SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Clarke"/1) | (@(roleclean,performerclean) "Clarke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3033 matches on Roles/Actors, 967 matches on Performance Comments, 83 matches on Event Comments, 7 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: De Montfort

Afterpiece Title: The Devil to Pay

Song: Vocal Parts, as18000429, but Mrs Coates

Performances

Afterpiece Title: The Strangers at Home

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

Event Comment: Benefit for Clarke. Mr Clarke begs leave to inform his Friends, from his violent Indisposition, and Incapacity to perform for his Benefit, Mr Yates offered his assistance to play the character of Scrub; but unfortunately Mr Yates is attacked by a violent fit of the Gout, and prevented from fulfilling his kind Intentions. Mr Quick has readily consented to play the part for Mr Clarke. Mr Clarke hopes his present severe Indisposition, which has prevented his playing for several Months past, will be considered by his Friends as a sufficient Apology for his not performing at his Benefit, and solicits their Patronage this Evening. Morning Chronicle, 22 Apr.: Tickets to be had of Clarke, No. 15, Great Russel-street, Covent Garden. Receipts: #101 16s. 6d. (98/4/6; 3/12/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

Event Comment: Benefit for Clarke. Public Advertiser, 16 Apr.: Tickets to be had of Clarke, Russel-street, Covent Garden. Mainpiece: With Procession, as 27 Mar. Receipts: #191 9s. (89/2; tickets: 102/7) (charge: #105)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: End of mainpiece The Rival Nymphs, as17840318athi

Performances

Mainpiece Title: The Convivial Coterie [i

Performance Comment: . The Sons of Anacreon]. As17850418, but added: A new song (composed by Danby) by Chapman, and to Vocal Parts-Staunton, Fawcett, Wilson; omitted: songs by the Bannisters, and Master Clarke . omitted: songs by the Bannisters, and Master Clarke .

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Parts-Morelli, Viganoni, Mrs Bland. [Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: Woossat Actor: Clarke
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. The play has a musical setting by Jeremiah Clarke. There is no certainty that this date represents the premiere, but a certain performance on 14 Feb. 1676@7 suggests that this performance on 12 Feb. 1676@7 is part of the initial run. Very probably the play was repeated on 13 Feb. 1676@7

Performances

Mainpiece Title: Antony And Cleopatra

Event Comment: During this month the dissident players from the King's Company--Goodman, Gray, and Clarke--returned from Edinburgh. For details, see Hotson, Commonwealth and Restoration Stage, pp. 262-63

Performances

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Performances

Mainpiece Title: Thyestes

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Performances

Mainpiece Title: The Cornish Comedy

Event Comment: Benefit: Larfay, Sparling, Clarke, Rogers. Receitps: money #14 16s.; tickets #86 4s

Performances

Mainpiece Title: Julius Caesar

Dance: CChacone-Mrs Bullock; Myrtillo-Lally, Newhouse, Pelling, Mrs Laguerre, Mrs Wall, Mrs Ogden

Event Comment: Benefit Wilcox, West, Clarke, Mrs Rice. Written by Mr Congreve. Receipts: money #12 12s. 6d.; tickets #129 18s

Performances

Mainpiece Title: The Old Batchelor

Dance: SSaraband-Lally, Mrs Wall; Spanish Entry-Young LeSac, Miss LaTour; Burgomaster and Wife-Newhouse, Mrs Ogden

Event Comment: Benefit Gwinn, Mrs Clarke, Mrs Palin. Written by Shakespear. Receipts: money #5 10s.; tickets #145 17s. Probable attendance: boxes, 3 by money and 225 by tickets; stage, 5 by money; pit, 9 by money and 355 by tickets; first gallery, 4 by money and 355 by tickets; second gallery, 16 by money

Performances

Mainpiece Title: The Jew Of Venice

Song: new Song-Miss Fenton; The Cobler's Tragical End-Leveridge

Dance: SScottish Dance-Mrs Bullock; Wooden Shoe Dance-Nivelon; Grand Dance of Moors-Glover, Pelling, Newhouse, Lanyon, Mrs Ogden, Mrs Anderson, Miss LaTour

Event Comment: Benefit Clarke, Willcocks, Mrs Hill. Receipts: money #21 9s. 6d.; tickets #117 10s

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Wedding

Dance: TTollet's Ground-Mrs Bullock, Mrs Ogden

Event Comment: Benefit Stede, Thompson, Clarke, Mrs LeBrun

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Honest Yorkshireman

Dance: As17420505

Entertainment: CCries of London-Salway

Event Comment: CClytus identified by Winston MS. as Clarke. Mainpiece not acted these 6 years

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Afterpiece Title: The Devil to Pay

Song: As17430120

Music: IV: Concerto on German Flute-Burk Thumoth

Event Comment: Benefit Cooke. Tickets may be had at his Lodgings, at Mr Clarke's, an Upholsterer, James St., Covent Garden. At the particular Desire of several ladies of quality. Part of Pit rail'd into Boxes where servants will be allowed to keep Places

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Dragon of Wantley

Dance: Salomon, Cook, Sga Padouana, Muilment, Salomon's Son, the Mechels

Event Comment: Benefit for Cooke. [The Devil to Pay was advertised in today's bill, but "Mrs Clive was taken ill, the Anatomist was Play'd" (Cross). Stage and Pit arranged as of 7 March.] Tickets and places to be had of Cooke at Mr Clarke's an Upholsterer in James St., Covent Garden. Receipts. #200 (Cross); charges, #60 (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Anatomist

Dance: I: Pastoral Dance-Cooke, Anne Auretti; II: New Scotch Dance, as17490118; III: The Gondoliers-Cooke; V: Louvre and Minuet-Cooke, Anne Auretti

Event Comment: Paid Charlotte Lane for making Osman's dress for Mr Clarke, #1; Sewing, Silk, &c., 3s.; 7 yards slezia linnen at 14d.-8s. 2d.; 2yds Blue stuff & 4 yds linnen for interlining, 8s.; wadding to fill the breast & 2 yds silk lace, 1s. Making a white flannel waistcoat with sleeves 7s. Total #2 7s. 2d. (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Cheats of Scapin

Dance: Guerin, first appearance on the English stage, Mlle Capdeville

Event Comment: Paid Charlotte Lane for making a dress for Zanga for Mr Clarke, the Robe interlin'd with linen & the underdress lin'd with blue tammy's linnen, 18s.; 7 1!2 yds linnen at 10d.-7s. 6d.; 5 yds tammy at 2s.-10s.; silk, lace, and sewing silk, &c., 4s. (MS list in Davies, Life of Garrick, II, 322). [Also from same source]: paid to same for lengthening a coat sleeves & mending same for Mr Ridout, 1s. 3d.; for making a cloath coat lac'd with silver for Mrs Vincent, 10s. 6d., sewing silk, twist, buckram & stays, 4s. 6d.; hair cloth, wadding & linnen pockets, 5s.; 4 1!2 yds tammy at 2s.-9s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin Skeleton

Event Comment: ZZara is oblig'd to be deferr'd on account of the indisposition of Mr Clarke

Performances

Mainpiece Title: The Non Juror

Afterpiece Title: The Contrivances

Dance: As17551101

Event Comment: A List of the Company Performers etc.@Actors Messrs Ross #1 6s. 6d.@Sparks #250 #1 8s.@Dyer #180 #1@Smith #1 8s.@Shuter #1 6s. 8d.@Ridout #180 #1@Clarke 16s. 8d.@Collins 13s. 4d.@Dunstall 13s. 4d.@Bencraft #100 12s.@Barrington #100 12s.@Gibson 10s.@Marten 6s. 8d.@Costollo 6s. 8d.@Anderson 6s. 8d.@Hull 6s. 8d.@Wignell 5s.@Bennet 5s.@Redman 4s. 2d.@Holtom 5s.@Buck 4s. 2d.@Perry 4s. 2d.@Stoppelaer 3s. 4d.@R. Smith 3s. 4d.@Giffard 3s. 4d.@Creswick 3s. 4d.@Gibbs 3s. 4d.@Weller 3s. 4d.@C. Smith 2s. 6d.@Blakey 2s. 6d.@Davis 5s.@Actresses Misses Ms Macklin #300 #1 13s. 4d.@Ms Ward #1 6s. 8d.@Ms Hamilton #1 10s.@Ms Elmy 13s. 4d.@Ms Vincent 13s. 4d.@Ms Green 11s.@Ms Pitt 10s.@Ms Dyer #70 7s. 8d.@Ms Barrington 6s. 8d.@Ms Baker 6s. 8d.@Ms Morrison 5s.@Ms Ferguson 5s@Ms Stephens 5s.@Ms Helm 4s. 2d.@Ms Mullart 3s. 4d.@Ms Sledge 3s. 4d.@Ms Copen 3s. 4d.@Ms Burden 3s. 4d.@Ms Davis 3s. 4d.@Ms Cokayne 3s. 4d.@Ms Allen 2s. 6d.@#9 19s. 4d. Actors #15 10s. 10d.@#25 10s. 2d.@Singers Men Messrs Beard #210 #1 3s. 4d.@Mattocks 10s.@Baker 6s. 8d.@Legg 5s.@#2 5s.@Singers Women Mrs Ms Lampe 13s. 4d.@Ms Brent 13s. 4d.@Ms Young 10s.@Ms Abegg 5s.@#2 1s. 8d.@Men Singers #2 5s.@#4 6s. 8d.@. Dancers Men Messrs Poitier Sr #80 8s. 10d.@Maranesi #150 16s. Sd.@Poitier Jr #150 16s. 8d.@LaLauze #100 12s.@Miles 10s.@Granier 10s.@Desse 6s. 8d.@Rochford #50 5s.@Dumay 5s.@Gosly 5s.@Baltazer 5s.@Dufour 5s.@Lassy #35 3s. 8d.@#5 9s. 6d.@Dancers Women Mrs Capdeville #150 16s. 8d.@Ms Maranesi #120 13s. 4d.@Ms Vernon 10s.@Ms Granier 6s. 8d.@Ms Jansolien 6s. 8d.@Ms Mariane #50 5s.@Ms Welch #35 3s. 8d.@Ms Craford #35 3s. 8d.@Ms White 3s. 4d.@Ms Dause 3s. 4d.@Ms Vallois 2s. 6d.@#4 4s. 10d. Men Dancers #5 9s. 6d.@#9 14s. 4d.@Mrs P. R. 10s.@Ms S. B. 6s. 8d.@Ms Bambridge 1s. 8d.@10s. 4d.@Prompters etc. Mr Stede 10s.@Young 5s.@Robertson 1s. 6d.@16s. 6d.@Painters Messrs Lambert #100 12s.@Dall #100 12s.@Austin 2s.@#1 6s.@ Servants numberers Stables 5s.@Housekeeper Sarjant #40 4s. 6d.@Wardrobe Whitefield #30 3s. 4d.@Officekeeper Ballard 3s. 4d.@Pearson 2s. 6d.@Box office Carne 2s. 6d.@Davis 2s. 6d.@Assistants Baker 2s. 6d.@Etherington 2s.@Lobby Door Goode 2s.@Ruby 2s.@Evans 2s.@Condell 2s.@Box Keepers Ansell 2s.@Letsam 2s.@Vaughan 2s.@Green 2s.@Potter 2s.@Pit Office Henning 2s.@Wilford 1s. 8d.@Toten 1s. 8d.@Pit Door Keepers Ross 1s. 8d.@Clingo 1s. 8d.@Ass. Office Clarke 1s. 8d.@1 Gal. Office Slater 2s.@Doorkeeper Rawlinson 1s. 8d.@2 Gal. Office Derby 2s.@Doorkeeper Seymour 2s.@Constable Barnes 2s.@Featherman Scott 1s. 8d.@Porter Besford 2s.@#3 9s. 10d.@Women Dressers #1 2s. 8d.@Charwomen 12s. 10d.@#5 5s. 4d.@Women Dressers Mrs Goold Wardrobe Keeper 3s. 4d.@Asst. Do Ms Wignell 2s. 6d.@Do Ms Paddick 1s. 8d.@Ms C. White 1s. 6d.@Ms Hales 1s. 6d.@Ms Martin 1s. 6d.@Ms Potts 1s. 6d.@Ms Wallis 1". 6d.@Ms Broad 1s. 6d.@Ms Gwynn 1s. 6d.@Ms Whitfield 1s. 6d.@Ms Buck 1s. 6d.@#1 2s. 8d.@Charwomen Mrs Brooks 1s. 2d.@Ms Hanmore 1s.@Ms Warwick 1s.@Ms Byrn 1s.@Ms Niblett 1s.@Ms Hollingsworth 1s.@Ms Barron 1s.@Ms Rumsey 1s.@8s. 2d.@Lampman Smith, Jo. 1s. 8d.@Sweeper Cawder, Jo. 1s. 6d.@Candleman Carter 1s. 6d.@12s. 10d.@Performers Sallerys #25 10s. 2d.@Singers Do #4 6s. 8d.@Dancers Do #9 14s. 4d. 18s. 4d.@Prompters Do 16s. 6d.@Painters Do #1 6s.@Servants Do #5 5s. 4d.@#47 17s. 4d.@Nightly Charges as per estimate #36 1s.@#83 18s. 4d.@--British Museum Egerton MS 2271.

Performances

Mainpiece Title: Comment Continued

Event Comment: KKing Lear and Amelia oblig'd to be deferr'd on account of indisposition of Clarke. Receipts: #75 9s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Cash advanc'd Clarke as per bond #400. Paid Richards (scene painter) as per Bill #190. Receipts. #230 6s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Sylphs