SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C and G Kearsley"/1) | (@(roleclean,performerclean) "C and G Kearsley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1504 matches on Event Comments, 970 matches on Performance Comments, 147 matches on Performance Title, 68 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Tenducci. Notwithstanding the great expence attending the above performance, each ticket will be but Five Shillings

Performances

Mainpiece Title: The Judgment Of Paris

Song: Several favourite songs consisting of four intervals

Entertainment: Upon the Octagan Square in said Gardens will be displayed the following curious invention in Fireworks, viz. A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public

Performance Comment: A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public.
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Bransby; Wolsey-Havard; Norfolk-Palmer; Gardiner-Yates; Queen-Mrs Pritchard; Anne Bullen-Mrs Yates; Surrey-Davies; Lord Chamberlain-Kennedy; Cranmer-Burton; Suffolk-Blakes; Patience (with a proper song)-Miss Young; Buckingham-Holland.
Cast
Role: Buckingham Actor: Holland.

Afterpiece Title: In the Play will be introduc'dThe Coronation

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Cast
Role: Ragozin Actor: Anderson

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross; Myrtle-Smith; Sir John Bevil-Gibson; Sealand-Sparks; Cimberton-Shuter; Tom (with a song in character)-Dyer; Lucinda-Mrs Burden; Phillis-Mrs Vincent; Indiana-Mrs Ward; Singing-Mattocks.
Cast
Role: Sealand Actor: Sparks

Afterpiece Title: The Fair

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Performance Comment: Riot-Smith; Volatil-Dyer; Young Cash-Shuter; Horatio-Davis; Valentine-Perry; Sir Tristram-Bennet; Spitfire-Holtom; Slur-Anderson; Cynthia-Mrs Elmy; Aurelia-Mrs Burden; Teraminta-Miss Cokayne; Arabella-Mrs Hamilton.
Cast
Role: Slur Actor: Anderson

Afterpiece Title: The Fair

Performances

Mainpiece Title: The Wonder

Cast
Role: Frederick Actor: Anderson

Afterpiece Title: The Fair

Event Comment: Full Prices. None admitted behind scenes. [Both pieces advertised regularly for three days in advance.] Income from Boxes #95 15s. Expenses #44 17s. 8d. Including #5 11s. extra for Coronation: viz. 2 men at 10s. 6d. each, chorus singers &c. eleven more at 5s. including Dibdin; 6 Trumpets and 1 fife at 5s. Receipts: #244 7s. (Winston Theatrical Record)

Performances

Mainpiece Title: King Henry V; With Conquest Of The French At Agincourt

Performance Comment: King Henry-Smith; Exeter-Tindal; Acbp Canterbury-Sparks; Fluellin-Shuter; Gower-Anderson; Pistol-Dyer; Hostess-Mrs Pitt; Williams-Buck; King of France-Gibson; Burgundy-Hull; Dauphin-Davis; Constable-Clarke; Isabel-Mrs Stephens; Catherine-Mrs Bellamy.
Cast
Role: Gower Actor: Anderson

Afterpiece Title: The Coronation

Performance Comment: The Procession from the Abbey at the Coronation-; with the Representation of Westminster Hall-; [and the Ceremony of the Champion- [but no list of characters].but no list of characters].

Performances

Mainpiece Title: King Henry V

Cast
Role: Gower Actor: Anderson

Afterpiece Title: The Coronation

Performances

Mainpiece Title: King Henry V

Cast
Role: Gower Actor: Anderson

Afterpiece Title: The Coronation

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Event Comment: At Yeates' Theatrical Booth, Greyhound Inn, during the time of Bartholomew Fair. The whole to be decorated with decency, and propriety, together with a grand Band of Music, consisting of French Horns, Violins, Trumpets, Hautboys, &c. N.B. There is a convenient Way to the theatre in Cow Lane for coaches, where Ladies and Gentlemen may have admittance without interruption. Boxes 2s. 6d. Pit 2s. First Gallery 1s. Upper 6d. [Several persons had provided booths in the Inns at Smithfield to perform Drolls and Interludes, as had been customary for many years, and were preparing to exhibit accordingly; but the City Marshall and other officers, by order of the Lord Mayor oblig'd them to take down their Shew Cloths and decamp (Morley, Memoirs of Bartholemew Fair).

