SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Irish Scotch Italian and French Airs"/1) | (@(roleclean,performerclean) "Irish Scotch Italian and French Airs")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2135 matches on Performance Title, 898 matches on Event Comments, 730 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Performance Comment: Old Rents-Sparks; Hearty-Beard; Springlove-Clarke; Randal-Dunstall; Oliver-Dyer; Justice Clack-Shuter; Hilliard-Baker; Vincent-Mattocks; Meriel-Mrs Vincent; Amie-Miss Young; Rachel-Miss Brent; with the Beggars-; other dances incident to the Opera-.
Cast
Role: Randal Actor: Dunstall

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Rape of Proserpine, with the Birth and Adventures of Harlequin

Performance Comment: Ceres-Miss Miller (first time); Proserpine-Miss Catley (first time); Jupiter-Mattocks; Mercury-Baker; Followers of Ceres-Sga Manesiere, Mrs Granier, Mrs Cook, Miss Pitt, Misses Dolly Twist and Sukey Twist, Miss Daw; Pluto-Legg; Daemons-Duquesney, Granier, Tassoni, Hussey, Dumay, Martin, Dufour; Harlequin-Miles; Clodpole-Shuter; Yeoman-Weller; Old Man-C. Smith; Old Woman-Mrs Pitt; Colombine-Mrs Dyer; Elements, Earth-Tassoni, Miss Pitt; Air-Sg and Sga Maranesi; Fire-Granier and Mrs Granier; Water-Duquesney, Sga Manesiere (playbill).

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Kite Actor: Anderson

Performances

Mainpiece Title: Cleonice

Performance Comment: As17631126, but to which will be added several new airs-.
Related Works
Related Work: Cleonice Author(s): Ferdinando Bertoni
Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: George Barnwell-Holland; Thorowgood-Love; Trueman-Packer; Uncle-Burton; Blunt-Fox; Maria-Mrs Davies; Lucy-Mrs Bennet; Milwood-Miss Haughton.
Cast
Role: George Barnwell Actor: Holland

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Cast
Role: Chamont Actor: Holland

Afterpiece Title: The Cunning Man

Event Comment: Benefit for A. Smith and Miss Dowson

Performances

Mainpiece Title: The Gamester

Entertainment: I: An Overture-; A favourite Song from Pharnaces, Swift Wing'd Vengeance Nerve my Arm-A. Smith (set by Bates); A Favourite Scots air (words and Music by A. Smith)-Miss Dowson; An Overture-Abel; A Celebrated song from Anacreon (set by Starling Goodwin)-A. Smith; II: Soldier Tir'd-Miss Dowson; A New Song-Barnshaw; An Overture from Otho- (Handel); Sweet Echo-a young Gentleman from Italy; Trumpet Concerto-Mas. Green, pupil of Jones; A Celebrated song British Wives-A. Smith; Concerto on Violin-Smart; After the Gamester: Russel's Triumph-A. Smith; in the character of a mid-shipman with a Hornpipe-Rawlins (from the opera house in the Haymarket) in the character of a Sailor

Performance Comment: Smith (set by Bates); A Favourite Scots air (words and Music by A. Smith)-Miss Dowson; An Overture-Abel; A Celebrated song from Anacreon (set by Starling Goodwin)-A. Smith; II: Soldier Tir'd-Miss Dowson; A New Song-Barnshaw; An Overture from Otho- (Handel); Sweet Echo-a young Gentleman from Italy; Trumpet Concerto-Mas. Green, pupil of Jones; A Celebrated song British Wives-A. Smith; Concerto on Violin-Smart; After the Gamester: Russel's Triumph-A. Smith; in the character of a mid-shipman with a Hornpipe-Rawlins (from the opera house in the Haymarket) in the character of a Sailor.
Event Comment: A Sacred Oratorio, never performed. The Music entirely new, composed by Hook. [The reviewer for the Westminster Magazine for March thought the Ascension would make but a poor figure at the Day of Judgement. [Hook] has, like many other votaries of Clio and Calliope, mistaken dullness for dignity...if there were no other objection to the Ascension than its extreme length and tediousness, that circumstance alone would prevent it from ranking among the pleasing Oratorios now in performance."

Performances

Mainpiece Title: The Ascension; Judas Maccabaeus

Music: Between the parts of the Oratorio: A Concerto on the Pedal Harp-Jones; concerto on the Violin-Lamotte[, as17760315

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Afterpiece Title: The Seraglio

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: Benefit for Wild, prompter, and Mahon. Gazetteer, 26 Apr.: Tickets to be had of Wild, No. 20, Martlet-court, Bow-street, Covent-garden; of Mahon, No. 6, Paradise-street, Marybone. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Afterpiece [1st time; CO 2, by-Richards]: The Music entirely new, composed by William? Bates. Receipts: #256 13s. 6d. (126.0.6; tickets: 130.13.0) (charge: #72 15s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-Peile (1st appearance in that character); Clytus-Clarke; Hephestion-Whitefield; Lysimachus-Mahon; Cassander-Fearon; Thessalus-Thompson; Polyperchon-Booth; Roxana-Mrs Ward (1st appearance in that character); Parisatis-Mrs Whitefield; Sysigambis-Mrs Poussin; Statira-Mrs Hartley.
Cast
Role: Alexander Actor: Peile
Role: Cassander Actor: Fearon

Afterpiece Title: The Device; or, The Marriage-Office

Performance Comment: [Characters by Mattocks, Robson, Mahon, Wewitzer, Thompson, Stevens, Wilson, Mrs Wilson, Mrs Booth, Miss Brown. Cast from Airs, (no pub. 1777)]: Townley-Mattocks; Sharpley-Robson; O'Donnely-Mahon; Lumber-Wewitzer; Colonel Olive-Wilson; Miss Blond-Mrs Wilson; Mrs Olive-Mrs Booth, [in Airs: Mrs Pitt; Miss Olive-Miss Brown; Thompson; Stevens. Thompson; Stevens.

Dance: End: The Humours of New@Market with the Pony Races, as17770428

Song: End I: A Welcome to the Spring (composed by Dr Arne)-Mrs Farrell

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Performances

Mainpiece Title: Polly

Performance Comment: [Principal Parts by Du-Bellamy, Parsons, Davies, Massey, Fearon, Egan, Griffiths, Kenny, Bannister, Mrs Hitchcock, Mrs Davies, Mrs Love, Miss Hale, Miss Platt, A Young Gentlewoman (1st appearance Mrs Colles]). [Cast from text (T. Evans, 1777): Cawwawkee-DuBellamy; Ducat-Parsons; Culverin-Davies; Vanderbluff-Massey; Pohetohee-Fearon; Hacker-Egan; Capstern-Griffiths; Laguerre-Kenny; Morano-Bannister; Jenny Diver-Mrs Hitchcock; Trapes-Mrs Davies; Mrs Ducat-Mrs Love; Damaris-Miss Hale; Flimzy-Miss Platt; Polly-A Gentlewoman; [Characters in the Introduction: Poet-Davies; Players-Fearon, T. Davis; Signora Crotchetta-Miss Platt.
Cast
Role: Vanderbluff Actor: Massey

Afterpiece Title: Polly Honeycombe

Dance: End I: a Dance of Pirates-(see17770611; III: Dance of Indians- (see17770611. [These were danced in all subsequent performance.

Event Comment: Afterpiece [1st time; P 2(?), by James Messink and Carlo Antonio Delpini. Not in Larpent MS; synopsis of action in London Chronicle, 26 Nov.]: The Scenery, Machinery, &c. painted new by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed new by Fisher. Nothing under Full Price will be taken. Books of the Songs to be had at the Theatre. Account-Book, 3 Feb. 1778: Paid Fisher for composing songs, &c. in The Tempest [see 27 Dec. 1776], and other pieces, as per bill, #131 11s. Receipts: #190 16s. (182.18; 7.18)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Norwood Gypsies

Performance Comment: Principal Characters-Lee Lewes, Rayner, Delpini, Messink, Miss Matthews, Miss Cranfield, Sga Tinte; Pastoral-Reinhold, Miss Dayes; Rest of Vocal Parts-Battishill, Mahon, Baker. [Partial cast from Morning Chronicle, 26 Nov.: Harlequin-Lee Lewes; Clown-Delpini; Colombine-Sga Tinde. Airs (no pub., 1777) lists no cast, no act division; has songs sung by Justice, Constable, Colin, Lucy, Gypsies. For parts see17800506.] has songs sung by Justice, Constable, Colin, Lucy, Gypsies. For parts see17800506.]
Cast
Role: Colombine Actor: Sga Tinde. Airs

Dance: Afterpiece: Dancing-Aldridge, Dagueville, Miss Besford, Miss Valois

Performances

Mainpiece Title: The Castle Of Andalusia

Cast
Role: Ferdinand Actor: Mattocks

Afterpiece Title: The Rival Knights

Afterpiece Title: Retaliation

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus (1st time)-Farren; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Brett, Darley, Davies; Sabrina-Mrs Morton; The Lady-Mrs Bates; Principal Bacchant and Euphrasyne (with Sweet Echo, accompanied on the oboe by W. Parke)-Mrs Martyr; Pastoral Nymph (with Noon-tide Air)-Mrs Pinto, formerly Miss Brent (1st appearance on this stage these 10 years [recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .

Song: As17850405

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Performances

Mainpiece Title: Acis And Galatea; Redemption 0

Afterpiece Title: A New Symphony

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Divertissement-[see17871208]

Song: In Opera: an additional songby Mortellari-Marchesi; a new duet of his own composing-Marchesi; accompanied on the tenor obligato-Cramer

Ballet: End Opera: The Deserter (composed by D'Auberval). The Deserter-Vestris; Skirmish-Miss Simonet; Louisa-Mlle Hilligsberg; other characters-Didelot, Simonet, Mlle Coulon; a Pas Seulto the favourite air of Je suis Lindor-Mlle Coulon

Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Performances

Mainpiece Title: The Czar

Performance Comment: Principal Characters-Bannister, Quick, Edwin, Blanchard, Darley, Rock, C. Powell, Egan, Johnstone, Mrs Martyr, Mrs Mountain, Mrs Billington. Cast from Airs (T. Cadell, 1790): The Czar-Bannister; Justice Applejack-Quick; Philip-Edwin; Count Couvanski-Blanchard; Commodore Swivel-Darley; Ballybough-Rock; Romadanowski-C. Powell; Slip-Egan; Lefort-Johnstone; Nib-Farley; Ellen-Mrs Martyr; Mrs Applejack-Mrs Mountain; Ottokesa-Mrs Billington.

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

Event Comment: The Choral Band will be considerably augmented this Night by Numbers from the Handelian and Cecilian Societies, for the Accomodation of which the Orchestra will be greatly enlarged

Performances

Mainpiece Title: Israel In Egypt; Messiah; Grand Selection 0

Cast
Role: Honour and Arms Actor: Bellamy

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Chiefly From The Works Of handel; Debora And Sisara

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Grand Overture-; Air-Rovedino (Paisiello); I sigh and lament-Miss Leak (Giordani); The many rend the skies-Chorus; Pleasure my former ways resigning-Harrison; Gird on thy sword-Chorus; Air with violoncello obligato by Lindley-Mme Banti; Zadock the Priest- (Coronation Anthems).
Cast
Role: Grand Overture Actor:
Role: I sigh and lament Actor: Miss Leak
Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Murray; Buckingham-Macready; Stanley-Hull; Tressel-Toms; Prince Edward-Master Curties; Duke of York-Miss Standen; Catesby-Claremont; Lieutenant-Haymes; Ratcliffe-Thompson; Lord Mayor-Powel; Richmond-Pope; Lady Anne-Miss Chapman; Duchess of York-Mrs Platt; Queen-Mrs Fawcett.
Cast
Role: Duke of York Actor: Miss Standen

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Performance Comment: Jupiter-Munden; Mercury-Townsend; Momus-Simmons; Paris-Incledon; Juno-Mrs Addison; Pallas-Mrs Clendining; Erynnis-Mr Delpini (1st appearance these 7 years); Iris-Mrs Castelle; Venus-Mrs Mountain; A Description of Part of the Scenery, Machinery. ACT I. The Palace Garden, and Canal of Tyndarus. The introduction of Leda and the Swan. Leda-Mlle St.Amand. The Hesperean Dragon spouting Fire, pursuing Erynnis to recover the Golden Pippin. A Celestial Palace, with a Magnificent Temple, and the Peacock of Juno in Transparency. ACT II. A Plain in Phoenicia, in which Jupiter descends from the Heavens on an Eagle, and Momus on a Goose. A Procession to a Sacrifice. Jupiter in the form of a Bull, bearing Europa, attended by a train of Priests, Virgins, Nymphs, Shepherds. The Sea, with a distant View of the Isle of Crete. Jupiter bearing Europa across the Sea. A View of Mount Idav The Decree of Paris, and the Ascent and Descent of the Deities: Vulcan, Apollo, Mars, Hercules, Bacchus, Pan, Ceres, Diana, Cybele, Flora, Pomona, Proserpine, Hebe. Mercury descends on a Cloud, and Iris on a Rainbow. Pluto rises from the Infernal Regions in a Chariot drawn by Dragons; Neptune in a watery Car, borne by Sea Horses; and Jupiter descends in a Cloud, attended by Hebe and Ganymede. To conclude with the Re-ascent of Jupiter attended by Flying Cupids.
Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: Rich's Company. Post Boy, No. 818, 4-6 July 1700: For the Benefit of Mrs Oldfield. This day at the Theatre Royal in Drury-Lane, will be presented, a Comedy call'd, The Pilgrim. Revis'd with Large Alterations, and a Secular Masque. With the Dialogue between the 2 mad Lovers. Being Acted this time at the desire of several Persons of Quality. And Entertainments of Singing and Dancing between the Acts and in particular, a new Entry Compos'd by the late Mr Eaglesfield, and perform'd by Mr Weaver, Mr Cottin, and Miss Campion. A Scotch Song with the Dancing of the Bonny Highlander; never done but once before on the English Stage

Performances

Mainpiece Title: The Pilgrim

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Performance Comment: Edition of 1700: Prologue by Mr Farquhar-Mr Powell; Epilogue-Will. Pinkethman; Sir John Winmore-Powel; Capt. Bellair-Wilks; Sir Anthony Addle-Norris; Dick Addle-Pinkethman; Freelove-Mills; Alderman Chollerick-Johnson; Ned Chollerick-Toms; Willie-Bullock; Scowrer-Fairbank; Flora-Mrs Rogers; Melintha-Mrs Moor; Decoy-Mrs Powel; Timandra-Mrs Temple; Lucy-Mrs Kent; Betty-Mrs Baker.
Cast
Role: Timandra Actor: Mrs Temple