SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Beale"/1) | (@(roleclean,performerclean) "Beale")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9 matches on Roles/Actors, 2 matches on Event Comments, 1 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Giffard; Scrub-Yates; Mrs Sullen-Mrs Woffington; Aimwell-Havard; Boniface-Bridges; Foigard-Taswell; Sullen-Winstone; Gibbet-Beale; Sir Charles-Blakes; Hounslow-Lee; Dorinda-Mrs Bennet; Cherry-Mrs Ridout; Lady Bountiful-Mrs Bridges; Gipsy-Mrs Horsington; Countrywoman-Mrs King.
Cast
Role: Gibbet Actor: Beale

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Afterpiece Title: Robin Goodfellow; or, The Rival Sisters

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Song: Lowe

Dance: Muilment

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Afterpiece Title: Robin Goodfellow

Song: IV: A Cantata-Lowe

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Afterpiece Title: Robin Goodfellow

Song: IV: Cantata-Lowe

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Afterpiece Title: Harlequin Shipwrecked

Song: II: Cantata-Lowe; IV: Lowe

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Afterpiece Title: Temple of Dulness

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Afterpiece Title: Rosamond

Dance: IV: Grand Dance, as17450108

Performances

Mainpiece Title: The Stratagem

Cast
Role: Gibbet Actor: Beale

Afterpiece Title: The Quacks; or, Love's the Physician

Dance: IV: Dance-Muilment

Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3