SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "theatre at Bath"/1) | (@(roleclean,performerclean) "theatre at Bath")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2542 matches on Event Comments, 367 matches on Performance Comments, 132 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: A disturbance occurred at this theatre on this day. Newdigate newsletters (Folger Shakespeare Library), 21 March 1673@4: His Maty has also been pleased to Order ye Recorder of London to examine ye Disorders & disturbances on Tuesday last at ye Dukes Theatre by some persons in drink (John Harold Wilson, Theatre Notes, p. 79). See also CSPD, 1673-1675, p. 231

Performances

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.
Cast
Role: Mr Dryden Actor: Mr Smith
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town
Event Comment: According to the Flying Post, 18-20 Oct. 1698: On Tuesday October 18, 1698, the Penny Lottery began at the Theatre Royal in Dorset Garden with the first draw. [On 28 Sept. 1698 James Brydges, Diary reported that he had gone into dg to see the "engine" for the lottery.] The Post Boy, 18-20 Oct. 1698: There is now Acting at the Theatre Royal in Dorset Garden a Tragy-Comedy called The Wheel of Fortune, or The Fools Expectation. And 'tis thought the Author will have a good Sixth Day. According to the Post Boy, 20-22 Oct. 1698: On Monday next will be publish'd, a Comical and Satirical Prologue and Epilogue, intended to be spoken at the Acting of the new Invented Farce, call'd, the Wheel of Fortune, or the Fools Expectation. [The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 305-10.] It seems probable that the lottery was dignified, for satiric purposes, by being given the title of a play, with a satirical Prologue and Epilogue. Post Man, 20-22 Oct. 1698: The Entertainment performed at the Theatre Royal in Dorset Garden, at drawing the Lottery, called the Wheel of Fortune; being the Speeches addrest to the Spectators, as Prologues and Epilogues. During a Symphony of Musick the Curtain rises slowly, and discovers two wheels upon the Stage; then two Figures, representing Fortunev and Astraea the Goddess of Justicev, descend over each Wheel, in two rich Chariots gilt with Gold

Performances

Mainpiece Title: Entertainments

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Cast
Role: King John Actor: Delane
Role: Bastard Actor: Sparks
Role: King of France Actor: Giffard
Role: Dauphin Actor: Blakes
Role: Pandulph Actor: Macklin
Role: Prince Arthur Actor: Miss Macklin
Role: Constance Actor: Mrs Giffard
Role: Hubert Actor: Berry
Role: Salisbury Actor: Mills
Role: Pembroke Actor: Mozeen
Role: Essex Actor: Ray
Role: Austria Actor: Winstone
Role: Prince Henry Actor: Miss Cole
Role: Chatillion Actor: Bransby
Role: Citizen of Angiers Actor: Bridges
Role: Faulconbridge Actor: Simpson
Role: English Herald Actor: Usher
Role: French Herald Actor: Marr
Role: Queen Elinor Actor: Mrs Bennet
Role: Blanche Actor: Miss Minors
Role: Lady Faulconbridge Actor: Miss Pitt.

Afterpiece Title: The Dragon of Wantley

Cast
Role: Gubbins Actor: Reinhold
Role: Dragon Actor: Blakes.
Role: Margerina Actor: Mrs Clive
Role: Moore Actor: Lowe
Role: Mauxalinda Actor: Mrs Mozeen.

Dance: As17470314

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Cast
Role: Ostrick Actor: Neale
Role: Lucianus Actor: Yates
Role: Rosencraus Actor: Simpson
Role: Guildenstern Actor: Usher
Role: Marcellus Actor: Bransby
Role: Bernardo Actor: Winstone
Role: Franciso Actor: Leigh
Role: Player Queen Actor: Mrs Yates
Role: 2nd Gravedigger Actor: Ray.
Role: Hamlet Actor: Barry 1st time
Role: King Actor: Bridges
Role: Ghost Actor: Delane
Role: Horatio Actor: Mills
Role: Polonius Actor: Taswell
Role: Laertes Actor: Blakes
Role: First Gravedigger Actor: Macklin
Role: Queen Actor: Mrs Furnival
Role: Ophelia Actor: Mrs Clive.

