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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Lambert"/1) | (@(roleclean,performerclean) "George Lambert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6337 results for: Keyword - George Lambert
We found 5289 matches on Author, 679 matches on Performance Comments, 598 matches on Event Comments, 174 matches on Performance Title, and 0 matches on Roles/Actors.

5526
03 September 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Ambarvalia

Performance Comment: Bacchus-Reinhold; Brother-Phillips; Driads-Miss Wilde, Miss Thompson; Cupid-Master Brown; Ceres-Mrs Barthelemon; Arval Brothers-Burton, Steele, Dorien, Ladd, Offie'd, Lambert, Ogden, Master Green, Master Tannett, Master Wood.
Cast
Role: Arval Brothers Actor: Burton, Steele, Dorien, Ladd, Offie'd, Lambert, Ogden, Master Green, Master Tannett, Master Wood.

5527
16 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Hypocrite

Performance Comment: As17810126, but Lady Lambert-Miss Sherry.
Cast
Role: Lady Lambert Actor: Miss Sherry.
Role: Sir John Lambert Actor: Packer
Role: Colonel Lambert Actor: Palmer
Role: Old Lady Lambert Actor: Mrs Love

Afterpiece Title: Robinson Crusoe

Dance: As17810131

5528
19 December 1745 @ Goodman's Fields

Event Comment: Containing an account of that notorious Pretender in the Reign of Henry VIII. Aith a short account of Lambert Simnel, a Pretender to the Crown, fostered in like manner by Richard Simon, a Priest of Oxfordshire, with many other Historical passages, similar to the present times [and a synoptic account of the play follows]. A reviv'd Historical Play (not acted in the Memory of Man, and written by an anonymous author, in Shakespeare's Style).--Daily Advertiser, 18 Dec. Prices, Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. [These prices continue.

Performances

Mainpiece Title: Perkin Warbeck

Afterpiece Title: The Debauchees

5529
01 February 1752 @ Covent Garden

Event Comment: TThe Sorcerer, a Pantomime Entertainment, originally performed at the Theatre in Lincoln's Inn Fields, is preparing, with alterations, at Covent Garden (The scenes painted by Mr Lambert) and will be performed one day next week. [Another letter appeared in the General Advertiser on innocent entertainment for the lower classes (see 29 Jan. 1752), but severely criticized the existence of Prize fights, Cock-pits, and Gambling houses as the real nuisances and nurseries of theft and disorder."] It is whispered that the Townwill shortly be entertained with a phenomenon of the Monosyllable Fun,--the match between Sir Alexander Drawcansir, Kent. and their Lownesses of Grub Street, being certainly to be decided on the Stage; great bets depending on this Battle, it is thought the Knowing ones will be taken in (General Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: Mock Doctor

5530
11 February 1752 @ Covent Garden

Event Comment: Afterpiece: A Pantomime entertainment not performed these 20 years. The Scenes painted by Mr Lambert. Nothing under Full Prices will be taken during the performance. Ladies send servants by three o'clock. [The note about full prices is repeated throughout the run of this pantomime this season. A rather detailed description of the action in this pantomime appeared in the Drury Lane Journal, reprinted in the Gentleman's Magazine for Feb. 1752, pp. 52-53.

Performances

Mainpiece Title: Drummer

Afterpiece Title: Harlequin Sorcerer with the Loves of Pluto and Proserpine With Alterations

5531
13 January 1753 @ Covent Garden

Event Comment: Full Prices. Afterpiece with a New Scene of a Fountain introduc'd. [See Cross's note for dl 14 Dec. 1752.] [Harlequin Sorcerer] With the loves of Pluto and Proserpine. The scenes painted by Mr Lambert. As any obstruction in the movements of the Machinery will greatly prejudice the performance, it is hoped no persons will be displeased at their not being admitted behind the scenes (Public Advertiser). [Nonadmittance note repeated.

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: Harlequin Sorcerer with Alterations

5532
14 September 1757 @ Covent Garden

Event Comment: Receipts: #57 2s. 6d. [As against the estimated charges for a night (#35 19s. 8d.), the first night's bill for fixed charges came to #36 7s. 1d., but included two days' bills, two days' billstickers, and six advertisements. In addition, paid Lambert (scene painter) three months' salary due 16 Aug. last, #25 (Account Book).

