05 May 1798

Event Information
Theatre: Covent Garden
Theatrical Season: 1797-1798
Volume: 5
Comments: Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at Covent Garden in the year 1765, and confirmed by Act of Parliament, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successful enough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted) merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied from the weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See Genest, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18)
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  • Original Data

    Source: London Stage Information Bank

    *p cg Hooly and Fairly. As 28 Apr. *aThe Beaux Stratagem. As 28 Dec. 1797, but Aimwell-Pope; Scrub-Munden. *aOscar and Malvina. As 27 Mar., but Malvina-Mlle St.Amand. *d1st piece to conclude with: a <i>Highland Reel</i>, as 28 Apr. *sIn 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: <i>Old Towler</i>-Incledon; End 2nd piece: <i>Admiral Benbow</i>-Incledon. *mIn 3rd piece: <i>The Union Pipes</i>-Murphy. *cBenefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at <i>Covent Garden</i> in the year 1765, and confirmed by Act of <i>Parliament</i>, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successfulenough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted)merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied fromthe weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See $Genest=, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18).
  • Cleaned Data

    *p1798 05 05 cg Hooly and Fairly. ^As17980428^.*a1798 05 05 cg The Beaux Stratagem. ^As17971228^, but Aimwell-Pope; Scrub-Munden.*a1798 05 05 cg Oscar and Malvina. ^As17980327^but Malvina-Mlle St.Amand.*d1798 05 05 cg 1st piece to conclude with: a <i>Highland Reel</i>, ^as17980428^.*s1798 05 05 cg In 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: <i>Old Towler</i>-Incledon; End 2nd piece: <i>Admiral Benbow</i>-Incledon.*m1798 05 05 cg In 3rd piece: <i>The Union Pipes</i>-Murphy.*c1798 05 05 cg Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at <i>Covent Garden</i> in the year 1765, and confirmed by Act of <i>Parliament</i>, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successful enough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted) merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied from the weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See $Genest=, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18).
  • Parsed Data