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: [For the King (Cross). With New Music, Scenes, Machines, Habits, and other Decorations. Compos'd by Mr Noverre. All our Dancers appear. A good deal of hissing & Clapping & some Cries of No french Dancers; a great clapping too-the Dance is fine-(Mr Delaistre is a good Dancer) (Cross). [See for details of preparation, importation of dancers, especially of M Delaistre, The Chevalier Noverre, Father of Modern Ballet, Deryck Lynham (London, 1950), pp. 26-40. See also advertisement in Public Advertiser: 'Mr Noverre, whose entertainments of Dancing have been celebrated in almost all the courts of Europe, exhibits this evening his Chinese Festival at the Theatre Royal in Drury Lane, in pursuance of a contract made above a year ago with the managers of the said theatre: The Insinuation that at this time, an extraordinary number of French dancers are engaged, is groundless, there being at Drury Lane at present as few of that nation, as any other theatre now has, or perhaps ever had. Mr Noverre and his brothers are Swiss, of a protestant family in the Canton of Berne, his wife and her sisters Germans; there are above sixty performers concerned in the entertainment; more than forty of which are English, assisted only be a few French (five men and four women) to complete the Ballet as usual. As the intention of the Managers on this occasion is to give Variety to Entertainments of the town, it is not doubted it will meet with public approbation.'] Receipts: #210 (Cross)
Event Comment: Books of the Opera to be sold at the Theatre. Nothing under FULL PRICE can be taken. Opera not perform'd this season. [A riot this night in which the benches were torn up. Led by Fitzpatrick against the abolishment of the custom of admitting at half-price after the third act. See previous disturbance at Drury Lane. No more plays at cg until 3 March 1763 while repairs were being made to theatre. See Gentleman's Magazine, Feb. 1763, Historical Chronicle, Th. 24: A riot happened at Covent Garden theatre occasioned by a demand being made for full prices at the opera Artaxerxes. The mischief done was the greatest ever known on any occasion of the like kind; all the benches of the boxes and Pit being entirely tore up, the glasses and chandeliers broken, and the linings of the Boxes cut to pieces. The rashness of the rioters was so great, that they cut aWay the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads. The damages done amount to at least #2000. Four persons concern'd in the riot have been committed to the gatehouse. The Beauties of All Magazines Selected, for March 1763 (p. 142) reprinted from the Ledger a humorous account of this riot as told by a sailor in fabricated seaman's language: As soon as the foresheet was clewed up...As to my 5s., why the owners are welcome to it towards repair, for you stripp'd plank, timbers, and scantlings,-you gutted her; she look'd like a French prize, after a yard-arm engagement."

Performances

Dance: I: A New Comic Dance-Granier, Miss Valois; II: La Provenciale-Sga Manesiere

Event Comment: Author's Day. Books of the Comedy to be had at the Theatre. N.B. The Author has generously given the profits of this day to a Fund, lately establish'd, by the Performers of the above Theatre, for the Maintenance of Decayed Actors and their Families. Public Advertiser, 3 Feb. 1766: The Performers of Covent Garden Theatre return their sincere thanks to Mr Cumberland for his generous donation of the profits of the 9th performance of The Summer's Tale, amounting to #74, for use of the newly established Theatrical Fund

Performances

Mainpiece Title: The Summer's Tale

Cast
Role: Parts Actor: _Barrington, _Baker, _Squibb, _Buck, Mrs _Lampe, Mrs _Jones.
Role: Bellafont Actor: Beard
Role: Sir Anthony Withers Actor: Shuter
Role: Frederick Actor: Mattocks
Role: Henry Actor: Dyer
Role: Shifter Actor: Dunstall
Role: Ferdinand Actor: Morris
Role: Peter Actor: Costollo
Role: Maria Actor: Miss Brent
Role: Amelia Actor: Mrs Mattocks
Role: Olivia Actor: Mrs Vincent

Afterpiece Title: The Upholsterer

Cast
Role: Watchman Actor: Weller.
Role: Barber Actor: Woodward
Role: Rovewell Actor: Davis
Role: Bellmour Actor: Perry
Role: Quidnunc Actor: Dunstall
Role: Pamphlet Actor: Shuter
Role: Feeble Actor: Murden
Role: Harriet Actor: Mrs Baker
Role: Termagant Actor: Mrs Green.

