Event Comment: Paid Mrs Lowe@and@Co. (glaziers) #17 11s. 6d.; Hatsell, (mercer) #142 3s.; Scott (copper laceman) #16 11s.; Marshall & Co., (plumbers) #27 8s.; Ireland (upholsterer) #43 4s.; Stacy (colourman) #18 16s.; Gardner (shoemaker) #36 11s.; Barrow & Co. (oil) #103, 13s.; Thomson (smith) #27 8s.; Cubitt (tinman) #24 15s. Receipts: #143 5s. (Treasurer's Book)

Event Comment: Benefit for Davies, bookseller, and Mrs Davies, who formerly belonged to this Theatre, and who have sustained misfortunes in trade. Public Advertiser, 20 May: Tickets to be had of Davies, Great Russel-street, Covent Garden. Receipts: #198 9s. 6d. (69.14.0; 17.10.0; 0.13.6; tickets: 110.12.0) (charge: #64 4s.)

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Event Comment: MMrs Davies from Ireland play'd Lady Easy, a pretty Figure-toll: [erable]. Receipts: #140 (Cross)

Event Comment: [The Public Advertiser lists Phebe-$Mrs Davies.

Event Comment: Benefit for Vernon. Rec'd Mrs Johnston's rent 1 year to Lady Day #6. Paid Powney (stationer) #7 2s. 6d.; Ray (linen draper) #25 6s. 6d.; Vaughan (haberdasher) #4 10s. 6d.; Norfolk (glazier) #2 3s.; Barrow and Co. Oil #54 15s. 6d.; Pryer (turner) #5 18s. 6d.; Carter (scowerer) #9 8s. 6d.; Evans for Spermacetti Candles #5; Watch Rate half year #18 15s.; Cubit (tinman) #2 6d. Receipts: #160 10s. Charges: #66 16s. Profits to Vernon: #93 14s. (Treasurer's Book)

Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Event Comment: Juliet by Mrs Robinson--a genteel Figure--a very tolerable first Appearance, and may do in time. [Note added by J. P. Kemble: Mrs Mary Robinson, whose maiden name was Darby, died Dec. 26, 1800 at Englefield Green. See her Life, of which the first part, namely as far as to her Acquaintance with the Prince of Wales, was written by herself] (Hopkins Diary). Receipts: #170 8s. (133.15; 31.15; 4.18)

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Event Comment: Benefit for Mrs Pritchard

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Public Advertiser, 14 Apr.: Tickets to be had of Mrs Bradshaw, No. 93, near Craven Buildings, Drury-lane; of Mrs Love, at Booth's, Brownlow-street, Long-acre; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #166 4s. (65.16; 13.14; 0.0; tickets: 86.14) (charge: #65 6s. 6d.)