SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Potter"/1) | (@(roleclean,performerclean) "Potter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 35 matches on Event Comments, 10 matches on Roles/Actors, 2 matches on Performance Comments, 1 matches on Author, and 0 matches on Performance Title.

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.

Performances

Mainpiece Title: Aureng-zebe; Or, The Great Mogul

Performance Comment: Emperor-Mills; Aurenzebe-Wilks; Morat-Bridgwater; Arimant-W. Mills; Nourmahal-Mrs Potter; Indamora-Mrs Oldfield; Melesinda-Mrs Cibber; Zayda-Mrs Butler.
Cast
Role: Nourmahal Actor: Mrs Potter

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Event Comment: A New Ballad Opera. [By Henry Potter.

Performances

Mainpiece Title: The Decoy; Or, The Harlot's Progress

Related Works
Related Work: The Decoy; or, The Harlot's Progress Author(s): Henry Potter

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Comedy of Errors

Song: In III 2nd piece: song in character-Mrs Clendining

Performances

Mainpiece Title: The Raft

Afterpiece Title: Rule a Wife and Have a Wife

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Lie of the Day; or, A Party at Hampton Court

Performances

Mainpiece Title: The Raft

Afterpiece Title: Raymond and Agnes

Dance: 3rd piece to conclude: as17980430

Performances

Mainpiece Title: Aureng-zebe

Cast
Role: Nourmahal Actor: Mrs Potter
Event Comment: Benefit for Vaughan, Condell, Letsam, and Potter, (box-Keepers). Receipts: #21 19s. plus #211 from tickets: Vaughan #64 19s. (Box 123; Pit 174; Gallery 81); Condell #65 18s. (Box 107; Pit 211; Gallery 75); Letsam #36 (Box 72; Pit 64; Gallery 84); Potter #44 3s. (Box 55; Pit 128; Gallery 112). [To make up the #70 receiv'd by the house, Vaughan and Condell each put in one-third (#16 4d. a piece), and Letsam and Potter each put in one-sixth (#8 2d. apiece). Vaughan, Condell, and Potter each receiv'd this night #10 "for attendance at ye boxes this season (Account Book).] Receipts: #70 (Account Book)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Flora

Dance: LLast New Comic Dance-Maranesi, Mlle Capdeville

Event Comment: Benefit for Condell, Potter and Eddis (playbill). [Account Book lists only Condell and Potter.] Charges #81 10s. Deficit to Condell and Potter #49 10s. 6d. covered by #97 10s. to Condell from tickets (Box 248; Pit 194; Gallery 64) and #73 14s. to Potter from Tickets (Box 159; Pit 157; Gallery 104). Paid Richard Richardson for the Purchase of the Fee Farm of three Houses on the West Side of Bow St. subject to 40s. a year payable to the Duke of Bedford...#1800. Receipts: #31 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Royal Chace

Dance: II: The Merry Sailors, as17671009

Event Comment: By desire. [N.B. John Potter's letter of 18 Jan. is repeated in the General Advertiser for this day. Also further statements by Potter and Foote concerning the use of Mr Lewis's name (Potter's attorney).] Receipts: #120 (Cross); #103 4s. 6d. (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Evans, Letsam, Potter (boxkeepers) and Stede. Tickets delivered out for The Rover will be taken. Receipts: #18 5s. 6d. in cash. Charges #44 2s. 9d. plus 1!2 value of tickets: @Tickets Evans Box 299@Pit 144@Gallery 136@Value #109 19s.@1!2 Value @Tickets Letsam Box 45@Pit 46@Gallery 50@Value #23 3s.@1!2 Value #11 11s. 6d.@Tickets Potter Box 28@Pit 58@Gallery 79@Value #23 12s.@1!2 Value #11 16s.@Tickets Stede Box 12@Pit 94@Gallery 84@Value #25 10s.@1!2 Value #12 15s.@Total Box 384@Pit 342@Gallery 349@Value #182 4s.@1!2 Value #36 2s. 6d.@Evans was charged #25 17s. 3d.@Money #18 5s. 6d.@Rec'd to Rich #80 5s. 3d.@Paid Evans for his attendance #10

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Flora

Song: Lowe

Dance: III: A Comic Dance-Granier, Miss Hilliard; End: The Lamp Lighters, as17600318

Event Comment: Benefit for Vaughan, Condell, Potter (box-keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. [Deficit to each beneficiary #9 10s. 10d., covered by income from tickets: Vaughan #50 13s. (Box 106; Pit 101; Gallery 90); Condell #81 3s. (Box 206; Pit 145; Gallery 79); Potter #60 6s. (Box 126; Pit 145; Gallery 138).] (Account Book). Receipts: #52 12s. 6d. (Account Book)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

Dance: III: New Pantomime Ballet(4th time)-Mas. Blurton, Miss Besford, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Benefit for Condell, Potter (box-keepers) and Eddis. Tickets sold at the door will not be admitted. Tickets deliver'd for the Conscious Lovers will be taken. Charges #83 11s. 6d. Deficit to beneficiaries #27 10s., covered by income from tickets: Condell #84 7s. (Box 225; Pit 140; Gallery 71); Potter #60 7s. (Box 142; Pit 93; Gallery 109); Eddis #52 9s. (Box 118; Pit 153) (Account Book). Paid Miss Morris in Full for her performance this season #50 (Account Book). [But see note 1 May.] Receipts; #56 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Citizen

