SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Woodward"/1) | (@(roleclean,performerclean) "Woodward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5498 matches on Roles/Actors, 1414 matches on Performance Comments, 919 matches on Author, 148 matches on Event Comments, and 36 matches on Performance Title.
Event Comment: TTurbutt and Dove's Booth, end of Hosier Lane, West Smithfield, during the Time of the Fair. [London Daily Post and General Advertiser gives Kevenhuller-$Woodward. Repeated 24, 25, 26 Aug.] Ballance Master, just arriv'd from Paris

Performances

Mainpiece Title: The Glorious Queen Of Hungary

Afterpiece Title: Harlequin Dissected; or, The Biter Bit

Event Comment: Letter to Mr W-d-d in the General Advertiser signed F. [Woodward and Foote]: Oh! ho! is it come?-What at your Irish tricks again?-No my Dear, they won't do; I am too well establish'd here; Do you think we have so soon forgot your H-n Puffs: you defeat me in Ireland! Very likely; as if we did not know you!-but what you (or the whole Town) could mean by propagating such a report, the Devil take me if I know; unless you have taken an antipathy to the Irish, and found out this method to damn their judgment at once. Which by the Bye, Hal, would be a little ungrateful, considering how you profited by their ignorance. But let what will be the motive, if it produces a piece of Dullness equal to your last, I shan't quarrel at the means, or be uneasy now than then, Yours F. (From my Auction Room). [See 18 March.

Performances

Mainpiece Title: None

Event Comment: N.B. As the Auctioneer [Foote] gives Tea tomorrow at Covent Garden Mr Woodward (by particular desire) on Saturday next will present him with a dish of his own chocolate, with an addition of one Mew at his cats. Receipts: #170 (Cross); #168 18s. 6d. (Powel)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: By Particular Desire. [Lee had returned to Covent Garden. See Winston MS 7.] Notwithstanding the reports of Mrs Cibber's Indisposition, we hear that she is not ill at Bath. We hear that the Comic part of the Little French Lawyer is alter'd from Beaumont and Fletcher, and will be acted very soon at Drury Lane, the part of the little French Lawyer will be perform'd by Woodward (General Advertiser). [See 7 Oct.] Receipts: #170

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

Event Comment: This day publish'd at 3s. The Actor; or, A Treatise on the Art of Playing. A New Work written by the Author of the former [See dl 30 Oct. 1753]; and adapted to the present state of the Theatres. Containing impartial Observations on the Performance, Manner, Perfections, and Defects of: Garrick, Barry, Woodward, Foote, Havard, Palmer, Ryan, Berry, Mrs Cibber, Mrs Pritchard, Mrs Woffington, Mrs Gregory, Mrs Clive, Mrs Green, Miss Nossiter, Mrs Bellamy, &c., &c., in their capital parts. Printed for R. Griffiths

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: [A+Apprentice deferr'd. Woodward hoarse (Winston MS 8).] Receipts: #200 (Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Chaplet

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: a new farce call'dLa new farce call'dLilliput

Event Comment: TThe Tempest oblig'd to be deferr'd on account of Woodward's indisposition. Receipts: #160 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: TThe Italian Peasants, as17571004

Event Comment: N.B. This was Mr Packer's first appearance at Drury Lane Theatre. He had acted one night at Covent Garden in the preceding season, Johnson, in the Rehearsal and the Frenchman in Lethe, which pieces were perform'd for Mr Lee's Benefit. Mr Garrick was there, and engag'd Mr Packer, who was going to Ireland, with Mr Barry, and Mr Woodward, into the Drury Lane Company. I am writing this on the sixth of April 1801--tonight Mr Packer told me the above Particulars at Drury Lane Playhouse, where he has always remained since his first being engaged there (J. P. Kemble's note on Huntington bill). Receipts: #100 (Cross); #107 1s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Virgin Unmask'd

Dance: TThe German Hunters, as17580916

Event Comment: Benefit for Costollo, Miss Pitt, Stede. No Building on Stage. N.B. The Farce oblig'd to be alter'd on account of the Indisposition of Woodward. [The Citizen had been advertised.] Afterpiece: Not acted this Season

Performances

Mainpiece Title: The Jovial Crew

Dance: II: Comic Dance-Granier, Miss Pitt

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Event Comment: Mainpiece: Not acted these 2 years. [See 22 May 1766.] [Neville was present at 4:15 in the pit. Liked the performance of all parts, save that King's figure not as suited to the part of Bobadill as Woodward's, "of whom I think I ceuld perceive an imitation."

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Virgin Unmasked

Event Comment: Benefit for Aldridge and Miles. The Clandestine Marriage cannot be perform'd on account of Indisposition of Woodward. Charges #64 15s. 6d. Balance to Aldridge and Miles #12 12s. 6d. Paid Aldridge #6 6s. 3d. who also had from Tickets #39 13s. (Box 55; Pit 138; Gallery 52). Paid Miles #6 6s. 3d. who also had from Tickets #92 15s. (Box 140; Pit 253; Gallery 173) (Account Book). [Miles was much senior to Aldridge in serivce at cg. See note on Mrs Bulkley, 17 Nov. 1767, who had been ready in this part five months before.] Receipts: #77 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307 IV: The Merry Sailors, as17671009

Event Comment: Benefit for Mrs Green and Mrs Vincent. Tickets for A Play will be taken. Those sold at Doors will not be admitted. Catherine and Petruchio cannot be perform'd because ff the illness of Woodward. Charges #64 5s. Balance to the nadies #17 18s. Paid Mrs Vincent #8 19s. who also had from Tickets #71 11s. (Box 110; Pit 207; Gallery 100). Paid Mrs Green #8 19s. who also had from Tickets #38 9s. (box 110; Pit 207; Gallery 130). Paid Miss Stede extra dancer for 6 nights #1 (Account Book). Receipts: #82 3s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Ballet: End: The Wapping Landlady. As17680416

Event Comment: Rec'd of Condell for Fruit Rent #20 (Account Book). [The advance notice of Woodward's Benefit this day omits mention of Bucephalus (see 4 March) and lists only Cymbeline and a "farce."] Receipts: #224 5s. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Mrs Ward. Mrs Ward is extremely sorry she is oblig'd to change the Night's Entertainment advertised for her Benefit, but the severe illness of Mrs Mattocks and Mrs Baker, makes it impossible to perform the Opera of Love in a Village, as does Mr Woodward's indisposition the Farce of the Citizen. The Managers have therefore kindly granted her the above tragedy and pantomime. Charges #65 15s. Balance to Mrs Ward #55 5s. plus #53 2s. from tickets (Box 58; Pit 158; Gallery 149). Receipts: #121 (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Shuter. Charges #64 15s. 6d. Balance to Shuter #109 8s., plus #85 17s. from tickets (Box 200; Pit 239). Woodward, Mrs Yates and Smith paid their balances (Account Book). Receipts: #174 3s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Man and Wife

Dance: II: The Lamplighters, as17691005; II of the Comedy: The Dutch Milkmaid Dance=, as17691111

Entertainment: End: The Cries of London-; Epilogue Riding upon an Ass-Shuter

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the scenes, nor any money returned after the Curtain is Drawn up. Places for the boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at Five o'clock. To begin exactly at Six o'clock. Vivant Rex & Regina! [Customary note for each bill. Only significant changes will be further noted. The company was weakened by the loss of Woodward (see 23 Oct.) who accompanied Foote to Edinburgh, and of Mrs Bellamy who was not engaged. Miss Catley, however, returned from Ireland after an absence of 9 years. And Ross returned after four years.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Chaplet

Dance: The Dutch Milkmaid-Mas. Burton, Miss Besford. [See17691111.

Event Comment: Mainpiece: Not acted these two years. [See 31 Dec. 1768.] Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted there. [Letter from Henry Woodward, Clement's Inn, says he fulfilled his seven years engagement and is now going to Scotland with Foote and next to the Hay Market. No direct application was made to re-engage him at Covent Garden or he was ready to meet it (Winston MS 10)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Dance: End: A Comic Dance, as17701017

Event Comment: By Particular Desire. [During this year appeared Miscellanies in Prose and Verse by Catherine Jemmat containing numerous tributes in verse to various actors--Woodward, Sowdon, Mrs Woffington, Barry--when they were in Ireland.

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): Henry Woodward
Event Comment: Afterpiece: By Desire. About this time papers say inside of Foote's theatre with Dressing Room Green Room &c. is entirely pulled down to enlarge the stage which is to be nearly twice the size it was. Woodward is to exhibit two new pantomimes next summer. (Winston MS 10). Paid Printer's Bill #9 6s. (Treasurer's Book). [Treasurer's Book also indicates that this night #30 4s. of Orders were given out.] Paid 2 Clarinets 6 nights (18th incl.) #9 9s. (Treasurer's Book). Receipts: #173 2s. 6d. Ordinary charges #84. Extra for Invasion #10 10s. Profit for Author #78 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequin's Invasion

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Love a-la-Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Event Comment: Afterpiece: A New Pantomime (never performed). The Music entirely new, by Fisher, New Scenes, Machines, Dresses, and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Nothing under FULL PRICE will be taken. [The note about full prices and availability of books of songs, &c. accompanies each subsequent bill for Sylphs this season. The Westminster Magazine (Jan. 1774) fears the afterpiece may have been composed by Woodward. The reviewer recounts the story in some detail, likes the paintings and scenery, but states categorically: "We do not hesitate to pronounce it the worst Harlequin entertainment we remember to have seen...The music too is very insipid and pilfered from other masters."] Receipts: #237 3s. 2d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Sylphs; or, Harlequin's Gambols

Event Comment: The New Comedy, The Man of Business is still deferr'd on account of Woodward's Illness. Paid Pattinson (tallow chandler) #49 13s. Paid Cooper (printer) #42 8s. (Account Book). Receipts: #202 2s

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Sylphs