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lottery

5533
05 December 1757 @ Covent Garden

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Virgin Unmaskd

Dance: JJovial Coopers, as17571107

5534
24 September 1759 @ Covent Garden

Event Comment: Admission: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes to taken of Mr Sarjant at the Stage Door of the Theatre. Play to begin exactly at o'clock. [This information, appearing at the foot of each bill, will not be repeatdd hereafter, except for significant differences.] Receipts: #111 5s. Deficit brought over from last season accounts, Journal T. Folio, 182, #164 0s. 6d. Paid Mr Lambert 3 month's salary to 15 Aug. last #25 (Covent Garden Cash Book). [Goldsmith's Bee (1759, p. 9) remarks on the better business used by Lovegold in the French theatre than used at cg: "Lovegold [in France] in the height of his passion stops to pick up a pin, quilting it in his coat, and snuffs out an extra candle." Implies that such subconscious revelations of the character of the miser might well be used by the English.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

5535
19 February 1760 @ Covent Garden

Event Comment: Receipts: #155 19s. Paid Lambert 3 months salary to 16th inst. #25; Advanc'd to Weller #2 2s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Fair

5536
23 May 1760 @ Covent Garden

Event Comment: Receipts: #23 2s. 7d. Paid Lambert 3 months salary to instant #25. Receiv'd from Condell #80 for Fruit rent this season

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Rape of Proserpine

5537
22 September 1760 @ Covent Garden

Event Comment: A List of the Company Performers etc.@Actors Messrs Ross #1 6s. 6d.@Sparks #250 #1 8s.@Dyer #180 #1@Smith #1 8s.@Shuter #1 6s. 8d.@Ridout #180 #1@Clarke 16s. 8d.@Collins 13s. 4d.@Dunstall 13s. 4d.@Bencraft #100 12s.@Barrington #100 12s.@Gibson 10s.@Marten 6s. 8d.@Costollo 6s. 8d.@Anderson 6s. 8d.@Hull 6s. 8d.@Wignell 5s.@Bennet 5s.@Redman 4s. 2d.@Holtom 5s.@Buck 4s. 2d.@Perry 4s. 2d.@Stoppelaer 3s. 4d.@R. Smith 3s. 4d.@Giffard 3s. 4d.@Creswick 3s. 4d.@Gibbs 3s. 4d.@Weller 3s. 4d.@C. Smith 2s. 6d.@Blakey 2s. 6d.@Davis 5s.@Actresses Misses Ms Macklin #300 #1 13s. 4d.@Ms Ward #1 6s. 8d.@Ms Hamilton #1 10s.@Ms Elmy 13s. 4d.@Ms Vincent 13s. 4d.@Ms Green 11s.@Ms Pitt 10s.@Ms Dyer #70 7s. 8d.@Ms Barrington 6s. 8d.@Ms Baker 6s. 8d.@Ms Morrison 5s.@Ms Ferguson 5s@Ms Stephens 5s.@Ms Helm 4s. 2d.@Ms Mullart 3s. 4d.@Ms Sledge 3s. 4d.@Ms Copen 3s. 4d.@Ms Burden 3s. 4d.@Ms Davis 3s. 4d.@Ms Cokayne 3s. 4d.@Ms Allen 2s. 6d.@#9 19s. 4d. Actors #15 10s. 10d.@#25 10s. 2d.@Singers Men Messrs Beard #210 #1 3s. 4d.@Mattocks 10s.@Baker 6s. 8d.@Legg 5s.@#2 5s.@Singers Women Mrs Ms Lampe 13s. 4d.@Ms Brent 13s. 4d.@Ms Young 10s.@Ms Abegg 5s.@#2 1s. 8d.@Men Singers #2 5s.@#4 6s. 8d.@. Dancers Men Messrs Poitier Sr #80 8s. 10d.@Maranesi #150 16s. Sd.@Poitier Jr #150 16s. 8d.@LaLauze #100 12s.@Miles 10s.@Granier 10s.@Desse 6s. 8d.@Rochford #50 5s.@Dumay 5s.@Gosly 5s.@Baltazer 5s.@Dufour 5s.@Lassy #35 3s. 8d.@#5 9s. 6d.@Dancers Women Mrs Capdeville #150 16s. 8d.@Ms Maranesi #120 13s. 4d.@Ms Vernon 10s.@Ms Granier 6s. 8d.@Ms Jansolien 6s. 8d.@Ms Mariane #50 5s.@Ms Welch #35 3s. 8d.@Ms Craford #35 3s. 8d.@Ms White 3s. 4d.@Ms Dause 3s. 4d.@Ms Vallois 2s. 6d.@#4 4s. 10d. Men Dancers #5 9s. 6d.@#9 14s. 4d.@Mrs P. R. 10s.@Ms S. B. 6s. 8d.@Ms Bambridge 1s. 8d.@10s. 4d.@Prompters etc. Mr Stede 10s.@Young 5s.@Robertson 1s. 6d.@16s. 6d.@Painters Messrs Lambert #100 12s.@Dall #100 12s.@Austin 2s.@#1 6s.@ Servants numberers Stables 5s.@Housekeeper Sarjant #40 4s. 6d.@Wardrobe Whitefield #30 3s. 4d.@Officekeeper Ballard 3s. 4d.@Pearson 2s. 6d.@Box office Carne 2s. 6d.@Davis 2s. 6d.@Assistants Baker 2s. 6d.@Etherington 2s.@Lobby Door Goode 2s.@Ruby 2s.@Evans 2s.@Condell 2s.@Box Keepers Ansell 2s.@Letsam 2s.@Vaughan 2s.@Green 2s.@Potter 2s.@Pit Office Henning 2s.@Wilford 1s. 8d.@Toten 1s. 8d.@Pit Door Keepers Ross 1s. 8d.@Clingo 1s. 8d.@Ass. Office Clarke 1s. 8d.@1 Gal. Office Slater 2s.@Doorkeeper Rawlinson 1s. 8d.@2 Gal. Office Derby 2s.@Doorkeeper Seymour 2s.@Constable Barnes 2s.@Featherman Scott 1s. 8d.@Porter Besford 2s.@#3 9s. 10d.@Women Dressers #1 2s. 8d.@Charwomen 12s. 10d.@#5 5s. 4d.@Women Dressers Mrs Goold Wardrobe Keeper 3s. 4d.@Asst. Do Ms Wignell 2s. 6d.@Do Ms Paddick 1s. 8d.@Ms C. White 1s. 6d.@Ms Hales 1s. 6d.@Ms Martin 1s. 6d.@Ms Potts 1s. 6d.@Ms Wallis 1". 6d.@Ms Broad 1s. 6d.@Ms Gwynn 1s. 6d.@Ms Whitfield 1s. 6d.@Ms Buck 1s. 6d.@#1 2s. 8d.@Charwomen Mrs Brooks 1s. 2d.@Ms Hanmore 1s.@Ms Warwick 1s.@Ms Byrn 1s.@Ms Niblett 1s.@Ms Hollingsworth 1s.@Ms Barron 1s.@Ms Rumsey 1s.@8s. 2d.@Lampman Smith, Jo. 1s. 8d.@Sweeper Cawder, Jo. 1s. 6d.@Candleman Carter 1s. 6d.@12s. 10d.@Performers Sallerys #25 10s. 2d.@Singers Do #4 6s. 8d.@Dancers Do #9 14s. 4d. 18s. 4d.@Prompters Do 16s. 6d.@Painters Do #1 6s.@Servants Do #5 5s. 4d.@#47 17s. 4d.@Nightly Charges as per estimate #36 1s.@#83 18s. 4d.@--British Museum Egerton MS 2271.

