SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Boy"/1) | (@(roleclean,performerclean) "Boy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1488 matches on Roles/Actors, 330 matches on Performance Title, 312 matches on Performance Comments, 180 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Mad Captain

Dance: III: Harlequin and Harlequinette by Mons Leblanche and Mlle Larini Violante, the first time of their Performances since their arrival in this Kingdom. V: Louvre in Boy's Cloaths by Mlle Larini Violante

Performance Comment: V: Louvre in Boy's Cloaths by Mlle Larini Violante .

Song: IV: Mimick Song (by Desire) by Stoppelaer

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Performance Comment: Cast not listed. An Epilogue by Miss Hill in Boy's Cloaths .

Dance: III: By Mr Delawn

Song: II: Wasever Nymphlike Rosamondby Miss Hill. V: A Song by a Gentleman

Event Comment: At the Desire of several Persons of Quality. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. 6:30 P.M. [The Epilogue to Zara by Miss ---- in Boy's Cloaths is in Prompter, 4 July.]

Performances

Mainpiece Title: Zara

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Constance-Mrs Egerton; Aurelia-Miss Pattison; Mrs Clearaccount-Mrs Hervey; Midwife's Maid-Mrs Westley, the first time of her appearance on the stage. With a new Prologue and Epilogue to be spoke by Miss Pattison (in Boy's Cloaths) and Mrs Hervey .

Music: I: Handel's Overture of Ariadne. II: Charke's Medley Overture

Dance: II: French Peasant by Shawford. IV: Scot's Dance

Song: III: Cbast Lucretia. V: Roast Beef Song

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Comical Disappointment; or, The Miser Outwitted

Performance Comment: Cast not listed. With a new Prologue and an Epilogue to be spoken by Miss Ferguson in Boy's Cloaths .

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Performance Comment: As17380421 With a Prologue to the Farce, written by Aaron Hill, Esq-Miss Wright; in Boy's Cloaths. and an Epilogue to the Farce-Miss Wright, as Captain of the Lilliputians, at the Head of her Company.

Dance: I: Saraband-Miss Wright, Miss Morrison; II: French Peasant-Master Ferg, Miss Wright, Scholars to Leviez; AII: La Pieraite-Leviez, Mrs Thompson; IV: Grand Ballet in Comic Characters-the Lilliputians; V: Minuet-Leviez, Mrs Walter

Song: II: Beard

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke; Or, The Conjuror's Bastard; With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble; or, A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: By particular Desire. The Play of Othello is deferr'd till Tomorrow. The Beggar's Opera being desir'd by several Persons of Quality. [Othello and The School Boy had been announced on 6 Dec. for today.

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: Benefit for Mrs Clive. Part of Pit will be rail'd into the Boxes. Servants allow'd to keep places. Send servants by 3 o'clock. Tickets and places to be had of Mrs Clive at the Naked Boy in Henrietta St., Covent Garden. Mainpiece: Not acted these 7 years [see 18 Nov. 1754]. Afterpiece: With alterations and an additional scene. Mr Havard's benefit play, which should have been acted some day this month, is deferr'd on account of his Indisposition, to the 12th of April, when the new Masque of Alfred will be perform'd, with its proper Scenes, Dances, Music, and Machinery. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Keep Him

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Event Comment: This day at noon will be published at 6d. A Letter to Mr Henry Woodward, Comedian, occasioned by his letter to the Inspector. by Simon Partridge, the facetious Cobbler of Pall Mall, and son to the late Mr Partridge, famous for his dispute with Isaac Bickerstaff. "Barbarian to attack, a chymist, Critick, Journalist, and Quack" (Anon). Printed for H. Jeffrey in Pope's Head Alley, Cornhill. [Another mock defense of Hill, casting opprobrium on him in the manner of the eightenth-century bully boys of the bathroom. A second edition of Sampson Edwards' Letter to Woodward appeared this day. See Comment, 9 Dec.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: TThe Italian Gardeners, as17521221; Le Matelot Basque, as17521005

Event Comment: No Performance Passion Week (Cross). We hear that a new Tragedy call'd Creusa Queen of Athens, written by the author of the Roman Father is now in rehearsal at Drury Lane, in which Miss Macklin will play the part of a boy

