SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princess of Denmark"/1) | (@(roleclean,performerclean) "Prince and Princess of Denmark")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1208 matches on Event Comments, 773 matches on Performance Comments, 661 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free-Mason

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

Performance Comment: : The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110.
Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes (King of Sicily)-Henderson; Polixenes (King of Bithynia)-Aickin (Their 1st appearance in those characters); Camillo-Hull; Old Shepherd-Booth; Clown-Quick; Cleomenes-Fearon; Autolicus (with songs)-Edwin; Florizel (Prince of Bithynia)-Lewis; Perdita (Daughter to Leontes and Hermione; with Come, come, my good shepherds)-Miss Satchell; Paulina-Mrs Hunter; Mopsa-Mrs Martyr; Dorcas-Mrs Morton; Hermione (Queen of Bithynia)-Mrs Yates (Their 1st appearance in any of those characters) .

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.
Event Comment: Edward the Black Prince [announced on playbill of 20 Mar.] is obliged to be deferred on Account of the Indisposition of a principal Performer. Receipts: #139 13s. (138/3; 0/10; tickets not come in: 1/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performance Comment: ], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi .
Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .
Cast
Role: Sir Andrew Ague Actor: cheek-Dodd

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Event Comment: Benefit for Fawcett and Butler. [As mainpiece the playbill announces Edward the Black Prince, but it was not acted. The Account-Book lists the substitute play.] Receipts: #280 7s. (37/9; 4/6; tickets: 238/12) (charge: #115 10s.)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece Hornpipe, as17840517; End of Act hi, as17840311athi

Song: End of mainpiece Gramacbree Molly, as17840503

Event Comment: Afterpiece: With a Procession of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly, Sandwich, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook, exactly representing their Dresses and Weapons. Receipts: #237 19s. (231/16; 6/3)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Omai [and see17851220]

Performance Comment: Towha, the Guardian Genius of Omai's Ancestors-Mrs Rivers; Otoo, Father of Omai-Darley; Omai-Blurton; Harlequin, Servant to Omai-Kennedy; Oediddee, Pretender to the Throne-Mrs Kennedy; Oberea, an Enchantress-Mrs Martyr; Britannia-Mrs Inchbald; Don Struttolando, Rival to Omai-Palmer; Clown, his Servant, and Rival to Harlequin-Delpini; Father of Londina-Thompson; Mother-Mrs Davenett; Londina, the Consort destined to Omai-Miss Cranfield; Colombine, Maid to Londina-Miss Rowson; Old Fairy, Friend to Harlequin-Wewitzer; English Captain-Brett; Justice-Davies; A Travelled Otaheitean (with songs)-Edwin. [Songs (T. Cadell, 1785) adds: Constables-Doyle, Meadows, Swords.] hathi. hathi.
Event Comment: Benefit for Chapman and Williames. Morning Chronicle, 2 May: Tickets to be had of Chapman, No. 5, Prince's-street, Drury-Lane; of Williames, No. 2, Duke's Court, Bow-street. Receipts: #283 6s. (59/4/0; 16/11/6; 0/18/6; tickets: 206/12/0) (charge: #109 5s. 7d.)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Sir Andrew Ague Actor: cheek-Dodd

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Bon Ton

Song: In Act IV of 1st piece song by Chapman

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Afterpiece: 51st [recte 50th] Time [i.e. in continuation of the reckoning for the previous season]. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. Receipts: #263 15s. 6d. (260.5.0; 3.10.6)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Johnstone; Isaac-Quick; Jerome-Edwin; Antonio-Davies; Father Paul-Booth; Lopez-Wewitzer; Carlos-Mrs Kennedy; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Billington.
Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: Omai; or, A Trip round the World

