SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mallet"/1) | (@(roleclean,performerclean) "Mallet")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 32 matches on Author, 11 matches on Event Comments, 0 matches on Performance Title, 0 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Related Works
Related Work: Elvira Author(s): David Mallet

Afterpiece Title: The Male Coquette

Event Comment: Never Acted before. [By David Mallet.] With New Scenes and New Habits. [For a brief puff of the play, see Daily Journal, 20 Feb.

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet
Event Comment: See letter of Aaron Hill to Mallet, 23 Feb., in Hill, Works, I, 97-100

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet
Event Comment: Benefit Mrs Arne. An Historical Musical Drama. The Musick composed by Command of his Royal Highness the Prince of Wales, and never perform'd in England, but at his Royal Highnesses Palace at Cliefdon. The Poem was written by Mr Thompson and Mr. Mallet. The Musick by Mr Arne. To conclude with a Celebrated Ode in Honour of Great Britain in imitation of those formerly sung at Banquets of Kings and Heroes. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. The above Day is fix'd on to avoid interfering with Mr Handel. Mrs Arne hopes humbly the Town will not be offened at this small advance of the Price, this performance being exhibited at an extraordinary expence, with regard to the number of Hands, Chorus singers, building the stage, and erecting an organ; besides all other incidentals as usual. Ladies desired to send servants by 4 o'clock. Tickets of Mrs Arne, next door to the Crown in Great Queen St, by Lincoln's Inn Fields, and places taken of Hobson at the stage Door, with whom Tickets are left

Performances

Mainpiece Title: Alfred The Great, King Of England

Related Works
Related Work: Alfred the Great, King of England Author(s): David Mallet
Event Comment: Dull (Cross). [For alleged reason, see Biographia Dramatica, wherein Mallet blamed actors' negligence regarding pathos.] Not acted in 24 years. Revised by the author. No admittance behind scenes. Full Prices. Receipts: #190 (Cross); #189 15s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Ballet: TThe Prussian Camp. As17581214

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: Cephalus and Procris

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: Cephalus and Procris

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: Cephalus and Procris

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: Cephalus and Procris

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: The Lovers Opera

Song: Signora Meriggi's Favourite Song in Porus-Miss Raftor

Dance: TTambourin Dance-Miss Robinson; English Maggot-Rainton, Mrs Walter

Performances

Mainpiece Title: Alfred, A Masque

Related Works
Related Work: Alfred, a Masque Author(s): David Mallet
Related Work: Alfred the Great, King of England Author(s): David Mallet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: The Devil to Pay

Ballet: TThe Prussian Camp. As17581214

Performances

Mainpiece Title: Eurydice

Related Works
Related Work: Eurydice Author(s): David Mallet

Afterpiece Title: The Chaplet

Ballet: II: The Prussian Camp. As17581214

Performances

Mainpiece Title: Elvira

Related Works
Related Work: Elvira Author(s): David Mallet

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Elvira

Related Works
Related Work: Elvira Author(s): David Mallet

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Elvira

Related Works
Related Work: Elvira Author(s): David Mallet

Afterpiece Title: Catharine and Petruchio

Performances

Mainpiece Title: Elvira

Related Works
Related Work: Elvira Author(s): David Mallet

Afterpiece Title: High Life below Stairs