SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Davenant"/1) | (@(roleclean,performerclean) "Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 798 matches on Author, 66 matches on Event Comments, 45 matches on Roles/Actors, 15 matches on Performance Comments, and 0 matches on Performance Title.
Event Comment: The Duke's Company. Davenant's alterations were apparently not published. Pepys, Diary: To a play...at the Duke's house, where Tu Quoque was the first time acted, with some alterations of Sir W. Davenant's; but the play is a very silly play, methinks; for I, and others that sat by me, Mr Povy and Mr Progers, were weary of it; but it will please the citizens

Performances

Mainpiece Title: Tu Quoque; Or, The City Gallant

Performance Comment: [Altered from John Cooke by Sir William Davenant.]
Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): Sir William Davenant

Performances

Mainpiece Title: The Mysterious Husband

Performance Comment: Lord Davenant-Henderson; Capt. Davenant-Lewis; Capt. Dormer-Wroughton; Sir Harry Harlow-Aickin; Paget-Fearon; Sir Edmund Travers (1st time)-Wilson; Miss Dormer-Mrs Kemble (late Miss Satchell); Waiting Woman-Miss Platt; Lady Davenant-Miss Younge .
Cast
Role: Lord Davenant Actor: Henderson
Role: Davenant Actor: Lewis
Role: Lady Davenant Actor: Miss Younge

Afterpiece Title: Lord Mayor's Day

Performances

Mainpiece Title: The Mysterious Husband

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Aickin, Fearon, Yates; Miss Satchell, Miss Platt, Miss Younge. [Cast from text (C. Dilly, 1783), and Larpent MS 615: Lord Davenant-Henderson; Charles Davenant-Lewis; Captain Dormer-Wroughton; Sir Harry Harlow-Aickin; Paget-Fearon; Sir Edmund Travers-Yates; Servant-Helme; Marianne-Miss Satchell; Waiting Woman-Miss Platt; Lady Davenant-Miss Younge.] Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 11 performances only (see17830510).] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 11 performances only (see17830510).] hathi.

Afterpiece Title: Cross Purposes

Dance: As17820927

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Mysterious Husband

Performance Comment: Lord Davenant-Holman; Capt. Dormer-Harley; Sir Henry Harlow-Macready; Charles Davenant-Toms; Sir Edmund Travers-Powel; Marinanna-Mrs Townsend; Lady Davenant-Mrs Pope.
Cast
Role: Lord Davenant Actor: Holman
Role: Charles Davenant Actor: Toms
Role: Lady Davenant Actor: Mrs Pope.

Afterpiece Title: Merry Sherwood

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Related Works
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: The Siege of Rhodes Author(s): Sir William Davenant
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Related Works
Related Work: The Unfortunate Lovers Author(s): Sir William Davenant
Related Work: The Ungrateful [Unfortunate] Lovers Author(s): Sir William Davenant
Event Comment: The Duke's Company. Pepys, Diary: To Sir William Davenant's Opera; this being the fourth day that it hath begun, and the first that I have seen it. To-day was acted the second part of The Siege of Rhodes. We staid a very great while for the King and the Queen of Bohemia. And by the breaking of a board over our heads, we had a great deal of dust fell into the ladies' necks and the men's hair, which made good sport. The King being come, the scene opened; which indeed is very fine and magnificent, and well acted, all but the Eunuch, who was so much out tha he was hissed off the stage

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Related Works
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes Author(s): Sir William Davenant

Performances

Mainpiece Title: The Law Against Lovers

Performance Comment: [Altered from William Shakespeare's Measure for Measure and Much Ado About Nothing by Sir William Davenant.] Downes (Roscius Anglicanus, p. 26) and the edition of 1673 have no actors' names. But see16610218@2.
Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Related Works
Related Work: Henry VIII Author(s): Sir William Davenant
Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Probably adapted by Sir William Davenant.] among those named in the quarto of 1673 these may have played at this time: Macbeth-Betterton?; Macduff-Harris?; Banquo-Smith?; Malcolm-Norris?; Lennox-Medbourne?; Donalbain-Cademan?; Lady Macbeth-Mrs Betterton?; Heccat-Sandford?.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Altered by Sir William Davenant.] See16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Altered by Sir William Davenant.] Macbeth-Young. But see16641105.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Performance Comment: [Adapted by Sir William Davenant.] See16671016.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant
Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant
Event Comment: The Duke's Company. See Pepys, Diary:, 9 April, for an account of Davenant's funeral on 9 April. Pepys, Diary: With Lord Brouncker to the Duke of York's playhouse, where we saw The Unfortunate Lovers, no extraordinary play, methinks

Performances

Mainpiece Title: The Unfortunate Lovers

Related Works
Related Work: The Unfortunate Lovers Author(s): Sir William Davenant
Related Work: The Ungrateful [Unfortunate] Lovers Author(s): Sir William Davenant
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The same cast is listed in the Yale MS. See Davenant's Macbeth from the Yale Manuscript, ed. Christopher Spencer (New Haven, 1961), p. 78. Downes, Roscius Anglicanus, p. 34: Mr Nat. Lee, had the same Fate [as Otway in undertaking the King in Behn's The Jealous Bridgeroom] in Acting Duncan in Macbeth, ruin'd him for an Actor too

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant