26 December 1752

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1752-1753
Volume: 4
Comments: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

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  • Original Data

    Source: London Stage Information Bank

    *p??dl As You Like It. As 25 Nov. *a??dl The Genii[, Arabian Night's Entertainment%. Harlequin-Woodward. *c??dl [TThe afterpiece] An <i>Arabian Night's Entertainment</i> produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause ($Cross=). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all <i>Genii</i> Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to <i>Drury Lane Theatre</i>, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of <i>Harlequin Sorcerer</i>, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (<i>Scourge No. 14</i>, quoted in the <i>Gentleman's Magazine</i>, Dec. 1752, p. 582). Receipts: #200 (Cross).
  • Cleaned Data

    *p1752 12 26 dl As You Like It. ^As17521125^.*a1752 12 26 dl The Genii, Arabian Night's Entertainment. Harlequin-Woodward.*c1752 12 26 dl [The afterpiece] An <i>Arabian Night's Entertainment</i> produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause ($Cross=). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all <i>Genii</i> Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to <i>Drury Lane Theatre</i>, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of <i>Harlequin Sorcerer</i>, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (<i>Scourge No. 14</i>, quoted in the <i>Gentleman's Magazine</i>, Dec. 1752, p. 582). Receipts: #200 (Cross).
  • Parsed Data

    Event: 26347 | 17521226 | dl | [The afterpiece] An <i>Arabian Night's Entertainment</i> produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause ($Cross=). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all <i>Genii</i> Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to <i>Drury Lane Theatre</i>, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of <i>Harlequin Sorcerer</i>, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (<i>Scourge No. 14</i>, quoted in the <i>Gentleman's Magazine</i>, Dec. 1752, p. 582). Receipts: #200 (Cross)
    Performance: 52929 | 26347 | p | As You Like It | As17521125.
    AsSeeDate: 52929 | dl | p | As | 17521125
    Cast:
    379532 | 52929 | Douchstone | Woodward
    379533 | 52929 | Orlando | Palmer
    379534 | 52929 | Jaques | Berry
    379535 | 52929 | Duke Senior | Blakes
    379536 | 52929 | Duke Frederick | Winstone
    379537 | 52929 | Oliver | Burton
    379538 | 52929 | Amiens | Beard
    379539 | 52929 | Adam | Lacey
    379540 | 52929 | Corin | Taswell
    379541 | 52929 | Silvius | Mozeen
    379542 | 52929 | Le Beau | Ackman
    379543 | 52929 | William | Vaughan
    379544 | 52929 | Charles | Wilder
    379545 | 52929 | Audry | Mrs James
    379546 | 52929 | Celia | Mrs Clive
    379547 | 52929 | Phebe | Mrs Bennet
    379548 | 52929 | Rosalind | Mrs Pritchard.
    Performance: 52930 | 26347 | a | The Genii, Arabian Night's Entertainment | Harlequin-Woodward.
    Cast:
    87457 | 52930 | Harlequin | Woodward.

Mainpiece

Comments:
As17521125.
Cast:

Afterpiece

Comments:
Harlequin-Woodward.
Cast:

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