SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mlle Mimi and Nina Faviere"/1) | (@(roleclean,performerclean) "Mlle Mimi and Nina Faviere")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1690 matches on Performance Title, 658 matches on Performance Comments, 131 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: The principal parts of the Compilation from The Choice of Harlequin. The Magic Cavern, The Enchanted Castle, The Sylphs, The Sorcerer. The Music compiled from, and composed by Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan. Blackmore, and assistants. Receipts: #210 14s. 6d. (209.16.6; 0.18.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Cast
Role: Persian Merchant and Lover Actor: Farley
Role: Landlord Actor: Thompson
Role: Columbine Actor: Mlle St.Amand
Role: Glees and Chorusses Actor: Linton, Street, Gray
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Mandarine Actor: the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Inside Actor: the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Magic Candles Actor: Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Evander Actor: Kemble

Afterpiece Title: Who's the Dupe

Cast
Role: Sandford Actor: R. Palmer

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey

Performance Comment: The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey.
Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Murray; Buckingham-Macready; Stanley-Hull; Tressel-Toms; Prince Edward-Master Curties; Duke of York-Miss Standen; Catesby-Claremont; Lieutenant-Haymes; Ratcliffe-Thompson; Lord Mayor-Powel; Richmond-Pope; Lady Anne-Miss Chapman; Duchess of York-Mrs Platt; Queen-Mrs Fawcett.
Cast
Role: Duke of York Actor: Miss Standen

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Performance Comment: Jupiter-Munden; Mercury-Townsend; Momus-Simmons; Paris-Incledon; Juno-Mrs Addison; Pallas-Mrs Clendining; Erynnis-Mr Delpini (1st appearance these 7 years); Iris-Mrs Castelle; Venus-Mrs Mountain; A Description of Part of the Scenery, Machinery. ACT I. The Palace Garden, and Canal of Tyndarus. The introduction of Leda and the Swan. Leda-Mlle St.Amand. The Hesperean Dragon spouting Fire, pursuing Erynnis to recover the Golden Pippin. A Celestial Palace, with a Magnificent Temple, and the Peacock of Juno in Transparency. ACT II. A Plain in Phoenicia, in which Jupiter descends from the Heavens on an Eagle, and Momus on a Goose. A Procession to a Sacrifice. Jupiter in the form of a Bull, bearing Europa, attended by a train of Priests, Virgins, Nymphs, Shepherds. The Sea, with a distant View of the Isle of Crete. Jupiter bearing Europa across the Sea. A View of Mount Idav The Decree of Paris, and the Ascent and Descent of the Deities: Vulcan, Apollo, Mars, Hercules, Bacchus, Pan, Ceres, Diana, Cybele, Flora, Pomona, Proserpine, Hebe. Mercury descends on a Cloud, and Iris on a Rainbow. Pluto rises from the Infernal Regions in a Chariot drawn by Dragons; Neptune in a watery Car, borne by Sea Horses; and Jupiter descends in a Cloud, attended by Hebe and Ganymede. To conclude with the Re-ascent of Jupiter attended by Flying Cupids.
Event Comment: 2nd ballet: Revived, and brought forward under the direction of Barre. The Music, with additional Airs, by Mazzinghi. The Scenery entirely new, painted by Greenwood and assistants under his Direction. The Dresses new by Sestini. "This dance is the composition of the celebrated Noverre, and it is totally different from the ballet under the same title, brought out at Paris under Gardel...The torches and swords of fire in hands of Furies produced so tremendous an effect that a part of audience seemed petrified at agonies of Psyche. Much of this effect was produced by the strong reflection from glass pannels of boxes" (Morning Chronicle, 19 Dec.). The frequenters of Opera are respectfully acquainted that Posts with Chains are placed all along front of Theatre to prevent Carriages from driving upon the foot way, so that Chairs can in future come by great door in the Haymarket with perfect safety

Performances

Mainpiece Title: L'amor Fra Le Vendemmie

Dance: End I: Flora et Zephire, as17961126

Ballet: End Opera: L'Amour et Psiche. L'Amour-Didelot; Psiche-Mme Hilligsberg (Oracle, 19 Dec.); Adonis-Gentili (Morning Chronicle, 19 Dec.); unassigned-Mme Rose, Mlle Parisot, Fialon

Performance Comment: L'Amour-Didelot; Psiche-Mme Hilligsberg (Oracle, 19 Dec.); Adonis-Gentili (Morning Chronicle, 19 Dec.); unassigned-Mme Rose, Mlle Parisot, Fialon.

Performances

Mainpiece Title: The 1st Act Of L'amor Fra Le Vendemmie

Afterpiece Title: Il Consiglio Imprudente

Cast
Role: Giannina Actor: Sga Fabrizzi

Dance: End: Peggy's Love-, as17961220

Ballet: End 2nd piece: L'Amour et Psiche. As17961213, but unassigned-Mlle _Parisot

Performance Comment: As17961213, but unassigned-Mlle _Parisot.
Cast
Role: unassigned Actor: Mlle _Parisot.
Event Comment: 2nd ballet: With entirely new Scenery, Dresses, and Decorations. The Scenes painted by Greenwood, and under his direction. "Magnificent, perhaps beyond parallel on a British stage, but it is considerably too long, as it was past twelve before it was concluded" (True Briton, 8 Feb.)

Performances

Mainpiece Title: The 1st Act Of La Modista Raggiratrice

Afterpiece Title: Il Consiglio Imprudente

Dance: End 1st piece: Les Delassements Militaires- As17970124

Ballet: End 2nd piece: Pizarre; ou, La Conquete du Perou (1st time; composed by Gallet [with music by Mazzinghi]). Pizarre-Gallet; the other characters-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet, Gentili

Performance Comment: Pizarre-Gallet; the other characters-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet, Gentili.
Event Comment: 2nd piece [1st time; M. ENT 1, but printed in 2, by George Nugent Reynolds]: With new and appropriate Scenery by Phillips, &c. The new Music by Reeve. Books of the Songs and Chorusses to be had in the Theatre. [This piece is based on the attempt of the French navy to make a landing in Bantry Bay on 24 Dec. 1796.] Receipts: #293 5s. 6d. (284.5.6; 9.0.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Cast
Role: Frank Oatland Actor: Fawcett
Role: Farmer Oatland Actor: Waddy
Role: Landlord Actor: Thompson
Role: Jessy Oatland Actor: Miss Wallis

Afterpiece Title: Bantry Bay

Performance Comment: Principal Characters-Johnstone, Murray, Townsend, Haymes, Claremont, Gray, Linton, Street, Mrs Clendining. [Cast from text (Richard White, 1797). and Monthly Visitor, Feb. 1797, p. 165: O'Laughlin-Johnstone; Justice-Murray [in text: Hull]; Lieut. Hamilton-Townsend; Capt. Broadside-Haymes [in text: Incledon]; Patrick-Claremont; Nelly-Mrs Clendining; [The text adds Shaneen O'Shee-Waddy; M'Huckaback-Powel; La Jeunesse-Farley; Louisa-Mrs Mountain; Principal Characters-Gray, Linton, Street; Irish Peasants-Delpini, Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, Kenrick, J. Linton, Thomas, Oddwell, Cooke, Everett, Philipps, Cranfield, Rayner, Wilde, [J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.

Afterpiece Title: The Ghost

Event Comment: Mainpiece: Divided into Two Parts. Afterpiece [1st time; CANT 1. Larpent MS 1156; not published. The playbill omits Apollo; added in MS]: With Chorusses and Dances. The Music composed new for occasion by Bianchi. The Dances also new, by Gallet. Poetry by DaPonte. In honour of the Glorious Victory of His Majesty's Navy [off Cape St. Vincent] on the 14th of last Month

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Performance Comment: Bellona-Mme Banti; Tamigi-Viganoni; Apollo-Rovedino; Genio d'Africa-Didelot; Genio d'Asia-Gentili; Genio d'America-Mlle Parisot.

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

Performance Comment: Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg.
Cast
Role: Amphitrite Actor: Mlle Parisot
Event Comment: Benefit for Mme Rose. Tickets to be had of Mme Rose, No. 8, Hay-Market. 2nd ballet: 1st time; composed by Didelot in the Erotic Style. The Music entirely new, by Mazzinghi. With new Dresses [by Sestini], Scenery [by Greenwood], and Decorations

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: L'Heureux Retour, as17970401; Minuet de la Cour-Mme Rose, Didelot

Ballet: End Opera: Sapho et Phaon. Cast from synopsis (A. Dulau, 1797): Adonis-Miss Menage; L'Amour-Master Menage; Zephyre-Gentili; Vulcain-Fialon; Phaon-Didelot; Alcee-Simpson; Nemesis-Simpson [i.e. doubled]; Le Feu-Gentili [i.e. doubled]; L'Hypocrisie-Fialon [i.e. doubled]; Sapho-Mme Rose; Damophile-Mme Hilligsberg; Venus-Mlle Parisot

Performance Comment: Cast from synopsis (A. Dulau, 1797): Adonis-Miss Menage; L'Amour-Master Menage; Zephyre-Gentili; Vulcain-Fialon; Phaon-Didelot; Alcee-Simpson; Nemesis-Simpson [i.e. doubled]; Le Feu-Gentili [i.e. doubled]; L'Hypocrisie-Fialon [i.e. doubled]; Sapho-Mme Rose; Damophile-Mme Hilligsberg; Venus-Mlle Parisot.
Cast
Role: Venus Actor: Mlle Parisot.
Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Performance Comment: Trapolin (for that night only)-Lewis (1st appearance in that character); Duke of Tuscany-Macready; Alberto-Thompson; Barbarino-Powel; Brunetto-Claremont; Mago-Davenport; Puritan-Simmons; Three Young Devils-Masters Standen, Goodwin, Griffiths; Flametta-Miss Logan; Prudentia-Mrs Watts; Rogera-Mrs Platt; Algera-Miss Leserve; Duchess of Tuscany-Mrs Follett.

Afterpiece Title: Oscar and Malvina

Performance Comment: Principal Pantomimic Characters-Farley, Follett, Simpson, Cranfield, Blurton, Hawtin, Abbot, Curties, Mrs Watts, Mrs Follett, Miss Burnett, Mlle St.Amand; Principal Musical Characters-Townsend, Linton, Street, Gray, Mrs Mountain, Mrs Castelle, Mrs Norton, Miss Leserve, Mrs Gilbert, Mrs Henley, Mrs Martyr. [For assignment of parts see17970322 .For assignment of parts see17970322 .
Event Comment: Benefit for Kelly. Mainpiece: Not acted these 2 years. Ballets: With appropriate Scenery, Dresses, and Decorations. True Briton, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #681 11s. (360.19.6; 47.5.0; 4.1.0; tickets: 269.5.6) (charge: #221 10s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Hollingsworth; Edward-Bannister Jun.; Lewis-Caulfield; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Whitfield; Martin-Wathen; Hugo-Dowton; Lady Elinor de Courcy-Miss DeCamp; Adela (by Permission of the Proprietor of the Opera House)-Sga Storace; Cicely-Mrs Bland; Maud-Mrs Booth.
Cast
Role: Baron of Oakland Actor: Hollingsworth
Role: Cicely Actor: Mrs Bland

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Sir Rowland Actor: Barrymore

Dance: End I: The Camp-[i.e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only

Performance Comment: e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only.will appear, positively for that night only.
Event Comment: Benefit for Wild, prompter. 1st piece: Illumination, &c. as 18 May. 3rd piece: A short Description of the Scenery, &c. The Hall of Fingal--the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina. The Mountain of Ben Lomond. The Military Procession of Carrol to the Hall of Fingal. A View of the Sea and Rock from which Oscar escapes, by leaping from a precipice 20 Feet high, into the arms of his Soldiers. A View of the Bridge with the Camp of Carrol. The Death of Carrol by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The Music, &c. as 8 Apr. Morning Herald, 18 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #326 0s. 6d. (164.17.6; 11.2.6; tickets: 150.0.6)

Performances

Mainpiece Title: The Village Fete

Related Works
Related Work: The Village Fete Author(s): Richard Cumberland

Afterpiece Title: The School for Wives

Afterpiece Title: Oscar and Malvina

Performance Comment: Oscar, the Descendant of Fingal-Farley; Fingal-Blurton; Carrol, the Scottish Chieftain-Follett; Morven-Cranfield; Draco-Simpson; Scotch Pedlar (with I'm a jolly gay Pedlar)-Townsend; Farmer-Gray; Scotch Lad-Mrs Martyr; Scotch Lassie-Mrs Mountain; Malvina, Daughter to Toscar-Mlle St.Amand.

