SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Messrs Barrow andCo"/1) | (@(roleclean,performerclean) "Messrs Barrow andCo")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 128 matches on Event Comments, 6 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: In three acts altered from Shakespeare. Afterpiece, a New Pastoral Masque and Pantomime interspersed. The Music composed by Fisher. The scenes painted by Messrs Dahl, Richards and Carver. Nothing under Full Prices will be taken. Books of Songs, &c. sold in Theatre. The words of the Masque taken chiefly from Ben Johnson (playbill). [DNB s.v. "Jonson," suggests The Haddington Masque, 1608, with the "Hue and Cry after Cupid" material as the source. The reviewer for the Westminster Magazine commented on the performance of 25 November, after outlining the story: "Such are the outlines of The Druids, whick is a hetereogeneous jumble of monstrous absurdities; and if considered merely as a vehicle for music, dances, and decorations, is, in our opinion, far inferior to the dramatic monstrum horrendum of the other House [The Maid of the Oaks]. Both pieces, however, are equally an insult on the understanding and judgments of the Public, and exhibit striking proofs of the miserably depraved state of the English theatre, whose entertainments are at present conducted by Managers either destitute of taste and abilities or actuated by no other than the paltry, despicable motives of vanity, prejudice, and avarice,"]

Performances

Mainpiece Title: Artaxerxes

Cast
Role: Arbaces Actor: Mrs Mattocks
Role: Artaxerxes Actor: Mattocks
Role: Artabanes Actor: Reinhold
Role: Rimenes Actor: DuBellamy
Role: Semira Actor: Mrs Baker
Role: Mandane Actor: Miss Catley.

Afterpiece Title: The Romance of An Hour

Cast
Role: Sir Hector Strangeways Actor: Shuter
Role: Brownlow Actor: Bensley
Role: Ormsby Actor: Clarke
Role: Bussora Actor: Lee Lewes
Role: Orson Actor: Quick
Role: Pillage Actor: Dunstall
Role: James Actor: Bates
Role: Jenny Actor: Miss Pearce
Role: Lady Di Strangeways Actor: Mrs Green
Role: Zelida Actor: Mrs Bulkley
Role: Kelly Actor: Lee
Role: Epilogue by Kelly Actor: Mrs Bulkley

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]

Event Comment: Benefit for Messrs Grimaldi and Hurst. Rec'd from Sinking Fund #420; from Stopages #11 7s. 6d. Paid salary list #564 16s.; J. French on acct #5 5s. Receipts: #166 16s. 6d. Charges: #70 19s. Profits to Grimaldi and Hurst: #95 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Cast
Role: Tyrrel Actor: Brereton, first time
Role: Mortimer Actor: King
Role: Abberville Actor: Dodd
Role: Colin Actor: Moody
Role: Dr Druid Actor: Baddeley
Role: Mrs Bridgemore Actor: Mrs Hopkins
Role: Miss Bridgemore Actor: Miss Sherry
Role: Miss Aubrey Actor: Miss Younge
Role: Aubrey Actor: Hurst, first time
Role: Bridgemore Actor: Bransby
Role: Napthali Actor: Waldron
Role: La Jeunesse Actor: Burton
Role: Jarvis Actor: Griffiths
Role: Mrs Macintosh Actor: Mrs Love
Role: Chambermaid Actor: Miss Platt

Afterpiece Title: A Peep behind the Curtain

Dance: End: The Lilliputian Camp-, not performed these 6 years

Event Comment: Benefit for Messrs Bransby and Burton. Receipts: #128 8s. Charges: #64 18s. 6d. Profits to Bransby and Burton: #63 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Cast
Role: Belville Actor: Reddish
Role: Savage Actor: Brereton
Role: Spruce Actor: Lamash
Role: Ghastly Actor: Burton
Role: Torrington Actor: Waldron.
Role: Leech Actor: Wrighten
Role: Wolf Actor: Carpenter.
Role: General Savage Actor: King
Role: Crow Actor: Wright
Role: Connolly Actor: Moody
Role: Leeson Actor: Palmer
Role: Mrs Belville Actor: Miss Younge
Role: Lady Rachel Actor: Mrs Hopkins
Role: Miss Leeson Actor: Miss Jarratt
Role: Maid Actor: Mrs Millidge
Role: Miss Walsingham Actor: Mrs Abington
Role: Mrs Tempest Actor: Mrs Greville.

Afterpiece Title: The Padlock

Cast
Role: Don Diego Actor: Bannister
Role: Mungo Actor: Burton
Role: Leonora Actor: Mrs Smith
Role: Ursula Actor: Mrs Love
Role: Public Advertiser lists Ursula Actor: Mrs Green
Role: Don Diego Actor: Reinhold.
Role: Parts Actor: King, Weston, Parsons, Aickin, Hurst, Bransby, Wright, Ackman, Miss Platt. Bayes-King
Role: Bayes Actor: King
Role: Weston Actor: Weston
Role: Parsons Actor: Parsons
Role: Patent Actor: Aickin
Role: Hurst Actor: Hurst
Role: Prompter Actor: Ackman
Role: Phill Actor: Wright
Role: Miss Platt Actor: Miss Platt
Role: Whittle Actor: Parsons
Role: Kecksey Actor: Dodd
Role: Sir Patrick Actor: Moody
Role: Bates Actor: Baddeley
Role: Newphew Actor: Cautherly
Role: Thomas Actor: Weston
Role: Widow Actor: Mrs Greville.
Role: Leander Actor: Vernon

Dance: V: The Sailors Revels, as17740920

Event Comment: Benefit for Messrs Tomlinson, Mortimer, Walton and Carlton Senr. Tickets delivered by Page will be taken. Paid Tabor & Pipe 5 nights (9th inst. incl.) #2 12s. 6d.; Mr Wrighten on note #42. Receipts: #239 16s. Charges: #84. Profits to beneficiaries: #155 16s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Olivia Actor: Mrs Baddeley.
Role: Orsino Actor: Jefferson
Role: Malvolio Actor: King
Role: Sir Andrew Actor: Dodd
Role: Antonio Actor: Davies
Role: Fabian Actor: Waldron
Role: Viola Actor: Miss Younge
Role: Sebastian Actor: Cautherly
Role: Sir Toby Actor: Palmer
Role: Maria Actor: Mrs Hopkins
Role: Clown Actor: Vernon

Afterpiece Title: High Life below Stairs

Cast
Role: Sir Harry's Servant Actor: Dodd
Role: Freeman Actor: Fawcett
Role: Robert Actor: Griffiths
Role: Young Lovel Actor: Cautherly
Role: Duke's Servt Actor: Palmer
Role: Philip Actor: Baddeley
Role: Kitty Actor: Miss Pope.

Dance: V: The Pirates, as17750422

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Cast
Role: Touchstone Actor: Baddeley
Role: Quicksilver Actor: Dodd
Role: Sir Petronel Flash Actor: Palmer
Role: Golding Actor: Brereton
Role: Security Actor: Parsons
Role: Bramble Actor: Hurst
Role: Seagull Actor: Bannister
Role: Fig Actor: Whitfield
Role: Waterman Actor: Wright
Role: Wolf Actor: Wrighten
Role: Holdfast Actor: Griffith
Role: Constable Actor: Carpenter
Role: Servant Actor: Norris
Role: Drawer Actor: Garland
Role: Footman Actor: Everard
Role: Scapethrift Actor: Fawcett
Role: Spendall Actor: Cubitt
Role: Coachman Actor: Kear, Legg
Role: Mildred Actor: Miss P. Hopkins
Role: Winifred Actor: Mrs Whitfield
Role: Sydney Actor: Miss Platt
Role: Mrs Touchstone Actor: Mrs Johnston
Role: Betty Actor: Mrs Millidge
Role: Gertrude Actor: Mrs Wrighten
Event Comment: Afterpiece: A New Pantomime Entertainment, never performed. With New Music, Scenes, Dresses, and Machinery. The Overture composed by Fisher. The scenes painted by Messrs Dahl and Richards. Nothing under FULL PRICE will be taken. The Words of the songs to be given at the Doors. [This information included in all subsequent bills for the pantomime this season, until 25 March when the half-price practice is announced. Full account of the content of the afterpiece is given in The Westminster Magazine for Dec. The reviewer was delighted with the adherence to the classical myth in the first and last scenes, and with the variety of action and excellence of the machinery and painting in the interventing comic portion.