Dance: III: A Pantomime Dance-Fishar, Miss Capon

Event Comment: Benefit for Condell, Potter, Hussey. Tickets sold at the Doors will not be admitted. Charges #81 10s. Deficit to the beneficiaries #18 1s. 10d. apiece. Covered by income from Tickets: Condell #71 12s. (Box 186; Pit 122; Gallery 68); Potter #48 14s. (Box 116; Pit 74; Gallery 86); Hussey #64 4s. (Box 118; Pit 152; Gallery 119); Walters, Dixon, Reed, and Wooley paid up half values of tickets (Account Book). Receipts: #24 4s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: I: A Hornpipe-Dyer (Scholar to Fishar); III: The Irish Lilt, as17700402 End: A Minuet-Hussey, Miss Twist

Event Comment: Benefit for Condell, Potter and Evans (box-keepers). Charges #81 5s. Deficit to the Box Keepers #14 7s. 6d. apiece, cover'd by income from tickets: Condell #67 3s. (Box 169; Pit 116; Gallery 75); Potter #56 (Box 116; Pit 102; Gallery 117); Evans #83 13s. (Box 151; Pit 228; Gallery 117). Paid Cooper (printer) #33 10s. 6d.; Paid Richards (painter) as per bill #6 16s. 6d.; Paid Dr Arne for composing two songs one in Comus, the other in Twelfth Night #6 6s. (Account Book). Receipts: #38 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Upholsterer

Dance: IV: The Lilt, as17720326

Event Comment: Benefit for Condell, Evans and Potter (Box-keepers). Doors open at 5 o'clock. To begin exactly at 6 o'clock. Charges #81 5s. Deficit to each #12 2s., cover'd by income from tickets: Condell, #76 10s. (Box 210; Pit 124; Gallery 54); Potter, #39 7s. (Box 66; Pit 75; Gallery 116); Evans, #88 5s. (Box 180; Pit 215; Gallery 110). Paid Partridge (hosier) #16 1s. Receipts: #44 19s. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Upholsterer

Dance: End: A Comic Dance-Aldridge, Mrs Stephens

Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Performances

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: Letter from John Potter, Proprietor of the New Theatre in the Haymarket, to the author of the General Advertiser: As the resentment of the Town for the disappointment of the performance advertised to be exhibited at my theatre on Monday last, shall fall entirely upon me, I hope I may be allowed to acquaint the public with the nature of my case. [Suggests he should not be to blame for misbehavior of any person who hired his house, that he had some apprehensions in this case, but that the Bottle Conjurer paid the rent in advance and agreed to have a House officer in the box office to return the money if the audience was displeased.] All the caution above mentioned was taken, and the money locked up in the office, guarded by persons of reputation, who would have returned it, and publicly on the stage told them, that if the person did not appear, their money should be return'd. But instead of complying with that offer, my House was pulled down, the Office broken open, the money taken out, and the servants oblig'd to fly to save their lives. I hope therefore this may be deem'd a sufficient justification in my behalf, and all that could be reasonably expected from me; and that those gentlemen who are conscious of having injured me, will be so generous as to make me a reasonable Satisfaction, considering the damage I have suffer'd, which in a moderate computation will amount to upwards of four thousand pounds. This day is Publish'd, at 1s. Lethe, a Dramatic Satire, by David Garrick as it is perform'd at Drury Lane. By Paul Vaillant, facing Southampton Street in the Strand. [A letter from Samuel Foote to the Author of the General Advertiser clears himself from any imputation of confederacy in the Bottle Conjuror fraud. See also my Introduction, note 103.] Receipts: #100 (Cross); #119 2s. 6d. (Powel)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Lethe

Music: I: A Piece of Music-the Child

Dance: II: New Scotch Dance-Cooke, Ann Auretti

Event Comment: By desire. Paid Powney (Stationer) #6 7s.; Smart (Laceman) #49 7s; Cole (Turner) #8 18s.; Carr & Company #29 8s.; Potter (Hatter) 15s.; Clutterbuck [financier] #72 10s.; Fryar (Hosier) #10 9s.; Norton for Music #4 1s.; for Printing 400 card tickets 4s.; Burton for writing #1 2s. 3d.; Cross for writing 4s. (Treasurer's Book). Receipts: #160 (Cross); #151 9s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Intriguing Chambermaid

Event Comment: By Particular Desire. For Mr Garrick's Benefit (Tho not in the Bills) (Cross). Paid Potter (Hatter) #7 3s.; Powney (Stationer) #3 8s.; Cross for Licenser #2 2s. (Treasurer's Book). Receipts: #220 (Cross); #199 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: A Duke and no Duke

Dance: AAcis and Galatea, as17491130, but MacNeale, Pelling, Shawford, Mlle Mariet, Mlle Memi omitted

Event Comment: Benefit for Box-Keepers, Vaughan, Green, and Potter

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: CComic Dance, as17580417