Performance Comment: Towha (Guardian Genuis of Omai's Ancestors)-Helme; Otoo(, Father of Omai)-Darley; Omai-Blurton; Harlequin(, Servant to Omai)-Kennedy; Oediddee(, Pretender to Throne)-Mrs Kennedy; Oberea(, an Enchantress)-Mrs Martyr; Don Struttolando(, Rival to Omai)-Fearon; Clown(, his Servant)-Stevens; Britannia-Mrs Inchbald; Londina(, Consort destined to Omai)-Miss Cranfield; Colombine(, Maid to Londina)-Miss Rowson; An English Sailor (with a song)-Edwin.
Cast
Role: Don Struttolando Actor: Fearon
Event Comment: Mainpiece: Not acted these 3 years [acted in place of Love Makes a Man, advertised on playbill of 15 Mar.]. Afterpiece: Loutherbourg's celebrated Pantomimev. Not acted these 3 years [acted 4 Dec. 1786]. With new Decorations, and the Scenery new painted. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. [This was included in all subsequent performances.] Receipts: #256 17s. 6d. (250.5.6; 6.12.0)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Pope; Governor-Davies; Blandford-Hull; Captain Driver-Fearon; Stanmore-Cubitt; Jack Stanmore-Macready; Hotman-Thompson; Daniel-Quick; Aboan-Aickin; Charlotte Weldon-Mrs Bernard; Lucy-Mrs Lewis; Widow Lackit-Mrs Webb; Imoinda-Mrs Pope.
Cast
Role: Blandford Actor: Hull

Afterpiece Title: Omai; or, A Trip round the World

Performance Comment: Towha (the Guardian Genius of Omai's Ancestors)-Helme; Otoo (Father of Omai)-Darley; Omai-Blurton; Harlequin (Servant to Omai)-Brown; Oediddee (Pretender to the Throne)-Mrs Kennedy; Oberea (an Enchantress)-Mrs Martyr; Don Struttolando (Rival to Omai)-Macready; Clown (his Servant)-Wewitzer; Britannia-Mrs Platt; Londina (the Consort destined to Omai)-Mrs Watts; Colombine (Maid to Londina)-Mrs Rock; An English Sailor (with a song)-Edwin.
Cast
Role: Don Struttolando Actor: Macready
Event Comment: "Harley's youth and vigour so repeatedly got the better of his endeavours to conceal them under the veil of assumed debility that it was rather the grandson of Lear, who was rehearsing the part of that injured Prince and parent, than the good old King himself" (Diary, 5 Jan.). Receipts: #269 8s. 6d. (266.13.0; 2.15.6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin's Chaplet

Dance: As17891231

Performances

Mainpiece Title: Redemption 0; Messiah

Music: End Part II: As17900219; End I: a new concerto on the Piano Forte-Attwood Jun., Musician to his Royal Highness the Prince of Wales

Performance Comment: , Musician to his Royal Highness the Prince of Wales.
Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Miranda Actor: Miss Atherton

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.
Cast
Role: Urganda Actor: Mrs Crouch
Role: Daphne Actor: Mrs Bland

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants-Mrs Crouch, Chorus [Athalia]; How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); Let me wander, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); The Prince-Mrs Bland (Alexander's Feast); Deeper and-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).
Cast
Role: And young and old Actor: Chorus
Role: The Prince Actor: Mrs Bland
Role: Deeper and Actor: Kelly

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)

Event Comment: Benefit for Mrs Jordan. Afterpiece [1st time; F 2, by Simon, based partly on La Bonne Mere, by Jean Pierre Claris deFlorian; incidental music by Johann Gottlieb Nicolai. Larpent MS 940; not published]: To conclude with a Rural Breakfast [a representation of that given by the Countess of Buckinghamshire for the Prince of Wales at her villa near London (Genest, VII, 53)], and a Dance by the Characters. Morning Herald, 31 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5s. 10d.)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Italian Singer Actor: Bland

Afterpiece Title: The Village Coquette

Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Related Works
Related Work: Dido, Queen of Carthage Author(s): Prince Hoare

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: As17930215, but To arms your ensigns-_Sedgwick, Leete; added +concerto oboe-W. Parke; O magnify the Lord-Miss Leak [Chandos Anthems]; From the mountains lo! he comes, Tell me lovely shepherd-Mrs Harrison; Come unto these yellow sands-_; Hark! the watch dogs bark-_; +Full fathom five-_; Sea Nymphs hourly ring his knell-_; Thou didst blow-_.