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Barbarossa

Performance Comment: Parts-Garrick, Mossop, Havard, Davies, Usher, Mozeen, Walker, Miss Macklin, Miss Minors, Mrs Cibber. Achmet-Garrick; Barbarossa-Mossop; Othman-Havard; Sadi-Davies; Aladin-Usher; Officer-Mozeen; Slave-Walker; Irene-Miss Macklin; Slave-Miss Minors; Zaphira-Mrs Cibber; Music-adapted to the play; Prologue-Garrick in the Character of a Country Boy; Epilogue by Garrick-Woodward in the Character of a Fine Gentleman (Edition of 1755).
Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Event Comment: Benefit for furnishing the new Wards in the Middlesex Hospital. Paid Charlotte Lane for altering a cloth coat, and green corded silk waistcoat lac'd with silver for Mr Wm. Smith, 5s. 6d.; shalloos back & bod lining to coat & stiffening, 3s. (MS list in Davies, Life of Garrick II, 332). [The Occasional Prologue, written by Mr Boyce was publish'd in the Public Advertiser 19 Dec. 1755]: @And, Britons, Godlike charity is yours...@'Tis yours to silence Misry's plaintive moan@And make the grief of others all your own...@Give balm to Nature's accidental woes,@And sooth th'impovrish'd matron's pregnant throes...@ [The Epilogue, written by C. Smart, and spoken by Shuter in the character of a Man-midwife, was published in the same paper: Shuter enters with a child]: @Whoe'er begot thee has no cause to blush:@Thou'rt a brave chopping boy (child cries) nay, hush, hush, hush.@.......................@Nay if you once begin to puke and cough@Go to the nurse. Within, here, take him off.@Well Heav'n be prais'd, it is a peopling age,@Thanks to the Bar, the Army, and the Stage...

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Cheats of Scapin

Dance: Mrs Roland; and "By Desire" the Fingalian Dance, as17551126

Song: Lowe

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: a new farce call'dLa new farce call'dLilliput

Performances

Mainpiece Title: The Messiah

Performance Comment: Signora Frasi's part by Mr Savage's celebrated Boy (Deutsch, Handel, from Jackson's Oxford Journal).
Event Comment: Benefit for Jefferson and Champnes. Mainpiece: By Desire. Tickets delivered for Love Makes a Man will be taken. Yesterday Five Guineas were paid into the Hands of Justice Fielding by Miss Macklin, for the use of the Marine Society, towards clothing men and boys for the sea, to go on board His Majesty's ships (Public Advertiser). Receipts: #130 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Lying Valet

Song: I: Sing all ye Muses, compos'd by the late Mr H. Purcel,-Beard, Champnes

Dance: II: A Hornpipe-Walker; IV: The last new Comic Dances-

Event Comment: We Play'd at Covent Garden the Beggars Opera & ye School Boy for Mr Morgan's Benefit, several of our Company play'd, with leave from ye Managers (Cross)

Performances

Mainpiece Title: None

Event Comment: Benefit for the Marine Society, for cloathing Men and Boys to go to Sea. Tickets 5s. at the Door. To begin at 7 p.m. Tea, Coffee are included. At Ranelagh House

Performances

Mainpiece Title: Acis And Galatea

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Blind Man's Buff, les Bergeres, les Paisans, a Dutch Dance, And a grand Comic Ballet called The Marine Boys marching to Portsmouth-Froment, Settree, Lasci, Master Settree, Master Cawley, Master Hussey, Miss Derham, Miss Vivier, Miss Twiste, several Lilliputians.

Afterpiece Title: Harlequin's Frolic; or, A Voyage to Prussia

Song: The Songs-Sga Peralta, others

Event Comment: Benefit for the Marine Society, the whole Profits of which are generously given by Signora Mingotti and deGiardini, towards clothing men and boys at Sea

Performances

Mainpiece Title: Rosmira

Song: New song-Signora Mingotti

Event Comment: Benefit for Barry. Afterpiece: By MacNamara Morgan. Receipts: #133 14s. 6d. plus Tickets #163 3s. (boxes 479; pit 230; gallery 89). Charges #63. Total value of House: #296 17s. 6d. Profit to Barry #233 17s. 6d. Paid Samuel Wale for painting figures Boys & other decorations in a scene designed by Servandoni #5 5s. Paid Matthew Pearce, Bricklayer, #230, on account of the New Building. Paid Thomas Pervil for sundry cloaths as specified below, #112, 17s.: A Bloom Colored Brocade coat & Breeches with silver flowers & a Gold & Silver Brocaded Waistcoat & Coffs, #8; A Pompador Velvet Coat, Waistcoat & 2 pr. Breeches shot with silver, #11 11s.; A Blue cut and uncut Velvet Suit, Flower'd and Gold Ground, #10 10s.; A Dove colored Brocade Coat & Breeches, Gold & Flowers & a Gold & Silver Brocade waistcoat & Cuffs, #10 10s.; A Blue & Silver Brocade Coat & Breeches & Silver Brocade waistcoat & Cuffs, #10; a light color'd coat & Breeches & a blue silk waistcoat with gold lace, #14; A copper color'd velvet coat & breeches, and yellow waistcoat, embroider'd with gold, #20; A blue velvet suit, plain, #4 10s.; A crimson velvet Roab Surcoat, belt sword & Bonnet worn by a Peer in Parliament, & a Green velvet Roab, purple velvet surcoat & hood-a Knight of the Thistle's dress, #17 16s.; a plain crimson velvet suit, #6 (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sheep Shearing; or, Florizel and Perdita

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: For the Use of the Marine Society, Towards Clothing Men and Boys for Sea. Receipts: #80 12s. 6d. Charges: #84. Deficit to Marine Society, #3 7s. 6d., covered by income from tickets, #56 10s. (boxes 186; pit 28; gallery 58) (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, as17571013

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah