SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: Not performed these ten years. [See 12 Jan. 1758.] Paid Sarah Griffith a Bill for Green Wreaths 16s. Paid Mrs Paddick a Bill for cleaning Feathers #1 (Account Book). Receipts: #198 15s. (Account Book)

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17671009, but Jessamin-Morgan.

Afterpiece Title: Orpheus and Eurydice with the Metamorphoses of Harlequin

Event Comment: Books of the Opera to be had at the Theatre. Received of Condell 45 Nights Fruit Rent due 8th Inst. #20 (Account Book). Paid Powell and Bickerstaffe balances due them. Paid Mrs Paddick for cleaning of feathers #1 19s. (Account Book). Receipts: #188 17s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Intriguing Chambermaid

Dance: End of Opera: The Provenzales, as17680301

Event Comment: By Command of their Majesties. Paid to Mrs Nuttall for an engine etc. #6 6s. Paid Jas. Abbott 16s. 4d. for covering an elephant, etc. (Account Book). House charges: #35 (Account Book)

Performances

Mainpiece Title: Judas Macchabaeus

Music: As17680219

Event Comment: Benefit for Aldridge and Miles. The Clandestine Marriage cannot be perform'd on account of Indisposition of Woodward. Charges #64 15s. 6d. Balance to Aldridge and Miles #12 12s. 6d. Paid Aldridge #6 6s. 3d. who also had from Tickets #39 13s. (Box 55; Pit 138; Gallery 52). Paid Miles #6 6s. 3d. who also had from Tickets #92 15s. (Box 140; Pit 253; Gallery 173) (Account Book). [Miles was much senior to Aldridge in serivce at cg. See note on Mrs Bulkley, 17 Nov. 1767, who had been ready in this part five months before.] Receipts: #77 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17671117, but Gibbet-Gardner; Mrs Sullen-Mrs Bulkley, 1st time.

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17680123, but Drudge-Cushing; Orpheus-DuBellamy.

Dance: II: The Highland Reel, as17680307 IV: The Merry Sailors, as17671009

Event Comment: Benefit for Quick, Furkins, Wilkinson, Abbott, Symonds, and others. Tickets deliver'd by Pullin, Claridge, Mrs Griffiths, Bagg, Bassan, Stephenson and Constable will be admitted. [Green and Ansell paid up their deficiencies for 2 June.] @Tickets Box Pit Gallery Value 1!2 Value@Quick 1 20 31 #8 18s. #3 9s.@Furkins 12 52 34 #13 6s. #6 13s.@Wilkinson 27 10 16 #10 3s. #5 1s. 6d.@Abbott 5 56 65 #16 12s. #8 6s.@Simmonds 5 36 24 #8 9s. #4 4s. 6d.@Pullen 2 71 46 #14 10s. #7 5s.@Claridge 8 24 1 #4 11s. #2 5s. 6d.@Griffiths 20 27 #6 1s. #3 6d.@Bagg 36 24 #7 4s. #3 12s.@Bassan 5 50 16 #8 13s. #4 6s. 6d.@Stephenson 23 78 45 #20 6d. #10 3s.@Asbury Gallery 22 8 #3 8s. #1 14s.@Total House value #120 1s. plus the receipts.@ Paid Master Harris for his performance this season #4 4s. Receipts: #25 3s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: As17680407 but Freeman-Hull; Aminadab-Besford.
Cast
Role: Sackbut Actor: Morris

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17680526, but Orpheus-Mattocks; Squire Gawky-Quick.

Dance: II: Hornpipe-Miss Stede, 2nd time (scholar of Fishar)

Event Comment: Benefit for Wignell and Barnshaw. As the Indisposition of the vocal performers renders it impossible to perform the Jovial Crew, Messrs Wignell and Barnshaw, hope their Friends will honour them with their company to the above Comedy, to which, tickets delivered for the Jovial Crew, will be taken. Charges #64 10s. Deficit to actors #25 2s. covered by income form tickets: Wignell #85 (Box 69; Pit 347; Gallery 157); Barnshaw #96 1s. (Box 88; Pit 381; Gallery 169) (Account Book). Mrs Paddick paid up her 1!2 value of tickets for the 6th Inst. Paid Kirkman for a new Harpsichord and tuning the old one #62 3s. (Account Book). Receipts: #39 8s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17690429 but Downright-Gardner; Clement-Morris.

Afterpiece Title: Thomasand Sally

Performance Comment: As17690427 but Sally-Miss Valois; Sailor-Barnshaw; Dorcas-Mrs Green, being their first appearance in those characters.

