SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: Paid Mr J. Aickin per order #5 5s. Receipts: #209 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17750204, but Vocal parts-Mrs _Wrighten from Fete.

Afterpiece Title: The Deuce Is in Him

Performance Comment: As17741110.
Event Comment: Benefit Reddish. Mainpiece was originally written by Mr Jones, Author of the Earl of Essex, but not quite finish'd it is now altered by Dr Hiffernan--very bad (Hopkins Diary). Paid Salary List 4 days #378 10s. 8d.; J. French on Acct #5 5s. Receipts: #219, 4s. 6d. Charges: #70 11s. 6d. Profit to Reddish: #148 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Performance Comment: The Principal characters-Reddish, Cautherly, Palmer, Aickin, Brereton, Hurst, Packer, Davies, Fawcett, Wheeler, Griffiths, Keen, Everard, Jefferson, Miss Platt, Miss Younge; Prologue-Reddish; Epilogue-Miss Younge; In Act II, a Solemn Hymn-; Chorus-; [In Act V, an Olde and Grand Procession-; Music-Barthelemon. [See17740319.]See17740319.]

Afterpiece Title: The Guardian

Performance Comment: As17741122, but Harriet-a Young Lady, first appearance this season.

Dance: The Grand Provencalle Dance, as17750202

Event Comment: Mainpiece: Not acted in two years. [See 13 May 1772.] Benefit for Miss Pope. Last time of performing till Easter. Part of p1t laid into boxes. Last play till Holidays. Paid 4 days salary list #378 10s. 8d.; J. French on acct #5 5s.; Tallow chandler's 8th bill #27 11s. 4d. Receipts: #287 3s. Charges: #66 3s. 6d. Profits to Miss Pope: #220 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Funeral

Performance Comment: Campley-Dodd; Lord Hardy-Cautherly; Lord Brumpton-Usher; Trusty-Packer; Sable-Moody; Puzzle-Baddeley; Tom-Waldron; Cabinet-Fawcett; Trim-King; Lady Harriet-Mrs Abington; Lady Charlotte-Mrs Greville; Mademoiselle-Mrs Cross; Tattleaid-Mrs Love; Mrs Fardingale-Mrs Bradshaw; Lady Brumpton-Miss Pope.

Afterpiece Title: Bon Ton

Performance Comment: As17750327 but Gymp-Mrs Davies (MacMillan).
Event Comment: Benefit for Messrs Grimaldi and Hurst. Rec'd from Sinking Fund #420; from Stopages #11 7s. 6d. Paid salary list #564 16s.; J. French on acct #5 5s. Receipts: #166 16s. 6d. Charges: #70 19s. Profits to Grimaldi and Hurst: #95 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Performance Comment: Tyrrel-Brereton, first time; Mortimer-King; Abberville-Dodd; Colin-Moody; Dr Druid-Baddeley; Mrs Bridgemore-Mrs Hopkins; Miss Bridgemore-Miss Sherry; Miss Aubrey-Miss Younge; Aubrey-Hurst, first time; Bridgemore-Bransby; Napthali-Waldron; La Jeunesse-Burton; Jarvis-Griffiths; Mrs Macintosh-Mrs Love; Chambermaid-Miss Platt; . .

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17750504, but Orpheus-Vernon; Sir Toby-Bransby; Add Norris. Add Norris.

Dance: End: The Lilliputian Camp-, not performed these 6 years

Event Comment: Mrs Bradshaw & Mrs Johnston great Applause to the Farce (Hopkins Diary). Benefit for Mrs Bradshaw and Mrs Johnston. Afterpiece: Written by Henry Fielding, not played for 25 years. [Actually last played there 19 May 1759.] Music compiled from the works of the most eminent composers. Rec'd from Sinking Fund (2nd) #525, from Stopages #14 2s. Paid salary list #564 16s.; J. French on acct #5 5s. (Treasurer's Book). Receipts: #114 2s. 6d. Charges: #66 12s. 6d. Profits to Mrs Bradshaw and Mrs Johnston: #47 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17750328 but Ranger-King; Mrs Strictland-Mrs Baddeley; Lucetta-Mrs Johnston; Milliner-Miss Jarratt; Jacintha-Mrs Davies; first time. Concludes with a Country Dance-.

