Event Comment: The Duke's Company. Pepys, Diary: Away to my wife at the Duke of York's house, in the pit, and so left her; and to Mrs Pierce, and took her and her cozen Corbet, Knepp and little James, and brought them to the Duke's house; and, the house being full, was forced to carry them to a box, which did cost me 20s., besides oranges, which troubled me, though their company did please me. Thence, after the play, stayed till Harris was undressed, there being acted The Tempest, and so he withall, all by coach, home

Event Comment: Richard ye Third. Coriolanus. Andronicus. Julius Ceaser. The Moore of Venice [Othello]. Anthony & Clopatra. Cymbelyne. The Doubtfull Heire [Rosania; or, Love's Victory, by James Shirley]. The Impostor. The Brothers. The Sisters. The Cardinall. The Duke of Lerma. The Duke of Millan. Alphonso. The vnnaturall Cumbat. The Gardian. Aglaura. Arviragus & Philitia 1st pt. Arviragus & Philitia 2d pt. The Spartan Ladyes. The Bashfull Lover. Bussy D'Amboys. Brenoralt [or, The Discountented Colonel]. Country Captaine. The Variety. The Emperour of ye East. The Deserveing ffavorett. The Goblins. The ffatall Dowry. The Lost Lady. The Devell of Edmonton. More Desemblers then Weomen. The Mayor of Quinborough. The Northen Lasse. The Novella. Osmond ye Great Turke [or, The Noble Servant]. The Roman Actor. The Widdow. The Widdows Teares

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Event Comment: On this date, James Vernon, writing to Sir Joseph Williamson, reported: Senior Scaramouchio and his band have begged his Majesty's leave to returne, theire affaires requiring their presence att home (Letters to Sir Joseph Williamson at Cologne, Camden Society, I, 179)

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Event Comment: The King's Company. This performance is known from a document in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 26, and in Fitzgerald, A New History, I, 145. This document lists the receipts and attendance: The King's box, #1 10s., possibly six persons; Mr Hayles' boxes, #2 16s., possibly 14 persons; Mr Mohun's boxes, #3 16s., possibly 19 persons; Mr Yate's boxes, #1 15s. 6d., possibly 9 persons; James' boxes, #2 4s., possibly 11 persons. Mr Kent's pit, 112 persons; and Mr Britan's pit, 79 persons; a total of 191 persons paying #23 17s. 6d. Mr Bracy's gallery, 100 persons; Mr Johnson's gallery, 44 persons; a total of 144 persons, paying #10 16s. Upper Gallery, 119 persons, paying #5 19s. Mrs Kempton (upper gallery?), 5s. The house rent is listed as #5 14s. The attendance appears to total at least 513 persons. Compare these data with those for 12 Dec. 1677

Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Event Comment: According to Anthony Aston, A Brief Supplement to Colley Cibber (in Cibber, Apology, ed. Lowe, II, 314-15) Joseph Haynes had a booth at Bartholomew Fair and presented this droll in the first year of James II's reign

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Event Comment: The United Company. This performance is known from a playbill. See Eleanore Boswell, A Playbill of 1687, Library, 4th Series, XI (1931), 499-502, and Cecil Price, A Playbill, c. 1686, Notes and Queries, Vol. 194 [1949), p. 519. The bill Price saw is in the State Papers James II, 31@3, ff. 215-16, among documents referring to 1686, but the date and day of the week point to 1687. The bill reads: At the Theatre Royall this present Tuesday being the Twenty second day of February will be presented, A Play called, A King, and No King. Beginning Exact...t Four of the Clock....their Majesties Servants. VIVAT REX

Event Comment: The United Company. A somewhat puzzling entry in the Reverend Robert Kirk's description of London in 1689 implies a performance of The Committee undertaken but not completed: At a play in Whitehall King Charles, his trage-comedy, when the actors were come to that part of seducing King Charles II, some Williamites in the pit below hissed at it (as if the play had meant the like of King James in Ireland). At this there sprang such huzzas and holloes above applauding that part of the play, that it was in a confusion, and they durst pursue it no further, lest the two parties made violence one upon another. Two or three noblemen were remarked to be forward in the acclamations of joy, and therefore are looked on as Jacobites. The Play's name is The Committee, November 28, 1689 (Transactions of the London and Middlesex Archeological Society, New Series, VI, 655)

Event Comment: Betterton's Company. James Brydges, Diary: About 2. I came home to dinner, where I found Lady Hussy, & Cozzen Betty, & Mrs Howard, about 5. After dinner I went to Lord Pembroke's who being abroad, I went to Lord Arundell of Treryce, who not being at home, I went to Ld. Allinton's, but he not being within, I went to Mr Pitts, who being abroad, I went to ye Dean of Peterborough's but he being at church I went to ye playhouse in Lincolns inn fields, where I met Dr Davenant & Ld. Rumny (Huntington MS St 26)

Event Comment: Betterton's Company. James Brydges, Diary: To ye playhouse in Lincolns inn fields, where I met Lds Henry Cavendish, Grey of Ruthia, & Abergavenny (Huntington MS St 26)

Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Event Comment: Rich's Company. James Brydges, Diary: I went & lookt in at ye Playhouse [dl?], Greenwich park being acted. I staid not an act, but went hence to Tom's Coffeehouse (Huntington MS St 26)

Event Comment: London Gazette, No 3346, 2-6 Dec. 1697: The Song Composed by Mr Jeremiah Clark, and Sung on St Cecilia's day will be performed on Thursday next, at Mr Hickford's Dancing-School in Panton-street, or in James-street over against the Tennis Court, just by the blue Posts, there being a door out of each street to the Room; and for the benefit of the said Mr Clark and Mr Le Riche, late Stewards of the said Feast, the Musick begins at 8. [See 22 Nov. 1697.

Event Comment: According to the Flying Post, 18-20 Oct. 1698: On Tuesday October 18, 1698, the Penny Lottery began at the Theatre Royal in Dorset Garden with the first draw. [On 28 Sept. 1698 James Brydges, Diary reported that he had gone into dg to see the "engine" for the lottery.] The Post Boy, 18-20 Oct. 1698: There is now Acting at the Theatre Royal in Dorset Garden a Tragy-Comedy called The Wheel of Fortune, or The Fools Expectation. And 'tis thought the Author will have a good Sixth Day. According to the Post Boy, 20-22 Oct. 1698: On Monday next will be publish'd, a Comical and Satirical Prologue and Epilogue, intended to be spoken at the Acting of the new Invented Farce, call'd, the Wheel of Fortune, or the Fools Expectation. [The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 305-10.] It seems probable that the lottery was dignified, for satiric purposes, by being given the title of a play, with a satirical Prologue and Epilogue. Post Man, 20-22 Oct. 1698: The Entertainment performed at the Theatre Royal in Dorset Garden, at drawing the Lottery, called the Wheel of Fortune; being the Speeches addrest to the Spectators, as Prologues and Epilogues. During a Symphony of Musick the Curtain rises slowly, and discovers two wheels upon the Stage; then two Figures, representing Fortunev and Astraea the Goddess of Justicev, descend over each Wheel, in two rich Chariots gilt with Gold

Event Comment: Alice Baxter, September 1699: I believe shall be on Munday at a ball at St. James, where, as they tell me, ther is a famose new danser to apere, which is to charme us all, but not make amends for ye loss of Mrs Ibbings (Evans?) who danced at Lincolns Inn Field and is lately dead (Hatton Correspondence, Camden Society, XXIII [1878], 240)