Dance: I: Rural Love, as17651115; II: The Garland, as17651003

Event Comment: Benefit for Squibb. Mainpiece: By Particular Desire. Charges #65 2s. [Profit to Squibb #13 10s. plus #85 10s. from tickets (Box 137; Pit 205; Gallery 205).] Paid half year's land tax for theatre #37 10s., and for House in Bow Passage #2 1s. 8d.; Paid half year's window lights tax for theatre #6 10s., for House in Bow Passage 15s.; half year's Scavanger's rate for theatre #2 1s. 8d., for House, 2s. 1d. (Account Book). Receipts: #78 12s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Macheath Actor: Squibb
Role: Polly Actor: Mrs Pinto
Role: Hornpipe Actor: Miss Twist
Role: Player Actor: Gardner.
Role: Peachum Actor: Shuter
Role: Lockit Actor: Dunstall
Role: Filch Actor: Holtom
Role: Mat@o@Mint Actor: Baker
Role: Beggar Actor: Bennet
Role: Lucy Actor: Mrs Baker
Role: Mrs Peachum Actor: Mrs Stephens
Role: Diana Trapes Actor: Mrs Copin
Role: Mrs Slammekin Actor: Mrs Green
Role: A Country Dance Actor: the characters of the opera.

Afterpiece Title: The Upholsterer

Cast
Role: Barber Actor: Squibb, 1st time.
Role: Harriet Actor: Miss Vincent.
Role: Feeble Actor: Murden
Role: Rovewell Actor: Davis
Role: Bellmour Actor: Perry
Role: Watchman Actor: Weller
Role: Quidnunc Actor: Dunstall
Role: Pamphlet Actor: Shuter
Role: Maid Actor: Miss Cokayne
Role: Termagant Actor: Mrs Green.

Dance: II: The Female Archer, as17661215

Song: End: two favourite songs in the Italian Manner-Squibb

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Eustace Actor: Dyer.
Role: Lucinda Actor: Mrs Mattocks
Role: Rosetta Actor: Mrs Pinto.
Role: Young Meadows Actor: Mattocks
Role: Hawthorn Actor: Beard
Role: Woodcock Actor: Shuter
Role: Sir William Meadows Actor: Bennet
Role: Hodge Actor: Dunstall
Role: Margery Actor: Mrs Baker
Role: Deborah Woodcock Actor: Mrs Walker
Role: Servants at the Statute Actor: Barrington, Miles, Holtom, Gardner, Mrs White
Role: Dance Actor: incidental to the opera.

Afterpiece Title: Perseus and Andromeda

Cast
Role: Mercury Actor: Dibdin
Role: Hussar Actor: Weller
Role: Petit Maitre Actor: Baker
Role: Perseus Actor: Mattocks
Role: Andromeda Actor: Mrs Baker
Role: Cepheus Actor: Legg
Role: Cassiope Actor: Mrs Lampe
Role: Amazon Actor: Jones
Role: Magician Actor: Dibdin
Role: Harlequin Actor: Miles
Role: Hussar's Servant Actor: Cushing
Role: Valet de Chambre Actor: Holtom
Role: Colombine Actor: Mrs Dyer
Role: Concluding with a Grand Ballet Actor: Fishar, Miss Wilford.
Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Cast
Role: Smirk Actor: Foote
Role: The Minor Actor: Davis
Role: Squintum Actor: Bannister
Role: Sir William Wealthy Actor: Castle
Role: Transfer Actor: Weston
Role: Loader Actor: Palmer
Role: Sir Richard Wealthy Actor: Gardner
Role: Dick Actor: Quick
Role: Tally Actor: Pynn
Role: Lucy Actor: a young Gentlewoman, first appearance on any stage
Role: Occasional Prologue in Prose Actor: Laconic-J. Palmer
Role: Laconic Actor: J. Palmer
Role: Scaffold the Builder Actor: Bannister
Role: Snarl Actor: Weston
Role: Manager Actor: Foote-London Magazine.
Role: Foote Actor: London Magazine.

Afterpiece Title: Miss in Her Teens

Cast
Role: Fribble Actor: Shuter
Role: Loveit Actor: Gardner
Role: Jasper Actor: Quick
Role: Flash Actor: Davis
Role: Puff Actor: Palmer
Role: Tag Actor: Miss Gardner
Role: Miss Biddy Actor: the young Gentlewoman who performs Lucy.
Event Comment: Conductor-Dr Arne. The Theatre thoroughly aired a week before the performance. Music of the Interlude composed by Arne. [Advertized as "Mr Foote's Theatre in the Haymarket."] At the Instance of several persons of Quality, by permission of the Noblemen and Gentlemen of the Catch Society at the Thatched House, St James's St. Pit and Boxes 5s. First gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Books of all Catches and Glees and Capochio and Dorinna to be had at the Theatre for 1s

Performances

Mainpiece Title: Concert Of Catches And Glees

Afterpiece Title: Capochio and Dorinna

Music: After Interlude: Concerto on Violin-Barthelemon. *u¶Ãhay Between the acts: an Interlude. Parts-Mas. Brown, Miss Weller

Cast
Role: Parts Actor: Mas. Brown, Miss Weller.
Event Comment: Afterpiece: A New Farce [by a Gentleman from Dublin] never performed. [It was fitted to the stage as an afterpiece, and provided with a Prologue by Colman. Advertisement for the Edition of 1772 indicates that it was "attempted to be acted, "but was damned. Taken principally from Moliere's Marriage Force. See account of damning of Farce, in Town and Country Magazine (Theatre No. XXXIII), before last act was over by a candle being thrown on stage.] Paid one year's ground rent for theatre due Mich. last #100 minus land tax of #16 5s.: Total #83 15s.; Paid ditto for the New Building adjoining the theatre #30, minus Land Tax of #4 17s. 6d.: Total #25 2s. 6d. (Account Book). Receipts: #198 16s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Cast
Role: Montano Actor: Davis
Role: Othello Actor: Ross
Role: Iago Actor: Bensley
Role: Brabantio Actor: Gardner
Role: Cassio Actor: Clarke
Role: Lodovico Actor: Owenson
Role: Roderigo Actor: Dyer
Role: Duke Actor: Morris
Role: Emilia Actor: Mrs Green
Role: Desdemona Actor: Miss Miller

Afterpiece Title: An Hour Before Marriage

Event Comment: The Rose is a New Musical performance of Two Acts by Dr Arne a very dull insipid piece. Mr G. protested against its being perform'd its being perform'd it was hiss'd from the beginning & wd not Suffer it to be given out again, therefore Mr King went on & told them it Should not be perform'd again until it be alter'd (Hopkins Diary). [Macmillan's note from Kemble differs slightly. See critical damnation of The Rose in British Theatre Article in The London Magazine, Dec. 1772.] Book of the Entertainment to be had at the Theatre (playbill). Paid Mr Petit for men's cloaths, #8 8s. CTreasurer's Book). [Reviewer for Town and Country Magazine (Theatre, No. XLI) disappointed with the Rose: "We are told that this precious piece of stuff is the production of an Oxford student; it may be so, of this every auditor is certain, that the collegian who penned it was so entirely lost in the pursuit of some abstruse study, that he has totally forgot grammar, common sense, and even his mother tongue...it was unanimously damn'd."] Receipts: #172 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Cast
Role: Wilding Actor: King
Role: with a song Actor: Reddish
Role: Barnacle Actor: Parsons
Role: Nephew Actor: Dodd
Role: Dwindle Actor: Waldron
Role: Acreless Actor: Wheeler
Role: Littlestock Actor: Fawcett
Role: Sellaway Actor: Keen
Role: Drawer Actor: Griffith
Role: Page Actor: Miss Hopkins
Role: Boxkeeper Actor: Ackman
Role: Penelope Actor: Mrs Abington
Role: Mrs Wilding Actor: Miss Younge

