SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Whereas, from various accidents and disappointments the Undertaking an opera for the next year was resolv'd upon too late in the season to permit of solliciting the Subscriptions in the Usual Manner; and as the Proposals for the ensuing year are of a different nature, and, as it is presumed, much more to the Advantage of the Subscribers than any hitherto offered, it has been thought proper to take this method of informing the Publick, that attendance will be given at the Opera-Office in the Haymarket, every Tuesday, Thursday, and Saturday, from ten o'clock in the Morning till three in the afternoon, in order to shew the Proposals, take in subscriptions, and deliver our proper receipts.

Performances

Event Comment: By Command of their Majesties. The great concourse of people at this theatre before the usual time of opening the doors, having been so great as to overpower the persons who were placed to receive the tickets; and as many were forced into the Theatre without an opportunity of paying for their admittance, Mr Giardini is under the greatest concern lest offence should be taken by those not being able to get in, who had sent for tickets to this office. He has given orders that those tickets shall be admitted tomorrow, as the opera of Siroe (by particular desire) is to be performed (Public Advertiser, 23 Jan.). [Pickpockets, including one former soldier, took three diamond earrings, and one hair-ornament set with brilliants, from members of the audience on this night (Daily Advertiser). Found, a new Silver Sword in the Opera House Lobby on S. 21 Jan.; the Owner, by describing the Sword-Knot, may, on applying to the Orange-Woman at the House, have it restored (Daily Advertiser, 24 Jan.).] Lost on going to the Opera a Brilliant Diamond Cross composed of nine brilliants, by Lord Conyngham. Reward of 10 Guineas for Return (Public Advertiser, 23 Jan.)

Performances

Mainpiece Title: Leucippo

Dance: As17640114

Event Comment: Written by Shakespear. Benefit a Gentleman under misfortunes. Tickets at George's Coffee House, Temple Bar, and at the Stage door

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-the Gentleman who lately performed it in the Haymarket [Foote]; Iago-Giffard[, 1st time; Desdemona-Mrs Giffard; Cassio-Winstone; Roderigo-Neale; Brabantio-Berry; Duke-Taswell; Lodovico-Turbutt; Montano-Woodburn; Emilia-Mrs Bennet.

Afterpiece Title: The Anatomist

Event Comment: Benefit for Wrighten, prompter. 3rd piece [1st time; M I, author unknown. Music selected from Dr Arne. MS: Larpent 833 (which notes, "The words partly new and partly compiled. In Commemoration of the Restoration of His Majesty's Health"); not published]. Public Advertiser, 18 May: Tickets to be had of Wrighten, No. 6, Little Russel Street. Tickets delivered for the 20th will be admitted. Receipts: #278 17s. 6d. (48.2.0; 13.17.0; 0.17.6; tickets: 216.1.0) (charge: #106 13s. 7d.)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17881020, but Manly-Whitfield; Lady Grace (1st time)-Mrs Farmer; Miss Jenny [without songs] (1st time)-Miss Raymond; Trusty-_; Mrs Motherly-_.
Cast
Role: Mrs Motherly Actor: Mrs Love

Afterpiece Title: The Toy Shop

Performance Comment: As17890511, but Master of the Toy Shop-Palmer; The other Characters-_Chaplin, _Alfred.

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Mrs Crouch. [Miss Jacobs, who had previously appeared at this theatre as a chorus singer, is identified in MS list in Kemble playbills of new performers for this season. Afterpiece in place of The Pannel, advertised on playbill of 5 June.] Morning Chronicle, 22 May: Tickets to be had of Mrs Crouch, No. 9, New Lisle-street, Leicester-square. Receipts: #520 16s. 6d. (233.11.0; 60.19.6; 0.4.0; tickets: 226.2.0) (charge: #213 0s. 4d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Lilla-Mme Bolla (First Comick Singer from the Opera House, by permission of the Proprietors; 1st and only appearance on the English [speaking] stage); Ghita (1st time)-Miss Clara Dixon (of the Opera House); Katharine-Mrs Crouch; Page-A Young Lady (1st appearance on any stage [in a speaking part: Miss Jacobs]).in a speaking part: Miss Jacobs]).
Cast
Role: The Seraskier Actor: Kelly

Afterpiece Title: Of Age To-morrow

Song: III: a new song (composed by Kelly)-Mme Bolla

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Performances

Mainpiece Title: Antigona

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Event Comment: The proprietors of the Opera House think it is their duty to lay before the Nobility and Gentry to whose patronage they are highly endebted a list of the engagements made for the ensuing season. [No attention or expense spared to make the operas brilliant. Gordon spent two months in Italy, and made two trips to Paris to select the best singers and dancers.] The ill health of Sg Carabaldi having prevented his setting out in time and made it impossible for him to be here at the opening of the theatre. Sg Scheroli, the Tenor who has played the first Buffo with the greatest reputation in Italy, has kindly undertaken to play the part until his arrival. Company: Serious Opera-Millico, Mrs Davies, Scheroli (Tenor), Sga Galli, Sga Lodi. Comic Opera-Carabaldi, Scheroli, Sga Marchetti, Sga Galli, Fochetti, Sga Lodi, Sga Gardi. Poet-Sg Badini. Master of the Dances-Petro. Principal Dancers-Fierville, Pico, Vicenzo Lorenzo, Bocchini, Mariottini, Sga Mimi Faviere, Sga Mazzoni, Sga Nina Faviere, Colomba (from Milan), Mr Canter. Book-Boxkeeper-Yates. [Requests nobility and subscribers to pay up their subscriptions.

Performances

Event Comment: Half past 5 went to the 5s. Gallery at the Opera House to see the comic opera La Buona Figliola, altered from Goldoni. The Music by Sg Nic Piccini, a Neopolitan composer. The Marq by Sg Lovatini, Castina by Sga Zamporini, the German by Sg Marigi. These I believe are reckoned the best of the company. I can't say I was greatly entertained, tho the music is very pleasing. There is something very absurd and truly characteristic of the present age in supporting a set of people at an immense expense to perform plays in a language which very few here understand. We had dances after every act by Sg Adriani, Sga Radicati, &c. It is said the dances at the opera are better than those at the theatres, but I am no great judge either of music or dancing. The scenes, particularly that of the Garden with waterworks &c. are very fine. They who go into the Pit &c. must be in a vile French dress (Neville MS Diary)

Performances

Mainpiece Title: La Buona Figliuola

Dance: [Unspecified.

Event Comment: Their Majesties present. London Daily Post and General Advertiser, 11 Feb.: On Saturday Night a Disturbance happen'd at the Opera House . . . occasion'd by the Footmen's coming into the Passages with their lighted Flambeaux, which gave Offence to the Ladies, &c. in the House; whereupon the Footmen were order'd out, but they refus'd to go, and attack'd the Centinels, but a stronger Guard coming to their Assistance, with their Bayonets fix'd, drove them out; in the Fray one of the Footmen was stabb'd in the Groin, and in the Body, and its thought will die of the Wounds

Performances

Mainpiece Title: Polifemo

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab

Event Comment: A new Serious Opera composed by several celebrated Composers. [From the London Evening Post: The Decoration of the Opera House is very splendid. The Concert Master has 50 Guineas a night, an Englishman. The First Dancer 6 Guineas a night."

Performances

Mainpiece Title: Trakebarne Grand Mogol

Event Comment: Benefit for Dibdin. Charges #64 10s. Deficit to Dibdin #17 6d., but covered by #39 14s. in income from this tickets (Box 60; Pit 102; Gallery 94) (Account Book). [The total house was small, only #93 3s. 6d.] Receipts: #47 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Aimworth-Mattocks; Sir Harry-Shuter; Giles-Mahoon; Mervin-Gentleman, 1st appearance this stage; Fairfield-Gibson; Ralph-Dibdin; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Fanny-Mrs Thompson; Patty-Mrs Pinto; End Act I Dance incidental to the opera-Fishar, Arnauld, Sga Manesiere, Miss Valois.

