Event Comment: The Brothers oblig'd to be deferr'd on Account of Indisposition of Yates

Event Comment: [The first payroll of the season was met this night. It includes 91 actors, actresses and dancers, plus 36 named servants to the theatre and 4 groups (women dressers, charwomen, guards, and barbers). The pay period covered was for 3 days. It came to #168 2s. 6d. The highest paid actor for this period was Ross at #8 5s.; the highest paid actress, Mrs Yates at #8 6s. 6d.; the highest paid dancer, Fichar at #3. The lowest paid in each category were: actors: C. Smith and Hollingsworth at 7s. 6d. apiece; actresses, 11 who receiv'd 10s. each (Mrs Ferguson, Evans, White, Allen, Cockayne, &c.); Dancers: 11 who receiv'd 15s. apiece (male) and 2 (female) who receiv'd 12s. 6d. apiece. The highest paid servant listed was Stables at 15s., and the lowest the charwomen.

Event Comment: Afterpiece: By Desire. The New Tragedy of Zobeide deferr'd on account of Indisposition of Mrs Yates. Zobeide publish'd at 1s. 6d. (Winston MS 10). Paid Younger #2 2s. for license for Zobeide. Advanc'd Cushing as per note #37 10s., and Gardner #30 (Account Book). Receipts: #148 10s. (Account Book)

Event Comment: Timanthes and the Citizen oblig'd to be deferr'd on account of Indisposition of Mrs Yates and Mrs Mattocks. Benefit for the increase of a Fund, for the support of such actors and their families who through age or infirmity are oblig'd to retire from the stage (playbill). Charges #70 12s. 6d. Profit to the Fund #68 1s. 6d. plus [apparently] #10 from sale of 40 Box Tickets (Account Book). Receipts: #138 14s. (Account Book)

Event Comment: Jane Shore deferr'd. Mrs Yates Ill. Receipts: #124 19s. 6d. (Treasurer's Book)

Event Comment: [The Westminster Magazine for October gave a paragraph to a general discussion of the new performers whom Garrick introduced this month. Firske (actually Grist) the young man who played Othello on the seventeenth, Mrs King, Bensley, Yates, and the dancer Sga Paccini.

Event Comment: Pit and Boxes Half a Guinea. Gallery 5s. Second Gallery 3s. To begin at 7:00 p.m. Director-Vento; Ballet Master-Bouqueton, A New Comic Opera. Music by the most celebrated masters. [The Public Advertiser on 13 Sept. (notice dated 9 Sept.) had inserted a plea from the managers of the Opera to the Nobility and Gentry to enter their names at the office for season subscriptions in order that their names might be engraved. The singers and dancers who had been engaged for the season: Serious Opera. First Man-Venanzio Rauzzini; First Woman-Caterina Gabrielli; Tenor-Onofrio; Second Man-Manzoletto; Second Woman-Francesca Gabrielli; Last Man-Vincenzo Sestini. Comic Opera: First buffo-Trebbi; First buffa-Sga Sestini; Serious Man-Manzoletto; Serious Woman-Francesca Gabrielli; Second buffo-Fochetti; Second buffa-Sga Cardarelli; Third buffo-Vincenzio Sestini; Ballet Master: Bouqueton. Dancers: Fierville, Palladini, Helm, Mlle Escoelil, Sga Tinti, Mlle Sophie. Managers: Mrs Yates and Mrs Brook; Treasurer-Crawford.

Event Comment: Semiramis [announced on playbill of 28 Dec.] is obliged to be deferred on Account of Mrs Yates' illness. Receipts: #130 5s. (107.7.0; 21.7.6; 1.10.6)

Event Comment: Paid Mrs Yates 9 Days Cloaths #10 10s. 10d.; Renters' Interest #8 [this paid daily throughout season]. Receipts: #250 9s. 6d. (221.17.0; 26.5.0; 2.7.6)

Event Comment: Benefit for Mrs Wrighten. Morning Post, 6 Apr.: Tickets to be had of Mrs Wrighten, No. 56, Drury-lane. The Battle of Hastings [announced on playbill of 27 Apr.] is obliged to be deferred on account of Mrs Yates' Indisposition. Tickets delivered for the Battle of Hastings will be taken. Receipts: #288 10s. 6d. (74.0.0; 7.7.0; 0.8.6; tickets: 206.15.0) (charge: #66 2s.). Account-Book totals the charge as follows: Ord[inary] Charge #64 4s.; Nosegay 1s. 6d.; Tea for three 1s. 6d.; Negus 1s. 2d.; Bread & Cheese 4d.; K[ettle] D[rum] 5s.; 19 Carp[enter]s #1 8s. 6d

Event Comment: Benefit for the Author [of mainpiece]. On account of the severe Indisposition of Mrs Yates Jane Shore [announced on playbill of 12 Dec.] is obliged to be deferred

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Event Comment: To prevent Disappointment . . . Mrs Bulkley has obligingly undertaken the part of Portia, on account of Mrs Yates's sudden Indisposition [Mrs Yates having been announced as Portia on playbill of 12 Feb.]. Receipts: #264 15s. 6d. (261/9/0; 3/6/6)

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)