Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Event Comment: Pepys, Diary: At Aldgate I took my wife into our coach, and so to Bartholomew fair, and there, it being very dirty, and now night, we saw a poor fellow, whose legs were tied behind his back, dance upon his hands with his arse above his head, and also danced upon his crutches, without any legs upon the ground to help him, which he did with that pain that I was sorry to see it, and did pity him and give him money after he had done. Then we to see a piece of clocke-work made by an Englishman--indeed, very good, wherein all the several states of man's age, to 100 years old, is shewn very pretty and solemne; and several other things more cheerful

Event Comment: Evelyn, Diary: I dined at Mr Pepys 's, where I heard that rare Voice, Mr Pate, who was lately come from Italy, reputed the most excellent singer, ever England had: he sang indeede many rare Italian Recitatives, &c.: & severall compositions of the late Mr Pursal, esteemed the best composer of any Englishman hitherto

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Event Comment: Benefit for Jones. A Serenata. Books of which may be had at the theatre. To begin at twelve o'clock promptly (General Advertiser). To the Publick: Walking in St James's Park the other day, I followed two young Gentlemen along the Mall, and overheard one of them say to the other, "shall we go and offer sacrifice to the Manes of Milton?" To which the other reply'd "with all my heart." I must own I had some curiosity to know in what this ceremony would consist, and determined to observe them. I accordingly followed them at some distance, into Dodsley the Bookseler's in Pall Mall; where to my great satisfaction I found that this most acceptable sacrifice was only an offering of Charity to the Granddaughter of Milton; who on account of her age, her poverty, and her relation to that great Man, is to have a Benefit at Drury Lane Theatre on Wednesday next. I willingly joined in their devotions, and rejoice with the Publick on their having an opportunity of shewing their gratitude and Veneration to a man whose Genius reflects a lustre on the British Literature, and whose sentiments have added strength to the British liberties; to an author whose works have been the delight of our Fathers, and will be the Admiration of our sons: latest posterity; to an Englishman who is not only the Glory of our Country, but the Honour to Human Nature. This fair Opportunity of paying a respect to his Memory (the last of the kind that can be offered to us, as Mrs Foster is the only surviving branch of his family) must certainly be embraced with Eagerness and pleasure; all who have any pretence to an Elegant Taste, all lovers of Liberty, and every friend of the Muses, will surely crowd to the house on this distinguish'd night, and give at once an instance of the politeness of their manners, and the goodness of their hearts, I am, &c. A Lover of Milton (General Advertiser)

Event Comment: [Not performed.] Last Night ththe new English Opera of Eliza was suppressed by an Order from superior Power, by which Means many Persons of Taste were deprived of a very elegant Entertainment, as it was universally acknowledg'd that this musical Performance was very extraordinary Merit, being a sensible Composition, calculated to convey the liveliest Ideas to the Fancy, and to awaken the Passions of very feeling Heart. It is said, that instigated by this Disappointment, Mr Arne will apply to P-t for a Bill to unnaturalize him, that he may then have the Privileges of an Englishman, as well as any Foreigner of them all (Gray's Inn Journal No 37, 8 June)

Event Comment: This day Published The Englishman Returned from Paris, as it is performed at Covent Garden. By Samuel Foote, Esq: Printed for Paul Vaillant, at 1s

Event Comment: PPublic Advertiser: The Uncommon Applause of the new Entertainment...has excited the curiosity of a great many of the Nobility and Gentry that had never seen Marybone before. Sga Seratina and Mr Reinhold have distinguished themselves surprisingly; and though this Entertainment is performed in the English Language, clearly proves, that it is in the Power of an Englishman, to excel even the Italians in that kind of performance; Sga Seratina (though an Italian) expresses the English Dialect with all the Graces, and proper Expressions, which that kind of performance requires. [Books of the performance to be had at the Bar 6d. each.

Event Comment: TThe London Chronicle for 1758 (p. 455): On Friday the 3rd instant was presented Coriolanus. The two first acts of this play, as it is performed at the above theatre, were written by Shakespear; the three last for the most part by Mr. Thomson. But how a man of Mr Sheridan's knowledge (who first introduc'd it there about four years ago) could think of pounding into one substance two things so heterogeneous in their natures as the productions of those authors, is to me amazing. Mr Smith enters in the first act, after having (as we are to suppose) just overcome the Volsci, to the tune of violins and hautboys; but I am a little afraid the grandeur of his triumph is a little misapplied, considering the early times in which Coriolanus lived, before the Roman empire had arrived to any degree of splendor and magnificence, and was great in virtue only. However it makes a fine show; and Mr Smith, who has an excellent person, by the help of a little burnt cork and a real coat of mail cuts a very martial appearance. I think it was one of the Gracchi, who, when he was speaking to the people, always had a servant behind him in the Rostrum with a pitch-pipe which he touched whenever he found his master's voice rising beyond a certain height; such an instrument as this would, in my opinion, be of service to Mr Smith, for his fault seems to be that of keeping too much at the top of his vioce. Mrs Hamilton in the part of Veturai, especially in the last act, excells herself; and in particular, she repeats that line: "He never can be lost who saves his country," with the genuine spirit of a free-born Englishman. By the unnatural conjunction which is attempted to be made in this tragedy, most of the other characters are robbed of their significance. Those two excellent actors, therefore, Ryan and Sparks, only give us just cause to regret that the parts of Tullus and Volscius are not longer....After the play was presented a Ballad Opera called The Contrivances; in which some good comedians are oblig'd to submit to the drudgery of supporting as contemptible a trifle as ever was acted on the stage

Event Comment: A new Serious Opera composed by several celebrated Composers. [From the London Evening Post: The Decoration of the Opera House is very splendid. The Concert Master has 50 Guineas a night, an Englishman. The First Dancer 6 Guineas a night."

Event Comment: Benefit for Reinhold. Part of Pit laid into Boxes. Ladies send Servants by 4 o'clock. The Englishman in Paris oblig'd to be deferr'd on account of Indisposition of Miss Macklin

Event Comment: Benefit for Daguville (ballet master) and Helme (principal dancer). The Englishman in Paris deferr'd on account of Woodward's Indisposition

Event Comment: By Particular Desire. A dispute...between a German Baron and a French Gentleman would have terminated in a duel, but that an Englishman of rank sent an account of the matter to Bow Street, on which the parties were desired to attend when it appeared that the Baron had insulted the Gentleman at the Opera, insisted on his fighting immediately in the street or the next morning at Hyde Park with pistols. [The Baron was charged with the responsibility of keeping the peace (Public Advertiser)]

Event Comment: Benefit for Booth, Fearon & L'Estrange. Mainpiece: Never perform'd here.[Afterpiece in place of The Englishman in Paris, announced on playbill of 14 May.] Receipts: !173 16s. 6d. (60.14.6; tickets: 113.2.0) [charge: #105)

Event Comment: [In mainpiece the playbill assigns Lady Sneerwell to Miss Sherry, but on the Kemble playbill a MS annotation substitutes Mrs Whitfield. Miss Sherry was ill; she died early in October.] "Sheridan has also despised the faults of another school, trap claps. Not a word in The School for Scandal is to be found in praise of Laws, Jack Tars, Innocence, an Englishman's castellum, or Liberty" (Reynolds, II, 227). Receipts: #193 13s. 6d. (155/11/0; 37/12/6; 0/10/0)