SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jennens"/1) | (@(roleclean,performerclean) "Jennens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5 matches on Event Comments, 0 matches on Performance Title, 0 matches on Author, 0 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Robert Jennens to Thomas Coke, 19 Nov. 1696: There has been for four or five days together at the play house in Lincolns Inn Fields acted a new farce translated out of the French by Mr Monteux called the Shame Sham? Doctor or the Anatomist, with a great concert of music, representing the loves of Venus and Mars, well enough done and pleases the town extremely. The other house has no company at all, and unless a new play comes out on Saturday revives their reputation, they must break (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 367)

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

Event Comment: A New Oratorio. Libretto-Jennens; Music-Handel

Performances

Mainpiece Title: Belshazzar