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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Beard"/1) | (@(roleclean,performerclean) "Beard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2901 results for: Keyword - Beard

We found 3098 matches on Roles/Actors, 564 matches on Performance Comments, 532 matches on Performance Title, 85 matches on Event Comments, and 0 matches on Author.

2876
01 October 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17570917, but Nurse-Mrs Macklin; Juliet-Mrs Cibber; The Vocal Parts-Beard.
Cast
Role: The Vocal Parts Actor: Beard.

Afterpiece Title: The Anatomist

2877
31 October 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure
Afterpiece Title: Harlequin Ranger
Performance Comment: As17571029, but Harlequin-Rooker; others-Beard.
Cast
Role: others Actor: Beard.

2878
07 February 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamesters
Performance Comment: See17571222, but this day's notice in the Public Advertiser for the first time lists the cast, including mention of a Proper Song for Beard as Careless, but Dwindle, Page, Boxkeeper, Drawer, Servant omitted.
Afterpiece Title: Queen Mab

2879
27 April 1758 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

2880
13 June 1759 @ Ranelagh Gardens

Event Comment: Benefit for Beard. Tickets 5s., Tea and Coffee included. [Poems] of Milton, set to Music by Handel. To begin exactly at seven

Performances

Mainpiece Title: L'allegro And Il Penseroso
Music: CConcerto on Organ-Stanly

2881
22 September 1759 @ Drury Lane Theatre

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Performances

Mainpiece Title: The Recruiting Officer
Afterpiece Title: The Intriguing Chambermaid

2882
18 October 1759 @ Covent Garden

Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggar's Opera
Cast
Role: Macheath Actor: Beard1st time here in 12 years
Afterpiece Title: The Lying Valet
Dance: As17591017

2883
11 June 1760 @ Ranelagh Gardens

Event Comment: Poems of Milton, with music by Handel. Benefit for Beard. Admittance 5s. To begin at half after Six

Performances

Mainpiece Title: L'allegro Ed Il Penseroso
Music: A New Medley Overture-Bates; a new Musical Medley by way of Epilogue-

