SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Margate"/1) | (@(roleclean,performerclean) "Theatre Royal Margate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3352 matches on Event Comments, 743 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See William VanLennep, "Plays on the English Stage", p. 13. The edition of 1668 states: As it was Acted (with great Applause) by the Servants of His Royal Highness the Duke of York, at the Theatre in Lincolns-Inn Fields

Performances

Mainpiece Title: The Changeling

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Event Comment: [Newdigate newsletters (Folger Shakespeare Library), 4 Feb. 1674@5: Tuesday night after Counsell their Maties & Court were present at the Rehearsal of the great Maske wch is to be publiquely acted on Shrove Tuesday; by wch tyme her Royall Highness will be able to be present at it, being already very well after her Lying in, as is also ye young princess (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 8 Feb. 1674@5: On Wed night after Councell their Maties and Royal Highnesses were present at the rehearsall of the Great Maske wch will be publiquely acted on Tuesday 7 night next. [The two sources agree on the intended date of the performance but disagree upon the date of the rehearsal.

Performances

Mainpiece Title: A Rehearsal Of Calisto

Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Event Comment: On this day Charles II died. Although the order to close the theatres was not issued until 20 Feb. 1684@5 (L. C. 5@145, p. 153), acting Probably ceased on Thursday 5 Feb. 1684@5. At this time John Crowne's Sir Courtly Nice was in rehearsal. John Dennis gives a dramatic account of the last day of rehearsing: The Play was now just ready to appear to the World; and as every one that had seen it rehears'd was highly pleas'd with it; every one who had heard of it was big with the Expectation of it; and Mr Crown was delighted with the flattering Hope of being made happy for the rest of his Life, by the Performance of the King's Promise; when, upon the very last Day of the Rehearsal, he met Cave Underhill coming from the Play-House as he himself was going towards it; Upon which the Poet reprimanding the Player for neglecting so considerable a Part as he had in the Comedy, and neglecting it on a Day of so much Consequence, as the very last Day of Rehearsal: Oh Lord, Sir, says Underhill, we are all undone. Wherefore, says Mr Crown, is the Play-House on Fire? The whole Nation, replys the Player, will quickly be so, for the King is dead. At the hearing which dismal Words, the Author was little better; for he who but the Moment before was ravish'd with the Thought of the Pleasure, which he was about to give to his King, and of the Favours which he was afterwards to receive from him, this Moment found, to his unspeakable Sorrow, that his Royal Patron was gone for ever, and with him all his Hopes. The King indeed reviv'd from his Apoplectick Fit, but three Days after dyed, and Mr Crown by his Death was replung'd in the deepest Melancholy (John Dennis, Original Letters, 1721, I, 53-54). [It is not clear whether the last sentence refers to the day on which Crowne had seen the King and had assurances from His Majesty, the King dying three days later, or whether there was a false rumor of the King's death on 3 Feb. 1684@5.

Performances

Event Comment: London Post, 4-6 Dec. 1699: At the Request of several Persons of Quality, on Thursday next, being the 7th Inst. at the Theatre in Dorset Garden, the Famous Kentishmen, Wm. and Rich. Joy, design to show to the Town before they leave it, the same Tryals of Strength both of them, that Wm. had the Honour of showing before His Majesty, and their Royal Highnesses, with several other Persons of Quality; for which, he receiv'd a considerable Gratuity....Beginning exactly at 2, and Ending at 4. The Boxes 4s. the Pit 2s. 6d. 1st Gallery 2s. Upper Gall. 1s

Performances

Mainpiece Title: Entertainments

Event Comment: By His Royal Highnesses' Command. By the Company of Comedians from both Theatres. The Pit and Boxes to be laid together

Performances

Mainpiece Title: Love Makes A Man

Dance: Moreau, Mrs Moreau, Cook Sr, Cook Jr, Pelling, Spiller; An Italian Night Scene between a Harlequin and a Countryman-Cook, Spiller

Event Comment: By His Royal Highness's Command at the Opening of Mr Penkethman's New Theatre at Richmond. At 6 p.m. [The Prologue was printed in the Weekly Journal or British Gazetteer, 13 June.

Performances

Mainpiece Title: Chit Chat

Afterpiece Title: The Island Princess (the Comedy in the last Act)

Dance: Salle, Mlle Salle; Shepherdess-; Turkey Cock-; Mimic Song of an Old Woman-; The Irish Trot-Mrs Willis

Event Comment: At Mr Penkethman's Theatre, before their Royal Highnesses, the Prince and Princess

Performances

Mainpiece Title: Concert

Music: Singing the Famous-Signor Beneditte

Event Comment: Daily Journal, 15 April: Paris April 2. The Company belonging to the Italian Opera at London are to come and Act here during the Month of July, and to oblige the Publick with 12 several Representations at the Theatre of the Palace Royal: In Consideration of which 35000 Livres will be given to the five Principal Actors and their Charges defray's

Performances

Mainpiece Title: Erminia

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Event Comment: Mainpiece: Taken from Moliere by the late Mr Betterton. Afterpiece: As 8 Nov. [HAY also announces it intends to perform a new masque, Love and Glory, in honor of the approaching Royal Nuptials, but, the time being short, the theatre will first bring on an Impromptu Revel Masque]

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Les Bergeries, as17331108

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes

Event Comment: Daily Advertiser, 18 Aug.: His Royal Highness the Prince, and several Persons of Quality, were present at the Play Love for Love, which was acted at the Theatre upon the Green

Performances

Mainpiece Title: Love For Love

Event Comment: Mainpiece: Written by Shakespear. Never acted there before. With all the decorations proper to the play. By Command of their Royal Highnesses, the Prince and Princess of Wales. Tickets and places for the Boxes to be taken of Mr Page, Housekeeper, at the stage door of the theatre. [This last announcement becomes a customary note on subsequent bills.

Performances

Mainpiece Title: The Winter's Tale

Dance: Dubisson, Mlle Bonneval, being the 1st time of their appearing since their arrival from Paris

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Receipts: #90. Rylands MS.: Milward bury'd. Duke &c [attended theatre]

Performances

Mainpiece Title: The Busy Body

Song: I: Was Ever Nymph like Rosamond-Beard; III: a Ballad-Lowe; IV: a Song-Mrs Arne

Dance: II: La Foullies, as17420125

Ballet: V: Les Satires Puny. As17420106

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Benefit Signora Fausan. Part of the Pit will be rail'd in, and added to the front boxes. Tickets and places in the Boxes to be had only of Mr West, at the Green Door in Duke St., Lincoln's Inn Fields; and for the Stage, of Mrs Moor, at the Sign of the Theatre in the Playhouse Passage. Receipts: #160. Rylands MS.: Duke &c attended

Performances

Mainpiece Title: The Provoked Wife

Dance: I: Les Jardiniers Suedois, as17420208; II: Les Egyptiens-the Fausans; V: A New Grand Ballet-the Fausans, LaCroix, Constantini, Mrs Walter, Miss Story

Event Comment: Benefit LaLauze. By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets to be had and places to be taken of Page at the Stage Door. None to be admitted without printed tickets, which will also be deliver'd at the Office, and at LaLauze's lodgings, at the Widow Gwinn's, a Silk Dyer in Drury Lane, near the Castle Tavern. Servants will be allowed to keep places on the stage, which (for the better accommodation of the ladies) will be enclos'd and formed into an amphitheatre. N.B. As I had the Misfortune to break the great tendon of my leg, when dancing on the stage at the above theatre in January last, I think it highly incumbent on me to acquaint the public in general and my good friends in particular, that I am in a fair (but not speedy) way of recovery; and as Mr Rich has kindly granted me a benefit sooner than usual, towards supporting me in my unlucky situation, I take this opportunity to interest the good-natured town to dispense with my personal application, and favour me with their company as usual, which will add to the many obligations I have already received, and shall be ever acknowledged with a sincere sense of gratitude, by their most humble and obedient servant, LaLauze

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The School Boy

Dance: LLa Provencale, as17420212; Chacone, as17411230; Tyrolean Dance, By Command, as17420206

Event Comment: Benefit Mrs Clive. By Command of their Royal Highnesses the Prince and Princess of Wales. Servants will be admitted to keep places on the stage, which for the better accommodation of the Ladies, will then be form'd into an Amphitheatre. Ladies are desir'd to send their servants by 3 o'clock. Tickets and Places to be had of Mrs Clive, at her house in Great Queen St, Lincoln's Inn Fields; and of Hobson at the stage door of the theatre

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Dance: Boromeo, Desse, Mlle Bonneval

Event Comment: We hear his Royal Highness the Prince of Wales has fitted up a Theatre near Cliefden, for a Company of French Comedians, who play there three times a week (Daily Advertiser)

Performances

Event Comment: Benefit Mrs Saunders, many years a Comedian, by Command of his Royal Highness the Duke. Tickets to be had of Mrs Saunders at her house, No 7, in Duke's Court, in the Great Almonry, Westminster, of Mr Morrison, at the Two Golden Balls in Long Acre; and of Mr Page at the stage door of the theatre. N.B.: Mrs Saunders humbly hopes those Gentlemen and Ladies who intend to favour her of their company, will excuse her not waiting on them, she not having been able to go out of her House these eighteen months

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Devil to Pay

Song: By Desire, Bumper Squire Jones-Beard; Mary Scot-Mrs Clive

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince of Wales and Princess of Wales. This day is Publish'd The Case of Mrs Clive Submitted to the Publick. [This is Mrs Clive's 22-page complaint against the 'opression' of the managers of both patent theatres, who, it seems, formed a cartel to drive down actors' salaries, and caused by Mrs Clive's unemployment. She was dropped from Covent Garden without due notice and not for cause. She was not applied to by the Manager of Drury Lane, although he knew her to be unemployed, because he still owed her #160 12s. Her case seemed doubly hard to her since she had equipped herself with a fine wardrobe for theatrical use, had acted diligently in main and afterpiece, often on the same night to the prejudice of her health; had been at great expense in Masters for singing, for which article alone the managers now give #6 a week." Concludes by pleading for publick support of her Case. She returned to cg to play Lappet in the Miser, 30 Nov. She states that the published list of salaries in the London Daily Post of 15 Oct. 1734 is incorrect.

Performances

Mainpiece Title: Macbeth

Dance: LLe Gondalier, as17441010; Scotch Dance-Villeneuve, Mrs Delagarde

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Anatomist