13 June 1796

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1794-1795
Volume: 5
Comments: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)
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  • Original Data

    Source: London Stage Information Bank

    *p dl Katharine and Petruchio. Petruchio-Palmer; Baptista-Packer; Hortensio-Trueman; Grumio-Hollingsworth; Music@master-Banks; Biondello-R. Palmer; Pedro-Phillimore; Taylor-Burton; Peter-Evans; Gabriel-Cooke; Nathaniel-Webb; Gregory-Maddocks; Katharine-Mrs Goodall; Bianca-Miss Tidswell; Curtis-Mrs Booth. *aThe Prize. As 19 Sept. 1795, but Lenitive-Wathen; Mr Caddy-Maddocks. *aThe Irish Widow. Sir Patrick O'Neale-Moody; Whittle-Hollingsworth; Nephew-Caulfield; Bates-Maddocks; Kecksey-Dodd; Thomas-Burton; Widow Brady-Miss DeCamp. *e[<i>Monologue</i>%End 2nd piece: <i>Monsieur Tonson</i>-Caulfield. *cBenefit for $Shade=, $Cameron=, $Woollams=, $Wood=, $Wilson=, $Dangerfield=, $Irish=, $Edwards=, $Griffiths=, $Nix=, $Wooldridge=, $Panchaud= & $Cole= [box-keepers]. [This was $Dodd='s last appearance on the stage.] "Dodd was one of the most perfect actors that I have everseen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soulof empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he remindedyou of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (<i>Boaden, Kemble</i>, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.).
  • Cleaned Data

    *p1796 06 13 dl Katharine and Petruchio. Petruchio-Palmer; Baptista-Packer; Hortensio-Trueman; Grumio-Hollingsworth; Music@master-Banks; Biondello-R. Palmer; Pedro-Phillimore; Taylor-Burton; Peter-Evans; Gabriel-Cooke; Nathaniel-Webb; Gregory-Maddocks; Katharine-Mrs Goodall; Bianca-Miss Tidswell; Curtis-Mrs Booth.*a1796 06 13 dl The Prize. ^As17950919^, but Lenitive-Wathen; Mr Caddy-Maddocks.*a1796 06 13 dl The Irish Widow. Sir Patrick O'Neale-Moody; Whittle-Hollingsworth; Nephew-Caulfield; Bates-Maddocks; Kecksey-Dodd; Thomas-Burton; Widow Brady-Miss DeCamp.*e1796 06 13 dl <i>Monologue</i>End 2nd piece: <i>Monsieur Tonson</i>-Caulfield.*c1796 06 13 dl Benefit for $Shade=, $Cameron=, $Woollams=, $Wood=, $Wilson=, $Dangerfield=, $Irish=, $Edwards=, $Griffiths=, $Nix=, $Wooldridge=, $Panchaud= & $Cole= [box-keepers]. [This was $Dodd='s last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (<i>Boaden, Kemble</i>, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.).
  • Parsed Data

    Event: 50223 | 17960613 | dl | Benefit for $Shade=, $Cameron=, $Woollams=, $Wood=, $Wilson=, $Dangerfield=, $Irish=, $Edwards=, $Griffiths=, $Nix=, $Wooldridge=, $Panchaud= & $Cole= [box-keepers]. [This was $Dodd='s last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (<i>Boaden, Kemble</i>, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)
    Performance: 111208 | 50223 | p | Katharine And Petruchio | Petruchio-Palmer; Baptista-Packer; Hortensio-Trueman; Grumio-Hollingsworth; Music@master-Banks; Biondello-R. Palmer; Pedro-Phillimore; Taylor-Burton; Peter-Evans; Gabriel-Cooke; Nathaniel-Webb; Gregory-Maddocks; Katharine-Mrs Goodall; Bianca-Miss Tidswell; Curtis-Mrs Booth.
    Cast:
    202518 | 111208 | Petruchio | Palmer
    202519 | 111208 | Baptista | Packer
    202520 | 111208 | Hortensio | Trueman
    202521 | 111208 | Grumio | Hollingsworth
    202522 | 111208 | Music@master | Banks
    202523 | 111208 | Biondello | R. Palmer
    202524 | 111208 | Pedro | Phillimore
    202525 | 111208 | Taylor | Burton
    202526 | 111208 | Peter | Evans
    202527 | 111208 | Gabriel | Cooke
    202528 | 111208 | Nathaniel | Webb
    202529 | 111208 | Gregory | Maddocks
    202530 | 111208 | Katharine | Mrs Goodall
    202531 | 111208 | Bianca | Miss Tidswell
    202532 | 111208 | Curtis | Mrs Booth.
    Performance: 111209 | 50223 | a | The Prize | As17950919, but Lenitive-Wathen; Mr Caddy-Maddocks.
    AsSeeDate: 111209 | dl | a | As | 17950919
    Cast:
    202533 | 111209 | Lenitive | Wathen
    202534 | 111209 | Mr Caddy | Maddocks.
    742502 | 111209 | Heartwell | Whitfield
    742503 | 111209 | Label | Suett
    742504 | 111209 | Juba | Master Welsh
    742505 | 111209 | Mrs Caddy | Mrs Booth
    742506 | 111209 | Caroline | Sga Storace.
    Performance: 111210 | 50223 | a | The Irish Widow | Sir Patrick O'Neale-Moody; Whittle-Hollingsworth; Nephew-Caulfield; Bates-Maddocks; Kecksey-Dodd; Thomas-Burton; Widow Brady-Miss DeCamp.
    Cast:
    202535 | 111210 | Sir Patrick O'Neale | Moody
    202536 | 111210 | Whittle | Hollingsworth
    202537 | 111210 | Nephew | Caulfield
    202538 | 111210 | Bates | Maddocks
    202539 | 111210 | Kecksey | Dodd
    202540 | 111210 | Thomas | Burton
    202541 | 111210 | Widow Brady | Miss DeCamp.
    Performance: 111211 | 50223 | e | <i>Monologue</i>End 2nd piece: <i>Monsieur Tonson</i>-Caulfield

Mainpiece

Comments:
Petruchio-Palmer; Baptista-Packer; Hortensio-Trueman; Grumio-Hollingsworth; Music@master-Banks; Biondello-R. Palmer; Pedro-Phillimore; Taylor-Burton; Peter-Evans; Gabriel-Cooke; Nathaniel-Webb; Gregory-Maddocks; Katharine-Mrs Goodall; Bianca-Miss Tidswell; Curtis-Mrs Booth.
Cast:

Afterpiece

Comments:
As17950919, but Lenitive-Wathen; Mr Caddy-Maddocks.
Cast:

Afterpiece

Comments:
Sir Patrick O'Neale-Moody; Whittle-Hollingsworth; Nephew-Caulfield; Bates-Maddocks; Kecksey-Dodd; Thomas-Burton; Widow Brady-Miss DeCamp.
Cast:

Entertainment

Comment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

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