SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir Jeremy Smith"/1) | (@(roleclean,performerclean) "Sir Jeremy Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7597 matches on Performance Comments, 1624 matches on Author, 1280 matches on Event Comments, 695 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Tickets delivered for this Evening [Account-Book: by Answorth, Appleby, Bayne, Daglish, Dale Jun., Gardner, George, Gillis, Keen, Pilsbury, W. Purser, Smith, Sherratt, Standen, Whittow, Woollams] will be admitted. Receipts: #303 8s. 6d. (33.11.0; 5.6.0; 0.1.6; tickets: 264.10.0)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The First Floor

Dance: End: As17890415; End IV: Highland Reel, as17890527, but Whittow, _Hamoir

Song: As17880920

Event Comment: Benefit for Labourie. Smith, 15: The Favourite Opera Dances for the year 1790...selected by F. Chabran contains selections from the previously mentioned ballets and Lauretta. This last title does not appear in newspaper records, but it was doubtless the "new ballet" announced for 22 April and subsequently

Performances

Mainpiece Title: Lusurpator Innocente

Dance: End I: La Jalousie sans Raison, as17900415; End Opera: an entire New Ballet- [See17900504]; [in which the Pas Russe-Labourie, Mlle Hilligsberg

Event Comment: Account-Book: Tickets delivered by Appleby, Bourk, Brigg, Daglish, Edwin, Fox, Jones, Maddocks, Smith, Walker, Harris, Webb will be admitted. Receipts: #56 5s. (28.7; 27.18; 0.0; tickets: none listed)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The First Floor

Dance: End III: Hornpipe-Whittow; End: Minuet de la Cour-Mr and Mrs Brigg; in which Codrile-; to conclude with a Scotch Reel-Whittow

Performances

Mainpiece Title: At Kings Much Ado About Nothing

Afterpiece Title: Harlequins Invasion

Song: As17921102

Dance: As17921102; In afterpiece: Dances-the D'Egvilles, Menage, Chatterley, Webb, Melvin, Phillips, Bourk, Bidotti, Whitmell, Walker, Nokes, Keys, Miss Menage, the Miss D'Egvilles, Miss Phillips, Miss A. DeCamp, Miss Menage Jun., Miss Smith, Miss Haskey, Miss Whitmell, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Harris, Mrs Barrett, Mrs Bourk

Performance Comment: DeCamp, Miss Menage Jun., Miss Smith, Miss Haskey, Miss Whitmell, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Harris, Mrs Barrett, Mrs Bourk.
Event Comment: Tickets Delivered for this Evening [Account-Book: by Andrews, Bowley, Calkin, Chatterley, Dangerfield, Edwards, Faux, Gilles, Henderson, Humphries, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson, Wooldridge] will be admitted. Receipts: #64 18s. 6d. (54.5.6; 10.13.0; 0.0.0; tickets: none listed)

Performances

Mainpiece Title: At Kings The Siege Of Belgrade

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Patie-Incledon; Bauldie-Fawcett; Glaude- Rock; Roger-Townsend; Symon-Powel; Sir William Worthy-Thompson//Jenny-Mrs Martyr; Peggy (with We shall live together, Laddie)-Mrs Mountain .

Afterpiece Title: LOVERS QUARRELS

Cast
Role: Sir Gregory Forrester Actor: Quick
Related Works
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

Performance Comment: What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character .
Event Comment: Tickets delivered for this Evening [Account-Book: by Cooke, Evans, Jones, Kelly Jun.,Maddocks, Webb, Rhodes, Whitmell, Pilsbury, W. Banks, Chippendale, Humphries, Beaufort, Miss Butler, Miss Beaufort, Mrs and Miss Smith] will be admitted. Receipts: #83 1s. (47.16.0; 20.6.6; 14.18.6; tickets: none listed)

Performances

Mainpiece Title: The Heiress

Cast
Role: Sir Clement Flint Actor: Bensley

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks
Event Comment: [Account-Book: Tickets delivered by Boimaison, Wm. Banks, Cooke, Daglish, Henderson, Maddocks, Purser, Roffey, Scott, Smith, Whitmell, Wells, Miss Chatterley will be admitted.] Receipts: #101 7s. 6d. (56.8.6; 31.6.0; 8.9.0; tickets: none listed; odd money: 5.4.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

Event Comment: Tickets delivered for this Evening [by Appleby, Bourk, Dale Jun., Daglish, Douglas, Jno. Edwards, Fisher, Henderson, Humphries, Powell, Pilsbury, Scott, Smith, Wentworth (Account-Book)] will be admitted. Receipts: #317 7s. (23.14; 33.11; 2.10; tickets: 257.12)

Performances

Mainpiece Title: The Chances

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks
Event Comment: Account-Book: Tickets delivered by Benson, Coates, Chatterley, Gregson, Gibson, Purser, Sparks, Smith, Whitmell, Willis, Weber, Wells, Mrs Byrne will be admitted. Receipts: #56 12s. (26.17.0; 28.1.6; 1.13.6; tickets: none listed)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Prize

Entertainment: Monologue. End: an Epilogue in the Character of Cupid-Master Chatterley

Event Comment: Mainpiece: In IV a Masquerade Scene. [Account-Book: Tickets delivered by Bentley, Bynam, Dale, Edmonds, Faux, Fisher, Gregson, Gaurion, Kent, Munday, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Webb, Whitmell, Wyber, Wells, Wyatt, Waterer, Mrs Byrne will be admitted.] Receipts: #31 14s. (8.11.0; 13.16.6; 0.7.0; odd money: 8.19.6; tickets: none listed)

Performances

Mainpiece Title: The Belles Stratagem

Cast
Role: Sir George Touchwood Actor: Powell

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

Performance Comment: Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox.
Event Comment: [The new piano appears to be the Instrument patented in 1799 by Joseph Smith; it contained "the first real use of metal longitudinal bracing, [which] was to be under the sound-board and to replace the wooden braces, and thus provide space for the introduction of a mechanically-played tambourine" (Grove, under Pianoforte).

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: Oscar and Malvina

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Performance Comment: Dibdin=, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins.
Cast
Role: The Anchor Smiths Actor: Townsend

Entertainment: End: a Variety of Imitations-Rees

Event Comment: Account-Book: Tickets delivered by Appleby, Briggs, Benson, Byrne, Bynam, Dale, Doyle, Edmonds, Faux, Garbutt, Gregson, Gauron, Henderson, Kent, Powell, Perry, Rhodes, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Williams, Whitmell, Wyler will be admitted. Receipts: #49 7s. (25.17; 20.3; 3.7; tickets: none listed)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Of Age To morrow

Ballet: End: The Scotch Ghost. As18000612

Event Comment: Account-Book: Tickets delivered by Aberdein, Bennett, Calkin, Cameron, Dale Jun., Dashwood, Douglas, Ditcher, Dudley, Fishett, Francois, Fuller, Gooding, Humphries, Hough, Harman, Lings, Monday, Marks, Macdougall, Rogers, Scott, Smith, Tice, Tildsley, Tirrell, Wyatt, Waterer, Williams, Willey will be admitted. [Miss Usher is identified in MS list in Kemble playbills of new performers for this season.] Receipts: #56 1s. (31.1.6; 24.4.6; 0.15.0; tickets: none listed)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Performances

Mainpiece Title: The Alchemist

Performance Comment: Downes (Roscius Anglicanus, pp. 4-5) lists a cast, a part of which may have acted in the play at this time: Face-Mohun; Sir Epicure-Cartwright; Surly-Burt; Ananias-Lacy; Wholesome-Bateman; Downes also lists Wintersel for Subtil, but since Clun acted it on 3 Aug. 1664, he may have done so at this time. Subtil-Clun?; Prologue to the Reviv'd Alchemist-.
Cast
Role: Sir Epicure Actor: Cartwright
Event Comment: Pepys, Diary: Thence after dinner to a play, to see The Generall; which is so dull and so ill-acted, that I think it is the worst I ever saw or heard in all my days. I happened to sit near to Sir Charles Sidly; who I find a very witty man, and he did at every line take notice of the dullness of the poet and badness of the action, that most pertinently; which I was mightily taken with; and among others where by Altemire's command Clarimont, the Generall, is commanded to rescue his Rivall, whom she loved, Lucidor, he, after a great deal of demurre, broke out, "Well, I'le save my Rivall and make her confess, that I deserve, while he do but possesse." "Why, what, pox," says Sir Charles Sydly, "would he have him have more, or what is there more to be had of a woman than the possessing her?" Thence...vexed at my losing my time and above 20s. in money, and neglecting my business to see so bad a play

Performances

Mainpiece Title: The Generall

Performances

Mainpiece Title: Volpone

Performance Comment: Downes (Roscius Anglicanus, p. 4) lists a cast which may well represent one for this period: Volpone-Mohun; Mosca-Hart; Corbachio-Cartwright; Voltore-Shatterel; Corvino-Burt; Sir Politique Would@be-Lacy; Peregrine-Kynaston; Lady Woud@be-Mrs Corey; Celia-Mrs Anne? Marshal.
Cast
Role: Sir Politique Would@be Actor: Lacy

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: . the cast may be that in Downes (p. 6): Elder Loveless-Burt; Younger Loveless-Kynaston; Welford-Hart; Sir Roger-Lacy; The Lady-Mrs Rebecca? Marshal; Martha-Mrs Rutter; Abigail-Mrs Corey.
Cast
Role: Sir Roger Actor: Lacy

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: See16661210 l666 Elder Loveless-Burt?; Younger Loveless-Kynaston?; Welford-Hart?; Sir Roger-Lacy?; The Lady-Mrs Rebecca? Marshal?; Martha-Mrs Rutter?; Abigail-Mrs Cory; Widow-Mrs Knipp.
Cast
Role: Sir Roger Actor: Lacy?
Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances

Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Performances

Mainpiece Title: The Maids Tragedy

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt Or The Discontented Colonel