Performances

Mainpiece Title: King Henry Ii

Cast
Role: Salisbury Actor: Young
Role: Leicester Actor: Fearon
Role: Abbot Actor: Booth, first time.
Role: King Henry Actor: Aickin, first time
Role: Clifford Actor: Hull
Role: Prince Henry Actor: Wroughton
Role: Verulam Actor: Thompson
Role: Ethelinda Actor: Mrs Poussin
Role: Queen Eleanor Actor: Mrs Mattocks
Role: Rosamond Actor: Mrs Hartley.
Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Cast
Role: Sprightly Actor: King
Role: Phelim Actor: Moody
Role: Catcall Actor: Palmer
Role: Sir Dulcimer Dunder Actor: Parsons
Role: Sailor Actor: Bannister
Role: Mezzetin Actor: Baddeley
Role: Furrow Actor: Wrighten
Role: Dripping Actor: Griffiths
Role: Musician Actor: Wright
Role: Frank Furrow Actor: Burton
Role: Lad Actor: R. Palmer
Role: Crotchet Actor: Dodd
Role: Mrs Dripping Actor: Mrs Bradshaw
Role: Mrs Furrow Actor: Mrs Love
Role: Doxy Actor: Miss Platt
Role: Miss Dripping Actor: Miss Stageldoir
Role: Miss Quaver Actor: Mrs Wrighten
Role: unassigned Actor: Carpenter
Role: not listed on playbill, Actor: King

Afterpiece Title: Twelfth Night

Cast
Role: Malvolio Actor: Yates
Role: Sir Andrew Ague@Cheek Actor: Dodd
Role: Sir Toby Belch Actor: Palmer
Role: Orsino Actor: Jefferson
Role: Sebastian Actor: Davies
Role: Fabian Actor: Lamash
Role: Antonio Actor: Wrighten
Role: Captain Actor: Wright
Role: Officer Actor: Carpenter
Role: Priest Actor: Griffiths
Role: Valentine Actor: Norris
Role: Curio Actor: Everard
Role: Clown Actor: Vernon
Role: with the original Epilogue song Actor: Vernon
Role: Olivia Actor: Mrs Baddeley
Role: Maria Actor: Mrs Hopkins
Role: Viola Actor: Miss Younge.

Afterpiece Title: Miss in her Teens

Cast
Role: Fribble Actor: Dodd
Role: Captain Flash Actor: Palmer
Role: Captain Loveit Actor: Davies
Role: Puff Actor: Moody
Role: Jasper Actor: Burton
Role: Tag Actor: Mrs Love
Role: Miss Biddy Actor: Miss Jarratt.
Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Cast
Role: Clearco Actor: Rauzzini
Role: Fenicio Actor: Trebbi
Role: Agenore Actor: Savoi
Role: Nino Actor: Leopoldo Micheli
Role: Sidonia Actor: Sga Luiggia Farnese
Role: Elisa Actor: Sga Anna Pozzi.

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Event Comment: A new Comic Opera. The music entirely new by Sacchini. With entire new Scenes, Dresses and Decorations both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [see 5 June 1779]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The door in Market Lane for Chairs only. Public Advertiser, 31 Oct.: To prevent mistakes Ladies who have not honoured the Director with the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the Office of the Theatre, in order to [permit] their Tickets being engraved. The Renters' Shares proposed to be granted on this Theatre are now made out, and particulars prepared, at Messrs Wallis and Parker's, Norfolk-street, Strand, who are impowered by the Proprietors to dispose in single Shares of those which remain unsubscribed for. The annual Subscriptions are receiving by Johnson at the Office of the Theatre in Union-court, Haymarket

Performances

Mainpiece Title: L'avaro Deluso

Cast
Role: Gervasio Actor: Jermoli
Role: Calandrano Actor: Antonio Rossi
Role: Agapito Actor: Carlo Rovedino
Role: Modesta Actor: Sga Jermoli
Role: Lazzarina Actor: Sga Pozzi
Role: Zerbinetta Actor: Sga Sestini.

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Cast
Role: Bailly Actor: LeDet
Role: du Village Actor: Simonet
Role: Lubin Actor: Slingsby
Role: Annette Actor: Mme Simonet
Role: unassigned Actor: Sg Zuchelli, Sga Zuchelli.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Cast
Role: Sir Harry Wildair Actor: Mrs Greville
Role: Colonel Standard Actor: Brinsley
Role: Young Clincher Actor: Swords
Role: Vizard Actor: Cotton
Role: Alderman Smuggler Actor: Barrett
Role: Tom Errand Actor: Forrest
Role: Beau Clincher Actor: A Gentleman
Role: Wife Actor: Mr Pressley
Role: Angelica Actor: Miss Read
Role: Parley Actor: Miss Plain
Role: Lady Darling Actor: Mrs Fowler
Role: Lady Lurewell Actor: Mrs Child

Afterpiece Title: The Irish Widow

Cast
Role: Whittle Actor: Barrett
Role: Sir Patrick O'Neale Actor: Lloyd
Role: Bates Actor: Booth
Role: Kecksey Actor: Pressley
Role: Nephew Actor: Forrest
Role: Thomas Actor: Swords
Role: Widow Brady Actor: Mrs Greville