Song: In: Chorusses, as17970518; End II 2nd piece: The Sea Storm by G. A. Stevens (Cease rude Boreas blust'ring railer)-; End IV: Black Ey'd Susan-Incledon; In 3rd piece: Come every jovial Fellow-Gray, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Entertainment: End 2nd piece: a variety of Imitations-Rees (1st appearance this season [i.e. as imitator])

Performances

Mainpiece Title: The Mask'd Friend

Cast
Role: Sir Harry Portland Actor: Macready

Afterpiece Title: The Folly of Age; or, The Accomplished Lady

Afterpiece Title: Barataria

Afterpiece Title: Harlequin's Medley

Performance Comment: Harlequin-Simpson; Pantaloon-Hawtin; Lover-Simmons; Undertaker-Wilde; Anatomist-Abbot; Lover's Servant-Master Webb; Pierrot (1st time these 8 years)-Delpini; Witch-Mrs Castelle; Mother-Mrs Lloyd; Columbine-Mlle St.Amand.
Cast
Role: Columbine Actor: Mlle St.Amand.

Dance: In 2nd piece: A la Parisot, Le Pas Russe-Delpini

Song: In 2nd piece: La Verginella, My dear Molly@oh! what Folly (composed by Carter)-Delpini

Entertainment: Vaudeville. In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-

Performance Comment: In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-.
Event Comment: [Mrs Gibbs was from the Haymarket.] Afterpiece: A Representation of the Defeat of the Dutch Fleet [at Camperdown] by Admiral Duncan, on the Glorious 11th of October [1797; in which Incledon, as a sailor, sang Come, cheer up, my lads, and, with full chorus, Rule Britannia (True Briton, 17 Oct.).] Receipts: #253 18s. 6d. (248.9.6; 5.9.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Young Rapid-Lewis; Vortex-Quick; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Fawcett; Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Waddy; Jessy Oatland-Mrs Gibbs (1st appearance on this stage); Miss Vortex-Mrs Mattocks; Ellen-Miss Mansel.
Cast
Role: Frank Oatland Actor: Fawcett
Role: Farmer Oatland Actor: Waddy
Role: Jessy Oatland Actor: Mrs Gibbs

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performance Comment: Principal Vocal Parts-Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Miss Leserve, Mrs Henley, Mrs Castelle, Miss Burnett, Mrs Watts, Miss Walcup, Mrs Masters, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Abbot, Hawtin, Simmons, Findlay, Wilde, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton.
Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Mustapha-Webb; Aladin-Davis; Spahis-Sedgwick, Bannister, Dignum, Wathen, Trueman, Maddocks; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Phillimore, Fisher, Meyers, Peck, Bardoleau, Walker, Cook, J. Fisher, Dibble, Simpson; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby, Evans; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks, Nicolini; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot (1st appearance this season); Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Hillingsworth [recte Illingham], Ms Byrne, Ms Willis, Ms Vining.recte Illingham], Ms Byrne, Ms Willis, Ms Vining.
Cast
Role: Beda Actor: Mrs Bland
Role: Principal Dancer Actor: Mlle Parisot

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Blue-Beard

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Dignum; Shacabac-Bannister Jun.; Hassan-Maddocks; Spahis-Sedgwick, Bannister, Wathen, Trueman, Maddocks [i.e. doubled Hassan]; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Miss Leak; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot; Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining. [And see17980116] .And see17980116] .
Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Performance Comment: As17980331Principal Characters-Johnstone, Townsend, Waddy, Farley, Simmons, Mrs Gilbert, Mrs Henley, Mrs Martyr. And see17980331 .

Afterpiece Title: The Orphan

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: Columbine Actor: Mlle St.Amand
Role: Mimic Actor: Rees
Role: Lapland Witch Actor: Mrs Iliff
Role: The Pantomime commences with a Sea View Actor: the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: whom they conceive lost at Sea Actor: a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: for his wishing to re Actor: visit England, had struck him dumb
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: The wind blew fresh and fair Actor: Townsend
Role: Rustic rejoicings Actor: Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley
Role: Milk pail change to Milk Actor: maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees
Role: Harlequin and Columbine in jeopardy Actor: make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining
Role: Hither haste the young and gay Actor: Mrs Martyr changes the Scene to The Bower of Constancy
Role: and the Piece concludes with an appropriate Finale Actor: .