Afterpiece Title: Tom Thumb

Performance Comment: Tom-Master Blanchard; King-Davies; Grizzle-Bannister; Glumdalca-Kean; Noodle-Fawcett; Doodle-Carpenter; Bailiff-Wheeler; Follower-Everard; Queen-Mrs Wrighten; Huncamunca-Smith.
Event Comment: Benefit for Johnston (Housekeeper and Box-book keeper). Rec'd from Sinking Fund (3rd) #73 10s.; From Mr Clutterbuck (1st) #500; from Stopages #11; Paid Salary list #564 16s.; J. French on acct #5 5s.; G. Garrick on acct #100. Receipts: #276 4s. 6d. Charges: #84. Profits to Mr A. Johnston: #192 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17741019, but Orlando-Brereton; William-Burton.

Afterpiece Title: Polly Honeycomb

Performance Comment: Honeycomb-Waldron; Mrs Honeycomb-Mrs Johnston; Nurse-Mrs Bradshaw; Polly-Miss Pope; Scribble-Dodd; Ledger-Bransby.

Dance: I: The Pirates, as17750422

Event Comment: Benefit for Reinhold. Tickets delivered for An Opera will be taken. Books of the Entertainment [i.e., afterpiece] to be had at the theatre. Afterpiece: A Musical Entertainment by D. J. Piguenit. 8vo 1774, played this one night only (Biographia Dramatica). [It had been played as a Burletta at Marybone Gardens according to the Westminster Magazine for April, and though some of its music was good, the Burletta writer had taken great liberty with his original.

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17751004, but Sir Francis-Quick, first time; Isabinda-Miss Ambrose; Whisper-_; Scentwell-_.

Afterpiece Title: Don Quixote

Performance Comment: Principal Parts-Reinhold, Mahon, Baker, Fox, DuBellamy, Miss Dayes, Mrs Mattocks.

Entertainment: Interlude.End: True Blue, as17760409

Performance Comment: End: True Blue, as17760409.
Event Comment: Mr Baker made his first Appearance in Jerry Sneak--he is a tall, thin, awkward Figure, looked like a Pinmaker, is a very strong Copy of poor , has some Requisites, may in Time be a tolerable Actor in low Comedy--pretty well received. [Note added by $J. P. Kemble">Weston, has some Requisites, may in Time be a tolerable Actor in low Comedy--pretty well received. [Note added by $J. P. Kemble: Mr Baker, I have heard, had at this Time just received an Inheritance of fifteen thousand Pounds, which he so quickly dissipated as to be reduced within five years after to the Condition of Coachman to a Bristol Diligence] (Hopkins Diary). Receipts: #181 2s

Performances

Mainpiece Title: New Brooms

Performance Comment: As17760921.

Afterpiece Title: Matilda

Performance Comment: Morcar-Reddish; Siward-Palmer; Oswald-Chaplin; Harold-Wrighten; Edwin-Smith; Bertha-Miss Platt; Matilda-Miss Younge.

Afterpiece Title: The Mayor of Garratt

Performance Comment: Jerry Sneak-A Young Gentleman (1st appearance upon any stage [Baker]); Sir Jacob Jollup-Waldron; Mr Bruin-Wright; Lint-Wrighten; Heeltap-Bransby; Major Sturgeon-Bannister; Mrs Bruin-Miss Platt; Mrs Sneak-Mrs Wrighten.
Event Comment: Benefit for Lewis, Dancer & J. Smith. Tickets to be had of Lewis at the Europa; of Smith at the Ship, Seven Houses

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Captain Plume-Comerford; Worthy-Johnson; Captain Brazen-Russell; Justice Ballance-Lewis; Bullock-Newton; ThomasAppletree-Kenny; Costar Pearmain-Dancer; Serjeant Kite-Smith; Sylvia-Miss Reynolds; Melinda-Mrs West; Lucy-Miss Taylor; Rose-A Young Lady of Rotherhithe (1st appearance on any stage [unidentified]).unidentified]).

Afterpiece Title: The Life and Death of Tom Thumb the Great

Performance Comment: As17761011.

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Performance Comment: As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick.
Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Performance Comment: Hengist-Wroughton; Seofrid-Hull; Offa-Whitefield; Oswald-Robson; Priest-L'Estrange; Officers-Fearon, Booth, Davis, Thompson; Aribert-Lewis; Rodogune-Mrs Ward (1st appearance on this stage); Ethelinda-Mrs Hartley.

Afterpiece Title: The Seraglio

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Dunstall, Leoni, Miss Dayes, Mrs Green, A Young Lady (who never appeared on any stage) (Miss Wewitzer), Miss Brown. Cast from text (T. Evans, 1776): Abdallah-Mattocks; Reef-Reinhold; Venture-Quick; Goodwill-Dunstall; Frederick-Leoni; Hassan-Baker; Gunnel-Bates; Williams-Thompson; Polly-Miss Dayes; Curtis-Mrs Green; Elmira-Miss Wewitzer; Lydia-Miss Brown.

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: Mainpiece: Not acted these 5 years. Written by Congreve. [For Prologue see 19 Nov.] Love for Love was revived with alterations by R. B. Sheridan Esq. (Note by J. P. Kemble on Hopkins Diary). Receipts: #150 0s. 6d

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Reddish; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Ben-Yates; Jeremy-Baddeley; Trapland-Waldron; Buckram-Wrighten; Officer-Griffiths; Tattle-King; Angelica-Miss Younge; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Nurse-Mrs Bradshaw; Miss Prue-Mrs Abington; The new occasional Prologue-Dodd. [This was spoken, as here assigned, at the first 2 performances only (see17761205).]This was spoken, as here assigned, at the first 2 performances only (see17761205).]

Afterpiece Title: The Elopement

Performance Comment: As17761001, but Lover-Burton.
Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Performance Comment: Characters by Clarke, Lewis, Wroughton, Ward, Whitefield, Mrs Hartley. Druids and Bards-Aickin, Hull, L'Estrange, Fearon, others; Principal Vocal Parts-Leoni, Reinhold, Mrs Farrell; [Cast from text (York: A. Ward, 1777 [i.e. 1776]): Caractacus-Clarke; Arviragus-Lewis; Elidurus-Wroughton; Vellinus-Ward; Aulus Didius-Whitefield; Evelina-Mrs Hartley; Modred-Aickin; Mador-Hull.

Afterpiece Title: Polly Honeycombe

Performance Comment: see17761119.
Event Comment: Juliet by Mrs Robinson--a genteel Figure--a very tolerable first Appearance, and may do in time. [Note added by J. P. Kemble: Mrs Mary Robinson, whose maiden name was Darby, died Dec. 26, 1800 at Englefield Green. See her Life, of which the first part, namely as far as to her Acquaintance with the Prince of Wales, was written by herself] (Hopkins Diary). Receipts: #170 8s. (133.15; 31.15; 4.18)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Brereton; Fryar Lawrence-Packer; Capulet-Aickin; Benvolio-Davies; Tibalt-Grist; Prince-Norris; Paris-Farren; Peter-Burton; Apothecary-Waldron; Balthazar-Chaplin; Mercutio-Dodd; Lady Capulet-Mrs Johnston; Nurse-Mrs Love; Juliet-A Young Lady (1st appearance upon any stage [Mrs Robinson]).Mrs Robinson]).

Afterpiece Title: Selima and Azor

Performance Comment: As17761205.

Dance: In I: Masquerade-; Dance-Giorgi, Blurton, Mrs Sutton. [This was included, as here assigned, in all subsequent perfomances.

Performance Comment: [This was included, as here assigned, in all subsequent perfomances.]

Song: Mainpiece: with the Funeral Procession. Vocal Parts-Gaudry, Legg, Kear, Fawcett, Brown, Carpenter, Follett, Chaplin, Miss Abrams, Miss Collett, Mrs Scott, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Boyd, Mrs Booth, Mrs Pitt

Performance Comment: Vocal Parts-Gaudry, Legg, Kear, Fawcett, Brown, Carpenter, Follett, Chaplin, Miss Abrams, Miss Collett, Mrs Scott, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Boyd, Mrs Booth, Mrs Pitt.
Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Performance Comment: Principal Characters by Smith, Bensley, Grist, Farren, Hurst, Chaplin, R. Palmer, Reddish, Mrs Reddish, Mrs Yates. [Cast from text (J. Dodsley, 1776), and Town and Country Magazine, Dec. 1776, p. 659: Ninias (known first as Arzaces)-Smith; Assures-Bensley; Mithranes-Grist; Otanes-Farren; Ghost of Ninus-Hurst; Cedarus-Chaplin; Oroes-Reddish; Azema-Mrs Reddish (in text: Miss Hopkins [see17761216]); Semiramis-Mrs Yates; R. Palmer [is unassigned; Prologue-Reddish; Epilogue-Mrs Yates. [These were spoken, as here assigned, at the first 9 performances only (see17770201.)]These were spoken, as here assigned, at the first 9 performances only (see17770201.)]

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksey-Dodd; Sir Patrick O'Neale-Moody; Bates-Baddeley; Nephew-Davies; Thomas-Burton; Widow Brady (with an Epilogue Song)-Mrs Greville.

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: [Mainpiece in place of Semiramis, announced on playbill of 21 Dec.] Mrs Yates sent Word last Night that her Cold continued--she could not play in Semiramis to-night. [Note added by J. P. Kemble: I have not yet found the rest of Mr. Hopkins Diary for the Year] (Hopkins Diary). Receipts: #185 17s. 6d. (160.18.0; 24.2.6; 0.17.0)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17761030 Epilogue as17761030 .