Dance: End: The Merry Sailors, as17680920

Event Comment: Mainpiece: A tragedy [by John Hoole] never performed. Paid Williams for performing the Bells 3 nights #1 2s. 6d.; Paid Gard and Singleton each 7s. 6d. for performing 3 nights in the Lyon (Account Book). [Mainpiece reviewed in the Freeholder's Magazine, March.] Receipts: #227 6s. 6d

Performances

Mainpiece Title: Timanthes

Performance Comment: Parts-Smith, Bensley, Clarke, Wroughton, Gardner, Davis, R. Smith, Mrs Bulkley, Mrs Yates. Prologue and Epilogue in Act III a Procession. The Vocal parts-Reinhold, Mrs Baker, Mrs DuBellamy, Baker, Fox. Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Davis; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; playbill matched with 1770 Edn. The 1770 Edn. includes Olinthus-;,a child but specifies no actor. Playbill includes R. Smith; but assigns no part. In Act III, a Procession-; the Vocal Parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox; Prologue-Bensley; Epilogue-Mrs Bulkley.

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Event Comment: Benefit for Hull. Mainpiece: Not acted this season. Charges #65 17s. Deficit to Hull #17, covered by #121 3s. from tickets (Box 233; Pit 280; Gallery 209). Paid Hull for The Garland, The Spanish Lady and Altering the Comedy of Errors #50. Paid Miss Mary Twist and Miss Charlotte Twist for walking 12 nights in Man and Wife #1 10s. apiece (Account Book). Receipts: #48 17s

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Spanish Lady

Song: II: The Blackbirds, a Cantata-Miss Potts

Dance: End: The Reel, as17700329

Event Comment: Benefit for Sarjant and his Son (Book and Box-keeper). Charges #81 5s. plus extras #3 5s., total #84 10s. Deficit to Sarjant #20 18s., covered by income from tickets #166 14s. (Box 272; Pit 252; Gallery 109), half value of tickets paid up by Ansell, Symonds, Abbott, Furkins, Mrs Trott, Pilfold, Doe and Claridge. Paid half year's Paving tax for theatre #18 15s. (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: As17691123, but William-Cushing.

Afterpiece Title: The Rape of Proserpine

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Mainpiece: By Desire. Paid Hodgson (coal merchant) #27 14s.; Paid Varley (plumber) #11 7s. (Account Book). Receipts: #229 6s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17710927, but Scrub-Shuter; Cherry-Mrs Kniveton; Sir Charles-_; Foigard-_.

Afterpiece Title: The Fairy Prince

Event Comment: Mainpiece: Written by Ben Jonson, not acted these 20 years. [See 7 Oct. 1754.] Paid Bellamy & Settree (mercers) #300 7s.; Paid Scott (copper lace man) #265 7s. (Account Book). Receipts: #191 9s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Event Comment: The Words of the Epithalamium [in the Tragedy] to be had at the theatre. Paid Shropshire for brushes #4 10s.; Paid Rowson (gunsmith) #2 9s. 6d. (Account Book). Receipts: #151 14s. (Account Book)

Performances

Mainpiece Title: Zobeide

Afterpiece Title: The Devil to Pay

Event Comment: Afterpiece: A New Farce [by a Gentleman from Dublin] never performed. [It was fitted to the stage as an afterpiece, and provided with a Prologue by Colman. Advertisement for the Edition of 1772 indicates that it was "attempted to be acted, "but was damned. Taken principally from Moliere's Marriage Force. See account of damning of Farce, in Town and Country Magazine (Theatre No. XXXIII), before last act was over by a candle being thrown on stage.] Paid one year's ground rent for theatre due Mich. last #100 minus land tax of #16 5s.: Total #83 15s.; Paid ditto for the New Building adjoining the theatre #30, minus Land Tax of #4 17s. 6d.: Total #25 2s. 6d. (Account Book). Receipts: #198 16s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Performance Comment: As17711221, but Montano-Davis; A New Occasional Prologue-_.

Afterpiece Title: An Hour Before Marriage

Event Comment: Tenth Night for the Tragedy. Paid Sarjant for a Trumpet Banner #2 10s. Paid Cooper (printer) #45 (Account Book). Receipts: #161 17s. (Account Book)

Performances

Mainpiece Title: Zobeide

Performance Comment: As17720121, but Prologue-_; Epilogue-_.

Afterpiece Title: Harlequin Skeleton

Event Comment: Mainpiece: By Desire. Paid Pattinson (tallow chandler) #63; Barrett (wax chandler) #11 17s. 9d.; Advanc'd Perry as per note #12 12s. Paid Walker for a silver Tissue suit of Women's Cloaths #11 11s. (Account Book). Receipts: #142 7s. 6d. (Account Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Skeleton

Event Comment: [The scenes are of the Stockwell Witchcraftv, according to Theatrical Review, II, 103. See 31 Jan. and 8 Feb.] Paid Patrick (tinman) #33 4s.; Paid Tinsdale (haberdasher) #3 5s. (Account Book). Receipts: #236 15s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17711217, but Tibalt-Gardner; Escalus-Morris; a Solemn Dirge-Mattocks, +Phillips (playbill); Paris-Perry; Peter-Quick.

Afterpiece Title: Mother Shipton with Alterations

Performance Comment: As17711226, but The Characters-_Lewes; With alterations; The Two Additional Scenes as exhibited in Harlequin Skeleton are added and the Ballad Singer with a New Song for 7th time-Dunstall.
Event Comment: Mainpiece: By Desire. Paid Whitefield for cloaths bought #47 12s.; Paid Mayer for silver and gold lace as per bill #24 1s. 6d. (Account Book). Receipts: #189 14s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17720204, but Ratcliff-R. Smith; Catesby-Perry; Derby-Thompson (playbill).

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Mrs Yates. Mainpiece: Altered from Corneille [by Colley Cibber?]. Never Performed There. Pit and Boxes laid together (playbill). Charges #66 7s. 6d. Profit to Mrs Yates #39 7s. 6d., plus #179 from tickets (Box and Pit 716). Paid Younger a Bill for writing parts #5 19s. 9d. Paid John Smith for a Blue cloth suit lac'd with gold #9 9s. (Account Book). Receipts: #105 15s. (Account Book)

Performances

Mainpiece Title: Ximena Or The Heroic Daughter

Afterpiece Title: Man and Wife

Performance Comment: As17720314 but Freeman-Perry.

Dance: End: The Whim, as17720312 End II Farce: A Comic Dance, as17711031

Event Comment: Rec'd from Thomas and Arnold for use of the Organ this season #21, and for coals burnt at the Oratorios #2 2s. Rec'd #54 14s. 8d. in payment of deficiencies for last season's benefit performances from Dumay, Curtat, Merryfield and Wignell. Paid Garton (treasurer) 11 Oratorio nights for renters #110. Paid Phillips in full for his performance this season #21 (Account Book). Receipts: #117 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17720103, but Millwood-Mrs Mattocks.

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Mrs Lessingham. Afterpiece: Not acted these 30 years, Being the most Tragical Tragedy that ever was Tragedized by any company of Tragedians. Charges #76 4s. 6d. Profit to Mrs Lessingham #74 15s.; plus #91 13s. from tickets (Box 205; Pit 164; Gallery 158). Paid Wills (mercer) #13 19s.; Paid Kingwood for flowers and feathers as per bill #13 8s. (Account Book). Receipts: #141 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17710925, but King-Clarke, 1st time; Laertes-Davis; Polonius-Baddeley (from Drury Lane); Ophelia-Mrs Lessingham; 1st time. Rosencraus-_; Guildenstern-_.

Afterpiece Title: Chrononhotonthologos

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

Performance Comment: As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker.
Event Comment: Mainpiece: by Particular Desire. Afterpiece: By Desire. Paid one year's Ground Rent for theatre due 10th Inst. #100, minus Land Tax allow'd #13 15s.; total #86 5s.; Paid ditto for New Building Adjoining theatre #30 minus Land tax #4 2s. 6d. Total: #15 17s. 6d. (Account Book). Receipts: #232 3s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: End: The Old Ground Young, as17720928

Event Comment: Afterpiece: By Particular Desire. Paid Sutton (goldsmith) for gold & silver Lace &c. #43 2s. 7d. Paid Dall on account of his salary #30 (Account Book). Receipts: #168 13s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Upholsterer

Dance: After: The Tartars-Fishar, Sga Manesiere

Event Comment: Mainpiece: By Particular Desire. Paid Simpson for New Music for the theatre for seasons 1772 and 1773 #10 10s. Paid Whitefield for Cloaths bought #31 7s. (Account Book). Receipts: #114 6s

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17721110, but Eustace-Dyer.

Afterpiece Title: The Royal Chace

Dance: II: The Tartars, as17721124

Event Comment: The Masque of Comus oblig'd to be deferr'd. Paid Pattinson (tallow chandler) as per bill #40 6s. Paid Partridge (hosier) #12 8s. (Account Book). Recepts: #165 10s

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: Harlequin Sorcerer