SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch Characters"/1) | (@(roleclean,performerclean) "English French Dutch Characters")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3996 matches on Performance Comments, 1727 matches on Performance Title, 1431 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: Afterpiece: By Desire. Paid Burton for writing parts 15s.; Mr Hiens for a suit of men's cloaths #10 10s.; Caustin for 3 pieces old lace #1 1s.; Steel for French ribbons 5s. (Treasurer's Book). Receipts: #120 (Cross); #128 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: A Duke and no Duke

Event Comment: Paid Norton 4 Chorus #1 (Treasurer's Book). This month publish'd An Impartial Statement of the case of the French Players. Printed for Spavan (Gentleman's Magazine, Register of Books). Receipts: #160 (Cross); #126 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Merope

Dance: GGrand Scotch Dance, as17491031

Event Comment: We hear that Mr Monette, who brought over the French Comedians having been four months under confinement in the King's Bench, on account of the Debts he had contracted in that Undertaking, has applied to the Managers of Drury Lane, for a Benefit Play, in hope that the Goodness and Generosity of the Public will contribute to his enlargement, and enable him to return to his own country (General Advertiser)

Performances

Event Comment: This day is publish'd, neatly printed in a pocket volume, (price bound 3s.) The History of the Life of Tamerlane the Great from the time of his being made Regent of Sachetay, till his death. Originally written in Arabic. By Alhacen a learned Arabian. Translated, abridg'd and methodized from the French of Jean DuBec@Abbot@of@Mortimer. With political notes. Printed for W. Owen, at Homer's Head near Temple Bar

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: Both pieces By Command of their Royal Highnesses the Prince and Princess of Wales. Containing the Memorable Battle of Agincourtv, with the trial and overthrow of the French Armyv, and Many other Historical Passages. [This notice repeated on subsequent performances this season.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Event Comment: Benefit for Mrs Cibber. Play By Command of Prince & Princess of Wales. Play taken from the French of M de Voltaire. Never acted there before.' Pit and boxes to be laid together, where the Ladies and Gentlemen will be admitted as at the Oratorios. And for the better accommodation of the Ladies the Stage will be form'd into an amphitheatre (with particular care to keep it warm) where servants will be allowed to keep places, as also in the Pit. Ladies send servants by three o'clock

Performances

Mainpiece Title: Zara

Dance: As17500926

Event Comment: Benefit for Dan. French, Mrs Hyde and Mrs Knowles, Two Ale-Conners Widows. A Concert, etc. Boxes 4s. Pit 2s. Gallery 1s. 6d. To beg1n at 6

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Flora; or, Hob in the Well

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Performance Comment: As17531022, but Buck (by desire)-Woodward , 1st time; Lucinda-Miss Haughton , 1st time; Singing Master-Beard, with a favorite French air; The Minuet-Devisse, Mlle Auguste.
Cast
Role: Other characters Actor: Lacey.
Event Comment: The contest finally determined between that Gentleman [the Inquisitor], Dr R-, and Tiddy Doll, and as it is presumed the election will fall upon Frontinbras, his investiture with the Inquisitorial dignity will be triumphantly executed, after the manner of a St Giles's Oration. [Macklin had dropped the contest, this night lecturing on the Constitution of the French and British Theatres, &c.

Performances

Mainpiece Title: Writ Of Inquiry

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Afterpiece Title: The Comical Humours and Adventures of Trusty, her Father's Man, and Three Witches

Entertainment: Kettle Drums-Jos. Woodbridge. A Good Band is provided consisting of Kettle Drums, Trumpets, French Horns, Violins, Hautboys, Bassoons

Performance Comment: Woodbridge. A Good Band is provided consisting of Kettle Drums, Trumpets, French Horns, Violins, Hautboys, Bassoons.
Event Comment: When Mr Garrick ended the 3d Act with "Die wth pleasure for my Country's good"-a person in the Gall: cry'd no french Dancers then-wch seems to say much resentment will be shewn when the 24 we have engag'd appear (Cross). Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Mock Doctor

Dance: IV: Lilliputian Sailors, as17551104

Event Comment: MMonr Delatre danc'd, no notice taken of the french (Cross). [Apprentice published--1s., by Mr Murphy.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Apprentice

Dance: IV: Peasant Dance-

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: Benefit for the French Dancers, tho' not in the Bills. It was to have been The Winter's Tale, but Mrs Cibber is taken ill (Cross). Tickets deliver'd for The Winter's Tale and Catherine and Petruchio will be taken. Last time of performing the mainpiece this season. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Catherine and Petruchio

Event Comment: Benefit Sig and Signora Forti. [Actually a charity benefit, as the ship with their costumes was seized by the French.

Performances

Mainpiece Title: Il Ciro Riconosiuto

Dance: new dance% Il Divertimento Napolitano-

Performances

Mainpiece Title: The Universal Prayer

Performance Comment: In Two Parts with a Solo on the Violin-Hollendulla; Concerto on the Harpsichord and Hautbois by Barbandt-; Concerto upon the Tenor by Herschell-; And a Aacred Ode by Redmond, the Music by Barbandt-; To conclude with a grand Concerto on Clarinets and French Horns composed by Barbandt-.
Event Comment: Afterpiece: A New Musical Entertainment never perform'd before. The Music composed by Dr Arne. Full Prices. Boxes #53 (Account Book). [About 212 persons in Boxes. A profitable and popular afterpiece for Rich, but it cost him each night this season 10s. 6d. for Mr Wrexell for the Clarinet, and 5s. to Dell for the French Horn.] Receipts. #181 8s. (Account Book)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally; or, The Sailor's Return

Performances

Mainpiece Title: Music In Four Acts

Performance Comment: Favourite songs. A good Choir disposed over the orchestra, and some extraordinary hands. End Act II, Handel's Grand Chorus from the Messiah-; [End Act IV, Handel's Coronation Anthem-. [After the music is over, in the Portico opposite the Octagone in the Garden, will be exhibited the Theatre of Shados [sic] representing several beautiful views of Italy, and moving figures...Between the acts the French Horns-; [and Clarinets- [will play favourite pieces- [in the Garden. The whole to conclude with a Ball..in the Garden. The whole to conclude with a Ball..
Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Event Comment: Paid Mr French #20 (Treasurer's Book). Receipts: #153 17s

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Queen Mab

Dance: II: A New Comic Dance, The Jealous Peasant-Duquesney, 1st appearance this stage, Tassoni, Mrs King

Event Comment: Mainpiece: By Desire. Not acted these 2 years. [See 27 Oct. 1764.] Paid French on account #30; and Frederick for cloath #6 15s. (Treasurer's Book). Receipts: #115 9s. (Treasurer's Book)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Queen Mab

Event Comment: N.B.: The Cunning Man is oblig'd to be deferr'd. Rec'd Condell's first [fruit concession] payment #20; Paid French on account #20; Mr John Palmer on his note #10. (Treasurer's Book). Receipts: #127 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: By Desire. [Genest, V, 120, suggests The Old Maid as afterpiece with Clerimont-French">Cautherley; Capt. Cape-$Baddeley; Mrs Harlow-$Miss Pope; Miss Harlow-$Mrs Bennet; but Treasurer's Book Specifies Queen Mab.] Paid $French on acct. #50; Shepherd for cotton #2 18s. 4d.; Mrs Hilman for cloaths #4 14s. 6d.; Mrs Humphreys for a suit of cloaths #9 9s.; Miss Allen for cleaning stockings #1 6s. 6d.; Licensing the Earl of Warwick and Cymon #4 4s. (Treasurer's Book). Receipts: #181 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab