SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jack"/1) | (@(roleclean,performerclean) "Jack")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1783 matches on Roles/Actors, 443 matches on Performance Comments, 47 matches on Performance Title, 26 matches on Event Comments, and 1 matches on Author.

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Point of Honour

Afterpiece Title: The Castle of Sorrento

Song: As18000614

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: Obi

Performance Comment: As18000718 but Three Finger'd@Jack-J. Palmer; Sam-Chippendale; 2nd Negro Robber-T. Trueman; Chorus of Negro Men-_Linton.

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: Obi

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: Obi

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: Obi

Performances

Mainpiece Title: Sighs

Afterpiece Title: The Review

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Birth Day

Afterpiece Title: The Review

Performances

Mainpiece Title: Obi

Afterpiece Title: The Point of Honour

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Britons, Strike Home

Performance Comment: ; or, The Sailor's Rehearsal. Principal Characters-Vernon, Aickin, Bannister, Baddeley, Wrighten, Burton, Norris. [Edition of 1739 lists the parts: Captain Briton, Lieutanant Meanwell, Sir John Freehold, Export, Dapperwit, Foremost, Bowsprit, Father Dominique, Capstern, Starboard, Helmaloe, Don Jack, Don Uric, Kitty.]Edition of 1739 lists the parts: Captain Briton, Lieutanant Meanwell, Sir John Freehold, Export, Dapperwit, Foremost, Bowsprit, Father Dominique, Capstern, Starboard, Helmaloe, Don Jack, Don Uric, Kitty.]

Performances

Mainpiece Title: The Chances

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Performance Comment: Speaking Characters by Johnstone, Powel, Blanchard, Incledon, Richardson, Bernard//Mrs Martyr, Miss Hopkins, Mr Rees. [Cast adjusted from playbill of 19 Sept. 1791: Capt. Frederick-Johnstone; Sir Fidget Fearful-Powel; Gregory-Blanchard; Thicket-Incledon; Clueline-Richardson; Flambeau-Bernard//Peggy-Mrs Martyr; Sophia-Miss Hopkins; Whim-Mr Rees.] With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus . With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus .

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Afterpiece Title: Alexander the Great

Event Comment: Newdigate newsletters, 2 Sept. 1693: On Thursday a person acting ye Jack pudding on a stage in Bartholomew fair Bantering upon ye Straits Expedition & return of the ffleet was taken into Custody (Folger Shakespeare Library, transcribed by Professor John Harold Wilson). Luttrell, A Brief Relation, III, 176, 2 Sept. 1693: A merry andrew in Bartholomew fair is committed for telling the mobb news that our fleet was come into Torbay, being forced in by some French privateers, and other words reflecting on the conduct of great ministers of state. Newdigate newsletters, 12 Sept. 1693: On Sunday [10 Sept.] Mr Percivall who kept a Booth during St Barthollomew fair was siezed near Charing cross upon ye acct of clipping being discovered by a young man (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). [See also Luttrell, A Brief Relation, III, 183, 205, 207, 212.

Performances

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

Event Comment: Post Man, 5-8 Sept. 1696: At Mr Barns's Booth in Southwark Fair, near St Georges Church, will be seen the only English, Dutch, Spanish, High German and Indian Companies of Rope-Dancers, who are all five joined together, and will perform such variety of Dancing, Walking, Vaulting and Tumbling; the like was never seen in England before. 1st, You will see the famous Indian Woman and her Company. 2. You will see the High German Company. 3. You will see the Spanish Company dance excellently well on the Low Rope. 4. You will see the two famous Dutch Children, who are the wonder and admiration of all the Rope Dancers in the World of their Sex and Age. 5. You will see the two famous Englishmen, Mr Edward Barns of Rederiff, and Mr Appleby, who are the only two Master Ropedancers and Tumblers in the old world; also you may see Mr Edward Barnes dance with a Child standing on his shoulders, and with 2 children at his Feet, in Jack-boots and Spurs, and cuts Capers a yard and a half high, and dances a Jig on the Rope with that variety of steps, that few, or no Dancing Masters can do the like on the ground: He likewise walks on a slack Rope no bigger than a penny Cord, and swings himself 6 or 7 yards distance. Afterwards you will see the famous Indian Woman Vault the High Rope with great dexterity. Likewise you will see the famous Mr Appleby, who is the only Tumbler in all Europe, fling himself over 16 mens heads, through 12 Hoops, over 14 Halbards, over a Man on Horseback, and a Boy standing upright on his Shoulders. You will likewise the entertained with good Musick. The merry Conceits of Harlequin and his Son Punch. You will see the English and Dutch Flag on the top of the Booth. Vivat Rex. We shall play in this place 12 days

Performances

Mainpiece Title: Entertainments

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: Benefit Rogers, Simson, and Mrs Chetwood. Tickets to be had of Rogers at Mr Molloy's, Wine Merchant in Bear Yard, Lincoln's Inn Fields; at Mr Settre's, Linen Draper, at the Golden Anchor, next Tom's Coffee House, Covent Garden; of Mrs Chetwood, Castle Tavern, Drury Lane; and of Simson, at Mr Gill's, a shoemaker, Basinghall St. [At 5 p.m. this day Jack, Joseph and Polly Granier are scheduled to dance in several dances at the New Wells, Lemon St., Goodman's Fields. Carney has also gone over to the New Wells.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Virgin Unmasked

Dance: III: Welch Buffoons, as17430308 V: Scotch Dance, as17430308

Event Comment: Benefit for Yates. Stage form'd into Front and Side Boxes. Tickets to be had of Yates next door to Mr Walsh's in Catherine St., Strand. Last time of acting the mainpiece this season. Jack Laguerre dy'd (Cross). Receipts #160 (Cross); house charges, #60 (Powel); cash, #72 19s.; tickets, #66 19s. (Clay MS)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Will and No Will

Song: II: Mrs Mozeen

Dance: III: Savoyards, as17471215; IV: Dance-Cooke, Janeton Auretti

Event Comment: To the Author of the General Advertiser: Sir: I beg leave by means of your paper, to acquaint the friends of Tom Harbin, that he intends shortly to have a Benefit at the Theatre Royal in Covent Garden: Having in consequebce of the advice of many of them, apply'd himself to Mr Rich, on that account who very generously and readily said he would contribute anything in his power to serve him; and as one night of the week might be better than another, (as his Interest lay) he gave him his choice, whereupon he chose Wednesday, as being a night of most leisure amongst people eminent in trade, on whom the city depends. He persuades himself that those who have laughed with him, will not laugh at him for requesting a favour (which his circumstances could never be supposed to put him above accepting) from persons of affluent fortunes, which the generality of his friends are; and who Experienc'd good nature, he doubts not, will serve him on this occasion. In a few days Publick notice will be given of the time, the Play, &c. I am &c. Jack Friendly, Grigsby's Coffee House, Nov. 7, 1748. [See General Advertiser, 8 Nov. See also 14 Dec.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for Will Hill. Mainpiece: By Particular Desire of his friends. N.B. The Gentlemen are desired to meet Mr Hill after the Play at the Rose Tavern, Temple Bar. [He had advertised since 15 April that "Gentlemen and Ladies who intend to honour him with their presence," should take tickets at: the Thatched House, St. James's St; Jack Bridell's, the One Tun in the Strand; Half moon in Holborn; Rose, Temple Bar; King's Head, in the Poultry; Castle, Lombard St; Bell, East cheap; King's Head, Tower Hill, Rummer, Bishopsgate St; West India and Jerusalem Coffee Houses near the Royal Exchange; Chapman's, Swordcutler, in Exchange Alley; and at Will Hill's Lodgings, Mr Geves's in Abchurch Lane.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: Benefit for Pritchard, Treasurer. Tickets his house next the Chapel in Great Queen St., Lincoln's Inn Fields. This day publish'd at 1s.A Poetical Epistle from Shakespear in Elysium, to Mr Garrick at Drury Lane Theatre. Printed for J. Newberry (General Advertiser). Old Jack Ray, dy'd (Cross). Receipts: #130 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Lethe

Dance: IV: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Event Comment: By Authority [repeated in each bill]. A new English Burletta. Taken from the Memoirs of Jeffrey Ap Arthur of Monmouth, interspersed with Critical Remarks by Mess Snarler and Hum for Mr Bombast the Author. The Music, Scenes, Cloaths, and other Decorations entirely new. Prices: 4s., 2s. 6d., 1s. 6d. 6:30 p.m. [First announced on 7 Sept. for 10 Sept., and deferred on account of death of Princess Elizabeth. It was adapted from Henry Brooke's Jack the Giant Queller, 1748. Published 1778.

Performances

Mainpiece Title: Galligantus