Performances

Mainpiece Title: Comment Continued

5538
04 November 1769 @ Covent Garden

Event Comment: Afterpiece: With Alterations and Additions. Not acted these 7 years. [See 23 May 1763.] With New Music, Dresses, Scenes, and Decorations. The First Scene painted by the Late Mr Lambert, the last by Servandoni (playbill). [See 6 Nov. for specification of Scenes.] Receipts: #240 4s. 6d

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Rape of Proserpine With The Birth and Adventures of Harlequin

5539
21 December 1789 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequins Chaplet

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

5540
15 November 1790 @ Covent Garden

Event Comment: Afterpiece: Being a Collection of favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. The Dances [composed] by Byrne. The Original Scenery, Machinery &c. painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected by Shaw from Pepuch [sic], Dr Arne, Arnold, Fisher, M.? Arne, Vincent, Didbin, Reeve, Shield. Receipts: #193 7s. (187.15; 15.12)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequins Chaplet

Dance: As17901020

5541
15 November 1793 @ Covent Garden

Event Comment: Afterpiece: Being a Collection of favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. The Dances [composed] by Byrne. The Original Scenery, Machinery &c. painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected by Shaw from Pepuch [sic], Dr Arne, Arnold, Fisher, M.? Arne, Vincent, Didbin, Reeve, Shield. Receipts: #193 7s. (187.15; 15.12)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequins Chaplet

Dance: As17931020

5542
15 March 1796 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequins Treasure 0 or Jewels New Set

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

Performance Comment: Part II. An exact Representation of the Telegraphe-, in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.; A View of Dover, with the Fleet prepared for Sea-The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet; new song by Spofforth-Haymes; Park Wall changes to a Public House; The Trick Tea Chest; Harlequin's Leap and Transformation; The Kitchen Scene- by Messink.; Harlequin changes to a Lobster.; A Landscape-; painted by Lambert.; A new Drinking Song and Chorus by Spofforth-Bowden; The Wash@House Scene- (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.; The Statuary Yard- invented by Messink-the formation of the Stone Figure invented by Delpini.; A Dark Wood-;Harlequin and Columbine, guarded by Virtue, are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. This is succeeded by the Temple of Virtue, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, Faith, Hope, and Charity. Harlequin and Columbine are united at the Altar by Hymen, and the Piece concludes with a Finale-; Grand Dance-Byrn, Holland, Mlle St.Amand.

