SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Simsons"/1) | (@(roleclean,performerclean) "the Simsons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1014 matches on Roles/Actors, 284 matches on Performance Comments, 32 matches on Event Comments, 22 matches on Performance Title, and 0 matches on Author.
Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Edition of 1697: First Prologue-Mrs Cross; Prologue on the Third Day-Mrs Verbruggen; Epilogue-Lord Foppington; Sir Novelty Fashion-Cibber; Young Fashion-Mrs Kent; Loveless-Verbruggen; Worthy-Powell; Sir Tunbelly Clumsey-Bullock; Sir John Friendly-Mills; Coupler-Johnson; Bull-Simson; Serringe-Haynes; Lory-Dogget; Amanda-Mrs Rogers; Berinthia-Mrs Verbruggen; Hoyden-Mrs Cross; Nurse-Mrs Powell.
Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Country Wife

Performance Comment: Horner-Palmer; Pinchwife-Bridges; Sir Jasper Fidget-Yates; Sparkish-Woodward; Country Wife-Mrs Clive; Harcourt-Havard; Dorilant-Blakes; Quack-Winstone; Harry-Simson; Alithea-Mrs Willoughby; Lady Fidget-Mrs Mills; Lucy-Mrs Bennet; Mrs Dainty Fidget-Miss Pitt; Mrs Squeamish-Mrs Yates.
Cast
Role: Alithea Actor: Mrs Willoughby

Afterpiece Title: The Anatomist

Music: III: Piece of Music By Desire-the Child

Dance: II: L'Entree de Flore, as17481027; IV: Savoyards, as17480920; V: Vertumnus and Pomona, as17481112

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Dance: II: Comic Dance-Master Shawford, Miss Shawford; III: Minuet-Mr Shawford, Miss Shawford

Event Comment: Benefit Dunbar, Jones, Atkinson, Pritchard, Bride (General Advertiser). Benefit for Dunbarr & Boxkeepers (Cross). Tickets deliver'd for Love's Last Shift will be taken. On Friday next the Roman Father will be acted at Drury Lane, being the last time of the company's performing this season

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Master Shawford; IV: Black Joke, as17500420 V: Comic Dance, as17500313

Event Comment: Mainpiece: Reviv'd not acted these 3 years. [See 16 May 1748.] Written by Shakespeare. Receipts: #50 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Lying Valet

Dance: I: Hornpipe-Mathews, the Little Swiss

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick; Gloster-Sowdon; Shore-Havard; Bellmour-Blakes; Catesby-Winstone; Ratcliff-Simson; Alicia attempted-Jane Cibber , being the 1st time of her appearing upon the stage these 6 years; Jane Shore-Mrs Pritchard.

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: Mainpiece: Not acted these 2 years. [See 8 Nov. 1748.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discovered

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: Reviv'd not acted in 10 years. Afterpiece: Written by Mr Dryden. The Music composed by Dr Boyce. Proper Dances, Chorusses, &c....The Word of the Masque will be deliver'd gratis at the doors (General Advertiser). Play not much lik'd and ye Masque greatly dislik'd (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Alphonso-Yates; Pedro (the Pilgrim)-Havard; Roderigo-Berry; Curio-Scrase; Seberto-Mozeen; Jaques-Blakes; Lopez-Vaughan; Master of the Mad House-Bridges; Governor-Raftor; Porter-W. Vaughan; Drunken Servant-Shuter; Mad Scholar-Sowdon; Mad Taylor, Stuttering Cook-Woodward; Mad Englishman-Winstone; Mad Welchman-James; 1st Outlaw-Ackman; 2nd Outlaw-Paddick; 3rd Outlaw-Marr; Gentleman-Simson; Peasant-Blakey; Keeper-Costollo; Alinda-Mrs Willoughby; Fool-Mrs Pitt; Julietta-Mrs Pritchard.

Afterpiece Title: Secular Masque

Dance: New Running Footman's Dance, as17501020

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sowdon; Bajazet-Berry; Axalla-Palmer; Arpasia-Mrs Pritchard; Selima-Mrs Ward; Dervise-Winstone; Hali-Simson; Moneses-Havard; Prince of Tanais-Blakes; The Usual Prologue-.
Cast
Role: The Usual Prologue Actor: .

Afterpiece Title: A Duke and no Duke

Dance: CCountry Amusements, as17501102; Pigmalion, as17501102

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Event Comment: Afterpiece: By Desire. Mr Ross Castalio --well. Barry & Mrs Cibber, play'd Romeo & Juliet this Night a C. Garden (Cross). [Inspector No 187 appeared with comments on Ross and further ones on Mossop as actors (Daily Advertiser and Literary Gazette).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Ross (for the first time); Chamont-Garrick; Polydore-Havard; Acasto-Berry; Monimia-Miss Bellamy; Serina-Miss Minors; Ernesto-Simson; Page-Miss Yates; Florella-Mrs Bennet; Chaplain-Blakes.

Afterpiece Title: Lethe

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Duke and no Duke

Event Comment: This play was reviv'd instead of ye London Cuckolds by way of Compliment to the City--not lik'd at all--Mr Ross being ill Mr Mattocks did his part at 2 Day's Notice, wch at the end of the 4 Act Mr Woodward told the Audience, & tho Mr Mattocks was hiss'd before, when he next appear'd they gave him great Applause. Mattocks never play'd a principal part before in London (Cross). Mainpiece: Never Acted there. [Inspector No 206 reports a letter on the lack of wisdom of giving the London Cuckolds on Lord Mayor's Day, as the morals of the trading youth have been corrupted by it the writer rejoices to see the substitution of Eastward Hoe for it (Daily Advertiser and Literary Gazette).] Receipts: #130 (Cross)

Performances

Mainpiece Title: Eastward Hoe; Or, Ye Prentices

Afterpiece Title: The Anatomist

Dance: HHornpipe-Mathews; The Little Swiss

Event Comment: MMr Mossop did Bajazet -Oh (Cross). [Inspector No 211, in Daily Advertiser and Literary Gazette commented on the magnificent performance of Garrick and Miss Bellamy in King Lear the preceding Saturday.] Receipts: #120 (Cross)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sowdon; Bajazet-Mossop (for the first time); Axalla-Lee; Selima-Miss Bellamy; Arpasia-Mrs Pritchard; Moneses-Havard; Hal-Simson; Dervisse-Winstone; Stratocles-Mozeen; Omar-Burton; Prince of Tanais-Blakes; With the Usual Prologue-.
Cast
Role: With the Usual Prologue Actor: .

Afterpiece Title: The Lottery

Song: IV: O Gentle Sleep-Beard

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Chaplet

Event Comment: Mainpiece: Not acted these 7 years. [See 12 Nov. 1745.] Very Dull Play & No Garrick (Cross). We hear the Comedy of the Comical Lovers will be reviv'd for the benefit of Mrs Clive on Monday, 9 March; to which will be added, Miss in her Teens, the part of Fribble by Garrick, being the only time of his performing it this season. Receipts: #100 (Cross)

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Lying Valet

Dance: GGrand Provincial Dance, as17520204

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: Harlequin Ranger

Performance Comment: As17520118, but Sg _Pietero; Other characters-_Mad J. Auretti.
Event Comment: Benefit for Pritchard, Treasurer. Tickets his house next the Chapel in Great Queen St., Lincoln's Inn Fields. This day publish'd at 1s.A Poetical Epistle from Shakespear in Elysium, to Mr Garrick at Drury Lane Theatre. Printed for J. Newberry (General Advertiser). Old Jack Ray, dy'd (Cross). Receipts: #130 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Lethe

Dance: IV: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Event Comment: Benefit for Scrase, Costollo, and Wilder. Tickets and places to be had at the Stage Door of the theatre. Receipts: #160 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Don Quixote in England

Cast
Role: Dorothea Actor: Mrs Bennet.

Dance: III: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Entertainment: S+SpecialtyAfter: An Elogium-Mr Ross;wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespear-Mr Ross. representing the shade of Shakespear as figured on his monument in Westminster Abbey. By Particular Desire.

Performance Comment: representing the shade of Shakespear as figured on his monument in Westminster Abbey. By Particular Desire..
Event Comment: Benefit for A Citizen's Widow and three small children. Tickets to be had at Sam's Coffee House in Exchange Alley; the Bank Coffee House, Threadneedle St.; Old Slaughter's Coffee House, St Martin's and the Stage Door

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Lethe

Dance: Sg Piettro, Mad Auretti

Event Comment: Benefit for a Widow and Family in Distress. Part of Pit will be laid into the Boxes. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Dance: Sg Piettro, Mad Auretti

Song: II: Mattocks