Afterpiece Title: Selima and Azor

Performance Comment: As17761205.

Dance: As17761218

Event Comment: Benefit for Miss Younge. Interlude [1st time; M. INT I, by Edward Jerningham]: Interspersed with Music [by James Hook. Text 1st published in Jerningham's Poems, vol. I (J. Robson, 1786)]. Public Advertiser, 20 Feb.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #222 9s. (80.14; 18.10; 1.19; tickets: 121.6) (charge: #65 17s.)

Performances

Mainpiece Title: The Rivals

Performance Comment: As17770116, but Lydia Languish-Miss Younge (1st appearance in that character); The Original Epilogue [see17770116]-Miss Younge.

Afterpiece Title: Margaret of Anjou

Performance Comment: The Principal Character-Miss Younge.

Afterpiece Title: The Deserter

Performance Comment: As17770301 .

Dance: End V: The Irish Fair, as17761031

Event Comment: [Mainpiece in place of The Funeral, announced on playbill of 18 Mar.] Afterpiece [1st time; CO 2, by Isaac Jackman]: The Music composed by Carter. Receipts: #233 11s. (190.1.0; 40.16.6; 2.13.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17761105, but Lord Townly-Lacy (1st appearance in that character); Manly-Palmer; Mrs Motherly-Mrs Bradshaw.

Afterpiece Title: The Milesian

Performance Comment: Principal Characters by Vernon, Dodd, Bannister, Aickin, Burton, R. Palmer, Everard, Moody, Miss Collett, Mrs Davies, Mrs Booth, Mrs Baddeley. [Cast from text (J. Wilkie, 1777), and London Chronicle, 21 Mar.: Belfield-Vernon; Charles Marlove-Dodd [in text: Lamash (see17770403)]; George Belfield-Bannister; Mr Belfield-Aickin; La Flure-Burton; Richard-R. Palmer; Waiter-Everard; Capt. Cornelius O'Gollagher-Moody; Melinda-Miss Collett; Patty-Mrs Davies [in text: Miss Platt (see17770403)]; Mrs Belfield-Mrs Booth; Caroline O'Gollagher-Mrs Baddeley.
Event Comment: Benefit for Miss P. Hopkins, Miss E. Hopkins. Afterpiece [1st time; F 2, by Isaac Jackman. Prologue by David Garrick (Poetical Works, II, 334)]. Public Advertiser, 15 Mar.: Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street. Receipts: #237 11s. 6d. (88.5.0; 23.15.6; 1.15.0; tickets: 123.16.0) (charge: #65 2s. 6d.)

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17761231, but Marwood-Miss Hopkins; Foible-Miss P. Hopkins (Their 1st appearance in those characters); Mincing-_; Betty-_; Peg-_.

Afterpiece Title: All the World's a Stage

Performance Comment: Principal Characters by Palmer, Parsons, Farren, Lamash, Burton, Griffiths, Carpenter, Baddeley, Miss P. Hopkins, Mrs Hopkins. Cast from text (J. Wilkie, 1777): Harry Stukely-Palmer; Diggery-Parsons; Charles Stanley-Farren; Waiter-Lamash; Cymon-Burton; Wat-Griffiths; Hostler-Carpenter; Sir Gilbert Pumpkin-Baddeley; William-Everard; Miss Kitty Sprightly-Miss P. Hopkins; Miss Bridget Pumpkin-Mrs Hopkins; New Prologue-King.

Dance: End V: The Triumph of Love, as17761107

Event Comment: Benefit for Palmer. Mainpiece: Never performed here [so stated on playbill of 18 Aug.]. Public Advertiser, 13 Aug.: Tickets to be had of Palmer at his house in Bow-street, Bloomsbury. [Henderson's 1st appearance as Don John was at Bath, 23 Oct. 1773.

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Henderson (1st appearance in that character [in London]); Petruchio-Aickin; Duke-Fearon; Peter-Blissett; Anthony-Massey; Francisco-Jackson; Surgeon-Griffiths; Antonio-Parsons; Don Frederick-Davies; 1st Constantia-Mrs Hunter; Landlady-Mrs Love; Nurse-Mrs W. Palmer; Kinswoman-Miss Hale; Mother-Miss Platt; 2nd Constantia-Miss Barsanti.

Afterpiece Title: The Lyar

Performance Comment: Young Wilding-Palmer; Old Wilding-Fearon; Sir J. Elliot-R. Palmer; Papillion-Parsons; Miss Godfrey-Miss Platt; Kitty-Mrs Poussin; Miss Grantham-Mrs Davies.