    Event: 51304 | 17980505 | cg | Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at <i>Covent Garden</i> in the year 1765, and confirmed by Act of <i>Parliament</i>, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successful enough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted) merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied from the weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See $Genest=, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18)
    Performance: 114008 | 51304 | p | Hooly And Fairly | As17980428.
    AsSeeDate: 114008 | cg | p | As | 17980428
    Cast:
    767546 | 114008 | Hamlet | Johnston
    767547 | 114008 | Ghost | Murray
    767548 | 114008 | Polonius | Munden
    767549 | 114008 | King | Waddy
    767550 | 114008 | Horatio | Egerton
    767551 | 114008 | Laertes | Whitfield
    767552 | 114008 | Ostrick | Farley
    767553 | 114008 | Rosencraus | Clarke
    767554 | 114008 | Grave@diggers | Quick, Rees
    767555 | 114008 | Ophelia | Mrs Mountain
    767556 | 114008 | Queen | Miss Chapman.
    Performance: 114009 | 51304 | a | The Beaux Stratagem | As17971228, but Aimwell-Pope; Scrub-Munden.
    AsSeeDate: 114009 | cg | a | As | 17971228
    Cast:
    209867 | 114009 | Aimwell | Pope
    209868 | 114009 | Scrub | Munden.
    767557 | 114009 | added to <i>Principal Pantomime Characters</i> | <i>Lee.
    767558 | 114009 | Principal Pantomime Characters | Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
    767559 | 114009 | Principal Vocal Characters | Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna
    767560 | 114009 | Harlequin | Bologna Jun.
    767561 | 114009 | Sancho | Bologna
    767562 | 114009 | Scaramouchillo | Follett
    767563 | 114009 | Don Quixotte | Dyke
    767564 | 114009 | Grandee | Hawtin
    767565 | 114009 | Inca | Townsend
    767566 | 114009 | Chinese Magician | Linton
    767567 | 114009 | Colembine | Mrs Parker
    767568 | 114009 | Savoyard Girls | Mlle St.Amand, Mrs Watts
    767569 | 114009 | Goddess of Silence | Mrs Follett
    767570 | 114009 | Maritornes | Mrs Henley. Commencing with the Representation of the Ruins of a <i>Peruvian Temple</i>, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the $Inca= in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha <i>Don Quixotte-to prevent their union, he transforms his Son to +Harlequin</i>, the <i>Magic Arm</i> appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in $Grenada=, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in $The Alhambra=v, a <i>Moorish Palace</i> of great Antiquity, pursued by Don Quixotte, <i>Sancho</i>, the <i>Grandee</i> and <i>Scaramouchillo</i>, at length arrive in Old <i>England</i>
    767571 | 114009 | where an injured Inca and his Son had taken refuge | the $Inca= in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha <i>Don Quixotte-to prevent their union, he transforms his Son to +Harlequin</i>, the <i>Magic Arm</i> appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in $Grenada=, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in $The Alhambra=v, a <i>Moorish Palace</i> of great Antiquity, pursued by Don Quixotte, <i>Sancho</i>, the <i>Grandee</i> and <i>Scaramouchillo</i>, at length arrive in Old <i>England</i>
    767572 | 114009 | to attempt the re | obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha <i>Don Quixotte-to prevent their union, he transforms his Son to +Harlequin</i>, the <i>Magic Arm</i> appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in $Grenada=, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in $The Alhambra=v, a <i>Moorish Palace</i> of great Antiquity, pursued by Don Quixotte, <i>Sancho</i>, the <i>Grandee</i> and <i>Scaramouchillo</i>, at length arrive in Old <i>England</i>
    767573 | 114009 | and has betrothed her to the Knight Errant of La M | to prevent their union, he transforms his Son to +Harlequin</i>, the <i>Magic Arm</i> appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in $Grenada=, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in $The Alhambra=v, a <i>Moorish Palace</i> of great Antiquity, pursued by Don Quixotte, <i>Sancho</i>, the <i>Grandee</i> and <i>Scaramouchillo</i>, at length arrive in Old <i>England</i>
    767574 | 114009 | the <i>Magic Arm</i> appearing to guard him in the | they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in $Grenada=, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in $The Alhambra=v, a <i>Moorish Palace</i> of great Antiquity, pursued by Don Quixotte, <i>Sancho</i>, the <i>Grandee</i> and <i>Scaramouchillo</i>, at length arrive in Old <i>England</i>
    767575 | 114009 | and re | appears near the Grandee's House in $Grenada=, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in $The Alhambra=v, a <i>Moorish Palace</i> of great Antiquity, pursued by Don Quixotte, <i>Sancho</i>, the <i>Grandee</i> and <i>Scaramouchillo</i>, at length arrive in Old <i>England</i>
    767576 | 114009 | warned from the Grotto of the Goddess Pleasure by | they take shelter in one of the +East India Company's Warehouses</i>, which on their being closely pursued, is transform'd into a Picturesque <i>Chinese Apartment</i>. In this country he is deprived, by an adverse Magician, of his <i>Columbine</i>
    Performance: 114010 | 51304 | a | Oscar and Malvina | As17980327but Malvina-Mlle St.Amand.
    AsSeeDate: 114010 | cg | a | As | 17980327
    Cast:
    209869 | 114010 | 980327but Malvina | Mlle St.Amand.
    767577 | 114010 | unassigned | _Wilde
    767578 | 114010 | Female Choristers | Mrs Blurton
    767579 | 114010 | Young Talbot | Bologna Jun.
    767580 | 114010 | General Talbot | Bologna
    767581 | 114010 | Herald | Helme
    767582 | 114010 | Officers | Blurton, Wilde, Abbot, L? Bologna
    767583 | 114010 | Alenson | Farley
    767584 | 114010 | Charles | Simpson
    767585 | 114010 | Cardinal | Powel
    767586 | 114010 | Abbot | Thompson
    767587 | 114010 | Nobles and Officers | Dyke, Lee, Curties
    767588 | 114010 | Joan of Arc | Mrs Parker
    767589 | 114010 | Lucifer | Follett
    767590 | 114010 | Demons | Goostree, Parsloe, Letteney, Goodwin, Wilkins
    767591 | 114010 | British Officer | Incledon
    767592 | 114010 | ] | Miss Sims
    767593 | 114010 | French and English Officers and Choristers | Linton, Street, Gray
    767594 | 114010 | Minstrel | Mrs Clendining
    767595 | 114010 | Blanche | Mrs Mountain
    767596 | 114010 | Grand Historical Pageant | .
    767597 | 114010 | Oscar | Bologna Jun.
    767598 | 114010 | Fingal | Bologna
    767599 | 114010 | Male Domestics | Blurton, Platt, Wilde, Dyke, T. Cranfield, Gourion, Pitman, Parsloe
    767600 | 114010 | Male Bards | Linton, Street, Sawyer, Smith
    767601 | 114010 | Malvina | Mrs Parker
    767602 | 114010 | Female Domestics | Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cranfield, Miss Burnett, Miss Cox, Miss Crow, Miss Davenett
    767603 | 114010 | Female Bards | Mrs Castelle, Mrs Henley, Miss Wheatley, Miss Gray
    767604 | 114010 | Carrol | Follett
    767605 | 114010 | Draco | Simpson
    767606 | 114010 | Morven | Farley
    767607 | 114010 | Scotch Lad | Mrs Martyr
    767608 | 114010 | Scotch Pedlar | Simmons
    767609 | 114010 | Farmer | Gray
    767610 | 114010 | Scotch Lassie | Mrs Mountain.
    Performance: 114011 | 51304 | d | 1st piece to conclude with: a <i>Highland Reel</i>, as17980428
    AsSeeDate: 114011 | cg | d | As | 17980428
    Performance: 114012 | 51304 | s | In 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: <i>Old Towler</i>-Incledon; End 2nd piece: <i>Admiral Benbow</i>-Incledon
    Performance: 114013 | 51304 | m | In 3rd piece: <i>The Union Pipes</i>-Murphy

Mainpiece

Comments:
As17980428.
Cast:

Afterpiece

Comments:
As17971228, but Aimwell-Pope; Scrub-Munden.
Cast:

Afterpiece

Comments:
As17980327but Malvina-Mlle St.Amand.

Dance

Comment: 1st piece to conclude with: a Highland Reel, as17980428

Song

Comment: In 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: Old Towler-Incledon; End 2nd piece: Admiral Benbow-Incledon

Music

Comment: In 3rd piece: The Union Pipes-Murphy

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