SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Christianity"/1) | (@(roleclean,performerclean) "Christianity")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2 matches on Event Comments, 0 matches on Performance Title, 0 matches on Author, 0 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Cast
Role: Brisk Actor: Cibber Jun.
Role: Sir Paul Plyant Actor: Yates
Role: Lady Froth Actor: Mrs Mills
Role: Maskwell Actor: Berry
Role: Mellefont Actor: Havard
Role: Careless Actor: Mills
Role: Lord Froth Actor: Neale
Role: Lord Touchwood Actor: Winstone
Role: Lady Plyant Actor: Mrs Roberts
Role: Saygrace Actor: Turbutt
Role: Lady Touchwood Actor: Mrs Cross
Role: Cynthia Actor: Mrs Ridout.

Afterpiece Title: The Jovial Crew

Cast
Role: Oliver Actor: Mills
Role: Springlove Actor: Cross
Role: Old Rents Actor: Turbutt
Role: Hearty Actor: Dunstall
Role: Randal Actor: Morgan
Role: Patrico Actor: Woodburn
Role: Martin Actor: Ray
Role: Justice Clack Actor: Taswell
Role: Vincent Actor: Blakes
Role: Hillyard Actor: Moreland
Role: Rachel Actor: Mrs Chetwood
Role: Meriel Actor: Miss Budgell
Role: Amice Actor: Miss Bradshaw
Role: Beggars Actor: Collins, Gray, Miss Scotts.

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Cast
Role: Edward Actor: Lewis
Role: Selim Actor: Bensley
Role: Gloster Actor: Hull
Role: Theald Actor: Clarke
Role: Assassin Actor: L'Estrange
Role: Officer Actor: Thompson
Role: Daraxa Actor: Mrs Mattocks
Role: Eleonora Actor: Mrs Barry
Role: Prologue Actor: Hull
Role: Epilogue Actor: Mrs Mattocks.

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007