Event Comment: Mainpiece: Never acted there. Neville MS Diary: Both theatres opened again with The English Merchant. Went into the Pit of cg. Shuter did Freeport pretty well, but had not that appearance of blunt honesty which Yates has in that character....I like Miss Pope better in Molly than Mrs Mattocks. Mrs Goodman by Mrs Ward, who is a very different figure now from what she was some years ago. Her daughter did Amelia pretty well, but has a stiffiness and an indifferent voice. End Act III, The Irish Lilt-The celebrated dancer Aldridge, Sga Manesiere. Entertainment Harlequin Dr Faustus. I hope this emulation between the 2 Houses will cause exertion. Receipts: #146 8s. 6d. (Account Book)

Event Comment: Benefit Michael Lally. By Command of Her Royal Highness the Princess Amelia. Tickets to be had at Mr Lally's House in Southampton-Row, Bloomsbury. Two Rows of the Pit will be laid into the Boxes

Event Comment: By Particular Desire. Rylands MS.: Young Gentleman-Hill. Being the last time of the Fausan's performing in England. [The Fausans had created twelve new Dances for the English during this tour.] Receipts: #120

Event Comment: Benefit A. Hallam and Mrs Walter. Mainpiece: Alter'd from Shakespear. Afterpiece: A New Ballad Opera [Author not known. Apparently not published.

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Event Comment: "Both these actresses [Mrs Siddons and Mrs Wells] possess a quality which no other actresses have on the English stage--they are always, whether speaking or not speaking, in their part" (Public Advertiser, 4 Oct.). Receipts: #245 18s. (223/16; 21/8; 0/14)

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Event Comment: [C$Colman published in the Public Advertiser this day extracts from the Oxonian in Town showing what favorable things were said of the Irish in it. He apparently did so to forstall a predicted riot by Irishmen who feared their nation was slandered because the scoundrels in the play were Irish. See E. R. Page, George Colman, The Elder (New York, 1935), p. 168. Monitor No V (21 Nov. 1767) includes a letter from Timothy Calfskin requesting refund of 4 shillings since his wife was frightened by the noise of the "wild Irish" and ran from the playhouse.] Receipts: #191 4s. (Account Book)

Event Comment: Benefit Mr and Mrs Roberts. Afterpiece: A new Dramatick Entertainment (being one short Act of low Humour) intermix'd with Comic Songs to Old Ballad Tunes and Country Dances. Tickets for Hallam and Wetherilt taken

Event Comment: Mainpiece: A new Comedy [by Francis Gentleman, first perform'd at Chester, 1760 (Biographia Dramatica)]. By Permission. Benefit for Mrs Williams. Note: For performances at dl and cg 18 and 20 September, see Season of 1773-1774, p. 1745

Event Comment: At Shuter's Booth, George Yard. At Shuter's Warehouse [in advance notices]; At Shuter's Theatrical Microcosm. [The English Mirror is not the name of a play.] Mr Shuter begs leave to acquaint the Public that his English Mirror is highly polished, and he hopes it will give the greatest Satisfaction, especially as it is the true English Manufacture reflecting the most striking Views of Modern Times and National Glory. He would be very far from imposing upon the Inhabitants of this great Metropolis, and, unconscious of a Puff, he takes upon him to say that the Gay and Learned will find his Piece ornamented with a Festoon of Flowers gathered by an admitted Genius on the Banks of Avon and enriched with Wreaths twined by the Fingers of the Muses. Here it may be said Pomona has given the Apple Wit, in which every agreeable Flavour is combined, and Bacchusr has sent a Store of genuine Falernian from a Receipt which anciently belonged to Homer, and has lately been discovered with the Ruins of Herculaneum. In fact we shall give a new Exhiliration to Mirth, and dilate the Sides of Laughter, make Vice bleed under the corrective Lash, and give a Lecture that shall stimulate Virtue to pursue the Road of Happiness. [Repeated.

Event Comment: Benefit for King. House charges #76 10s. [Profit to King #55 14s.] Paid Master Burney 15 nights #3 2s. 6d. Printer's bill #9 6s. (Treasurer's Book). Receipts: #132 4s. (Treasurer's Book). At 5 went to the Pit at Drury Lane to see the Clandestine Marriage...I could see this play, as it is now performed, every night, but J. Palmer was not so good in Brush as the other Mr Palmer whose character it is. Plym did not please tonight. The scene between the lawyers was omitted. We had the Irish Lilt by Mrs King, Giorgi, &c., and a comic scene by her and M Dugermay, with Linco's Travels...Mrs King is certainly a very fine dancer and has the best legs I ever saw. Past eleven ere we got out. A little girl of 7 or 8 years old danced very prettily (Neville MS Diary)

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #20 8s. 6d. N.B. The [authors] charges should have been put #73 10s. [this night] instead of #84, vide. 27 Nov. next; Paid salary list #513 17s. 6d.; Messrs Clinch and Dimon 5 guineas each, #10 10s. as per order; Miss Mansell per order #3 3s.; Mr French on acct #10 (Treasurer's Book). Receipts: #168 19s. Charges: #84. Profits to Author of Irish Widow: #84 19s. (Treasurer's Book)

Event Comment: The Irish Widow to be laid aside after this night on account of Mrs Barry's playing some principal characters. Paid salary list #513 17s. 6d.; Rec'd stopages #20 4s. 6d. (Treasurer's Book). Receipts: #158 17s. (Treasurer's Book)

Event Comment: Powell: The Jew rehearsed at 10 (for Palmer); Irish Widow at 12. Receipts: #416 15s. 6d. (353/14/6; 61/7/0; 1/14/0)

Event Comment: [1st piece in place of The Miser, advertised on playbill of 22 Apr.] 2nd piece [1st time; MF 2, by John O'Keeffe]: With new Scenes and Dresses. The Music partly compiled and partly composed by Shield. 3rd piece: Compressed into One Act. Morning Chronicle, 13 June 1795: This Day is published The Irish Mimick (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 2 May]. Receipts: #173 2s. (140.2; 33.0)

Event Comment: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)

Event Comment: "The only fault we observed was [Miss Biggs's] mode of turning away at the close of every speech, and retiring towards the back of the stage, as if the character was of no consequence when the speech was ended" (True Briton, 18 Oct.). MS annotation on Kemble playbill: Rehearsals--Cheap Living at 10; Sir Benjamin Backbite's scenes at 11; Irish Widow at 12; Adela'rs scenes, Haunted Tower at 1. Receipts: #247 16s. 6d. (162.0.0; 82.12.6; 3.4.0)