Afterpiece Title: The Rose

Cast
Role: incidental to the piece Actor: Atkins, Sga Giorgi
Role: Lord Gainlove Actor: Vernon
Role: Jack Rattle Actor: Dodd
Role: Sir Humphrey Carbuncle Actor: Bannister
Role: Buckskin Actor: Dibdin
Role: Town Crier Actor: Kear
Role: Mr Violet Actor: Wright
Role: Letland Actor: Ackman
Role: Servant Actor: Fawcett
Role: Billy Viodet Actor: Miss Collett
Role: Millclack Actor: Miss Weller
Role: Miss Clara Violet Actor: Mrs Davies
Role: Mrs Violet Actor: Mrs Love
Role: Lady Willmore Actor: Miss Platt
Role: Kitty Willmore Actor: Miss Hopkins
Role: Miss Serina Violet Actor: Mrs Smith
Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Bassanio Actor: Bensley
Role: Jessica Actor: Mrs Baker
Role: Nerissa Actor: Mrs Lessingham
Role: But Bassanio Actor: Wroughton
Role: Jessica Actor: Miss Valois
Role: Nerissa Actor: Mrs Baker
Role: Shylock Actor: Macklin
Role: Antonio Actor: Clarke
Role: Gratiano Actor: Dyer
Role: Lorenzo Actor: Mattocks
Role: Duke Actor: Thompson
Role: Launcelot Actor: Shuter
Role: Portia Actor: Miss Macklin.

Afterpiece Title: Love a-la-Mode

Cast
Role: Sir Callaghan Actor: Shuter
Role: Groom Actor: Woodward
Role: Goodchild Actor: Dunstall
Role: Mordecai Actor: Quick
Role: Charlotte Actor: Miss Macklin
Role: Sir Archy Actor: Macklin.

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Mainpiece: A Comedy [by William Kenrick] never performed before. [The play failed to succeed. Kenrick accounts for the failure in his Preface to the 1773 edition by reference to the Macklin affair (See 23 Oct., 30 Oct. and 18 Nov.) He quotes from the Public Advertiser (22 Nov.): "On Saturday last a new comedy called the Duellist was performed, for the first time, at Covent Garden Theatre. Previous to the curtain being drawn up, the following written handbill was dispersed about the house. 'Mr Macklin has been pursued by a malicious party to such a pitch of rancour, that at last they have succeeded so far in their cursed designs, as to get him discharged this theatre, and thereby have deprived him of the means of a livelihood; therefore if the public have any spirit, they will not suffer the new play to begin till Mr Colman promises that Mr Macklin shall be engaged again.' This handbill found its way into the green-room, and had a very visible effect on the performers, as was plainly evident from their confusion. The piece was received with great marks of approbation, and given out again for Monday, which was attended with some hissing, but that was greatly overpowered by the general applause of the audience. The overture to Thomas and Sally being attended to with silence, the greatest part of the author's friends quitted the theatre; which being taken advantage of by a party in the gallery, a riot ensued, and the entertainment was not suffered to go on till another play was given out for Monday." Kenrick agrees with this account, then analyses several other objections which he dismisses, to wit, in the play (a) too lengthy a satire on lawyers, (b) an indelicate passage in Latin (omitted from the printed version); in the audience, a conspiracy of Garrick and Bickerstaffe against him; and lack of a claque of his own friends to carry through their suport of him. Macklin's name appears on the playroll this night, but only for a accumulated 4 days of pay #8 16s. (Account Book).] Receipts: #221 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Duellist

Cast
Role: General Gantlet Actor: Woodward
Role: Boothby Actor: Smith
Role: Sir Soloman Bauble Actor: Shuter
Role: Counsellor Witmore Actor: Lewis
Role: Lord Lovemore Actor: Wroughton
Role: Governor Mammon Actor: Kniveton
Role: Serjant Nonplus Actor: Quick
Role: Lady Lovemore Actor: Miss Barsanti
Role: Mrs Boothby Actor: Miss Miller
Role: Lady Bauble Actor: Mrs Green
Role: Emelia Actor: Miss Wilde
Role: Mrs Goodwill Actor: Mrs Kniveton
Role: Echo Actor: Miss Valois
Role: Combrush Actor: Miss Pearce
Role: Mactotum Actor: Cushing
Role: With Prologue Actor: Smith
Role: Epilogue Actor: Miss Barsanti

Afterpiece Title: Thomasand Sally

Cast
Role: Hornpipe Actor: Miss Besford.
Role: Squire Actor: Mattocks
Role: Sailor Actor: DuBellamy
Role: Dorcas Actor: Mrs Thompson
Role: Sally Actor: Miss Brown
Role: With Hornpipe Actor: Miss Twist.
Event Comment: Paid 4 day's salary list at #94 11s. 6d. per diem #378 7s. 4d.; J. French on acct #5 5s. (Treasurer's Book). [From the Westminster Magazine, March, p. 125: "A disturbance on account of Mrs Yates having left the theatre without speaking the Epilogue to Braganza. The House was clamorous and would not give up their right. Mr Vernon endeavoured to appease their fury, by declaring that Mrs Yates being taken with a hoarseness, had left the theatre,' but this excuse the Audience would not accept. Mr Vernon withdrew, and after a short time returned assuring the House that he had sent to Mr Garrick (who was confined to his room with a fit of the stone) but who had directed the messenger immediately to fetch Mrs Yates, and that her husband was then in the theatre. He was directly called for, and instantly came on the stage to know the pleasure of the Audience. They told him bluntly they did not want to see him, but to hear his wife, whose obstinacy and pride had betrayed her into the present insult. He in vain tried to assure them, that his wife's conduct proceeded from a very contrary cause from that which they alledged; and the cause was real illness. As the clamor was universal, Mr Yates quitted the stage; and at length, an hour and a half being spent in tumult, the overture was suffered, and the farce went on, but not in silence." See note, 9 March.] Receipts: #201 19s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Cast
Role: Velasquez Actor: Smith
Role: Ribiro Actor: Palmer
Role: Almada Actor: J. Aickin
Role: Ramirez Actor: Packer
Role: Mendoza Actor: Brereton
Role: Pizarro Actor: Davies
Role: Corea Actor: Hurst
Role: Lemos Actor: Usher
Role: 1st Citizen Actor: Wright
Role: Officer Actor: Keen
Role: Antonio Actor: Wrighten
Role: Mello Actor: Wheeler
Role: 2nd Citizen Actor: Griffiths
Role: Ferdinand Actor: Norris
Role: Duke Actor: Reddish
Role: Inis Actor: Mrs Johnston
Role: Duchess Actor: Mrs Yates

Afterpiece Title: The Rival Candidates

Cast
Role: Byron Actor: Vernon
Role: Sir Harry Muff Actor: Dodd
Role: Worry Actor: Parsons
Role: First Gardener Actor: Bannister
Role: Gardeners Actor: Kear, Fawcett
Role: Spy Actor: Weston
Role: Jenny Actor: Mrs Wrighten
Role: Narcissa Actor: Mrs Baddeley
Event Comment: Garrick put the finish hand to the sale of half the patent &c. to Dr Ford, Linley, Ewart, and Sheridan for #35,000 to be delivered over in June next. Garrick it was said rais'd #12,000 last year by subscription to pay New Ornamentation, which cost #3000, so that the remaining #4500 and #35,000 was no bad interest for the #5,000 he gave in 1747. New property valuation giving him a...(Winston MS 11, from Burney News Cuttings). Paid Mr Palmer, spermacetti candle Bill #186 13s.; Mr Machin, Chorus, 19 times #4 15s. Rec'd Mr Percy's rent 1 year to Mich Last, #10; Stopages #14 5s. Receipts: #167 2s. (Treasurer's Book). From the Morning Chronicle, 19 Jan.: "David Garrick, Esq., has signed and sealed for the sale of his share in the patent and Property of Drury Lane Theatre. The purchasers are Dr Ford, Mr Ewart, Mr Linley, and Mr Richard Sheridan. The purchase money is #35,000. The public may now therefore depend upon it that this will be the last season of Mr Garrick's performing. The new proprietors as an act of their own, have stipulated that Mr Garrick shall continue to keep that box which has of late years been set apart for the accomodation of his family. Mr Garrick intimated last night to the audience his having sold his share in Drury Lane Theatre, by answering in the part of Abel Drugger , on being asked if he had any interest at the theatre, 'I had some, I don't know what I may have.'

Performances

Mainpiece Title: Macbeth

Cast
Role: MacDuff Actor: Farren, first time
Role: Lady Macbeth Actor: Mrs King, first time.
Role: Macbeth Actor: Smith
Role: Duncan Actor: Bransby
Role: Ross Actor: Aickin
Role: Macduff Actor: Reddish
Role: Malcolm Actor: Davies
Role: Angus Actor: Whitfield
Role: Captain Actor: Usher
Role: Banquo Actor: Packer
Role: Donalbain Actor: Everard
Role: Hecate Actor: Legg
Role: Lady Macduff Actor: Miss Sherry
Role: Witches Actor: Parsons
Role: Lenox Actor: Fawcett
Role: Seward Actor: Hurst
Role: Doctor Actor: Wright
Role: Fleance Actor: Mas. Pulley
Role: Seton Actor: Griffiths
Role: Vocal Parts Actor: Legg, Kear, Carpenter, Cubitt, Blanchard, Mrs Scott, Mrs Love
Role: a Dance of Furies Actor: .
Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Cast
Role: Druids and Bards Actor: Aickin, Hull, L'Estrange, Fearon, others
Role: Principal Vocal Parts Actor: Leoni, Reinhold, Mrs Farrell
Role: Caractacus Actor: Clarke
Role: Arviragus Actor: Lewis
Role: Elidurus Actor: Wroughton
Role: Vellinus Actor: Ward
Role: Aulus Didius Actor: Whitefield
Role: Evelina Actor: Mrs Hartley
Role: Modred Actor: Aickin
Role: Mador Actor: Hull.

Afterpiece Title: Polly Honeycombe

Event Comment: Mainpiece: Never acted here. [Mrs Armstead is identified in Morning Chronicle, 16 May. Prologue by George Colman elder (Collection...of English Prologues and Epilogues, II, 207).] Afterpiece: Not acted these 20 years. With a new Overture, the Original Prologue [by David Garrick], and a New Scene, in which will be introduced an air. With a Grand Jubilee-Pageant, in Honour of Gulliver. The Music, Dresses, Scenes, Trophies and Decorations entirely new. The Music composed by Dr Arnold. ["Lilliput was altered by Garrick (its author), and a procession of cards introduced in it, Gulliver walking as the Knave of Clubs" (Gilliland, I, 121-22). London Chronicle, 16 May, gives a synopsis of this pageant.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken at the Theatre. After this Evening the Entertainments of this Theatre will be discontinued till further Notice, on account of the Performers employed at Drury Lane Theatre [see 28 May]

Performances

Mainpiece Title: The English Merchant

Cast
Role: Principal Parts Actor: Aickin, Palmer, Jackson, Fearon, Massey, Egan, Davies, Mrs Hunter, Mrs Davies, Mrs Poussin, A Gentlewoman
Role: Freeport Actor: Aickin
Role: Spatter Actor: Palmer
Role: Lord Falbridge Actor: Davies
Role: Lady Alton Actor: Mrs Hunter
Role: Molly Actor: Mrs Davies
Role: Mrs Goodman Actor: Mrs Poussin
Role: Amelia Actor: Mrs Armstead. Edition of 1767 lists the other parts: +Sir William Douglas, Owen, La France, Officer, Servants.
Role: A New Occasional Prologue Actor: Palmer.

