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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Whitefield"/1) | (@(roleclean,performerclean) "Whitefield")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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350 results for: Keyword - Whitefield
We found 494 matches on Roles/Actors, 117 matches on Performance Comments, 26 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.

326
22 December 1759 @ Covent Garden

Event Comment: Receipts: #151 18s. Paid Mr Dallon on acct of salary omitted 15th inst. #1 10s. and salary for 22 inst. #1 10s.; Paid Mr Whitefield (assistant in the wardrobe) 3 months salary due 24th inst. #7 10s.; J. Rich on acct #21; Paid Stephen Gom at Uxbridge in full #38 5s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Fair

327
10 April 1760 @ Covent Garden

Event Comment: Benefit for Lowe. Ladies send servants by 3 o'clock. Receipts: #103 1s., in cash, plus #162 19s. from tickets (Boxes 259; Pit 546; Gallery 163). Total income #266.Charges #64 5s. Paid Martin (wardrobe keeper) on a acct of his salary #5; Paid Whitefield 3 months salary #7 10s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Catherine and Petruchio

Dance: CCountry Dance-characters of the play; Hornpipe-Miss Dawson; I: Fingalian Dance-Miss Hilliard; II: Dutch Skipper-Poitier

328
22 September 1760 @ Covent Garden

Event Comment: A List of the Company Performers etc.@Actors Messrs Ross #1 6s. 6d.@Sparks #250 #1 8s.@Dyer #180 #1@Smith #1 8s.@Shuter #1 6s. 8d.@Ridout #180 #1@Clarke 16s. 8d.@Collins 13s. 4d.@Dunstall 13s. 4d.@Bencraft #100 12s.@Barrington #100 12s.@Gibson 10s.@Marten 6s. 8d.@Costollo 6s. 8d.@Anderson 6s. 8d.@Hull 6s. 8d.@Wignell 5s.@Bennet 5s.@Redman 4s. 2d.@Holtom 5s.@Buck 4s. 2d.@Perry 4s. 2d.@Stoppelaer 3s. 4d.@R. Smith 3s. 4d.@Giffard 3s. 4d.@Creswick 3s. 4d.@Gibbs 3s. 4d.@Weller 3s. 4d.@C. Smith 2s. 6d.@Blakey 2s. 6d.@Davis 5s.@Actresses Misses Ms Macklin #300 #1 13s. 4d.@Ms Ward #1 6s. 8d.@Ms Hamilton #1 10s.@Ms Elmy 13s. 4d.@Ms Vincent 13s. 4d.@Ms Green 11s.@Ms Pitt 10s.@Ms Dyer #70 7s. 8d.@Ms Barrington 6s. 8d.@Ms Baker 6s. 8d.@Ms Morrison 5s.@Ms Ferguson 5s@Ms Stephens 5s.@Ms Helm 4s. 2d.@Ms Mullart 3s. 4d.@Ms Sledge 3s. 4d.@Ms Copen 3s. 4d.@Ms Burden 3s. 4d.@Ms Davis 3s. 4d.@Ms Cokayne 3s. 4d.@Ms Allen 2s. 6d.@#9 19s. 4d. Actors #15 10s. 10d.@#25 10s. 2d.