Afterpiece Title: Grand Selection 3

Performance Comment: As17930215, but Mad Bess-Miss Poole; Non piu andrai-_; Concerto on the violin-_; The prince unable-_.
Event Comment: Benefit for Sga Storace. Afterpiece [1st time; MF 2, by Prince Hoare]: The Musick by Storace. Morning Herald, 27 Feb.: Tickets to be had of Sga Storace, No. 36, Howland-street, Rathbone-place. Account-Book, 4 July: Paid Hoare for Prize #210. ["Sga Storace's person (is) clumsy; her face coarse and ordinary; and yet there is so much enchanting vivacity...that she always delights whenever she appears" (Candid Strictures, 41).] Receipts: #388 12s. 6d. (196.11.6; 38.5.0; 3.10.0; tickets: 150.6.0) (charge: #157 1s. 3d.)

Performances

Mainpiece Title: At King's The Pirates

Cast
Role: Stefano Actor: Bland
Role: Fidelia Actor: Mrs Bland

Afterpiece Title: The Prize; or, 2

Performance Comment: 5.3.8. Characters by Bannister Jun., Baddeley, Whitfield, Suett, Mrs Bland, Webb, Master Welsh, Mrs Booth, Sga Storace. Cast from text (Dublin: Patrick Conner, 1793) Lenitive-Bannister Jun.; Caddy-Baddeley [in text: Wewitzer (see17930319; Heartwell-Whitfield; Label-Suett; Juba-Mrs Bland; Servant-Webb [in text: Lyons]; Boy-Master Welsh [in text: Master Gregson (see17930319; Mrs Caddy-Mrs Booth; Caroline-Sga Storace.
Cast
Role: Juba Actor: Mrs Bland
Related Works
Related Work: The Prize; or, 2.5.3.8 Author(s): Prince Hoare
Event Comment: Benefit for Bannister. Under the Patronage of His Royal Highness The Prince of Wales. [In mainpiece the playbill retains Mrs Bland as Ariel , but "Ariel was, on account of the sudden indisposition of Mrs Bland, read by Miss Heard" (Diary, 8 May). Miss Heard may also have substituted for Mrs Bland in the afterpiece.] Afterpiece [1st time; F 2, by James Cobb, for whose authorship see Kemble Mem. Larpent MS 982; not published]. Public Advertiser, 2 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross. Receipts: #227 8s. (95.17; 7.5; tickets: 124.6) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: At Hay The Tempest

Performance Comment: As17921213, but Ferdinand-Barrymore; Caliban-Bannister; Hyppolito-Miss Collins; Ariel read by-Miss Heard; Miranda-Mrs Crouch.
Cast
Role: Ferdinand Actor: Barrymore
Role: Miranda Actor: Mrs Crouch.
Role: Ariel Actor: Mrs Bland

Afterpiece Title: Fortune's Wheel

Performance Comment: Characters-Bannister Jun., Caulfield, Suett, Dignum, Bland, Wewitzer, Waldron, Fawcett, Phillimore, Hollingsworth, Maddocks, Alfred, Webb, Lyons, Mrs Hopkins, Mrs Bland, Miss Heard. [Larpent MS lists the parts: Sir Harry Harebrain , Lord George , Mr Curl , Hawser , Papillot , Ishmael , Pillage , Balance , John , Clinker , Scoredouble , Clod , Mrs Curl , Sophia Curl , Miss Broadhem .]Larpent MS lists the parts: Sir Harry Harebrain , Lord George , Mr Curl , Hawser , Papillot , Ishmael , Pillage , Balance , John , Clinker , Scoredouble , Clod , Mrs Curl , Sophia Curl , Miss Broadhem .]