Afterpiece Title: Lilliput

Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Colonel Feignwell Actor: Russell
Role: Freeman Actor: G. Graham
Role: Perriwinkle Actor: Graham
Role: Tradelove Actor: Vowell
Role: Sackbut Actor: Newton
Role: Obadiah Prim Actor: Walters
Role: Sir Philip Modelove Actor: Trotter
Role: Boy Actor: Master Russell
Role: Mrs Prim Actor: Mrs Russell
Role: Betty Actor: Mrs Trotter
Role: Mask'd Lady Actor: Miss Powell
Role: Ann Lovely Actor: Miss Essex.
Event Comment: [This was the last performance ever held in this theatre. On 27 June the Morning Chronicle published the playbill for that same evening: Love in a Village and Comical Courtship, but on 29 June the same newspaper reported that on "Friday [26 June] (soon after the performances of the evening were finished at China Hall, Rotherhithe) the theatre was discovered to be on fire. The flames increased so rapidly that in a short time the whole building, with all the scenes, stage, cloaths, &c. were consumed...There is no doubt but the theatre was wilfully set on fire." During the course of the summer it was rebuilt, but "Yesterday morning the play-house at China-hall, Rotherhithe, was blown down by the violence of the wind. The said play-house was burnt down last summer, but it being insured was rebuilt by contract, and the tiling of it completely finished last week" (Gazetteer, 26 Nov. 1778). And see 30 July.

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Richard Actor: Stokes
Role: King Henry Actor: Newton
Role: Prince Edward Actor: A Young Gentleman
Role: Buckingham Actor: Russell
Role: Duke of York Actor: Master Nelson
Role: Stanley Actor: Lear
Role: Tressel Actor: Cooke
Role: Lieutenant of the Tower Actor: Burnett
Role: Catesby Actor: Massey
Role: Lord Mayor Actor: Fildew
Role: Blunt Actor: Bailey
Role: Earl of Richmond Actor: West
Role: Lady Ann Actor: Mrs Bailey
Role: Duchess of York Actor: Mrs Newby
Role: Queen Actor: Mrs Russell.

Afterpiece Title: The Ghost

Cast
Role: Sir Jeffery Constant Actor: Massey
Role: Captain Constant Actor: Cooke
Role: Trusty Actor: Newton
Role: Clinch Actor: Bailey
Role: Roger Actor: Russell
Role: Melinda Actor: Mrs Bailey
Role: Dolly Actor: Mrs Russell.

Dance: As17780601

Song: As17780529

Event Comment: A new Comic Opera. The music entirely new by Sacchini. With entire new Scenes, Dresses and Decorations both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [see 5 June 1779]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The door in Market Lane for Chairs only. Public Advertiser, 31 Oct.: To prevent mistakes Ladies who have not honoured the Director with the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the Office of the Theatre, in order to [permit] their Tickets being engraved. The Renters' Shares proposed to be granted on this Theatre are now made out, and particulars prepared, at Messrs Wallis and Parker's, Norfolk-street, Strand, who are impowered by the Proprietors to dispose in single Shares of those which remain unsubscribed for. The annual Subscriptions are receiving by Johnson at the Office of the Theatre in Union-court, Haymarket

Performances

Mainpiece Title: L'avaro Deluso

Cast
Role: Gervasio Actor: Jermoli
Role: Calandrano Actor: Antonio Rossi
Role: Agapito Actor: Carlo Rovedino
Role: Modesta Actor: Sga Jermoli
Role: Lazzarina Actor: Sga Pozzi
Role: Zerbinetta Actor: Sga Sestini.

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Cast
Role: Bailly Actor: LeDet
Role: du Village Actor: Simonet
Role: Lubin Actor: Slingsby
Role: Annette Actor: Mme Simonet
Role: unassigned Actor: Sg Zuchelli, Sga Zuchelli.