23 December 1786

Event Information
Theatre: King's Theatre
Theatrical Season: 1786-1787
Volume: 5
Comments: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performance List

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  • Original Data

    Source: London Stage Information Bank

    *p king's Alceste. [Principal Characters by Rubinelli, Calvesi, Balelli,Cremonini, Sga Schinotti, Mme Mara. [Cast from <i>Larpent MS 751</i>:% Alceste-Rubinelli; Fenicio-Calvesi [in MS: $Mengozzi=]; Olinto-Balelli; Mitrane-Cremonini; Barsene-Sga Schinotti; Cleonice-Mme Mara. *dEnd I: <i>Divertissement</i>-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in <i>England</i>); End Opera: <i>La Chercheuse d'Esprit</i>-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. [Scenario (<i>Paris</i>, 1778) lists the parts:<i>Mme Madre</i>r, <i>Subtil</i>r, <i>Narquois</i>r, <i>Nicette</i>r, <i>Alain</i>r, <i>L'Eveille</i>r, <i>Finette</i>r.% *cA Serious Opera in 2 acts [1st time; altered by $Carlo Francesco Badini= from <i>Demetrio</i>, by $Metastasio=]; the music by $Gresnick=. By $their Majesties=' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs <i>Ransom, Morlandand Hammersley's, Bankers</i>, No. 57, <i>Pall-mall</i>, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in <i>Market-lane</i> for chairs only. [Synopsis of opera in <i>Morning Post</i>, 25 Dec. $Mme Perignon= and $Goyon= were from the $Opera, Paris=.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to $Prendergrass=, office-keeper at the <i>Haymarket</i> pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to $Reynolds=, office-keeper at the <i>King's Door</i> pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to $Butler=, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to $Snelson=, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).]
  • Cleaned Data

    *p1786 12 23 king's Alceste. Principal Characters by Rubinelli, Calvesi, Balelli, Cremonini, Sga Schinotti, Mme Mara. [Cast from <i>Larpent MS 751</i>: Alceste-Rubinelli; Fenicio-Calvesi [in MS: $Mengozzi=]; Olinto-Balelli; Mitrane-Cremonini; Barsene-Sga Schinotti; Cleonice-Mme Mara.*d1786 12 23 king's End I: <i>Divertissement</i>-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in <i>England</i>); End Opera: <i>La Chercheuse d'Esprit</i>-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (<i>Paris</i>, 1778) lists the parts: <i>Mme Madre</i>r, <i>Subtil</i>r, <i>Narquois</i>r, <i>Nicette</i>r, <i>Alain</i>r, <i>L'Eveille</i>r, <i>Finette</i>r.*c1786 12 23 king's A Serious Opera in 2 acts [1st time; altered by $Carlo Francesco Badini= from <i>Demetrio</i>, by $Metastasio=]; the music by $Gresnick=. By $their Majesties=' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs <i>Ransom, Morland and Hammersley's, Bankers</i>, No. 57, <i>Pall-mall</i>, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in <i>Market-lane</i> for chairs only. [Synopsis of opera in <i>Morning Post</i>, 25 Dec. $Mme Perignon= and $Goyon= were from the $Opera, Paris=.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to $Prendergrass=, office-keeper at the <i>Haymarket</i> pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to $Reynolds=, office-keeper at the <i>King's Door</i> pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to $Butler=, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to $Snelson=, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).]
  • Parsed Data

    Event: 44713 | 17861223 | king's | A Serious Opera in 2 acts [1st time; altered by $Carlo Francesco Badini= from <i>Demetrio</i>, by $Metastasio=]; the music by $Gresnick=. By $their Majesties=' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs <i>Ransom, Morland and Hammersley's, Bankers</i>, No. 57, <i>Pall-mall</i>, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in <i>Market-lane</i> for chairs only. [Synopsis of opera in <i>Morning Post</i>, 25 Dec. $Mme Perignon= and $Goyon= were from the $Opera, Paris=.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to $Prendergrass=, office-keeper at the <i>Haymarket</i> pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to $Reynolds=, office-keeper at the <i>King's Door</i> pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to $Butler=, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to $Snelson=, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).
    Performance: 96836 | 44713 | p | Alceste | Principal Characters by Rubinelli, Calvesi, Balelli, Cremonini, Sga Schinotti, Mme Mara. [Cast from <i>Larpent MS 751</i>: Alceste-Rubinelli; Fenicio-Calvesi [in MS: $Mengozzi=]; Olinto-Balelli; Mitrane-Cremonini; Barsene-Sga Schinotti; Cleonice-Mme Mara.
    Cast:
    169272 | 96836 | Alceste | Rubinelli
    169273 | 96836 | Fenicio | Calvesi
    169274 | 96836 | Olinto | Balelli
    169275 | 96836 | Mitrane | Cremonini
    169276 | 96836 | Barsene | Sga Schinotti
    169277 | 96836 | Cleonice | Mme Mara.
    Performance: 96837 | 44713 | d | End I: <i>Divertissement</i>-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in <i>England</i>); End Opera: <i>La Chercheuse d'Esprit</i>-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon | Scenario (<i>Paris</i>, 1778) lists the parts: <i>Mme Madre</i>, <i>Subtil</i>, <i>Narquois</i>, <i>Nicette</i>, <i>Alain</i>, <i>L'Eveille</i>, <i>Finette</i>.

Mainpiece

Title: Alceste
Comments:
Principal Characters by Rubinelli, Calvesi, Balelli, Cremonini, Sga Schinotti, Mme Mara. [Cast from Larpent MS 751: Alceste-Rubinelli; Fenicio-Calvesi [in MS: Mengozzi]; Olinto-Balelli; Mitrane-Cremonini; Barsene-Sga Schinotti; Cleonice-Mme Mara.
Cast:

Dance

Comment: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

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