SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Elizabeth Griffith"/1) | (@(roleclean,performerclean) "Elizabeth Griffith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 617 matches on Performance Comments, 529 matches on Author, 153 matches on Event Comments, 14 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Performance Comment: Parts by: Bannister, Dibdin, Jackson, Griffith, Lloyd, A Gentleman first appearance, Mrs Love, Mrs Jewell. Don Pedro-Wilson; Lysander-Bret; Fabio-Bannister; Perez-Weston (?); Marcella-Mrs Jewell; Juletta-Mrs Weston (Edition of 1776).

Dance: The Venetian Regatta-

Performances

Mainpiece Title: The Committee

Cast
Role: Bailiff Actor: Griffiths

Afterpiece Title: The Deserter

Performance Comment: As17770301but Soldiers-_Holcroft, Griffiths; Jenny-Mrs Davies; Louisa-Miss Collett (1st appearance in that character).

Dance: As17761214

Song: End: O What a Charming Thing's a Battle-Bannister

Event Comment: Benefit for Gaudry, Griffiths, Norris & Miss Armstrong. Receipts: #211 12s. (31.15; 11.11; 0.10; tickets: 167.16) (charge: #67 19s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: IV: New Dance, as17771125; End I afterpiece: The Minuet de la Cour, as17771111

Song: In: He's Aye Kissing Me, as17780428

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Fortunatus

Performance Comment: As17800919, but The other Characters-Griffiths, +Nash, +Helme, _Williams.
Cast
Role: The other Characters Actor:

Song: IV: To thee oh gentle sleep!-Miss Wright

Event Comment: By particular desire of their Excellencies the Persian Ambassadors. Benefit for Griffiths, Norris, Spencer & Williams. [Afterpiece in place of The Flitch of Bacon, announced on playbill of 21 May.] Receipts: #251 0s. 6d. (35.14.0; 14.17.6; 4.8.0; tickets: 196.1.0) (charge: none listed)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Quaker

Dance: End: The Devonshire Minuet, as17810517

Performances

Mainpiece Title: The Coronation Anthem, God Save The King

Afterpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Harrison, Pearson (Principal Alto at the Concert of Ancient Music), Griffiths, Champness, Sale (Principal Basses at the Concert of Ancient Music), Miss Cantelo, Sga Storace; Among the Instrumental Performers-Richards (Leader of the Band), Ashley, Ashley's Sons, Sperati, Patria, Sarjant, Gariboldi, Boyce, Knyvett (Organ).

Music: End Part I Oratorio: concerto on the violin [by Viotti (World, 28 Feb.)]-Mme Gautherot (from Paris; 2nd public performance in this Kingdom)

Event Comment: Benefit for Shade, Cameron, Nix, Woollams, Wood, Dangerfield, Wilson, Panchaud, Irish, Edwards, Wooldridge, Griffiths. Kemble Mem.: BT. the box-keepers. Receipts: #528 8s. 6d. (30.13.6; 16.7.6; 11.7.6; tickets: 470.0.0) (charge: #211 14s.)

Performances

Mainpiece Title: The Chances

Afterpiece Title: No Song No Supper

Song: End: When 'tis night and the Mid Watch is come-Master Welsh

Dance: a Hornpipe-Butler

Event Comment: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. Mountstevens to Henry Stevens, 20 Feb. 1679@80: Upon Sunday the Court is to be in mourning for the death of the Princess Elizabeth, sister to Prince Rupert. (R. W. Blencowe, Diary of the Time of Charles the Second [London, 1843], I, 283)

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. It should be noted that not only is this date a Friday in Lent but it is also during the period of mourning for the Princess Elizabeth. Yet to place this performance in 1681 would make it fall on Sunday

Performances

Mainpiece Title: She Would If She Could

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit Mrs Elizabeth Hemmings. At the Desire of several Ladies of Quality and for the Entertainment of the Mohocks and the 3 Indian Kings (Being the last Time of their Appearance in Publick). At 8 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; Wherein in English and Italian several new Cantatas, other Pieces of Musick-Mrs Hemmings, others; She also accompanies to her own Voice in the Harpsicord, being the first Time of her Appearance in Publick-Mrs Hemmings

Performances

Mainpiece Title: The Stratagem

Performance Comment: Aimwell-Mills; Archer-Wilks; Bonniface-Evans; Sullen-Bickerstaff; Scrub-Norris; Mrs Sullen-Mrs Oldfield; Dorinda-Mrs Mountfort; Cherry-Mrs Bicknell; With a Prologue-the Child that acted the Princess Elizabeth in Anna Bullen.

Afterpiece Title: Hob

Song: A Dialogue-Renton, Mrs Willis

Dance: Mrs Santlow, Wade, Prince, others

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performance Comment: King-Bowman's Son; Don Carlos-Mills' Son; Don John-Young Ray; Roi Gomez-Young Frisbe; Queen-Miss Younger; Eboli-Miss Willis; And the Original Epilogue-the Child that Acted Princess Elizabeth in Anna Bullen.

Song: Miss Booth

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Performance Comment: With the Epilogue to the Play-the Child that acted Princess Elizabeth in Anna Bullen.

Music: With the Addition of that Celebrated Musick by the late Mr Henry Purcell-Randal, Renton, Teno, Burkhead, Mrs Willis, Mrs Mills, Miss Booth

Event Comment: Benefit Elizabeth Bewley, Mrs Aylett, and Young Gwin. Receipts: money #16 2s. 6d. and tickets #38 10s

Performances

Mainpiece Title: The Woman Captain

Dance: Thurmond Jr, Newhouse, Mrs Cross, Miss Smith

Event Comment: Not Acted these Eight Years. Written by Shakespear. Containing, the Death of the Duke of Buckingham. The Fall of Cardinal Wolsey. The Divorce, and Death of Queen Catherine. The Coronation of Queen Anne Bullen, and the Christning of Queen Elizabeth. With Decorations proper to the Play. [The Prince of Wales present.

Performances

Mainpiece Title: King Henry The Eighth

Event Comment: Benefit Schoolding, Scott, Giffard, Newhouse, Mrs Elizabeth Bewley. Receipts: money #9 10s. 6d.; tickets #126 10s

Performances

Mainpiece Title: The Twin Rivals

Dance: Moreau, Shaw, Thurmond Jr, Mrs Cross, Mrs Smith, Miss Schoolding; particularly a dance-Moreau, Miss Schoolding; A new Scotch Dance, French Peasant both by Newhouse-Newhouse, Mrs Cross; A New Dance-a Gentleman who never appeared on the English Stage before

Event Comment: Benefit Price, Browne, and Elizabeth Bewley. The last Time of the Company's playing this Season

Performances

Mainpiece Title: The Island Princess

Music: The Original Dialogues-Leveridge, Pack

Dance: Wooden Shoe-Sandham, Newhouse; Scaramouch-a Gentleman for his diversion; Harlequin-delaGarde's Two Sons

Song: Mrs Fletcher, Mrs Barbier

Event Comment: Benefit the Author. See also A Letter to Mr John Gay on his Tragedy call'd The Captives (1724), by Elizabeth Harrison, who attended a performance during the initial run

Performances

Mainpiece Title: The Captives

Performances

Mainpiece Title: The Rover

Performance Comment: As17241113, but Pedro-Thurmond; With a new Prologue, Epilogue-Miss Robinson Jr , who acted the Part of Princess Elizabeth by Anna Bullen , and the Duke of York in Richard the Third.

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-

Event Comment: DDaily Post, 13 Nov.: We hear King Henry the Eighth, with the magnificent Coronation of Queen Anne Bullen , and the Christning of Queen Elizabeth , still continues to draw numerous Audiences, which is owing to the Excellency of the Performance, and the extraordinary Grandeur of the Decorations

Performances

Mainpiece Title: King Henry The Viiith

Event Comment: Benefit the Author. Lady Elizabeth Compton to Countess of Northampton, 28 Nov.: Mr Buncombe's Brother has written a Play & last night was the Poetts night, I was there & I think he had a prodigious full house, especially considering that the Town is not near so full as it will be after Xmas. A Play comes out now with great disadvantage for 'twas sadly acted. MSS of Marquess Townshend, p. 244

Performances

Mainpiece Title: Junius Brutus

Event Comment: Benefit Mrs Butler. [Tickets at Mrs Elizabeth Butler's Leicester Fields. See Daily Advertiser, 18 April for verses spoken by Mrs Butler on this night.

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Devil to Pay