SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A one Volume Pocket edn. of The Actor at 3s. dedicated to the Managers of the British Theatres publish'd. A Treatise on the Art of Playing, interpersed with theatrical anecdotes, Critical Remarks of Plays, and Occasional observations on Audiences (General Advertiser). Receipts: #100 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Mainpiece: By Desire. Afterpiece: A new Musical Entertainment went off pretty well--some Noise &c. (Cross). Published at 3 o'clock that afternoon and sold at the theatre for 6d. (General Advertiser). No admission behind scenes or in Orchestra on account of the entertainment. [Music by C. Burney. Text by Moses Mendez]. Receipts: #120 (Cross)

Performances

Mainpiece Title: Alchemist

Afterpiece Title: Robin Hood

Event Comment: Whereas several Ungenerous aspersions have been cast on me, with respect to an Advertisement published in the London Gazetteer of Tuesday last, directed to the Friends of the Manager of Covent Garden Theatre, I declare that I was in no way consenting, or privy to the said Advertisement. John Rich (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day at the office in Covent Garden theatre at Half a Guinea each; 1st Gallery 5s. Upper Gallery 3s. 6d. The Galleries will be open'd at half an hour after Four. Pit and Boxes at Five. To begin at 6:30 p.m

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: Box 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre. No persons to be admitted behind the Scenes, nor any money to be returned after the curtain is drawn up [Customary notice on subsequent bills, which will not be repeated here.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: Afterpiece: By Particular Desire. Ye Audience allarm'd in the Middle of ye farce by Cap Robinson & Cap Loyde fighting behind ye Boxes; people suspected at first it was fire, but being convinc'd to ye Contrary set down again. Cap Rob was wounded (Cross). Was a terrible alarm at Drury Lane theatre by a noise from behind the boxes, occasion'd by two gentlemen quarrelling and drawing their swords, which produc'd a rumor of fire through the house, and so great a confusion that many were hurt in attempting to force their way out. A woman was with difficulty saved from throwing herself over the gallery into the pit (Gentleman's Magazine, p. 425). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Song: III: Mattocks

Dance: IV: Will be introduced a Comic Dance-Harvey, Mrs Addison

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places to be taken of Mr Page at the Stage Door of the Theatre. [A customary notice each night. It will not be repeated further here.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Damon and Phillida

Event Comment: Never were the theatres more in Estimation than at present, nor was there ever a time at which so much pains appear to have been taken, in order to continue them upon a good footing. We owe our thanks to Mr Garrick for engaging in the expence of such a number of additional performers, but we owe him also our applause for the success with which they have played (Inspector No 203, in Daily Advertiser and London Gazette). Receipts: #110 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song: IV: Mattocks

Event Comment: mong the Addresses of the Lords and Commons to the Sovereign which appeared in the Gentleman's Magazine (Nov. 1751, pp. 513-14) one recommended that provision be made for suppressing audacious crimes of robbery and violence. A contributor called Mr Urban's attention to a "method of reformation earnestly recommended more than 40 years ago by an eminent Divine" (Dean Swift). In this treatise occured the following paragraph: "The Reformation of the Stage is entirely in the power of the Court; and in the consequence it hath upon the minds of younger people, doth very well deserve the strictest care. Surely a pension would not be ill employed on some men of wit, learning and virtue, who might have power to strike out every offensive and unbecoming passage from plays already written, as well as those that may be offered to the stage for the future, by which, and other wise regulations, the theatre might become a very innocent and useful diversion instead of being a scandal and reproach to our religion and country."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lottery

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: This Day is Publish'd at 2s. sew'd The British Theatre. Containing the lives of the English Dramatic Poets, with an Account of all their plays. Together with the Lives of all of most of the principal Actors, as well as Poets. To which is prefix'd a short view of the Rise and Progress of the English Stage. Printed for R. Baldwin

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Necromancer

Event Comment: By desire. Benefit for a Citizen under misfortunes. A Concert, &c. Tickets may be had of Mr Meredith, housekeeper at the Theatre. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Fair Penitent

Song: Powell

Event Comment: On Saturday next will be performed a new dramatic entertainment call'd Taste, written by Mr Foote. Mr Woodward takes this opportunity of informing those Gentlemen and ladies who have honour'd him with Memorandums for his Night of the Entertainment, that it is fix'd for Thursday next, the 19th instant. Places may be taken at the Stage Door of the Theatre, or at Mr Woodward's Lodgings in the Great Piazza, Covent Garden. Receipts: #110 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Harlequin Ranger

Event Comment: No alterations were made in the farce, but cutting out a little, & it was play'd with great Applause, & given out again with great Clapping. Benefit for Mr Worsdale (Cross). Tickets to be had at the Bedford Coffee House. Part of Pit laid into boxes. We hear that Miss Bellamy, belonging to Drury Lane Theatre, was taken ill on Sunday last, and continues very much indispos'd. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Taste

Dance: End IV: a Comic Dance-Sg Piettro, Sga Piettro

Event Comment: The Twelfth Day. At the Particular Desire of Several Persons of Quality. Boxes 4s. Pit 2s. 6d. Gallery 2s. [Repeated in bills for this theatre.

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Pit and boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd this day, at the Office in Covent Garden Theatre, at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be open'd at Half an Hour after Four c'oclock. Pit and Boxes at Five. To begin at Half an Hour after Six [repeated]. This day is publish'd Compos'd by Handel, at 10s. 6d., The Oratorio Joshua, in Score...Printed for J. Walsh, in Catherine St. in the Strand

Performances

Mainpiece Title: Joshua

Event Comment: Benefit for Mad Auretti. Pit and Boxes together & Amphitheatre on stage. Tickets and Places to be had of Mad Auretti at her house in Leicester Fields; and at the Stage Door of the Theatre. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lying Valet

Dance: I: Les Characters de la Danse-Madam Auretti; II: A Hornpipe-the Little Swiss; III: A Chacone in Italian Characters- Harlequin Mad Auretti; Polonese Sg Piettro, Mad Janeton Auretti; Scaramouch, Punch, Messitin, Pantaloon, Pierot, others; IV: A Tambourine-Master Pietro; V: The Louvre, Minuet-Sg Piettro, Mad Auretti

Event Comment: Benefit for Bencraft and Mrs Vincent. Mainpiece: Containing the Memorable Battle of Agincourtv; with the total overthrow of the French Armyv; and many other historical passages. Tickets to be had of Mrs Vincent at the Cock and Turk's Head, in Bedford St., Covent Garden; of Bencraft at the corner of the Piazzas; and of Mr Page at the Stage Door of the Theatre

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Miller Outwitted; or, Harlequin Statue

Dance: GGrand Dutch Dance, as17511021

Event Comment: Benefit for Mr Palmer. Tickets at his lodgings, at Mr Watson's Linnen Draper, Corner Charles St., Covent Garden; and at Stage Door of Theatre. [Ray inserted a long plea for benefit support on the General Advertiser, saying that Mr William Barton, who keeps the Black Swan Tavern on Bartholomew Lane, will do his visiting and deliver his tickets for him since he, Ray, is so ill.] Receipts: #78 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lottery

Dance: By Desire.A Hornpipe-The Little Swiss

Event Comment: Benefit for Mr Leviez. No Building on stage. Tickets at his, the lowest House on the Right-Hand in Beaufort Buildings in the Strand; and at Stage Door of Theatre. Receipts: #125 (Cross)

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: A Duke and no Duke

Dance: II: A Peasant Dance-Master Piettro; III: A Comic Dance-Sg Piettro, Janeton Auretti; IV: a Hornpipe-the Little Swiss; V: L'Entree de Flore, as17511015; a Peasant Dance, as17511015

Event Comment: Benefit for Pritchard, Treasurer. Tickets his house next the Chapel in Great Queen St., Lincoln's Inn Fields. This day publish'd at 1s.A Poetical Epistle from Shakespear in Elysium, to Mr Garrick at Drury Lane Theatre. Printed for J. Newberry (General Advertiser). Old Jack Ray, dy'd (Cross). Receipts: #130 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Lethe

Dance: IV: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Event Comment: Benefit for Scrase, Costollo, and Wilder. Tickets and places to be had at the Stage Door of the theatre. Receipts: #160 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Don Quixote in England

Dance: III: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Entertainment: S+SpecialtyAfter: An Elogium-Mr Ross;wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespear-Mr Ross. representing the shade of Shakespear as figured on his monument in Westminster Abbey. By Particular Desire.

Event Comment: Afterpiece: noise still (Cross). [See 6 Nov.] Mainpiece: It appears that Mr Garrick is solicitous to banish vice from the theatre, by his having first omitted to exhibit that scandalous piece the London Cuckolds on the evening of the Lord Mayor's Day [9 Nov.] contray to immemorial custom, and the practice of the other house. He has also made a vigorous attempt to exclude folly but the friends of folly appeared to be so numerous, that he could not effect his purpose (Gentleman's Magazine, Nov. 1752, p. 535). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Ranger

Dance: As17521102