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Performance Comment: [Principal Characters by Mattocks, Quick, Wilson, Wewitzer, Fearon, Mrs Farrell, Miss Brown, Mrs Wilson, A Young Lady (1st appearance on any stage Miss Courtenay]). [Cast from Airs (J. Bell, 1777) and Public Advertiser, 19 Nov.: Young Brumpton-Mattocks; Oldcastle-Quick; Lovibond-Wilson; Peter-Wewitzer; Sir Theodore Brumpton-Fearon; Bellford-Mrs Farrell; Mary@Ann-Miss Brown; Bridget-Mrs Wilson; Harriet-Miss Courtenay.

Afterpiece Title: The Upholsterer

Performance Comment: As17771117.

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: As17780307but Tancred-Wroughton (1st appearance in that character).

Afterpiece Title: The Little French Lawyer

Performance Comment: Characters by Quick, Whitfield, Thompson, Booth, Lee Lewes, L'Estrange, Fearon, Wewitzer, Mrs Poussin, Mrs Willems, Mrs Lessingham. [Cast from text (J. Bell, 1778): Le Writ-Quick; Dupre-Whitfield; Verdone-Thompson; Beaupre-Booth; Mellefont-[read byLee Lewes [in text: Death]; Vertaign-L'Estrange; Champernel-Fearon; Sampson-Wewitzer [in text: Wilson]; Agnes-Mrs Poussin; Viletta-Mrs Willems; Lamira-Mrs Lessingham.

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Performance Comment: End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick.
Event Comment: Benefit for J. Wood, Percey, Cameron & the Widow Robinson. Tickets delivered by Camery and Hodges will be taken. Receipts: #288 13s. (33.3; 1.6; 0.18; tickets: 253.6) [charge: #105)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17780508.

Afterpiece Title: Bon Ton

Performance Comment: As17771031.

Dance: End: Minuet de la Cour, as17780508

Event Comment: Benefit for Palmer. Morning Chronicle, 5 Sept.: Tickets to be had of Palmer at his house, Bow-street, Bloomsbury. Afterpiece: Never performed here

Performances

Mainpiece Title: The Suicide

Performance Comment: As17780711.

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck-Palmer; Sir J. Buck-Gardner; Classick-Usher; Subtle-Massey; Mrs Subtle-Mrs Love; Lucinda (with a song)-Miss Harper (1st appearance in that character).

Dance: End: Dance-; In II afterpiece: a Minuet-Harris, Miss Harper

Entertainment: Monologue Following 1st dance: The Picture of a Playhouse; or, Bucks have at ye All-Palmer

Event Comment: "This may be called the Coalition Season, the Actors of both Theatres playing at either house indiscriminately" (MS annotation by J. P. Kemble on Kemble playbill). Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 16 Oct.]. Receipts: #226 8s. 6d. (193.9.0; 32.12.0; 0.7.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Smith; Sir Hugh Evans-Parsons; Doctor Caius-Baddeley; Mr Page-Packer; Host of the Garter-Moody; Justice Shallow-Waldron; Fenton-Farren; Simple-Burton; Bardolph-Wright; Pistol-Holcroft; Rugby-Carpenter; Page to Falstaff-Master Pulley; Slender-Dodd; Falstaff-Henderson; Mrs Page-Miss Pope; Ann Page-Mrs Colles; Mrs Quickly-Mrs Bradshaw; Mrs Ford-Miss Younge.

Afterpiece Title: Comus

Performance Comment: Comus-Webster; 1st Spirit-Aickin; Brothers-Farren, Lamash; Principal Bacchanals-Bannister, Gaudry; The Lady-Mrs Sharp; Pastoral Nymph-Miss Collett; Sabrina-Miss Field; Principal Bacchant-Mrs Farrell; Euphrosyne-Mrs Farrell.

Song: In afterpiece: Sweet Echo-Leoni, Mrs Farrell (of cg)

Performances

Mainpiece Title: The Wives Revenged

Performance Comment: As17780918.

Afterpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Digges; Manly-Clarke; Squire Richard-Wewitzer; J. Moody-Dunstall; Count Basset-Lee Lewes; Sir F. Wronghead (1st time)-Wilson; Lady Grace-Mrs Lessingham; Lady Wronghead-Mrs Pitt; Miss Jenny (with a song)-Mrs Wilson; Lady Townly-Miss Farren.

Afterpiece Title: Rose and Colin

Performance Comment: As17780918.

Dance: As17780925