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Performance Comment: followed by the most celebrated Procession that ever was processioned by any Processioners, containing Roast Beef, Sou-Maigre, English Sailors, and French Frog-Eaters.

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.
Event Comment: By Particular desire. [Isaac Reed saw this performance and noted that Miss Elliot played Polly (Isaac Reed, Diaries, ed. C. E. Jones (Univ. of California Publ. English, 1946), p. 14).

Performances

Mainpiece Title: The Orators

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: The Orators

Entertainment: A Prologue, Singing, a Dutch Story, Hippisley's Drunken Man-, with alterations and additions

Related Works
Related Work: A New Prelude and Prologue Author(s): Richard Cumberland

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spring

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Don Pedro Actor: Holland
Role: Prologue Actor: Holland

Afterpiece Title: The Male Coquette

Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Performances

Mainpiece Title: Two Gentlemen Of Verona

Cast
Role: Protheus Actor: Holland

Afterpiece Title: Fortunatus

Entertainment: s 15 Dec. 1762.

Event Comment: [This month appeared An Historical and Succinct Account of the late Riots at the Theatres. (39 pp.) pp. 20-39 give a detailed account of the destruction, &c. at cg.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Beggar's Wedding

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: IV: The Dutch Dance, as17630217

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Polly Honeycomb

Event Comment: Benefit for Bransby and Philips. No Building on Stage, &c

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Holland

Afterpiece Title: The Beggar's Wedding

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Musical Lady

Dance: I: Dutch Dance, as17620921, but Sga _Giorgi, Miss Baker; II: By Desire a +Hornpipe-Miss Dawson; III: A New Scotch Dance-Aldridge, Miss Baker; IV: The Italian Gardeners-Grimaldi, Miss Baker

Event Comment: Benefit for Vincent. Tickets deliver'd by Mrs Cross, Mrs Bradshaw, Miss Rogers, and others will be taken. No Building, &c

Performances

Mainpiece Title: Zara

Cast
Role: Osman Actor: Holland

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance call'd the Old Fool, or the Farmer Trick'd-Vincent, Miss Rogers; IV: Dutch Dance, as17630425 V: By Desire, a Louvre and Minuet-Noverre, Miss Rogers; By Particular Desire a Hornpipe-Vincent

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Miller of Mansfield

Dance: II: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Escalus Actor: Anderson

Afterpiece Title: The Cheats of Scapin

Cast
Role: Leander Actor: Davis

Dance: I: Hornpipe-Miss Daw; End: The Dutch Skippers, as17630101

Event Comment: To the Printer of the Public Advertiser, Mr Woodfall: Why don't you constantly, every day, print a list of the Mistakes which the guessing Messieurs Ledger and Gazatteer make in their account of the playbills? Woodward, says the Gazetteer, is to play Harlequin, and Miles the Clown this evening [Friday 14 Oct.] in Harlequin Sorcerer; Tenducci and Brent the Shepherd and Shepherdess. The Ledger informs me that Woodward will play Lissardo in the Wonder, when you say Dyer; and that Mrs Younger is to play Inis, when you advertise Mrs Green will play that character. I dare say, Mr Garrick very shortly will make his appearance in the Gazetteer or Ledger. Your Humble Servant, &c. [Garrick was in France at this time.

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Foppington-Woodward; Loveless-Smith; Young Fashion-Dyer; Worthy-Ross; Sir Tunbelly-Marten; Syringe-Shuter; Lory-Cushing; Coupler-Hayes; Bull-Lewis; Amanda-Mrs Vincent; Nurse-Mrs Pitt; Miss Hoyden-Miss Hallam; Berinthia-Miss Elliot.
Cast
Role: Amanda Actor: Mrs Vincent

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012