Song: In: Vocal Parts, as17921213, Sedgwick, _Kelly, Mrs +Crouch; Masque of Neptune and Amphitrite, as17930102 In course of Evening: +The Little Farthing Rushlight-Bannister Jun

Related Works
Related Work: A Friend in Need Author(s): Prince Hoare
Related Work: The Children; or, Give Them Their Way Author(s): Prince Hoare

Performances

Mainpiece Title: A Grand Selection

Performance Comment: Principal Vocal Performers as17940321eader as17940312verture (OCCASIONAL ORATORIO). He smote all the first born by Chorus (ISRAEL IN EGYPT). Beold, the Lord's arm is not shortened and Lo! he is our God by Miss Leak (RESURRECTION, by Dr Arnold). Tyrants would in impious throngs by Sga Storace and Chorus (ATHALIA). Loud as the thunder by Master Welsh (SAMSON). I feel the Deity within and Arm, arm ye brave by Meredith; We come in bright array by Chorus (JUDAS MACCABAEUS). The prince unable by Sga Storace; The many rend the skies by Chorus (ALEXANDER'S FEAST). Concerto on the flute by Ashe .

Afterpiece Title: ACIS AND GALATEA

Performance Comment: PART I. O the pleasures of the plains by Chorus. For us the Zephyr blows by Mrs Crouch. Ye verdant plains and Hush ye prttty warbling Choir by Miss Leak. Where shall I seek: by Kelly. Stay, Shepherd, stay and Shtpberd, what art thou pursuing? by Mrs Bland. Lo! here my love and Love in her eyes by Kelly. O, didst thou know the pains and As when the Dove by Mrs Crouch. Happy we by Mrs Bland, Dignum and Chorus. PART II. Wretched lovers by Chorus. I rage, I melt, I burn and O, ruddier than the cherry by Meredith. Whither, fairest by Meredith and Mrs Rland. Cease to beauty to be suing by Meredith. Would you gain the tender by Master Welsh. His hideous Love and Love sounds the alarm by Kelly. Consider, fond Shepherd by Miss Leak. Cease, O cease by Mrs Crouch. The [flocks shall leave] by Kelly, Meredith, Mrs Crouch. Help, Galatea! by Kelly. Mourn all ye Muses by Chorus. Must I my Acis by Miss Leak. Cure, Galatea by Chorus. 'Tis done, thus I exert and Heart, the seat by Mrs Crouch. Galatea, dry thy tears by Chorus .

Music: End of Part I of oratorio concerto on violin by Giornovichi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ARIADNE). See the proud Chief by Chorus. 'Tis liberty by Mrs Bland; Arm, arm, ye brave by Meredith (JUDAS MACCABAEUS). We come in bright array by Chorus. Ye sacred priests by Sga Storace. O filial piety and No cruel father by Kelly. O Baal by Chorus. Lord, what is man? by Mrs Crouch (ANTHEMS). Glory to God by Kelly and Chorus (THE MESSIAH). PART II. When the ear heard by Quartet and Chorus (FUNERAL ANTHEMS). Dead March (SAUL). My faith and truth by Miss Leak and Master Welsh. Gentle Airs by Harrison. Fixed in his everlasting seat by Chorus. Concerto on the violin by Giornovichi. Disdainful of danger by Meredith, Dignum, Mrs Bland. Prophetic visions by Master Welsh. As from the power by Sga Storace and Chorus. PART III. When his loud voice by Chorus (JEPHTHA). Hark! 'tis the linnet by Mrs Crouch. The mansion of peace by Harrison. The Prince unable by Sga Storace. The many rend the skies by Chorus. These as they change by Meredith. Balmy hope by Miss Leak. Fair Rosale by Master Welsh. Gloria Patri by Chorus (JUBILATE) .