SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Steevens"/1) | (@(roleclean,performerclean) "Steevens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4 matches on Roles/Actors, 3 matches on Performance Comments, 3 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Julius Caesar; With The Deaths Of Brutus And Cassius

Performance Comment: Antony-Barry; Brutus-Sparks; Cassius-Ryan; Caesar-Bridgwater; Trebonius-Anderson; Metellus-Steevens; Decius Brutus-White; Cinna-Redman; Lepidus-Bencraft; Soothsayer-Marten; Ligarius-Holtom; Pindarus-R. Smith; Antony's servant-Cushing; LUcius-Miss Mullart; Caska-Ridout; Octavius-Usher; Plebians-Arthur, Collins, Barrington, Dunstall, Stoppelaer; Calphurnia-Mrs Vincent; Portia-Mrs Bland.
Cast
Role: Metellus Actor: Steevens

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lying Valet

Performance Comment: As17620921, but Melissa-Mrs Steevens, 1st appearance this stage; Sharp-Yates.

Performances

Mainpiece Title: Julius Caesar

Cast
Role: Metellus Actor: Steevens

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Julius Caesar

Cast
Role: Metellus Actor: Steevens

Afterpiece Title: Harlequin Sorcerer

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performances

Mainpiece Title: The Supplement

Performance Comment: An entire new lecture upon Heads, portraits and whole lengths by George Alexander Steevens.
Event Comment: Benefit for Steevens. Othello Advertis'd. Deferr'd. Mr Barry Ill (Cross Diary)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Padlock

Dance: End: New Comic Dance, as17681210