Event Comment: Afterpiece [1st time; P I, by George Colman, the elder. His authorship has hitherto been questioned, but for its authentication see Peake, II, 54. Larpent MS 532; not published]: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza.The Overture and new Musick by Dr Arnold. With new Scenes [by Canter (Public Advertiser, 5 Sept.)], Dresses and Decorations. The Views of the Temple of Health and the Camp in St. James's Park designed and executed by Rooker. Books of the Songs to be had at the Theatre

Event Comment: [Mrs Ward was from the Manchester theatre.] Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [see 15 Oct. 1778. This was included in all subsequent performances.]. Receipts: #225 11s. (179.2.0; 44.19.6; 1.9.6)

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Event Comment: [Mrs Yates's 1st appearance as Portia was at this theatre, 27 Mar. 1770. On this present night Moody acted in the mainpiece at dl and in the afterpiece at cg.] Receipts: #246 4s. (244.17.6; 1.16.6)

Event Comment: Mainpiece [1st time; CO 3, by Charles Dibdin, based on L'Isle Sauvage and on La Colonie, both by Germain Francois Poulain de Saint-Foix. In 1781 abridged by the author as The Marriage Act. Larpent MS 537; not published]: With new Music [by the author], Scenes, Dresses, and Decorations. And a new Overture. Books of the Songs to be had at the Theatre. Account-Book, 1 Feb. 1780: Paid Dibdin in full for withholding publication of The Islanders #120. Receipts: #208 4s. 6d. (205.9.0; 2.15.6)

Event Comment: [This was Vestris Jun.'s 1st appearance in England.] "Young Vestris astonished John Bull more by his agility than his grace, and some have been known to count the number of times he turned round like a tee-totum. This may be called les tours des jambes-not dancing' (Angelo, II, 320). "The theatre was brimful in expectation of Vestris. At the end of the second act he appeared; but with so much grace, agility, and strength, that the whole audience fell into convulsions of applause: the men thundered; the ladies, forgetting their delicacy and weakness, clapped with such vehemence, that seventeen broke their arms, sixty-nine sprained their wrists, and three cried bravo! bravissimo! so rashly, that they have not been able to utter so much as 'no' since, any more than both Houses of Parliament' (Walpole [17 Dec. 1780], XI, 340-41)

Event Comment: A Serious Opera; the Music by Sacchini. [This was Sga Lorenzini's 1st appearance in England.] Public Advertiser, 25 Dec.: The spirit of Vestris seems to diffuse itself throughout the whole Body of Dancers at this Theatre; even the Figurants acquit themselves in a manner that deserves the encouragement of the Public

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Event Comment: Books of the Entertainment to be sold at the Theatre. Receipts: #168 18s. (166.2; 2.16)

Event Comment: Benefit for Vestris Sen. Opera: In 2 acts; the music by Rauzzini. With new scenes painted by Novosielski. New Dresses and Decorations for both the Opera and Dances. Tickets to be had of Vestris, No. 5, Leicester Street, Leicester Fields. Public Advertiser, 7 Apr.: By desire of the Frequenters of the Opera House books of the ballet of Medee et Jason are sold at the Theatre

Event Comment: Benefit for Wroughton. 2nd piece: With Alterations. Books of the Fete to be had at the Theatre. Public Advertiser, 23 Mar.: Tickets to be had of Wroughton, No. 18, Broad-court, Bow-street. Receipts: #227 1s. 6d. (213.19.6; tickets: 63.2.0) (charge: #105)

Event Comment: Benefit for Lee Lewes. 2nd piece [1st time; INT I, by B. Walwyn]. Books of the Interlude to be had at the Theatre. Receipts: #223 13s, 6d, (98.6.6; tickets: 125.7.0) (charge: #105)

Event Comment: Mainpiece [1st time; C 5, by Charles Macklin, a re-writing of his The True-Born Scotsman, based partly on Nanine, by Voltaire, 1st acted at the Smock Alley Theatre, Dublin, 10 July 1764. Author of prologue unknown. Epilogue by Frederick Pilon (Public Advertiser, 28 May 1781). Text 1st published (unauthorized), Dublin, 1785]: The Characters new dressed. Receipts: #173 14s. 6d. (172.12.0; 1.2.6)

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Event Comment: Afterpiece: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza. 12th time [i.e. in continuation of the reckoning for the previous season]. The views of the Temple of Health, and the Camp in St. James's Park designed and executed by Rooker. [Prologue by George Colman elder (Colman, Prose, III, 229). Miss Lyon is identified in playbill of 11 June. Delpini was from dl.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Event Comment: Afterpiece [1st time; CO 2]: Written by the Author of the Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. Books of the Songs to be had at the Theatre. [Text 1st published (unauthorized), Dublin, 1783.

Event Comment: A revived Serious Opera, in 2 acts; the Music composed, with Improvements, by Sacchini. Public Advertiser, 25 June: On Saturday last was revived at the King's Theatre the Serious Opera of Creso [see 8 Nov. 1777], under the new title of Euriso

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece [1st time; MF 2, by Elizabeth, Baroness Craven, later Margravine of Anspach. Larpent MS 564; not published. Author of Prologue unknown]: After the Prologue, a Naval Overture. The Airs from the most eminent Composers [with new music by Dr Arnold, Lady Craven, and Tommaso Giordani]. The Scenes new painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 19 July 1781: This Day is published the Songs in The Silver Tankard (6d.)