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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G and W Nicol"/1) | (@(roleclean,performerclean) "G and W Nicol")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04
We found 1459 matches on Performance Comments, 466 matches on Event Comments, 70 matches on Performance Title, 56 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: Afterpiece: By desire. To Mr G-, Sir: You will very much oblige many of your friends by reviving the play of Ulisses wrote by the celebrated Mr Rowe; We apprehdnd there are four characters in which yourself, Mr Barry, Mrs Cibber and Mrs Pritchard would shine inimitably. If you think this hint worthy your notice, we make no doubt it will in every Respect answer your expectations, as well as gratify the town in general. S. W., S. T., &c. (General Advertiser). This day is publish'd, at 1s. Lethe Rehears'd or a critical discussion of the beauties and blemishes of that performance; interspers'd with occasional remarks upon dramatick satires in general, as well as on some that have been best receiv'd in particular. The whole in a free conversation amongst several persons of distinction. Printed for J. Roberts (General Advertiser). [This is a fifty@two@page puff for Lethe, and for the usefulness of the stage for propagating morals. The characters who lead the discussion are: Sir Francis Friendly , a sensible learned Gentleman; Dr Heartfree , a candid, judicious person; who has a great opinion of Mr Garrick; Mr Snip@Snap , a vociferous modern Critic; and Two Women .] Receipts: #120 (Cross); #118 12s. 6d. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Ray, W. Vaughan, G. Burton & ye Sub-Treasurer (Cross). Tickets of Ray, at the Crown and Anchor Tavern, St Clement's Church; at the Black Swan Tavern, in Bartholomew Lane; the Old King's Head Tavern, Facing Somerset House; For Vaughan, at the One Ton Coffee House, St. James' Market; for Burton, at Pope's next the Stage Door, Russel St.; and of Hobson at the Stage Door. Tickets deliver'd for the Lady's Last Stake, or the Wife's Resentment will be taken. Receipts: #214 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Performance Comment: Theseus-Beard; Egeus-Chamnys [MacMillan lists Wilder]; Lysander-Curioni but Guadagni listed by Cross, MacMillan, and first edition]; Demetrius-Atkins [MacMillan lists Vernon]; Hermia-Sga Passeroni; Helena-Mrs Vernon; Hippolita-Mrs Jefferson; Oberon-Mas. Reinhold; Titania-Miss Young; Puck-Mas. Moore; Fairy-Mas. Evans; Prologue [written and-Garrick [first edition.].first edition.].

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Event Comment: With Restorations from Shakespear (Cross). [Comment and criticism, Genest, IV, 475-76. See "Garrick's Production of King Lear," by G. W. Stone Jr, Studies in Philology, Jan. 1948.] Receipts: #200 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Old Maid

Dance: As17610702

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Rival Knights

Afterpiece Title: Cross Purposes

Performance Comment: Cast not listed. [Cast from edition of 1783 (T. and W. Lowndes [et al]): Grub-Wilson; Chapeau-Bonnor; G. Bevil-Whitfield; Consol-Jones; Robin-Stevens; H. Bevil-Booth; F. Bevil-Thompson; Emily-Mrs Lewis; Mrs Grub-Mrs Webb; House-maid-Mrs Poussin.] hathi. hathi.

Performances

Mainpiece Title: The Castle Of Andalusia

Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: The Minor

Dance: As17880328

Event Comment: Ode: Written in Honour of St. Cecilia, by Dryden, and set to Music by Handel. Among the Instrumental Performers are G. Ashley, leader of the band, Mara, Sarjant, C. Ashley, Boyce, Bridgetower, Harvey, Parkinson, Taylor, Nix, two Flacks, Dresler, Gwilliam, Shutze, Price, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, two Munros, Wood, Cornish, Purney, Leffler, Woodham, Cantelo, Skillern, Franki, Simpson, Jenkinson, &c. Organ-J. Ashley. Double Drums (used at Westminster Abbey)-R. Ashley. The Chorusses will be numerous and complete. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the Imprimatur of H. Macleish) to be had at the Theatre

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: [i.e. the ode being in 2 parts.] The Music- [by Handel--that was performed by Command of his Majesty, at St. James's on the late Marriage of their Royal Highnesses the Prince and Princess of Wales (on 8 Apr. 1795); composed by Handel, to celebrate the Nuptials (in Apr. 1736) of his late Royal Highness Frederick, Prince of Wales, with the Princess of Saxe-Gotha; [To conclude with the Coronation Anthem, Zadock the Priest-.

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Related Works
Related Work: La Fille a la Mode; ou, Le Badeaut de Paris Author(s): Nicolas Barbier
Event Comment: Last time of performing the afterpiece before the Benefits. A duel with pistols between George? Garrick and Baddeley on account of G. Garrick remon[stratin]g with Baddeley on [receiving] his wife's salary. Baddeley fir'd then G. G. fir'd in the air, and a reconciliation took place (Winston MS 10, from Dr Burney's News Clippings). [See full and humorous acct Town and Country Magazine, March, pp. 157-58 with woodcut of duel.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Cast
Role: Richard III Actor: Holland

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Event Comment: In Mr G. fine Scene with Thomas , Just as he was going to trust him with the Secret the House was very Silent and Mr G. very fine a fellow in the Gallery bawld out--Speak louder--It disconcerted Mr G. very much (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Waller's Bill (hosier) #30 16s. 9d.; Mr Pryer [Turner] #3 2s.; Mr Bannizter [sic] for two songs #5 5s. Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Performances