2884
22 September 1760 @ Covent Garden

Event Comment: A List of the Company Performers etc.@Actors Messrs Ross #1 6s. 6d.@Sparks #250 #1 8s.@Dyer #180 #1@Smith #1 8s.@Shuter #1 6s. 8d.@Ridout #180 #1@Clarke 16s. 8d.@Collins 13s. 4d.@Dunstall 13s. 4d.@Bencraft #100 12s.@Barrington #100 12s.@Gibson 10s.@Marten 6s. 8d.@Costollo 6s. 8d.@Anderson 6s. 8d.@Hull 6s. 8d.@Wignell 5s.@Bennet 5s.@Redman 4s. 2d.@Holtom 5s.@Buck 4s. 2d.@Perry 4s. 2d.@Stoppelaer 3s. 4d.@R. Smith 3s. 4d.@Giffard 3s. 4d.@Creswick 3s. 4d.@Gibbs 3s. 4d.@Weller 3s. 4d.@C. Smith 2s. 6d.@Blakey 2s. 6d.@Davis 5s.@Actresses Misses Ms Macklin #300 #1 13s. 4d.@Ms Ward #1 6s. 8d.@Ms Hamilton #1 10s.@Ms Elmy 13s. 4d.@Ms Vincent 13s. 4d.@Ms Green 11s.@Ms Pitt 10s.@Ms Dyer #70 7s. 8d.@Ms Barrington 6s. 8d.@Ms Baker 6s. 8d.@Ms Morrison 5s.@Ms Ferguson 5s@Ms Stephens 5s.@Ms Helm 4s. 2d.@Ms Mullart 3s. 4d.@Ms Sledge 3s. 4d.@Ms Copen 3s. 4d.@Ms Burden 3s. 4d.@Ms Davis 3s. 4d.@Ms Cokayne 3s. 4d.@Ms Allen 2s. 6d.@#9 19s. 4d. Actors #15 10s. 10d.@#25 10s. 2d.@Singers Men Messrs Beard #210 #1 3s. 4d.@Mattocks 10s.@Baker 6s. 8d.@Legg 5s.@#2 5s.@Singers Women Mrs Ms Lampe 13s. 4d.@Ms Brent 13s. 4d.@Ms Young 10s.@Ms Abegg 5s.@#2 1s. 8d.@Men Singers #2 5s.@#4 6s. 8d.@. Dancers Men Messrs Poitier Sr #80 8s. 10d.@Maranesi #150 16s. Sd.@Poitier Jr #150 16s. 8d.@LaLauze #100 12s.@Miles 10s.@Granier 10s.@Desse 6s. 8d.@Rochford #50 5s.@Dumay 5s.@Gosly 5s.@Baltazer 5s.@Dufour 5s.@Lassy #35 3s. 8d.@#5 9s. 6d.@Dancers Women Mrs Capdeville #150 16s. 8d.@Ms Maranesi #120 13s. 4d.@Ms Vernon 10s.@Ms Granier 6s. 8d.@Ms Jansolien 6s. 8d.@Ms Mariane #50 5s.@Ms Welch #35 3s. 8d.@Ms Craford #35 3s. 8d.@Ms White 3s. 4d.@Ms Dause 3s. 4d.@Ms Vallois 2s. 6d.@#4 4s. 10d. Men Dancers #5 9s. 6d.@#9 14s. 4d.@Mrs P. R. 10s.@Ms S. B. 6s. 8d.@Ms Bambridge 1s. 8d.@10s. 4d.@Prompters etc. Mr Stede 10s.@Young 5s.@Robertson 1s. 6d.@16s. 6d.@Painters Messrs Lambert #100 12s.@Dall #100 12s.@Austin 2s.@#1 6s.@ Servants numberers Stables 5s.@Housekeeper Sarjant #40 4s. 6d.@Wardrobe Whitefield #30 3s. 4d.@Officekeeper Ballard 3s. 4d.@Pearson 2s. 6d.@Box office Carne 2s. 6d.@Davis 2s. 6d.@Assistants Baker 2s. 6d.@Etherington 2s.@Lobby Door Goode 2s.@Ruby 2s.@Evans 2s.@Condell 2s.@Box Keepers Ansell 2s.@Letsam 2s.@Vaughan 2s.@Green 2s.@Potter 2s.@Pit Office Henning 2s.@Wilford 1s. 8d.@Toten 1s. 8d.@Pit Door Keepers Ross 1s. 8d.@Clingo 1s. 8d.@Ass. Office Clarke 1s. 8d.@1 Gal. Office Slater 2s.@Doorkeeper Rawlinson 1s. 8d.@2 Gal. Office Derby 2s.@Doorkeeper Seymour 2s.@Constable Barnes 2s.@Featherman Scott 1s. 8d.@Porter Besford 2s.@#3 9s. 10d.@Women Dressers #1 2s. 8d.@Charwomen 12s. 10d.@#5 5s. 4d.@Women Dressers Mrs Goold Wardrobe Keeper 3s. 4d.@Asst. Do Ms Wignell 2s. 6d.@Do Ms Paddick 1s. 8d.@Ms C. White 1s. 6d.@Ms Hales 1s. 6d.@Ms Martin 1s. 6d.@Ms Potts 1s. 6d.@Ms Wallis 1". 6d.@Ms Broad 1s. 6d.@Ms Gwynn 1s. 6d.@Ms Whitfield 1s. 6d.@Ms Buck 1s. 6d.@#1 2s. 8d.@Charwomen Mrs Brooks 1s. 2d.@Ms Hanmore 1s.@Ms Warwick 1s.@Ms Byrn 1s.@Ms Niblett 1s.@Ms Hollingsworth 1s.@Ms Barron 1s.@Ms Rumsey 1s.@8s. 2d.@Lampman Smith, Jo. 1s. 8d.@Sweeper Cawder, Jo. 1s. 6d.@Candleman Carter 1s. 6d.@12s. 10d.@Performers Sallerys #25 10s. 2d.@Singers Do #4 6s. 8d.@Dancers Do #9 14s. 4d. 18s. 4d.@Prompters Do 16s. 6d.@Painters Do #1 6s.@Servants Do #5 5s. 4d.@#47 17s. 4d.@Nightly Charges as per estimate #36 1s.@#83 18s. 4d.@--British Museum Egerton MS 2271.

Performances

Mainpiece Title: Comment Continued

2885
12 September 1761 @ Covent Garden

Event Comment: The Winston Theatrical Record suggests the following initial outlay for the season, which on 26 Nov. was subtracted from the total receipts to leave the company solvent at #715 9s., when Beard took over: @50 Performers' salary #210 0s. 10d.@50 Servants' salary #16 16s.@Music expenses #52 16s. 7d.@#279 13s. 5d.@To Mr Rich on account #1000@Habadasher's Bill for Coronation #4 16s. 4d.@Ribbons for Coronation #2 16s. 5d.@Window Curtain for Mrs Bellamy's Room #1 4s. 8d.@Printing #3 8s. 6d.@#1291 19s. 4d.

Performances

Mainpiece Title: None

2886
26 November 1761 @ Covent Garden

Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V
Afterpiece Title: The Coronation

2887
29 April 1763 @ Drury Lane Theatre

Event Comment: Benefit for Rooker, and Saunderson (machinist). No Building on Stage. [The Theatrical Review; or, Annals of the Drama (Volunteer Manager section for 1 May 1763, p. 212) comments upon a stage tradition of having the Mouse Trap" Play presented on stage with the players' backs to Claudius and Gertrude. The author wishes Garrick and Beard to revise this absurdity and bring the whole in more accord with reality. The same paper criticises Mrs Cibber as Ophelia. "I hope you will not let so flagrant an outrage to the decorum of the stage as the following pass unnoticed. As [Mrs Cibber] sat upon the stage, with Hamlet at her feet, in the third act, she rose up three several times, and made as many courtiess, and those very low ones, to some ladies in the boxes. Pray good Sir, ask her in what part of the play it is said that the Danish Ophelia is acquainted with so many British Ladies?" See similar comment on her Belvidera, 17 March 1760.

Performances

Mainpiece Title: Hamlet
Afterpiece Title: Fortunatus

2888
13 December 1763 @ Covent Garden

Performances

Mainpiece Title: The Squire Of Alsatia
Afterpiece Title: Harlequin Sorcerer
Performance Comment: As17631210, but Witches-Beard, _Legg.
Cast
Role: Witches Actor: Beard, _Legg.

2889
23 January 1765 @ Covent Garden

Event Comment: LLove in a Village deferr'd Beard ill

Performances

Mainpiece Title: The Merry Wives Of Windsor
Afterpiece Title: Harlequin Sorcerer

2890
03 December 1765 @ Covent Garden

Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter
Afterpiece Title: The Royal Chace

2891
13 September 1766 @ King's Theatre

Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It
Afterpiece Title: Lethe

2892
01 January 1767 @ Covent Garden

Event Comment: Rec'd of Miss Townsend for a place in the Boxes last night 5s. Gave King's Footmen #2 2s.; Queen's Footmen #2 2s.; King's Chairmen #2 2s.; Queen's Chairmen #2 2s.; Duke of Glouster's Footmen #2 2s. (Account Book). [The Account Book shows on this night a profitable balance of #5365 19s. 4d., for the operation of the theatre this season. During Rich's time a regular sum was deduted nightly for the Rich account (#6 in 1760-61) and in addition he withdrew large sums (up to #800) on many occasions. No such deductions or withdrawals appear so far in this last season of Beard's management.] Receipts: #197 15s. (Account Book)

Performances

Mainpiece Title: The Miser
Afterpiece Title: Harlequin Dr Faustus

2893
05 February 1767 @ Covent Garden

Event Comment: [Prologue to the Perplexities and Epilogue publish'd in the Public Advertiser.] Saw the Comedy of the Perplexities. Beard spoke the Prologue....Mrs Mattocks spoke the Epilogue. We had a Dance and the new Masque of the Fairy Favour, which is perform'd by children only. The boy who does Puck played on the violin and danced a hornpipe, with great spirit. The scene which represents Kensington Gardens, the canal, &c. by moonlight is very pretty, the moon and stars are very natural (Neville MS Diary). Receipts: #192 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Perplexities
Afterpiece Title: The Fairy Favour
Dance: End of Play: The Gallant Peasants, as17670113