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Event Comment: By Permission of the Lord Chamberlain. Oratorio: Composed by the late Dr Arne. At Playhouse Prices [see 10 Mar.]. The Doors to be opened at 5:30. To begin at 6:30. Tickets for the Boxes to be had at Messrs Longman and Broderip's, in Cheapside and the Haymarket; and at the Stage Door of the Theatre, in Suffolk-street, where Places may be taken

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

Event Comment: A Comic Opera (1st time [in London; 1st performed at Rome, 1777]); the Music entirely new, by Anfossi. With new Scenes, painted by Novosielski; new Dresses and Decorations by Sestini, both for the Opera and Dances. By their Majesties Command No Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00, and begin exactly at 7:00 [see 7 June 1785]. Subscriptions are received at Messrs Ransom, Moreland and Hammersley's, bankers, No. 57, Pall-mall; who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-House, are respectfully intreated to send for them, as, in order to prevent future mistakes, no body can be admitted without producing a Ticket

Performances

Mainpiece Title: Il Curioso Indiscreto

Cast
Role: : Il Marchese Calandrano Curioso Actor: Tasca
Role: Aurelio Actor: Cremonini
Role: Prospero Actor: Schinotti
Role: Il Conte di Ripaverde Actor: Franchi
Role: Emilia Actor: Sga Schinotti
Role: Serpina Actor: Sga Pollone
Role: Clorinda Actor: Sga Dorta.

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Cast
Role: Alceste Actor: Rubinelli
Role: Fenicio Actor: Calvesi
Role: Olinto Actor: Balelli
Role: Mitrane Actor: Cremonini
Role: Barsene Actor: Sga Schinotti
Role: Cleonice Actor: Mme Mara.

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Cast
Role: Serina Actor: Miss Collins
Role: Castalio Actor: Pope
Role: Acasto Actor: Aickin
Role: Polydore Actor: Farren
Role: Chaplin Actor: Fearon
Role: Ernesto Actor: Thompson
Role: Chamont Actor: Holman
Role: Florella Actor: Miss Stuart
Role: Monimia Actor: Miss Brunton.

Afterpiece Title: Nina

Cast
Role: Germueil Actor: Johnstone
Role: Nina Actor: Mrs Billington
Role: Principal Characters Actor: Brown, Hull, Thompson, Darley, Miss Wilkinson, Mrs Martyr. Cast adjusted from score
Role: Count Actor: Hull
Role: Villager Actor: Thompson
Role: George Actor: Darley
Role: Eliza Actor: Miss Wilkinson
Role: 870327but Oldcastle Actor: Wewitzer
Role: Mr Carmine Actor: Davies
Role: Lady Pentweazle Actor: Mr Ryder.
Role: Drunken Colonel Actor: Ryder
Role: Valentine Actor: Macready
Role: Oldcastle Actor: Booth
Role: Slap Actor: Swords
Role: Goodall Actor: Fearon
Role: Mrs Highman Actor: Mrs Webb
Role: Charlotte Actor: Miss Stuart
Role: Lettice Actor: Mrs Mattocks
Role: Japan Actor: Ryder
Role: Congo Actor: Wewitzer
Role: Nankeen Actor: Fearon
Role: Captain Manly Actor: Macready
Role: Colonel Fury Actor: Quick
Role: Governess Actor: Mrs Pitt
Role: Sophia Actor: Mrs Wells

Afterpiece Title: Love a-la-Mode

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Cast
Role: Taddeo Actor: Morelli
Role: Acmet Actor: Morigi
Role: Gafforio Actor: Balelli
Role: Teodoro Actor: Calvesi
Role: Sandrino Actor: Fineschi
Role: Belisa Actor: Sga Sestini
Role: Lisetta Actor: Sga Storace.

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: [The performance was interrupted when "a piece of brass of upwards of a pound weight [was] hurled from the gallery into the pit, and much injured a lady on which it fell" (Public Advertiser, 8 Apr.). Advertisement from the theatre printed in the same newspaper, 9 Apr.: "For discovery of the offender the Theatre offers a reward of 10 guineas." Account-Book, 26 June: Paid Messrs Francis the reward offered #10 10s.] Receipts: #278 2s. 6d. (272.7.0; 5.15.6)

Performances

Mainpiece Title: The Man Of The World

Cast
Role: Tomlins Actor: Evatt.
Role: Sir Pertinax Macsycophant Actor: Macklin
Role: Lord Lumbercourt Actor: Thompson
Role: Sydney Actor: Aickin
Role: Melville Actor: Hull
Role: Counsellor Plausible Actor: Brown
Role: Serjeant Eitherside Actor: Booth
Role: Sam Actor: Ledger
Role: John Actor: Helme
Role: Egerton Actor: Lewis
Role: Constantia Actor: Miss Tweedale
Role: Betty Hint Actor: Mrs Morton
Role: Lady Macsycophant Actor: Mrs Platt
Role: Nanny Actor: Mrs Davenett
Role: Lady Rodolpha Lumbercourt Actor: Mrs Pope.