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Performance Comment: As17980327but Malvina-Mlle St.Amand; Scotch Lassie-Mrs Iliff [who also took Mrs Mountain's part in the songs].who also took Mrs Mountain's part in the songs].
Event Comment: Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at Covent Garden in the year 1765, and confirmed by Act of Parliament, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successful enough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted) merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied from the weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See Genest, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18)

Performances

Mainpiece Title: Hooly And Fairly

Afterpiece Title: The Beaux Stratagem

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Oscar and Malvina

Performance Comment: As17980327but Malvina-Mlle St.Amand.

Dance: 1st piece to conclude with: a Highland Reel, as17980428

Song: In 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: Old Towler-Incledon; End 2nd piece: Admiral Benbow-Incledon

Music: In 3rd piece: The Union Pipes-Murphy

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1, acted on 30 May as The Sailor's Carousal]. 3rd piece: The Scenery and Machinery by Richards, Hodgins, Walmsley, Phillips, Lupino, and assistants. Times, 25 May: Tickets to be had of Wild, No. 28, Drury-lane. Receipts: #288 18s. (123.9.6; 11.9.6; tickets: 153.19.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Performance Comment: Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton, Gray; Jack at the Windlass-Fawcett; Young William was a seaman true-Incledon; Brave Betty was a maiden Queen-Johnstone; Saturday Night at Sea-Townsend; Farewell to Old England dear Mary adieu-Incledon; Great Britain still her Charter boasts-Incledon, full Chorus.

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Performance Comment: In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith.
Event Comment: Benefit for Simpson, Powel, Rees & Mrs Henley. 3rd piece [1st time; P 1]: Selected from The Rape of Proserpine, Lord Mayor's Day, Harlequin's Museum, Harlequin Skeleton, Harlequin Sorcerer, Aladin, &c. In the course of the Compilation will be introduced: The Birth and Emancipation of Harlequin from the Egg-shell-the Dying Scene-the Skeleton-His Renovation-the celebrated Gladiator Scene, &c. In particular, among many surprising Escapes, the Jump through the Tea-chest; Flight from one Balcony to the other; a Leap over twelve Soldiers with fixed Bayonets; the Flight back and Jump through a Tamborine-and (for that night only) Simpson will run perpendicular up the Wall of a House, 30 Feet High. To conclude with a View of the Grotto of Magic. There are some imitations which almost identify the originals, but [Rees's as Dromio] was a vile caricature, which would never have been recognized but for the specification in the play bills" (Monthly Mirror, June 1798, p. 371). Receipts: #269 19s. 6d. (48.19.0; 20.17.6; tickets: 200.3.0, of which Simpson took #72 5s. 6d., Powel #27 10s. 6d., Rees #36 11s., Mrs Henley #61 16s., leaving #2 to be accounted for)

Performances

Mainpiece Title: The Comedy Of Errors

Performance Comment: As17980410, but Dromio of Ephesus-Rees in imitation of Munden's Voice and Manner; added: Dr Pinch-Wilde.

Afterpiece Title: The Waterman

Afterpiece Title: The Witches Revels; or, The Birth of Harlequin

Performance Comment: Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Kiddy Wigsby-Simmons; Crop (his servant)-Master Rees; Witches-Thompson, Street, Dyke; Principal Witch-Mrs Martyr; Mother-Mrs Lloyd; Colombine-Mlle St.Amand.
Cast
Role: Colombine Actor: Mlle St.Amand.

Song: In III 1st piece: song in character-Mrs Henley; Old Towler-Incledon

Entertainment: Vaudeville.As17980528; In 2nd piece: new Imitations-Rees

Event Comment: Afterpiece: Scenery re-painted, and the Dresses and Decorations entirely new. Musick composed and selected by Kelly. Scenes designed and executed by Greenwood, Chalmers, and others. Machinery and Decorations designes, and under the direction o, Johnston, and executed by him and Underwood. The Dresses by Johnston, Gay and Miss Rein. Receipts: #441 16s. 6d. (301.14.0; 139.11.6; 0.11.0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Barrymore; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Spahis-Sedgwick, Caulfield, Trueman, Maddocks, Evans; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Fisher, Aylmer, Gallot, Teck, Walker, Willoughby, Phillimore; Male Slaves-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Miss Leak; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale; Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Blake, Ms Riches; Principal Dancer-Mlle Parisot.