2894
09 June 1767 @ Covent Garden

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body
Afterpiece Title: Love a-la-Mode

2895
27 November 1767 @ Covent Garden

Event Comment: DDon Felix pretty well by Powell....Lissardo inimitably by Woodward (the first time these 9 years). Read his part and that of Gibby. The play on the whole was pretty well performed. Baker does Beard's part in Midas. His not acting is a great loss to the public, as he was inimitable in some things. Stood in the well all night (Neville MS Diary). Receipts: #163 4s. (Account Book)

Performances

Mainpiece Title: The Wonder
Afterpiece Title: Midas
Dance: II: The Female Archer, as17671029; IV: The Merry Sailors, as17671009

2896
31 March 1769 @ Drury Lane Theatre

Event Comment: Benefit for Reddish. Neville MS Diary: Went to see the Maid of the Mill played for the first time at Drury Lane. Bannister is the best Giles I have seen since Beard left the stage. The farce was No Wit like a Woman's, played but once before. Assisted in hissing it as both foolish and immoral

Performances

Mainpiece Title: The Maid Of The Mill
Afterpiece Title: No Wit Like a Woman's
Dance: I: New Comic Dance, as17681210; End of Opera: The Wake, as17680929

2897
27 November 1786 @ Drury Lane Theatre

Event Comment: The Public are most respectfully informed, that, in consequence of the sudden and violent Indisposition of Mr Parsons, the second Performance of the New Comedy, called A School for Grey-Beards, is unavoidably postponed. This Evening will be presented [as above] (printed slip attached to Kemble playbill). Receipts: #182 13s. 6d. (141.9.0; 38.7.0; 2.15.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Chances
Afterpiece Title: Richard Coeur de Lion

2898
04 December 1786 @ Drury Lane Theatre

Event Comment: Parsons having relapsed, and being now dangerously ill, A School for Grey-Beards [announced on playbill of 2 Dec.] is, of Necessity, deferred 'till further Notice. Receipts: #180 17s. (134.0; 45.15; 1.2)

Performances

Mainpiece Title: The Wonder
Afterpiece Title: Richard Coeur de Lion

2899
22 December 1786 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces the 7th night of A School for Grey-Beards (see 3 Mar. 1787), but "Parsons was in bed so ill as to make it impossible for him to play-the play was in course changed" (Morning Chronicle, 26 Dec.). Its substitute is listed in the Account-Book.] Receipts: #163 16s. 6d. (121.18.0; 39.18.0; 2.0.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife
Afterpiece Title: The Jubilee

2900
29 December 1786 @ Drury Lane Theatre

Event Comment: A Trip to Scarborough [announced on playbill of 28 Dec.] and A School for Grey-Beards are obliged to be deferred, on Account of the Indisposition of Miss Farren. Receipts: #201 4s. 6d. (153.16.0; 45.8.6; 2.0.0)

Performances

Mainpiece Title: The Country Girl
Afterpiece Title: Richard Coeur de Lion

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Performances

Mainpiece Title: Romeo And Juliet

Cast

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Ranger

Cast

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: L'allegro And Il Penseroso

Music: CConcerto on Organ-Stanly

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Beggar's Opera

Cast

Afterpiece Title: The Lying Valet

Dance: As17591017

Performances

Mainpiece Title: L'allegro Ed Il Penseroso

Music: A New Medley Overture-Bates; a new Musical Medley by way of Epilogue-

Performances

Mainpiece Title: Comment Continued

Performances

Mainpiece Title: None

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: Harlequin Sorcerer

Cast

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Dance: End of Play: The Gallant Peasants, as17670113

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Midas

Dance: II: The Female Archer, as17671029; IV: The Merry Sailors, as17671009

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: No Wit Like a Woman's

Dance: I: New Comic Dance, as17681210; End of Opera: The Wake, as17680929

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Richard Coeur de Lion