Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Event Comment: Benefit for Sga Seratina. Tickets 2s. 6d

Event Comment: Both pieces By Command of Their Majesties. Sga Manesiere lived with Mr Fisher, Ballet Master at cg, who marryed her in her last illness. N.B. She had some Property. This Lady was a pattern of neatness and exterior modesty (Hopkins MS Notes)

Event Comment: Benefit for Sg and Sga Guglielmi

Event Comment: Oratorio By Particular Desire. Charges: #35 (Account Book). Theatrical Review: His [Duport's] execution is truly masterly, his tone very brilliant, and his taste pleasingly delicate and chaste. What he performs on this instrument is wonderful, when the genius of it is considered. As this celebrated Lady [Sga Sirmen] has been in England some time, her abilities are pretty generally known. Her tone and style of playing is very pleasing, and her execution truly chaste, without any of those unnecessary and extravagant liberties, which the generality of solo players on the Violin too frequently give in to

Event Comment: Benefit for Sga Girelli

Event Comment: Paid 3 days Salary List at #86 15s. 6d. per diem #260 6s. 6d.; Mr Bransby on note #20; Sg Como, Sga Crespi, and Sg Demaria 3 days each not on list, #4 3s. 3d.; Mr J. French on Act #20; 2 pair dancer's shoes 14s. 6d. (Treasurer's Book). Receipts: #267 18s. (Treasurer's Book)

Event Comment: Benefit for Theatrical Fund. Pit and boxes laid together. Send servants by 4 o'clock. Play to begin half past 6 o'clock. Tickets delivered for Thursday the 18th inst. will be taken. Expenses for Fund Night: Renters #4; Supernumeraries & Kettle Drum 19s.; Soldiers 14s.; Printer #2 6s. 6d.; Extra constables &c. #1 10s. 6d.; Candles, Oyl & Lampmen #3 18s., 6d.; Salary to Mr Simonet, Sg Como, Sga Crespi & Mrs Hartle #1 10s.; Carpenters extra #1 7s. Total #16 6s. 4d. Receipts: #309 10s. 6d. Charges: #16 6s. 4d. Profits to Fund #293 4s. 2d. (Treasurer's Book)

Event Comment: Benefit for Signora Davies Inglesina. Public Advertiser, 25 Feb.: Tickets to be had of Sga Davies at her House, No. 1, St. Alban's street, Pall-mall

Event Comment: Mlle Baccelli being still unable to dance, Sga Jermoli has...undertaken to dance a Minuet, in her character of Angiolina, with Simonet

Event Comment: Benefit for Sga Sestini

Event Comment: House (Hopkins Diary). Garrick's last time of performing Ranger (playbill). Rec'd Sga Paccini's Debt in full #75; Condell's 3rd payment: Fruit Office #20. Paid Blandford, Chandler's bill (after deduction) in full #14 12s. 2d.; Balance of Mad. Paccini and Martini's acct. in full #6 10s.; Bensley in full; Everard's debt and costs #5 15s. 6d. (Treasurer's Book). [Publish'd this month, Garrick's Looking Glass; or, the Art of Rising on the Stage. Price 2s. 6d. Printed for T. Evans By S. J. Pratt. Informative on most stage fundamentals. A poem in three cantos. Publish'd in July, A Lecture on Mimicry, as it was deliver'd with great applause at the Theatres in Covent Garden and the Haymarket, and the Great Room in Panton St. In the course of which were introduced a great variety of theatrical Imitations, to which is added Jerry Sneak 's return from the regatta and a Lecture upon Lectures. By G. S. Carey. Price 1s. @"I'll...on myself depend.@Inever yet found manager my friend.@By you supported boldly I'll oppose@My mimic powers against a host of foes.' Foote, Barry, and toothless Macklin, singers and dancers.] Receipts: #226 13s. (Treasurer's Book)

Event Comment: [The Westminster Magazine for October gave a paragraph to a general discussion of the new performers whom Garrick introduced this month. Firske (actually Grist) the young man who played Othello on the seventeenth, Mrs King, Bensley, Yates, and the dancer Sga Paccini.

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Charing-cross

Event Comment: Benefit for Sga Allegranri. Opera [1st time; com 2, author unknown] : The Music entirely new by Anfossi. Tickets to be had of Sga Allegranri, No. 232, Piccadilly

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. The Opera of Lionel and Clarissa being oblig'd to be changed to the Comedy of The Wonder, Fishar and Sga Manesiere hope those Ladies and Gentlemen who have taken places for the opera, will honour them with their commands for the above play. Charges #64 5s. Balance to Fishar and Sga Manesiere #33 19s. plus tickets income: Fishar #46 9s. (Box 67; Pit 114; Gallery 126); Sga Manesiere #28 18s. (Box 69; Pit 45; Gallery 49). Receipts: #98 4s. (Account Book)

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Event Comment: Benefit for Sga Todi. Opera: The Music by Piccinni. Tickets to be had of Sga Todi, No. 12, Haymarket

Event Comment: A new Comic Opera; the music by Paisiello. Under the direction of Storace. [Sga Storace was from the Opera, Vienna.] Morelli "was an actor such as the Italian stage has seldom witnessed. He was, I used to think, in his prime, quite upon a par with King of Drury Lane Theatre. Like him, he was distinguished for neat articulation, and an unremitting attention to the business of the whole stage" (Boaden, Kemble, I, 449). Receipts: #165 19s. 6d. [non-subscription]

Event Comment: A new Comic Opera (never performed [in London; 1st performed at Florence, 1778]); the Music by Gazzaniga [with additions by Storace, Posi, Trachi (World, 11 May)], under the direction of Mazzinghi. At the London production of La Vendemmia, the duet (Count-Susanna) Crudel perche finora from Mozart's Le Nozze di Figaro was sung by Benucci and Anna Storace; probably the first piece of any Mozart opera which was heard on the London stage" (Loewenberg, 364). [In June 1789 it was published by Birchall and Andrews, as "A favorite duett...sung in...La Vendemmia...by Sg Benucci and Sga Storace". See Illustration

Event Comment: Benefit for Sga Sestini. Opera: Not acted these 3 years [acted 26 June 1788]. A Comic Opera; the Music by Paisiello. Under the direction of Federici. Tickets, 10s. 6d. each, to be had of Sga Sestini, No. 17, Mount-street, Berkley-square

Event Comment: Benefit for Sga Morichelli. Tickets to be had of Sga Morichelli, No. 127, Pall Mall. Opera: A Comic Opera [reduced to 2 acts]; the music by Paisiello, under the direction of Federici