*p1796 12 13 king's L'Amor fra le Vendemmie. ^As17961206^.*d1796 12 13 king's End I: <i>Flora et Zephire</i>, ^as17961126^.*b1796 12 13 king's End Opera: <i>L'Amour et Psiche</i>. L'Amour-Didelot; Psiche-Mme Hilligsberg (<i>Oracle</i>, 19 Dec.); Adonis-Gentili (<i>Morning Chronicle</i>, 19 Dec.); unassigned-Mme Rose, Mlle Parisot, Fialon.*c1796 12 13 king's 2nd ballet: Revived, and brought forward under the direction of $Barre=. The Music, with additional Airs, by $Mazzinghi=. The Scenery entirely new, painted by $Greenwood= and assistants under his Direction. The Dresses new by $Sestini=. "This dance is the composition of the celebrated $Noverre=, and it is totally different from the ballet under the same title, brought out at <i>Paris</i> under $Gardel=...The torches and swords of fire in hands of <i>Furies</i>r produced so tremendous an effect that a part of audience seemed petrified at agonies of <i>Psyche</i>r. Much of this effect was produced by the strong reflection from glass pannels of boxes" (Morning Chronicle, 19 Dec.). The frequenters of Opera are respectfully acquainted that Posts with Chains are placed all along front of Theatre to prevent Carriages from driving upon the foot way, so that Chairs can in future come by great door in the <i>Haymarket</i> with perfect safety.