SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Homer"/1) | (@(roleclean,performerclean) "Homer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 12 matches on Roles/Actors, 4 matches on Event Comments, 3 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Union of the Three Sister Arts

Performance Comment: Cecila-Mrs Chambers; Homer-Leveridge; Apelles-Legar.
Cast
Role: Homer Actor: Leveridge

Dance: Dupre, Nivelon, Glover, Mrs Rogier, Mrs Wall, Mrs Bullock

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Alexis and Dorinda

Afterpiece Title: The Union of the Three Sister Arts

Performance Comment: St Cecilia-Mrs Chambers; Homer-Leveridge; Apelles-Legare.
Cast
Role: Homer Actor: Leveridge

Dance: DuPre, Nivelon, Glover, Mrs Legare, Mrs Wall, Mrs Ogden

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: St

Performance Comment: Ceciliae; or, The Union of the Three Sister Arts. St. Ceciliae-Mrs Chambers; Homer-Leveridge; Apelles-Legare.
Cast
Role: Homer Actor: Leveridge

Dance: Proper Dances-Salle, Dupre, Lally, Mrs Wall, Mrs Bullock, Mrs Anderson; Polonese-Lally, Mrs Wall; French Peasant-Nivelon, Mrs Legar

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: The Union of the Three Sister Arts

Cast
Role: Homer Actor: Leveridge

Dance: As17231122

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Union of the Three Sister Arts

Cast
Role: Homer Actor: Leveridge

Dance: As17231122

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: The Union of the Three Sister Arts

Cast
Role: Homer Actor: Leveridge

Dance: As17231122

Performances

Mainpiece Title: King Henry The Ivth; Part I

Afterpiece Title: The Union of the Three Sister Arts

Cast
Role: Homer Actor: Leveridge

Dance: As17231203

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Union of the Three Sister Arts

Cast
Role: Homer Actor: Leveridge

Dance: As17231122; particularly The Scating Dance-

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Union of the Three Sister Arts

Cast
Role: Homer Actor: Leveridge

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Union of the Three Sister Arts

Cast
Role: Homer Actor: Leveridge

Dance: As17231122

Performances

Mainpiece Title: Love And A Bottle

Afterpiece Title: Alexis and Dorinda

Cast
Role: Homer Actor: Leveridge

Dance: DuPre, Nivelon, Glover, Lally, Newhouse, Pelling, Mrs Bullock, Mrs Legar, Mrs Wall, Mrs Ogden; French Peasant-Nivelon, Mrs Legare; Scotch Dance-Mrs Bullock; Fingalian-Newhouse, Mrs Ogden

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: St

Cast
Role: Homer Actor: Leveridge

Dance: Dupre, Salle, Lally, Mrs Bullock, Mrs Wall, Mrs Anderson

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Event Comment: This day is publish'd, neatly printed in a pocket volume, (price bound 3s.) The History of the Life of Tamerlane the Great from the time of his being made Regent of Sachetay, till his death. Originally written in Arabic. By Alhacen a learned Arabian. Translated, abridg'd and methodized from the French of Jean DuBec@Abbot@of@Mortimer. With political notes. Printed for W. Owen, at Homer's Head near Temple Bar

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: At Shuter's Booth, George Yard. At Shuter's Warehouse [in advance notices]; At Shuter's Theatrical Microcosm. [The English Mirror is not the name of a play.] Mr Shuter begs leave to acquaint the Public that his English Mirror is highly polished, and he hopes it will give the greatest Satisfaction, especially as it is the true English Manufacture reflecting the most striking Views of Modern Times and National Glory. He would be very far from imposing upon the Inhabitants of this great Metropolis, and, unconscious of a Puff, he takes upon him to say that the Gay and Learned will find his Piece ornamented with a Festoon of Flowers gathered by an admitted Genius on the Banks of Avon and enriched with Wreaths twined by the Fingers of the Muses. Here it may be said Pomona has given the Apple Wit, in which every agreeable Flavour is combined, and Bacchusr has sent a Store of genuine Falernian from a Receipt which anciently belonged to Homer, and has lately been discovered with the Ruins of Herculaneum. In fact we shall give a new Exhiliration to Mirth, and dilate the Sides of Laughter, make Vice bleed under the corrective Lash, and give a Lecture that shall stimulate Virtue to pursue the Road of Happiness. [Repeated.

Performances

Mainpiece Title: The English Mirror; Or, Fun At The Fair

Event Comment: [T+The Theatrical Monitor, No. V (21 Nov.) includes a letter from Bathyllus: As Dancing has ever been receiv'd by the greatest of dramatic writers, with encomiums suitable to its distinguished merit; you will be pleased through the channel of your justly spirited paper, to express the satisfaction I met with from Mr Aldridge in the Merry Sailor: his stature, strength, agility, and swiftness, are beyond anything I ever saw on Covent Garden theatre: he stands tip-toe on the pinnacle of perfection, and gives us an idea of Homer's pyrrhick dance delineated on the shield of Achilles"] Receipts: #74 17s. (Account Book)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Dr Faustus

Dance: III: A new dance call'd The Merry Sailors-Aldridge