Afterpiece Title: Omai

Cast
Role: Towha Actor: Helme
Role: Otoo Actor: Darley
Role: Omai Actor: Blurton
Role: Harlequin Actor: Brown
Role: Oediddee Actor: Mrs Kennedy
Role: Oberea Actor: Mrs Martyr
Role: Don Struttolando Actor: Macready
Role: Clown Actor: Wewitzer
Role: Britannia Actor: Mrs Platt
Role: Londina Actor: Mrs Watts
Role: Colombine Actor: Mrs Rock
Role: An English Sailor Actor: Edwin.
Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: ["The Play to-night was to have been The Confederacy, by Desire of the Duchess of Leinster, with The Spoiled Child (both advertised on playbill of 7 May), for Mrs Jordan's benefit...but she suspecting the House would be thin, pretended to be ill, would not act" (Kemble Mem.). "Love for Love (announced in playbill of this present night) and The Spoiled Child were deferred on account of the indisposition of Mrs Jordan, and The West Indian and The Island of St. Marguerite substituted...Aickin and Packer...could not be met with, and no other means of presenting The West Indian remained than Messrs Williames and Maddocks being permitted to read the parts of Stockwell and Capt. Dudley. This the audience refused to comply with, and insisted on having their money returned, which was at last done. The pit was cleared, not even one person remaining; but during the second act, four people came in...About thirty stayed in the boxes, and not a sufficient number to fill the front rows in the galleries...The West Indian, with two parts in it read, and a house thus uncomfortably thin, dragged dismally through the three first acts. The half-price produced considerable amendment in the appearance of the house" (London Chronicle, 10 May).] Receipts: #45 0s. 6d. (11.13.0; 32.5.0; 1.2.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Event Comment: Paid Messrs Enderby, Oilmen, #128 7s. 6d. Receipts: #185 14s. (177.18; 7.16)

Performances

Mainpiece Title: The School For Arrogance

Cast
Role: Count Conolly Villars Actor: Lewis
Role: MacDermot Actor: Johnstone
Role: Mr Dorimont Actor: Aickin
Role: Edmund Actor: Farren
Role: Sir Paul Peckham Actor: Wilson
Role: Sir Samuel Sheepy Actor: Munden
Role: Picard Actor: Marshall
Role: Exempt Actor: Thompson
Role: Footmen Actor: Farley, Evatt, Letteney, Blurton
Role: Bailiffs Actor: Cross, Lee
Role: Lucy Actor: Mrs Wells
Role: Lydia Actor: Miss Brunton
Role: Lady Peckham Actor: Mrs Mattocks
Role: in the Character of a News Actor: hawker

Afterpiece Title: The Farmer

Cast
Role: Jemmy Jumps Actor: Munden
Role: Valentine Actor: Johnstone
Role: Rundy Actor: Blanchard
Role: Colonel Dormant Actor: Hull
Role: Fairly Actor: Thompson
Role: Farmer Stubble Actor: Powel
Role: Farmer Blackberry Actor: Bannister
Role: Molly Maybush Actor: Mrs Martyr
Role: Louisa Actor: Mrs Mountain
Role: Landlady Actor: Mrs Platt
Role: Betty Blackberry Actor: Mrs Mattocks.
Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel

Afterpiece Title: Grand Selection 1

Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Event Comment: A Comic Opera; the music chiefly composed by Paisiello. Under the direction of Storace. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. The subscriptions are received at Messrs Ransoms, Morland and Hammersley's only, upon whose receipt the tickets will be immediately made out, and delivered at the office of Jewell, treasurer. And the subscribers at the head of Boxes are intreated to observe that if the subscription money is not paid into the hands of the Bankers, before the opening of the Theatre, his Box will be considered as relinquished. N.B. The seats of the Pit and the Boxes will be entirely new furnished on the Opera Nights; and Gentlemen are most respectively [sic] informed that they cannot be admitted, either into the Boxes or the Pit on those Nights, unless they are in Afternoon dress. The Nobility are intreated to give directions to their servants to set down and take up the at Theatre with the horses' heads towards Pall Mall. The door in Market-lane for Chairs only

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel