SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mortellari"/1) | (@(roleclean,performerclean) "Mortellari")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2 matches on Event Comments, 1 matches on Performance Title, 1 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Divertissement-[see17871208]

Song: In Opera: an additional songby Mortellari-Marchesi; a new duet of his own composing-Marchesi; accompanied on the tenor obligato-Cramer

Ballet: End Opera: The Deserter (composed by D'Auberval). The Deserter-Vestris; Skirmish-Miss Simonet; Louisa-Mlle Hilligsberg; other characters-Didelot, Simonet, Mlle Coulon; a Pas Seulto the favourite air of Je suis Lindor-Mlle Coulon

Event Comment: A Serious Opera, altered [by Carlo Francesco Badini] from Metastasio; the Music by Anfossi [a pasticcio, with additions by Sacchini, Piccinni, Gazzaniga, Schuster, Mortellari]. [This was Mme Mara's 1st appearance on the English operatic stage. She had 1st sung in London, in concerts at the Pantheon, in 1784.] "It is with the utmost astonishment we remarked that she unites the talents of an excellent actress with the merit of the most enchanting singer that ever perhaps came forth on any stage" (Morning Herald, 15 Feb.). "Mme Mara delivered the recitatives with a force of expression that produced the strongest interest of character, and the woes of Dido as powerfully engaged the sympathy, as the rich and varied melody of the airs, the admiration of the audience" (Morning Chronicle, 16 Feb.). "The [second] opera was Didone, a pasticcio, for which Mara had made a very judicious selection of songs, introducing four of very different characters, by Sacchini, Piccinni, and other composers, all of which were so much and so equally admired, that two were encored every night, each of them receiving that mark of approbation in its turn. Mara's talents as a singer (for she was no actress and had a bad person for the stage) were of the very first order. Her voice, clear, sweet, distinct, was sufficiently powerful, though rather thin, and its agility and flexibility rendered her a most excellent bravura singer, in which style she was unrivalled" (Mount-Edgcumbe, 59)

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Event Comment: Benefit for Babbini. A Serious Opera [1st time; ser 3, by Giovanni de Gamerra]; the Music entirely new by Michele Mortellari. Public Advertiser, 23 May: Tickets to be had of Babbini, No. 17, Great Pulteney-street, Goldensquare

Performances

Mainpiece Title: Armida

Related Works
Related Work: Armida Author(s): Michele Mortellari

Dance: As17860523 throughout

Performances

Mainpiece Title: Armida

Related Works
Related Work: Armida Author(s): Michele Mortellari

Dance: End of Act I Les Amans Surpris (not performed these 4 years [not since 30 June 1781]) by Vestris, Rochfort (1st appearance in England), Fabiani, Mlle Mozon, Mlle Baccelli; End of Opera Ninette a la Cour (not performed these 4 years [not since 3 July 1781]) by Vestris, Rochfort, Fabiani, Mlle Mozon, Mlle Baccelli. In the course of the ballet The Minuet de la Cour, with a favourite Gavotte, by Fabiani and Mlle Carolina, and a Pas de Deux of a particular Invention (the music newly composed by Mortellari) by Mlle Baccelli and Vestris

Performance Comment: In the course of the ballet The Minuet de la Cour, with a favourite Gavotte, by Fabiani and Mlle Carolina, and a Pas de Deux of a particular Invention (the music newly composed by Mortellari) by Mlle Baccelli and Vestris .