SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: In the Theatre erected there for that Purpose, the Actors being all dress'd in Roman Habits

Performances

Mainpiece Title: Andria

Event Comment: Their Habits were very rich, after the Roman Manner, and the performance of all the Parts was so just that it gave general Satisfaction, and gained the Applause of a very numerous Audience

Performances

Mainpiece Title: Cato

Event Comment: [Text by Rolli. Music by Handel.] At 7 p.m. Daily Journal, 7 May: On Thursday Night, Signiora Faustina, the famous Roman Songstress, performed his Majesty, their Royal Highnesses, and great Numbers of the Nobility and Quality, in...Alexander...with great Applause

Performances

Mainpiece Title: Alexander

Performance Comment: edition of 1726 lists: Allessandro-Senesino; Tassile-Baldi; Clito-Boschi; Cleone-Signora Dotti; Leonato-Antinori; Rossane-Signora Faustina Bordoni; Lisaura-Signora Francesco Cuzzoni.
Cast
Role: Allessandro Actor: Senesino
Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: The Count of Burgundy Author(s): Alexander PopeAugust Friedrich Ferdinand von Kotzebue
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon
Related Work: Telemachus Author(s): Alexander Scarlatti
Related Work: Sethona Author(s): Alexander Dow
Related Work: Zingis Author(s): Alexander Dow
Event Comment: Daily Journal, 21 May: We hear that the Mad Company at the Haymarket design to keep up that Character, by performing the Beggar's Opera in Roman Dresses, and exhibiting Hurlothrumbo, in which Mrs Charke attempts the Character of Lord Flame

Performances

Mainpiece Title:

Event Comment: By particular Desire. By a Company of Comedians from both the Theatres. Afterpiece: a Farce of one Act [adapter not known]. All the Characters in the Opera to be play'd in Roman Dresses. 6:30 P.M. Admission: 4s., 2s. 6d., 1s

Performances

Mainpiece Title: The Beggar's Opera, Tragedized

Afterpiece Title: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol

Event Comment: By particular Desire. Mainpiece: All the Characters in Roman Shapes

Performances

Mainpiece Title: The Beggar's Opera, Tragediz'd

Afterpiece Title: The Lovers Opera

Dance: Pierrot by Davenport. End of Afterpiece: a new Country Dance

Event Comment: Never before acted [by William Havard, who inserted a long advertisement in the Daily Post with quotations from Roman history and the comment: thus much I think is necessary to be known by everybody who designs to see the play.] Last night the Tragedy of Regulus was perform'd...to a numerous and polite Audience, and met with great Applause.-London Daily Post and General Advertiser, 22 Feb

Performances

Mainpiece Title: Regulus

Performance Comment: Corvus-Delane; Decius-Havard; Metullus-Mills; Mutius-Bridges; Manlius-Berry; Quintus-Blakes; First Cartheginian Ambassador-Turbutt; 2nd Ambassador-Usher; Attilus Regulus-Taswell; Scaurus-Green; Emilius-Woodburn; Mantia-Mrs Giffard; Clelia-Miss Budgell; Regulus-Garrick; Prologue-Havard; Epilogue (by Garrick)-Miss Woffington. [From 1st edition, but listed in order of actors given in London Daily Post and General Advertiser.]From 1st edition, but listed in order of actors given in London Daily Post and General Advertiser.]
Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Cast
Role: Randal Actor: Morgan
Role: Hillyard Actor: Moreland

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: By Particular Desire. Publish'd (this month) The Roman and English Comedy Consider'd and Compar'd, with remarks on the Suspicious Husband, and an Examen into the Merit of the present Comic Actors, by Samuel Foote

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Double Disappointment

Event Comment: This Day is Publish'd The Roman and English Comedy consider'd and compared. With Remarks on the Suspicious Husband; and an examen into the Merits of the present Comic Actors by S. Foote, Esq. This day is publish'd in Two Volumes a Companion to the Theatre or a View of our most celebrated dramatic pieces. In which the Plan, Characters and Incidents, of each are particularly explained. Interspersed with remarks Historical, Critical, and Moral. Price Bound 6s. Printed for J. Nourse, at the Lamb, over against Katherine St. in the Strand

Performances

Event Comment: Benefit Dunbar, Jones, Atkinson, Pritchard, Bride (General Advertiser). Benefit for Dunbarr & Boxkeepers (Cross). Tickets deliver'd for Love's Last Shift will be taken. On Friday next the Roman Father will be acted at Drury Lane, being the last time of the company's performing this season

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Master Shawford; IV: Black Joke, as17500420 V: Comic Dance, as17500313

Event Comment: The Fourth Day. By Gentlemen masked after the manner of German [sic] and Roman Comedy. [Note repeated in subsequent bills, with German corrected to Grecian]. Mrs Midnight's magazine will not be publised till Tuesday

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17511230, but I. 3. Overture by Handel-_; II, 1, 2 reversed; the Overture to Sampson-; instead of the Overture to Ariadne-_; III, Overture to Alexander-_; Prologue-a Gentleman.
Event Comment: Boxes 5s. Pit 3s. 7 p.m. [Repeated in subsequent bills.] At the particular Desire of Several Persons of Quality. Benefit for Benjamin Hallet, a child of nine Years of age. The Tenth Day. By Gentlemen masked after the manner of Grecian and Roman Comedy. [Not repeated in subsequent bill after this date.] The House to be made very warm and illuminated with wax candles

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. 6d. [Prices repeated in subsequent Bills.] The House is well-aired and will be illuminated with Wax-Lights. Jews@Harp-a casuist

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: Mrs Midnight's Concert-; to which will be added, and given gratis, The Old Woman's Oratory-; When the Oration on the Salt@Box-a Rationalist will be introduced as usual, with several new Performances of a very extraordinary Nature; particularly a Piece-Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics; To conclude with a Grand Dance- in the ancient British Taste.
Event Comment: No Performance Passion Week (Cross). We hear that a new Tragedy call'd Creusa Queen of Athens, written by the author of the Roman Father is now in rehearsal at Drury Lane, in which Miss Macklin will play the part of a boy

Performances

Mainpiece Title: None

Event Comment: Written by Mr Whitehead, author of the Roman Father. (Great applause) (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: Creusa, Queen Of Athens

Event Comment: [The horror of the piece seemed too much for the sensibilities of Mrs Bellamy, so the part of Eurydice given to Mrs Vincent. See Genest, IV, 420. See also Apology for the Life of George Anne Bellamy, written by herself (4th ed., 1786), III, 30.]. This day publish'd at 2s. 6d. Coriolanus; or, The Roman Matron, taken partly from Shakespear and partly from Thomson, as it is now performing at Covent Garden. To which is added the Order of the Ovation. Printed for A. Miller in the Strand

Performances

Mainpiece Title: Oedipus

Cast
Role: Alcander Actor: Cushing
Role: Ghost of Laius Actor: Anderson

Afterpiece Title: The Cheats of Scapin

Cast
Role: Leander Actor: Gibson
Role: Octavian Actor: Anderson

Dance: CComic Entertainment, as17541203

Event Comment: The Tragedy of the Roman Father, written by William Whitehead, Esq: the present Poet Laureate, will be reviv'd at Drury Lane soon after the Holidays (Public Advertiser). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Mercury Harlequin

Dance: II: The Market, as17571126

Event Comment: Mainpiece: Altered from Shakespeare and Thomson

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Ryan; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-Davis; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo; Volumnia-Mrs Vincent; Veturia-Mrs Hamilton; In which will be introduc'd a Roman Ovation-after the manner of the Ancients.

Afterpiece Title: The Lottery

Event Comment: TThe London Chronicle for 1758 (p. 455): On Friday the 3rd instant was presented Coriolanus. The two first acts of this play, as it is performed at the above theatre, were written by Shakespear; the three last for the most part by Mr. Thomson. But how a man of Mr Sheridan's knowledge (who first introduc'd it there about four years ago) could think of pounding into one substance two things so heterogeneous in their natures as the productions of those authors, is to me amazing. Mr Smith enters in the first act, after having (as we are to suppose) just overcome the Volsci, to the tune of violins and hautboys; but I am a little afraid the grandeur of his triumph is a little misapplied, considering the early times in which Coriolanus lived, before the Roman empire had arrived to any degree of splendor and magnificence, and was great in virtue only. However it makes a fine show; and Mr Smith, who has an excellent person, by the help of a little burnt cork and a real coat of mail cuts a very martial appearance. I think it was one of the Gracchi, who, when he was speaking to the people, always had a servant behind him in the Rostrum with a pitch-pipe which he touched whenever he found his master's voice rising beyond a certain height; such an instrument as this would, in my opinion, be of service to Mr Smith, for his fault seems to be that of keeping too much at the top of his vioce. Mrs Hamilton in the part of Veturai, especially in the last act, excells herself; and in particular, she repeats that line: "He never can be lost who saves his country," with the genuine spirit of a free-born Englishman. By the unnatural conjunction which is attempted to be made in this tragedy, most of the other characters are robbed of their significance. Those two excellent actors, therefore, Ryan and Sparks, only give us just cause to regret that the parts of Tullus and Volscius are not longer....After the play was presented a Ballad Opera called The Contrivances; in which some good comedians are oblig'd to submit to the drudgery of supporting as contemptible a trifle as ever was acted on the stage

Performances

Afterpiece Title: The Contrivances

Dance: As17581016

Event Comment: Benefit for Holland. Mainpiece: By Desire. Tickets delivered for The Roman Father and for the 8th instant will be taken

Performances

Mainpiece Title: Venice Preserv'd

Cast
Role: Jaffier Actor: Holland

Afterpiece Title: High Life Below Stairs

Event Comment: Benefit for Tenducci. Notwithstanding the great expence attending the above performance, each ticket will be but Five Shillings

Performances

Mainpiece Title: The Judgment Of Paris

Song: Several favourite songs consisting of four intervals

Entertainment: Upon the Octagan Square in said Gardens will be displayed the following curious invention in Fireworks, viz. A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public

Performance Comment: A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public.
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: DDesdemona-Mrs Davies. $Mrs Havard being ill Mr King play'd Iago (Hopkins). Mrs Yates ill...Mrs Davies Desdemona (Cross Diary). Benefit for Vernon. Tickets for The Roman Father will be taken. Both main and afterpiece, By Particular Desire. Mr King Iago. Mr Havard could not play Mrs Havard being dead (Hopkins Diary-MacMillan). A mistake in the Diary. Mrs Havard died Friday 27th (J. P. Kemble MS Notes-MacMillan). Music A La Mode deferr'd on account of Indisposition of a principal performer. Last time of performing till the Holidays. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Dance: The Faggot Binders, as17640224

Event Comment: Paid Miss Stede for walking 2 nights in The Roman Father 10s. (Account Book). Receipts: #184 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17680113, but Charles-Clarke; Miranda-Miss Macklin.
Cast
Role: Miranda Actor: Miss Macklin.

Afterpiece Title: Orpheus and Eurydice