5543
24 October 1796 @ Covent Garden

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Harlequins Treasure or Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

5544
20 August 1668 @ Lincoln's Inn Fields

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

5545
02 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Noble Peasant

Performance Comment: Principal Characters by Palmer, Parsons, Riley, Gardner, Aickin, Davies, Swords, Barrett, Edwin, Brett, Bannister; Miss George, Miss Morris, Miss Brett, Mrs Bannister. [Cast from text (George Robinson, 1784): Leonard-Palmer; Earl Egbert-Parsons; Harold-Riley; AnlafF-Gardner; Earl Walter-Aickin; Will Cloudeslee-Davies; Fool-Edwin; Clym o' the Clough-Brett; Adam Bell-Bannister; Adela-Miss George; Alice-Miss Morris; Dwarf-Miss Brett; Edwitha-Mrs Bannister. Swords, Barrett are unassigned.] hathi. hathi.
Cast
Role: Adela Actor: Miss George

Afterpiece Title: The Guardian

5546
10 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon on 26 And 27 May 1784

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

5547
23 February 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0 selected From The Great And Favourite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv And At The pantheon on 26 And 27 May 1784

Performance Comment: Principal Vocal Parts-Reinhold, Dignum, Miss George, Mrs Crouch, Mme Mara; 1st Violin-Shaw.
Cast
Role: Principal Vocal Parts Actor: Reinhold, Dignum, Miss George, Mrs Crouch, Mme Mara

Afterpiece Title: Redemption 1

Performance Comment: Public Advertiser, 26 Feb., notes that Pious orgies-[Judas Maccabaeus] Mme Mara; In sweetest harmony [Saul]-Mme Mara; Where is this stupendous stranger [Alcina]-Mme Mara; Angels ever bright and fair[Theodora]-Mme Mara; Holy Lord God Almighty-Mme Mara [Rodelinda]; Speak ye who best can tell [Ptolomy]-Miss George; He was eyes unto the blind [Siroe]-Miss George; Oh! had I Jubal's lyre-Miss George [Joshua].Joshua].
Cast
Role: Ptolomy] Actor: Miss George
Role: Siroe] Actor: Miss George
Role: had I Jubal's lyre Actor: Miss George

5548
02 January 1749 @ Southwark

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Yeates Jun; Peachum-Sturgess; Lockit-Morgan; Mat-George; Filch-Coleman; Jack-Jones; Ned-Wilson; Budge-Pearson; Jenny Diver-Mrs Pearson; Sukey-Mrs Wilson; Moll Brazen-Mrs Johnson; Mrs Peachum-Mrs Morgan; Diana-Mrs Williamson; Mrs Slammekin-Mrs George; Lucy-Mrs Daniel; Polly-Mrs Yeates.
Cast
Role: Mat Actor: George
Role: Mrs Slammekin Actor: Mrs George

Afterpiece Title: The Virgin Unmasked

5549
19 November 1774 @ Covent Garden

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Druids Masque

Performance Comment: Characters-Mattocks, Reinhold, DuBellamy, Fox, Mas. Loader, Mas. George, Miss Dayes, Mrs Baker, Mrs Ogilvie, Mrs Willems, Miss Brown, Pantomime Characters-Lee Lewes, Fearon, Banks, Cushing, Holingsworth, Thompson, Mrs Pitt, Mrs Whitefield, Mrs White, Miss Wilde; The Dances-Aldridge, Helm, Harris, Blurton, Miss Valois, Mrs Stephens, Mas. Holland, Mas. Scriver, Miss Armstrong, Daiguville, Sga Vidini; Bridegroom-Mattocks; 1st Druid-Reinhold; 1st Shepherd-DuBellamy; 2nd Shepherd-Fox; Hymen-Mas. George; Cupid-Mas. Loader; Speaking Druid-Booth; Bride-Miss Dayes; Venus and Pastoral Nymph-Miss Brown; Graces-Mrs Baker, Mrs Ogilvie, Mrs Willems; Chorus of Druids-(1774 libretto).
Cast
Role: Characters Actor: Mattocks, Reinhold, DuBellamy, Fox, Mas. Loader, Mas. George, Miss Dayes, Mrs Baker, Mrs Ogilvie, Mrs Willems, Miss Brown, Pantomime Characters-Lee Lewes, Fearon, Banks, Cushing, Holingsworth, Thompson, Mrs Pitt, Mrs Whitefield, Mrs White, Miss Wilde
Role: Hymen Actor: Mas. George

5550
22 January 1778 @ Covent Garden

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Minor

Performance Comment: As17780119, but Dick-_. [Sir George Wealthy here called The Minor.]Sir George Wealthy here called The Minor.]
Cast
Role: Sir George Wealthy Actor: Whitfield

Dance: As17780121