February 1680

Event Information
Theatre: Dorset Garden Theatre
Theatrical Season: 1679-1680
Volume: 1
Comments: The Duke's Company. The date of the premiere is not known. Pepys saw it on 6 March 1679@80, calling it a "New Play," and that may have been the first day. The Prologue alludes also to the Duke of York's triumphant return from Scotland on 24 Feb. 1679@80, and the play was entered in the Term Catalogues, May 1680. For Mrs Bracegirdle as the "little Girl," see Edmund Curll, History of the English Stage (1741), p. 26, and Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 134. For Betterton as Castalio and Mrs Barry as Monimia, probably as they performed in the next decade, see Cibber, Apology, ed. Lowe, I, 116, 160. Downes (Roscius Anglicanus, p. 37) gives the same cast except for omissions and except for Serina-Mrs Mountfort, who acted it later. Downes (pp. 37-38) adds: [Monimia, Belvidera in Venice Preserved, and Isabella in The Fatal Marriage] These three Parts, gain'd her the Name of Famous $Mrs Barry, both at court and City; for when ever She Acted any of these three Parts, she forc'd Tears from the Eyes of her Auditory, especially those who have any Sense of Pity for the Distress't. These 3 Plays, by their Excellent Performances, took above all the Modern Plays that succeeded. A song for this play, Come all the youths whose hearts have bled, the music by Forcer, is in Choice Ayres and Songs, The Third Book, 1681

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  • Original Data

    Source: London Stage Information Bank

    *p?dg The Orphan; or, The Unhappy Marriage. [Edition of 1680:% Acasto-Gillow; Castalio-Batterton; Polydore-Jo. Williams; Chamont-Smith; Ernesto-Norris; Paulino-Wiltshire; Cordelio-the little Girl [$Anne Bracegirdle=]; Chaplain-Percivall; Monimia-Mrs Barry; Serina-Mrs Boteler; Florella-Mrs Osborn; Prologue-; Epilogue-. *c?dg The <i>Duke's Company</i>. The date of the premiere is not known. $Pepys= saw it on 6 March 1679@80, calling it a "New Play," and that may have been the first day. The Prologue alludes also to the $Duke of York='s triumphant return from <i>Scotland</i> on 24 Feb. 1679@80, and the play was entered in the <i>Term Catalogues</i>, May 1680. For $Mrs Bracegirdle= as the "little Girl," see $Edmund Curll=, <i>History of the English Stage</i> (1741), p. 26, and $Lucyle Hook=, <i>Anne Bracegirdle's First Appearance</i>, <i>Theatre Notebook</i>, XIII (1959), 134. For $Betterton= as <i>Castalio</i>r and $Mrs Barry= as <i>Monimia</i>r, probably as they performed in the next decade, see <i>Cibber, Apology</i>, ed. $Lowe=, I, 116, 160. $Downes= (<i>Roscius Anglicanus</i>, p. 37) gives the same cast except for omissions and except for <i>Serina</i>r-$Mrs Mountfort=, who acted it later. Downes (pp. 37-38) adds: [<i>Monimia</i>r, <i>Belvidera</i>r in <i>Venice Preserved</i>, and <i>Isabella</i>r in <i>The Fatal Marriage</i>] These three Parts, gain'd her the Name of Famous $Mrs Barry=, both <i>at court</i> and <i>City</i>; for when ever She Acted any of these three Parts, she forc'd Tears from the Eyes of her Auditory, especially those who have any Sense of Pity for the Distress't. These 3 Plays, by their Excellent Performances, took above all the Modern Plays that succeeded. A song for this play, <i>Come all the youths whose hearts have bled</i>, the music by $Forcer=, is in <i>Choice Ayres and Songs</i>, The Third Book, 1681.
  • Cleaned Data

    *p1680 02 00 dg The Orphan; or, The Unhappy Marriage. Edition of 1680: Acasto-Gillow; Castalio-Batterton; Polydore-Jo. Williams; Chamont-Smith; Ernesto-Norris; Paulino-Wiltshire; Cordelio-the little Girl [$Anne Bracegirdle=]; Chaplain-Percivall; Monimia-Mrs Barry; Serina-Mrs Boteler; Florella-Mrs Osborn; Prologue-; Epilogue-.*c1680 02 00 dg The <i>Duke's Company</i>. The date of the premiere is not known. $Pepys= saw it on 6 March 1679@80, calling it a "New Play," and that may have been the first day. The Prologue alludes also to the $Duke of York='s triumphant return from <i>Scotland</i> on 24 Feb. 1679@80, and the play was entered in the <i>Term Catalogues</i>, May 1680. For $Mrs Bracegirdle= as the "little Girl," see $Edmund Curll=, <i>History of the English Stage</i> (1741), p. 26, and $Lucyle Hook=, <i>Anne Bracegirdle's First Appearance</i>, <i>Theatre Notebook</i>, XIII (1959), 134. For $Betterton= as <i>Castalio</i>r and $Mrs Barry= as <i>Monimia</i>r, probably as they performed in the next decade, see <i>Cibber, Apology</i>, ed. $Lowe=, I, 116, 160. $Downes= (<i>Roscius Anglicanus</i>, p. 37) gives the same cast except for omissions and except for <i>Serina-$Mrs Mountfort</i>, who acted it later. Downes (pp. 37-38) adds: [<i>Monimia</i>r, <i>Belvidera</i>r in <i>Venice Preserved</i>, and <i>Isabella</i>r in <i>The Fatal Marriage</i>] These three Parts, gain'd her the Name of Famous $Mrs Barry=, both <i>at court</i> and <i>City</i>; for when ever She Acted any of these three Parts, she forc'd Tears from the Eyes of her Auditory, especially those who have any Sense of Pity for the Distress't. These 3 Plays, by their Excellent Performances, took above all the Modern Plays that succeeded. A song for this play, <i>Come all the youths whose hearts have bled</i>, the music by $Forcer=, is in <i>Choice Ayres and Songs</i>, The Third Book, 1681.
  • Parsed Data

    Event: 1388 | 16800200 | dg | The <i>Duke's Company</i>. The date of the premiere is not known. $Pepys= saw it on 6 March 1679@80, calling it a "New Play," and that may have been the first day. The Prologue alludes also to the $Duke of York='s triumphant return from <i>Scotland</i> on 24 Feb. 1679@80, and the play was entered in the <i>Term Catalogues</i>, May 1680. For $Mrs Bracegirdle= as the "little Girl," see $Edmund Curll=, <i>History of the English Stage</i> (1741), p. 26, and $Lucyle Hook=, <i>Anne Bracegirdle's First Appearance</i>, <i>Theatre Notebook</i>, XIII (1959), 134. For $Betterton= as <i>Castalio</i> and $Mrs Barry= as <i>Monimia</i>, probably as they performed in the next decade, see <i>Cibber, Apology</i>, ed. $Lowe=, I, 116, 160. $Downes= (<i>Roscius Anglicanus</i>, p. 37) gives the same cast except for omissions and except for <i>Serina-$Mrs Mountfort</i>, who acted it later. Downes (pp. 37-38) adds: [<i>Monimia</i>, <i>Belvidera</i> in <i>Venice Preserved</i>, and <i>Isabella</i> in <i>The Fatal Marriage</i>] These three Parts, gain'd her the Name of Famous $Mrs Barry=, both <i>at court</i> and <i>City</i>; for when ever She Acted any of these three Parts, she forc'd Tears from the Eyes of her Auditory, especially those who have any Sense of Pity for the Distress't. These 3 Plays, by their Excellent Performances, took above all the Modern Plays that succeeded. A song for this play, <i>Come all the youths whose hearts have bled</i>, the music by $Forcer=, is in <i>Choice Ayres and Songs</i>, The Third Book, 1681
    Performance: 1392 | 1388 | p | The Orphan; Or, The Unhappy Marriage | Edition of 1680: Acasto-Gillow; Castalio-Batterton; Polydore-Jo. Williams; Chamont-Smith; Ernesto-Norris; Paulino-Wiltshire; Cordelio-the little Girl [$Anne Bracegirdle=]; Chaplain-Percivall; Monimia-Mrs Barry; Serina-Mrs Boteler; Florella-Mrs Osborn; Prologue-; Epilogue-.
    Cast:
    2108 | 1392 | Acasto | Gillow
    2109 | 1392 | Castalio | Batterton
    2110 | 1392 | Polydore | Jo. Williams
    2111 | 1392 | Chamont | Smith
    2112 | 1392 | Ernesto | Norris
    2113 | 1392 | Paulino | Wiltshire
    2114 | 1392 | Cordelio | the little Girl
    2115 | 1392 | Chaplain | Percivall
    2116 | 1392 | Monimia | Mrs Barry
    2117 | 1392 | Serina | Mrs Boteler
    2118 | 1392 | Florella | Mrs Osborn
    2119 | 1392 | Prologue
    2120 | 1392 | Epilogue | .

Mainpiece

Comments:
Edition of 1680: Acasto-Gillow; Castalio-Batterton; Polydore-Jo. Williams; Chamont-Smith; Ernesto-Norris; Paulino-Wiltshire; Cordelio-the little Girl [Anne Bracegirdle]; Chaplain-Percivall; Monimia-Mrs Barry; Serina-Mrs Boteler; Florella-Mrs Osborn; Prologue-; Epilogue-.
Cast:

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