@Singers Men Messrs Beard #210 #1 3s. 4d.@Mattocks 10s.@Baker 6s. 8d.@Legg 5s.@#2 5s.@Singers Women Mrs Ms Lampe 13s. 4d.@Ms Brent 13s. 4d.@Ms Young 10s.@Ms Abegg 5s.@#2 1s. 8d.@Men Singers #2 5s.@#4 6s. 8d.@. Dancers Men Messrs Poitier Sr #80 8s. 10d.@Maranesi #150 16s. Sd.@Poitier Jr #150 16s. 8d.@LaLauze #100 12s.@Miles 10s.@Granier 10s.@Desse 6s. 8d.@Rochford #50 5s.@Dumay 5s.@Gosly 5s.@Baltazer 5s.@Dufour 5s.@Lassy #35 3s. 8d.@#5 9s. 6d.@Dancers Women Mrs Capdeville #150 16s. 8d.@Ms Maranesi #120 13s. 4d.@Ms Vernon 10s.@Ms Granier 6s. 8d.@Ms Jansolien 6s. 8d.@Ms Mariane #50 5s.@Ms Welch #35 3s. 8d.@Ms Craford #35 3s. 8d.@Ms White 3s. 4d.@Ms Dause 3s. 4d.@Ms Vallois 2s. 6d.@#4 4s. 10d. Men Dancers #5 9s. 6d.@#9 14s. 4d.@Mrs P. R. 10s.@Ms S. B. 6s. 8d.@Ms Bambridge 1s. 8d.@10s. 4d.@Prompters etc. Mr Stede 10s.@Young 5s.@Robertson 1s. 6d.@16s. 6d.@Painters Messrs Lambert #100 12s.@Dall #100 12s.@Austin 2s.@#1 6s.@ Servants numberers Stables 5s.@Housekeeper Sarjant #40 4s. 6d.@Wardrobe Whitefield #30 3s. 4d.@Officekeeper Ballard 3s. 4d.@Pearson 2s. 6d.@Box office Carne 2s. 6d.@Davis 2s. 6d.@Assistants Baker 2s. 6d.@Etherington 2s.@Lobby Door Goode 2s.@Ruby 2s.@Evans 2s.@Condell 2s.@Box Keepers Ansell 2s.@Letsam 2s.@Vaughan 2s.@Green 2s.@Potter 2s.@Pit Office Henning 2s.@Wilford 1s. 8d.@Toten 1s. 8d.@Pit Door Keepers Ross 1s. 8d.@Clingo 1s. 8d.@Ass. Office Clarke 1s. 8d.@1 Gal. Office Slater 2s.@Doorkeeper Rawlinson 1s. 8d.@2 Gal. Office Derby 2s.@Doorkeeper Seymour 2s.@Constable Barnes 2s.@Featherman Scott 1s. 8d.@Porter Besford 2s.@#3 9s. 10d.@Women Dressers #1 2s. 8d.@Charwomen 12s. 10d.@#5 5s. 4d.@Women Dressers Mrs Goold Wardrobe Keeper 3s. 4d.@Asst. Do Ms Wignell 2s. 6d.@Do Ms Paddick 1s. 8d.@Ms C. White 1s. 6d.@Ms Hales 1s. 6d.@Ms Martin 1s. 6d.@Ms Potts 1s. 6d.@Ms Wallis 1". 6d.@Ms Broad 1s. 6d.@Ms Gwynn 1s. 6d.@Ms Whitfield 1s. 6d.@Ms Buck 1s. 6d.@#1 2s. 8d.@Charwomen Mrs Brooks 1s. 2d.@Ms Hanmore 1s.@Ms Warwick 1s.@Ms Byrn 1s.@Ms Niblett 1s.@Ms Hollingsworth 1s.@Ms Barron 1s.@Ms Rumsey 1s.@8s. 2d.@Lampman Smith, Jo. 1s. 8d.@Sweeper Cawder, Jo. 1s. 6d.@Candleman Carter 1s. 6d.@12s. 10d.@Performers Sallerys #25 10s. 2d.@Singers Do #4 6s. 8d.@Dancers Do #9 14s. 4d. 18s. 4d.@Prompters Do 16s. 6d.@Painters Do #1 6s.@Servants Do #5 5s. 4d.@#47 17s. 4d.@Nightly Charges as per estimate #36 1s.@#83 18s. 4d.@--British Museum Egerton MS 2271.

Performances

Mainpiece Title: Comment Continued

329
04 September 1767 @ Haymarket Theatre

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

330
09 November 1771 @ Covent Garden

Event Comment: The Masque of the Fairy Prince oblig'd to be deferr'd till Tuesday. Paid Whitefield for making cloaths &c. #72 10s. 5d. (Account Book). Receipts. #129 13s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Commissary

Monologue: Between Main and Afterpiece: an Entertainment True Blue; or, The Press Gang. Principal Parts-Mattocks, Reinhold, Baker, Mrs Mattocks; Dance-Aldridge

331
30 November 1771 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid Whitefield for cloaths bought #34 7s. (Account Book). All the differences between the managers of Covent Garden Theatre are settled. They met together without the interposition of any other person, shook hands, dined at Mr Colman's, and put a final stop to all the proceedings at law (Gentleman's Magazine, XLI, 520). Receipts: #186 18s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fairy Prince

332
20 January 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

333
05 February 1772 @ Covent Garden

Event Comment: Mainpiece: By Desire. Paid Whitefield 1!4 of a year's salary due Xmas last #25 (Account Book). Receipts: #180 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Skeleton

334
07 March 1772 @ Covent Garden

Event Comment: Mainpiece: By Desire. Paid Whitefield for cloaths bought #47 12s.; Paid Mayer for silver and gold lace as per bill #24 1s. 6d. (Account Book). Receipts: #189 14s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Mother Shipton

335
11 April 1772 @ Covent Garden

Event Comment: Benefit for Bensley. Afterpiece: Not acted these 2 years. [See 26 May 1770.] Last time of performing till the Holidays. Charges #67 17s. 6d. Profit to Bensley #82 7s., plus #62 13s. from tickets (Box 244; Pit 11). Paid Palmer (wax chandler) #105 18s.; Whitefield for Cloaths made #57 10s.; Pattinson (tallow chandler) #32 10s. (Account Book). Receipts: #150 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Spanish Lady

Dance: III: The Lilt, as17720326

336
22 April 1772 @ Covent Garden

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Love a-la-Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

337
19 October 1772 @ Covent Garden

Event Comment: Paid Mrs Lessingham in full for salary to 1 June last, #300. Paid Whitefield [master of wardrobe] half a year's salary due Mich. Last, #50; Paid Sarjant ditto #20; Paid Mrs Carne ditto, #15. Receipts: #154 11s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Comus

338
20 November 1772 @ Covent Garden

Event Comment: Paid Scott (copper lace man) #113 14s., and Whitefield for making cloaths #53 16s. 5d. (Account Book). Receipts: #136 5s. 6d

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Daphne and Amintor

339
04 December 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid Simpson for New Music for the theatre for seasons 1772 and 1773 #10 10s. Paid Whitefield for Cloaths bought #31 7s. (Account Book). Receipts: #114 6s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Royal Chace

Dance: II: The Tartars, as17721124

340
21 January 1773 @ Covent Garden

Event Comment: Paid Whitefield quarter year's salary due Xmas last #25, and Sarjant quarter year's salary due same time, #10. Advanc'd cash to Lee Lewes as per note #50 (Account Book). Receipts: #215 2s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Sorcerer

341
02 March 1773 @ Covent Garden

Event Comment: The Words of the Music [for Alzuma] will be given away at the Theatre. Third Night. For the Author. Charges #67. Profit to author #96 13s. 6d. Paid Whitefield for Cloaths made #65 12s. 5d. Paid Scott (copper laceman) #59 9s. (Account Book). Receipts: #163 13s. 6d

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Citizen

342
23 April 1773 @ Covent Garden

Event Comment: Benefit for Dunstall. Mainpiece: Not acted these 7 years. [See 29 Nov. 1764.] Afterpiece: Not acted these 3 years. [See 2 Dec. 1769.] Charges: #64 5s. Profit to Dunstall #1 1s. 6d., plus #170 17s. from tickets (Box 433; Pit 410; Gallery 36). Paid Whitefield a quarter year's salary #25, and Sarjant ditto, #10. Paid Mrs Carne half year's salary #15 all due Lady Day last (Account Book). Receipts: #65 6s. 6d

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Afterpiece Title: The Contrivances

Dance: End: The Irish Lilt, as17721028

343
12 May 1773 @ Covent Garden

Event Comment: Benefit for Miss Twist and Miss Wewitzer. Tomorrow (Eleventh Night) the New Comedy of She Stoops to Conquor. Charges #69 6s. 6d. Profit to each beneficiary #13, plus income from tickets: Miss Wewitzer #41 4s. (Boxes 45; Pit 123; Gallery 115); Miss Twist #42 6s. (Boxes 77; Pit 83; Gallery 106). Paid Whitefield for cloaths bought #53 17s. 6d. (Account Book). Receipts: #96 4s. 6d

