Event Comment: MMiss Nossiter did Belvidera-vast applause (Cross). [$Murphy in Gray's Inn Journal, 16 Nov., noticed Miss Nossiter's appearance in Belvidera, commenting "that she is, upon many occasions Mistress of the Surprising Attitude and Action," agreeing that she gave promise of excellence, wishing that her voice would mellow into more harmony and softness, and delivering a paragraph of advice from Quintilian on the error of false emphasis in elocution.

Event Comment: Afterpiece: By Particular Desire and for the last time this season (Public Advertiser). For Miss Macklin's benefit. Ye farce of ye two Knights was to have done, but Mr Yates not being perfect it was chang'd (Cross). Receipts: #210 (Cross)

Event Comment: Benefit for Miss Turner at the Great Room, Dean St., Soho. Oratorio composed by Dr Boyce. To begin at 7:00 p.m

Event Comment: Benefit for Miss Bellamy. Afterpiece: A farce in two acts never acted there, and being the last time of performing it this season. [N.B. Its run this season had been at Drury Lane, and both Foote and Costollo were with the Drury Lane company this season.

Event Comment: Benefit for Miss Midnight and Meredith, Housekeeper

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Event Comment: Benefit for Barrington and Miss Young. Books of the opera will be sold at the theatre, at 6d

Event Comment: This night (Sat. 27th) Mr Vernon, was hiss'd off: in the part of Palemon in ye Chaplet-the anger of the Audience proceeded from this-towards the end of last Season he married Miss Potier at the Savoy, without friends consent, & afterwards was drawn in to inform against Mr Grieston, the Parson, who was immediately seiz'd & thrown into Newgate; where he was remov'd to ye King's bench on account of his Sickness. where he now lies for his Tryal. He publish'd his Case, & beg'd the Charity of the Town to keep his Family from starving (Cross). Receipts: #140 (Cross)

Event Comment: LLittle Pietro & Miss Noverre, from France now perform, with a figure of Children & meet with great Applause-were encor'd the first Night-(Cross). Mainpiece: Written by Shakespear. Receipts: #180 (Cross)

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Event Comment: Benefit for Mrs Woffington. Mainpiece: By N. Rowe, Esq. Not acted these 20 Years. [The Young Gentlewoman possibly Miss Condill. See 1 Nov. 1756.] Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate

Event Comment: Benefit for Miss Nossiter. Positively the last time of performing the afterpiece this Season. No Building on Stage

Event Comment: Wth Shakespear's ode (by Havard). Mrs Cibber ill, she came tho', and went thro' Ye two first Acts & then Miss Haughton finish'd the Part (Cross). For bt. of Ross, but Ross did not act. Receipts: #180 (Cross)

Event Comment: Benefit for Yates. Being positively the last time of performing the mainpiece this season. Afterpiece: Never acted before. Sad Farce (Cross). [Afterpiece sent to the Licenser under the title The Kept Mistress; or, The Mock Orators. Larpent MS 125 lists the parts: Harry, Belton, Hempton, Miss Belladue, her Maid; Old Ringworm, Widow Lovephrase, Servant; Lady Whiffle; Old Belladue, First Lady, Second Lady, First Orator, Second Orator, Third Orator, Doorkeeper; Press Gang (Mr Grapling Chart, Mr Anchorstock). The concluding sailor's Song most patriotic: "Our Navy see, spread o'er the Seas..."]. Receipts: #220 (Cross)

Event Comment: Last time of performing the afterpiece this Season. Benefit for Miss Minors & Mrs Cowper (Cross). [See note, 27 March 1756.] Receipts: #190 (Cross)

Event Comment: Benefit for Wood [Sub-Treasurer]. Mainpiece: For last time this season. Tickets deliver'd by Miss Minors will be taken. Tickets to head of Wood at Mr Burn's in James St., Covent Garden, &c. Receipts: #140 (Cross)

Event Comment: Benefit for Redman, Buck, Lucas, Dumay, Mrs Granier, and Miss Cokayne. Tickets deliver'd out by Martin, Letsam, Mrs Jarvis, and Mrs Gold will be taken

Event Comment: Benefit for Miss Nossiter. Mainpiece: Not acted there 3 years. [See 15 April 1755.

Event Comment: Benefit for Miss Haughton. Mainpiece: By Particular Desire. Tickets at Mr Harrache's, Jeweller, in Pall-Mall. No Building on Stage. Receipts: #130 (Cross); charges #63 (Winston MS 8)

Event Comment: Benefit for Bransby and Champness. Tickets deliver'd by Mrs Bradshaw, Miss Hippisley, Mrs Smith, and Mrs Rowe will be taken. Tickets sold at the Doors will not be taken. Receipts: #170 (Cross)

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Event Comment: Receipts: #207 6s. Paid Rich #50; Advanc'd to Miss White #1 11s. 6d