Afterpiece Title: The Citizen

Dance: II: Hornpipe-Miss Pitt

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: DDaily Journal, 21 Sept.: A Company of Italian Comedians recently arrived here from beyond Sea, and being patronized by the Dukes of Montague and Richmond, 'tis said, that Leave will be given them to perform in the Opera-House in the Hay-Market

Performances

Event Comment: By His Majesty's Command. N.B. For the better Information of those who do not thoroughly understand the Italian Language, a Book with the Argument and Explanations in English, of what is transacted in every Scenes, may be had...at the usual Places in the Opera-House. Price 6d. [The King, Prince, and Princess present.

Performances

Mainpiece Title: The Enchanted Island Of Arcadia; Or, The Magician Doctor, With Harlequin King Of The Woods; Flights, Decorations And Transformations Of Harlequin, Cupid, Pantalon, Venus, And Brighella, Jupiter, And The Sacrifice Of Harlequin

Dance: Furies, Nymphs, Shepherds, Statues-; , the latter performing the Labours of Hercules-Statues , after the Manner of the Venetian Gondaliers at Venice: The whole full of Variety

Event Comment: DDaily Journal, 9 Oct.: There are Grand Preparations making at the Opera-House in the Hay-Market by New Cloaths, Scenes, &c. And, Senesino being arrived, they will begin to perform as soon as the Court comes to St. James's

Performances

Event Comment: Benefit Betty Smith, from the Opera House. 7 p.m

Performances

Mainpiece Title: Concert

Event Comment: Benefit Bullock and Excell. At the particular Desire of several Persons of Quality. Afterpiece: a Masque of Musick, compos'd by Mr Prellieur. [Tickets for Love's Last Shift taken.

Performances

Mainpiece Title: Othello, Moor Of Venice

Cast
Role: Roderigo Actor: Wetherilt.
Role: Othello Actor: Delane

Afterpiece Title: The Contending Deities

Performance Comment: Venus-Mrs Messis , from the Opera House; Bacchus-Excell.

Dance: SScotch Dance-Mrs Bullock

Event Comment: DDaily Advertiser, 29 Dec.: Mr Handel has hir'd the Opera-House in the Hay-Market for the Season, and intends to entertain the Town twice every Week with Oratorios

Performances

Event Comment: Benefit for Signora Laura Rosa...having sustainedthe loss of her Salary by the late Failure at the Opera House. At Hickford's Room, Brewer St

Performances

Mainpiece Title: L'isola Dissabitata

Music: First Violin-Sg Cardoni

Event Comment: There will not be any Tickets sold at the Office for this Night. Those disappointed from not being able to get in to the performance on Saturday last shall be admitted this evening at Siroe or on Saturday next when Leucippo will be performed again; but in case any Lady or Gentleman should choose rather to have their money, it will be paid at the treasurer's office at the theatre this morning, from ten to three O'clock, on returning the tickets. As every precaution was taken to facilitate the entrance of the company by obtaining an additional guard, besides two magistrates who were so kind as to attend with an additional number of constables; nevertheless the weight was so great from the throng that the centinels and the peace officers were forced from their posts, the doors burst open and broke to pieces, to the very great prejudice of the manager. Mr Giardini humbly hopes that those...who had not the opportunity of paying when they were carried in by the torrent, will be so good as to send their money to Mr Spilsbury. Picked up at the Opera House Last Saturday Night a black satin cloak lined with White and a black lace round it. Recovery may be had of Major Spinnage for the cost of the advertising

Performances

Mainpiece Title: Siroe

Dance: I: Duberval; II: Le Matellot Provencalle, as17640110; III: A New Dance, The Encampment-

Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Royal Chace

Event Comment: [Long letter of complaint in Gazetteer and New Daily Advertiser about text of the Libretto, arguing verse would be better for translation than prose, in the printed books supplied at the Opera House.

Performances

Mainpiece Title: L'eroe Cinese

Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Davis; Duke-Aickin; Frederick-Palmer; Jacques-Lee; Oliver-Johnston; Le Beu-M'George; Amiens-the Gentleman who sung in the Conscious Lovers; Charles-Keen; Corin-Castle; Adam-Hurst; Denis-Mahon; William-Hamilton; Silvius-Quick; Touchstone-Shuter; Celia-Mrs M'George; Phebe-Miss Madden; Audrey-Mrs Worley; Rosalind-Mrs Dancer.

Afterpiece Title: Lethe