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Sorcerer

Song: I: A Song-Miss Twist

Dance: I: A Minuet-Aldridge, Miss Twist; II: The Old Ground Young, as17720928; Epilogue. End Opera: The New Occasional Epilogue written by Dr Goldsmith, will be spoken-Lewes

344
13 October 1773 @ Covent Garden

Event Comment: Both pieces By Command of their Majesties. Present Their Majestes. Gave Yeomen of Guards #2 2s.; Paid Whitefield half year's salary due Mich Last #50; Paid ditto to Sarjant #20, and Mrs Carne #15. Receipts: #220 2s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Cross Purposes

Dance: II: The Irish Lilt, as17731005; End Opera: The Corsican Sailors [Punch House]-Fishar, Miss Twist. [See17720930.

345
12 January 1774 @ Covent Garden

Event Comment: Paid Younger for writing parts a bill of #5 4s. 3d. Paid Whitefield for making cloaths #91 1s. 3d.; Paid Pattinson (tallow chandler) #31 15s. and Sarjant for incidentals #24 10s. Receipts: #189 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Deuce Is in Him

Dance: End: The Highland Reel, as17731112

346
24 January 1774 @ Covent Garden

Event Comment: Sixth Night. For the Author. Afterpiece: By Desire. Charges: #67 15s. Profit to Hull #139 6s. 6d. Paid Whitefield one quarter year's salary due Xmas last #25, and Sarjant, ditto #10. Paid Bibb (sword cutler's) bill #14 13s. Receipts: #207 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Midas

347
15 April 1774 @ Covent Garden

Event Comment: Benefit for Fishar (ballet master). Charges #66 3s. 6d. Profit to Fishar #49 2s. 6d., plus #115 6s. from tickets (Box 156; Pit 155; Gallery 169). Paid Whitefield for cloaths of the pages #21 17s. 6d.; Paid Mr Capell for a suit of men's cloaths #5 5s. Receipts: #115 6s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: A Triple Hornpipe-Miss Matthews, Miller, Eves; being his first appearance. The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance

Ballet: The Favorite Comic Ballet, first time this season, The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Miss Twist [see17730424]; [with Sixfold Hornpipe- [see17730424]

348
01 October 1774 @ Covent Garden

Event Comment: [The Westminster Magazine for October presented brief critical comments upon eight new actors at Covent Garden who performed this month: Mr and Mrs Whitefield, Young, Clinch, a young Lady (Mrs Armstead), Lee, Melmoth and Mrs Hunter.

Performances

Mainpiece Title: None

349
07 July 1775 @ Haymarket Theatre

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Performance Comment: Parts-Jackson (from Dublin), Dimond, first time on that stage; Whitefield, Lane, Davis, Chaplin, Miss Ambrose, Mrs Jackson (from Dublin); Prologue-Jackson; Epilogue-Mrs Jackson.

Afterpiece Title: The Mock Doctor

Dance: The Medley-

350
01 February 1777 @ Covent Garden

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Principal Characters by Lewis, Wroughton. Hull, Whitefield, Thompson, Mrs Jackson, Miss Leeson, Mrs Hartley. [Cast from text (Francis Newbery, 1777): Sir ThomasOverbury-Lewis; Earl of Somerset-Wroughton; Earl of Northampton-Hull; Sir Gervas Elvis-Whitfield; Officer-Thompson; Servant-Stevens; Countess of Somerset-Mrs Jackson; Cleora-Miss Leeson; Isabella-Mrs Hartley; Prologue-Hull; Epilogue-Mrs Hartley. [These were spoken. as here assigned, at the first 9 performances only (see17770503).]These were spoken. as here assigned, at the first 9 performances only (see17770503).]

Afterpiece Title: High Life below Stairs

Dance: As17761015