Mainpiece Title: The Inconstant

Cast
Role: , King of Scotland Actor: Bensley

Afterpiece Title: LODOISKA

Performance Comment: Polanders. Aickin, Kelly, Palmer, Bannister Jun., Caulfield, Trueman, Fairbrother, Bland, Benson, Webb, Master Welsh, Master Gregson//Mrs Crouch. Captives. Mrs Bland, Miss De Camp, Miss Miller, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Wrighten, Miss C. Wrighten, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies, &c. Guards and Attendants (performers not listed]. Tartars. Barrymore, Dignum, Sedgwick, Bannister, C. Kemble, Banks, Boimaison. The Horde. Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Hamoir, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys, &c. [Cast from text (G. G. and J. Robinson [1794]): Polandm. Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Bannister Jun. [in text: Suett (see17940613]; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson//Princess Lodoiska-Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison. The Horde. As above.] hathi. hathi.
Cast
Role: Michael Actor: Bland
Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit the Widow of a Baronet [Sir Richard Perrott] and a large Infant Family. [Address by John Taylor (True Briton, 21 Sept.).] Tickets to be had of the Widow, No. 28, Spring-street, Portman-square [and see 28 Jan. 1799]

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Event Comment: Benefit for Lewis. 1st piece: By Permission of the Author and positively for that Night only [see 27 Apr.]. 2nd piece [1st time; M. INT 1, by John Cartwright Cross]: The Music composed by Reeve. The Scenery and Machinery by Phillips, Lupino, &c. Books of the Songs to be had at the Theatre, & of Mr Barker, Vinegar-Yard. Morning Herald, 3 May 1798: This day is published The Raft (1s.). Times, 22 Mar.: Tickets to be had of Lewis, No. 6, Bow-street. Receipts: #412 6s. 6d. (273.16.0; 2.17.0; tickets: 135.13.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Munden; Sir Oliver Surface-Murray; Sir Benjamin Backbite-Knight; Joseph Surface-Pope; Charles Surface-Lewis; Crabtree-Quick; Careless-Clarke; Rowley-Davenport; Moses-Fawcett; Trip-Farley; Snake-Powel; Mrs Candour-Mrs Mattocks; Lady Sneerwell-Miss Chapman; Maria-Miss Mansel; Lady Teazle-Mrs Abington.
Cast
Role: Mrs Candour Actor: Mrs Mattocks

Afterpiece Title: The Raft; or, Both Sides of the Water

Performance Comment: Principal Characters by Johnstone, Townsend, Waddy, Farley, Simmons, Wilde, Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Martyr. Cast from text (J. Barker, 1798): O'Bowling-Johnstone; Rivers-Townsend; Chip-Waddy; Drunken French Gaoler-Farley; Busy-Simmons; Monsieur Machine-Wilde; Countrymen, French and English Soldiers, Sailors-Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Noble; Countrywomen-Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Iliff; Fanny-Mrs Martyr.

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Cast
Role: Tom Thumb Actor: Miss Standen

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Event Comment: The Duke's Company. The play was apparently never published, but the Prologue and Epilogue were printed and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 43-45. The Epilogue also appeared in Miscellany, Being a Collection of Poems by several Hands, 1685, and has been reprinted in A Little Ark, ed. G. Thorn-Drury, p. 46. The latest date at which the play, with the Prologue and Epilogue, first appeared is 5 April 1682, the date Luttrell placed on his copies (Huntington Library), presumably representing the day on which he acquired them. G. Thorn-Drury, commenting upon the Epilogue, points out that it refers to the trial of Pilkington, one of the Sheriffs of London, ca. 25 March 1681@2. It seems likely, then, that this lost play was presented in March

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers

Performance Comment: Unpublished, but separate publication of A Prologue by Mrs Behn to her New Play, called Like Father, Like Son, or The Mistaken Brothers, spoken by Mrs Butler. Epilogue-Mr Gevan [Jevon]. [Richards speaks later in the Epilogue, and Williams, Wiltshire, and Mrs Butler are referred to in the Epilogue.Jevon]. [Richards speaks later in the Epilogue, and Williams, Wiltshire, and Mrs Butler are referred to in the Epilogue.
Related Works
Related Work: The Natural Son Author(s): Richard Cumberland
Event Comment: 1 Written by Shakespear. Benefit Powell, Howard, and others; by particular Desire. Afterpiece: Never acted there before. [The Debauchees; or, The Jesuit Caught, originally issued as The Old Debauchees by Henry Fielding, 1 June 1732, dl. Concluding the program with the National Anthem now omitted from the advertisements.

Performances

Mainpiece Title: 1 Henry Iv

Performance Comment: Falstaff-Paget; King-Furnival; Prince-Cushing; Hotspur-Lee; Hostess-Mrs Bambridge; Northumberland-Dove; Worcester-Julian; Blunt-Shepard; Poins-Kennedy; Peto-Blakey; Bardolph-G. Hallam; Carriers-Dove, Morgan; Francis-L. Hallam; Lady Percy-Mrs Hallam.
Cast
Role: Northumberland Actor: Dove

Afterpiece Title: 1 The Debauchees

Song: 1 Brett

Dance: 1 As17451028

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Hotspur-Lee; Henry IV-Furnival; Prince-Cushing; Worcester-Pinner; Northumberland-G. Hallam; Vernon-Lynham; Blunt-Edwards; Poins-Baker; Bardolph-Miles; Gadshill-Orpin; Peto-Simms (Daily Advertiser), Simons (Hogan, Shakespeare in the Theatre, p. 185); Lady Percy-Mrs Hallam; Hostess-Mrs Beckham; Carriers-Dove, Beckham; Francis-L. Hallam; Falstaff-Paget.
Cast
Role: Northumberland Actor: G. Hallam

Dance: 1 As17461027

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Stage Coach

Dance: As17461113