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Performance Comment: Thoroughgood-Aickin; Barnwell-Packer; George Barnwell-C. Kemble; Trueman-Holland; Blunt-R. Palmer; Maria-Miss Miller; Millwood-Mrs Powell (1st appearance in that character); Lucy-Miss Pope.
Cast
Role: Trueman Actor: Holland

Afterpiece Title: Blue-Beard

Performance Comment: Abomelique (Blue-Beard)-Barrymore; Ibrahim-Suett; Selim-Dignum; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Spahis-Sedgwick, Caulfield, Trueman, Maddocks, Evans; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot. [And see17981006] .And see17981006] .
Cast
Role: Beda Actor: Mrs Bland
Role: Principal Dancer Actor: Mlle Parisot.

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Shipwreck

Cast
Role: Sally Shamrock Actor: Mrs Bland.

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Dubois; Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; The Lady of Dunblain-Mlle Parisot; Elpsa-Mrs Brooker; Fanny (with Hornpipe)-Sga Bossi DelCaro; Villagers-Roffey, Garman, Wells, Gauron, Goodman, Johnston, Bisan, Ms Brigg, Ms Byrne, Ms Daniels, Ms Vining, Ms Luciet, Ms Riches, Ms Drake

Performance Comment: Jamie-Dubois; Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; The Lady of Dunblain-Mlle Parisot; Elpsa-Mrs Brooker; Fanny (with Hornpipe)-Sga Bossi DelCaro; Villagers-Roffey, Garman, Wells, Gauron, Goodman, Johnston, Bisan, Ms Brigg, Ms Byrne, Ms Daniels, Ms Vining, Ms Luciet, Ms Riches, Ms Drake.
Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger]: With new Musick, Scenery, Machinery, Dresses and Decorations. The Musick entirely new, composed by Kelly with an overture by Dussek]. The Scenes designed and executed by Greenwood? Jun, with the assistance of Chalmers and Banks. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Books of the Songs to be had at the Theatre. "We have to congratulate the town on the acquisition of three admirable dramatic writers, in the persons of Johnston, Greenwood, and Miss Rein, who have here exhibited a specimen of the Sublime and Beautiful which it will be difficult, indedd, to surpass" (Monthly Mirror, Jan. 1799, p. 47). [This piece is "an exhibition of music and dialogue, pantomime and dancing, painting and machinery, antique dresses and armour, thunder and lightning, fire and water, illumination, processions, banquets, battles, sieges, explosions, and everything that can surprize, enchant or terrify the spectators" (Morning Chronicle, 21 Jan.). Morning Chronicle, 16 Feb. 1799: This Day is published Feudal Times (1s. 6d.). Receipts: #483 15s. 6d. (381.10.6; 100.6.6; 1.18.6)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Belmour Actor: Holland

Afterpiece Title: Feudal Times; or, The Banquet Gallery

Performance Comment: [Characters by Cory, Barrymore, Kelly, Middleton, Surmont, Bannister Jun., Wathen, Suett, Sedgwick, Dignum, Caulfield, Trueman, Sparks, Hollingsworth, Webb, Ryder, Roffey, Grimaldi, Mrs Crouch, Mrs Bland, Miss Menage, Mrs Maddocks. Cast from text (Cadell and Davies [1799]: Baron Fitzallan-Cory; Baron Ruthenwolf-Barrymore; Edmund-Kelly; Henry-Middleton; Orlando-Surmont; Martin-Bannister Jun.; Andrew-Wathen; Nicholas-Suett; Villagers-Sedgwick, Dignum, Caulfield, Trueman, Hollingsworth; Servants-Webb, Ryder; Claribel-Mrs Crouch; Rachael-Mrs Bland; Susan-Miss Menage; Old Woman-Mrs Maddocks; unassigned-Sparks, Roffey, Grimaldi; Chorus of Soldiers-Danby, Tett, Atkins, Dibble, Denman, Caulfield [Jun.], Maddocks, Brown, Wentworth, Fisher, Cook; Chorus of Villagers-Potts, Meyers, Willoughby, Phillimore, Fisher, Evans, Aylmer, Gallot, Bardoleau, Peck, Ms Butler, Ms Bowyer, Ms Coates, Ms Gawdry, Ms Jacobs; Minstrels-Ms Roffey, Ms Jacobs [sic], Ms R. Jacobs, Ms Jackson, Ms Wentworth, Ms Arne, Ms Illingham, Ms Saunders, Ms B. Menage; Principal Dancer-Mlle Parisot; Vassals-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.