc, Bruno, Grindal, Clara. Authors of Prologue and Epilogue unknown]. [Robinson, who is identified in Morning Chronicle, 6 May, was from the Smock Alley Theatre, Dublin.] Account-Book, 4 May: Paid Hull in lieu of a Benefit #100. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Jackson, Great Piazza, Covent Garden. Receipts: #188 15s. 6d. (99.19.6; tickets: 88.16.0) (charge: #105)