SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: nnounced as 1 Nov., but 5 p.m. Cibber's continuance of performances brought the following response]: In Pursuance of my Promise that I would do nothing against your Theatre, or you, without first giving you Notice, I do hereby acquaint you, that I am obliged to proceed against you, and that I shall, with another of his Majesty's Justices of the Peace, stop all your Theatrical Performances, of which take Notice.-Thomas de Veil, 8 Nov. Cibber, A Serio-Comic Apology, p. 18

Performances

Mainpiece Title: Cymbeline

Event Comment: Benefit Mrs Charke. 6 p.m. 5s., 3s., 2s., will be presented a Concert, etc. [In the bill for 21 Feb. it is announced as: By Permission...will be reviv'd an Historical Play, not acted these sixty years.] Tickets and Places to be had of Mr Meredith, at the Theatre. [Puffs in the Daily Advertiser announce their pleasure that Mrs Charke is actually going to play a woman's role. A rehearsal was held on 1 March.

Performances

Mainpiece Title: Pope John Viii

Performance Comment: otherwise Pope Joan-Mrs Charke.
Event Comment: With all the Scenes, Machines, Dance and Decorations proper to the Play

Performances

Mainpiece Title: Macbeth

Performance Comment: Lady Macbeth-Mrs Carlisle (Hogan, Shakespear in the Theatre, p. 295).

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: I Henry Iv

Performance Comment: Falstaff-Dance (Hogan, Shakespear in the Theatre, p. 173).

Afterpiece Title: The Lying Valet

Event Comment: Benefit of the Author, it being the eighth night only of acting, but the night from the first Representation, because of the interruption of Mrs Woffington's Benefit. Tickets to be had of G. Strahan, in Cornhill; J. Davidson in the Poultry; A. Millar in the Strand; R. Dodsley in Pall Mall, and of Mr Hobson at the Theatre, where places may be taken on the stage.-Daily Advertiser

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: Benefit Cooke. Mainpiece: At the Particular Desire of several Ladies of Quality. Tickets of Page at the stage door of the theatre in Bow St.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: I: Serious Dance-Cooke; II: Cooke, LaLauze, Picq; III: Le Gondalier-Cooke; V: a Ball Dance call'd the Louvre-; concluding with: a Minuet-Cooke, Mrs Delagarde

Song: IV: Beard

Event Comment: Benefit Arne. Tickets to be had of Arne next door to the Crown in Great Queen St., by Lincoln's Inn Fields; at St. James's Coffee House; at Nando's Coffee House, Temple Bar; and at Mr Simpson's Music Shop in Sweeting's Alley near the Royal Exchange, and places taken of Hobson at the Stage Door where tickets may also be had. -General Advertiser. Last night, at the Theatre Royal in Drury Lane was perform'd King Pepin's Campaign, with great applause. The Music is said to be inimitable in its way. -Daily Advertiser, 17 April

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: King Pepin's Campaign

Song: I: Gentle Shepherd-Mrs Arne

Dance: II: Muilment

Event Comment: Benefit Leviez, Desse, and Powell (Deputy Treasurer). [The latter was probably John Powell, who later ingratiated himself with Lord Holland, became an accountant in the office of Paymaster General of His Majesties Forces and in 1783 was accused with Mr Bembridge of concealing a large sum in Accounts chargeable to Lord Holland, 1757-65. He committed suicide 26 May 1783, under the stress of the investigation, and the verdict of death as a result of Lunacy was issued. See account in Gentlemen's Magazine (1783) pp. 454, 539, 613. He is there described as having been a Teller in Drury Lane Theatre, a person who acts as a check upon the door keepers of the playhouse, by counting the number of people in the house, which he does from a small box, conveniently situated for that purpose.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist

Dance: I: Sga Bettini; III: Muilment

Song: II: Gentle Shepherd-Mrs Arne; IV: Mrs Arne

Event Comment: Benefit Stoppelaer, for the Entertainment of the Grand Master, and the rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. The Brethren are desired to meet at the Shakespeare's Head Tavern next the theatre, at Five o'clock, in order to attend the Grand Master

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: As17450111, but add Betty-Mrs Vaughan; Lucy-Mrs Bland; with the usual Prologue proper to the occasion-Hale; Epilogue-Mrs Clive.

Afterpiece Title: Damon and Phillida

Song: The Songs in Masonry-Leveridge, Stoppelaer, Bencraft

Dance: Cooke, Sga Campioni

Event Comment: 6 p. p.m. Last Time of Acting. No latter account will be taken. Prices Boxes 2s. 6d. Pit 2s. Gallery 1s. [The troupe will re-open the theatre on 20 May and present pantomimes all summer.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Necromancer

Event Comment: Written by Shakespear. Places for the boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at six o'clock

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: GGeneral Advertiser, 28 Sept.: We hear that Mr Lacy, Master of his Majesty's company of Comedians at D.L. has applied for leave to raise 200 men in defence of his Majesty's person and government, in which the whole company of players are willing to engage. [See 7 Oct.] On Saturday Night the Audience at the Theatre Royal in Drury Lane were agreeably surpris'd by the Gentlemen belonging to that House performing the Anthem of God Save our Noble King. The Universal Applause it met with being encored with repeated Huzzas suffciently denoted in how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of Papal Power. [See also Daily Advertiser, 30 Sept. The newspapers at this time run a three phrase slogan in bold face type vertically in the margins: No Pretender. No Popery. No Slavery, accompanied by two more phrases staring boldly from the bottom margin: No Wooden Shoes! No Arbitrary Power!]

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

Event Comment: There will be no play 'till tomorrow on account of one to be performed this evening at the other theatre; the receipt of which is to be subscribed to the Veteran Scheme at the Guildhall. We hear Mrs Cibber is soon to perform the part of Polly, three nights at cg, and the Proprietor has agreed to lend his house, free of all charges; and we hear the company will contribute their pay on those days, that the performance may be entirely charge-free; the receipts of each night to be subscribed to the Veteran's scheme at Guildhall

Performances

Event Comment: Yesterday Mr Rich paid into the Chamberlain's Office at Guildhall, the sum of #602 7s. to the Veteran's scheme, being the three night's receipts arising from the Beggar's Opera, performed at cg: And he thinks it incumbent on him in justice to the several persons interested in the Said theatre, to declare, that when the above scheme was by him proposed, they all most generously subscrib'd their demands for these three nights in order to enlarge the sums to be rais'd for the above purpose.-General Advertiser. [The Gentlemen's Magazine, Dec. 1745, states the idea of this gift was proposed by Mrs Cibber, and that the tallow chandlers also gave the candles.

Performances

Afterpiece Title: Orpheus and Eurydice

Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

Event Comment: Died, after a lingering illness, Mr Robert Turbutt, belonging to the Theatre Royal in Drury Lane, and Master of the Swan Tavern in Smithfield, a facetious and agreeable companion, greatly and justly esteem'd by all that knew him for his Sincerity where he profess'd a friendship.--General Advertiser, 27 Feb

Performances

Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Three Hours after Marriage

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

Event Comment: Benefit Mrs Mills. Mainpiece at the desire of several Ladies of Quality. [For Mrs Woffington in this role, see 12 Dec. and 18 Feb. 1747.] Tickets to be had of Mrs Mills at her Lodgings at Mr Long's in Bow Street, and at the stage Door of the Theatre

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17460303 but Sir Harry Wildair-Mrs Woffington last appearance in the character; Lady Lurewell-Mrs Mills; Standard-Mills; Angelina-Mrs Bennet.

Afterpiece Title: The Intriguing Chambermaid

Song: II: Bibby; IV: Colin and Phebe-Bibby, Miss Edwards

Dance: III: Italian Peasants, as17460206

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Anatomist

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Conspiracy Discovered; or, French Policy Defeated

Event Comment: Mainpiece: Written by Shakespear. Boxes 5s. Pit 3s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage Door of the Theatre. By Reason of the many inconveniences that have arose by Gentlemen's being admitted behind the scenes, 'tis hoped it won't be taken amiss, that no money will be taken there

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Mills; Gratiano-Sparks; Lorenzo (with the proper songs)-Lowe; Launcelot-Neale; Duke-Winstone; Morochius-Bridges; Salanio-Berry; Solarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthazar-Simpson; Jessica-Mrs Ridout; Nerissa-Mrs Bennet; Portia-Mrs Clive.

Afterpiece Title: The Anatomist; or, the Sham Doctor

Song: IV: Lowe; V: Mrs Clive

Event Comment: Boxes 5s. Pit 3s. Fist Gallery 2s. Upper Gallery 1s. No money to be taken behind the scenes. Places for the Boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at Six o'clock. [Balance brought over from Day Book F, #411 os. 7d. This balance actually represents a deficit from which the night's receipts are subtracted to indicate the reduction of it. But first, from the night's receipts, were subtracted #37 9s. 10d., an amount which seems to represent standing nightly costs for music, light, heat, taxes, &c.] Receipts: #115 8s

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: Benefit Perry. A Concert, etc. [repeated in all notices of this theatre.] Prices 3s., 2s., 1s. 6 p.m

Performances

Mainpiece Title: Othello

Performance Comment: Epilogue in honor of the Duke of Cumberland-Master Perry.

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Barry from Dublin, 1st appearance on English Stage; Iago-Macklin; Brabantio-Berry; Cassio-Mills; Roderigo-Yates; Duke-Winstone; Lodovico-Blakes; Montano-Mozeen; Gratiano-Goodfellow; Emilia-Mrs Macklin; Desdemona-Mrs Ridout.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: [During this year was published the Tricks of the Town Laid Open; or, a Companion for a Country Gentleman. Consisting of seventeen letters from a Gentleman in London to his friend in the country, to dissuade him from coming to London. Letters VI and VII are on the humors, customs, and tricks of the playhouse. They give an amusing account of the ways in which whores, sharpers, bullies and bawds identify a newcomer to town in the playhouse and try to bilk him. No. VII gives also some general account of audience reactions to plays. Most go, it says, for the singing, dancing, scenes and fine costumes. His conclusion: go to the theatre only if you have three hours to waste.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist